1.
Phonograph record
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The groove usually starts near the periphery and ends near the center of the disc. The phonograph disc record was the medium used for music reproduction until late in the 20th century. It had co-existed with the cylinder from the late 1880s. Records retained the largest market share even when new formats such as compact cassette were mass-marketed, by the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. The phonograph record has made a resurgence in the early 21st century –9.2 million records were sold in the U. S. in 2014. Likewise, in the UK sales have increased five-fold from 2009 to 2014, as of 2017,48 record pressing facilities remain worldwide,18 in the United States and 30 in other countries. The increased popularity of vinyl has led to the investment in new, only two producers of lacquers remains, Apollo Masters in California, USA, and MDC in Japan. Vinyl records may be scratched or warped if stored incorrectly but if they are not exposed to heat or broken. The large cover are valued by collectors and artists for the space given for visual expression, in the 2000s, these tracings were first scanned by audio engineers and digitally converted into audible sound. Phonautograms of singing and speech made by Scott in 1860 were played back as sound for the first time in 2008, along with a tuning fork tone and unintelligible snippets recorded as early as 1857, these are the earliest known recordings of sound. In 1877, Thomas Edison invented the phonograph, unlike the phonautograph, it was capable of both recording and reproducing sound. Despite the similarity of name, there is no evidence that Edisons phonograph was based on Scotts phonautograph. Edison first tried recording sound on a paper tape, with the idea of creating a telephone repeater analogous to the telegraph repeater he had been working on. The tinfoil was wrapped around a metal cylinder and a sound-vibrated stylus indented the tinfoil while the cylinder was rotated. The recording could be played back immediately, Edison also invented variations of the phonograph that used tape and disc formats. A decade later, Edison developed a greatly improved phonograph that used a wax cylinder instead of a foil sheet. This proved to be both a better-sounding and far more useful and durable device, the wax phonograph cylinder created the recorded sound market at the end of the 1880s and dominated it through the early years of the 20th century. Berliners earliest discs, first marketed in 1889, but only in Europe, were 12.5 cm in diameter, both the records and the machine were adequate only for use as a toy or curiosity, due to the limited sound quality
2.
Soul music
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Soul music is a popular music genre that originated in the United States in the late 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues, Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music, catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and a tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds, Soul music reflected the African-American identity and it stressed the importance of an African-American culture. The new-found African-American consciousness led to new styles of music, which boasted pride in being black, Soul music dominated the U. S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U. S. By 1968, the music genre had begun to splinter. Some soul artists developed funk music, while other singers and groups developed slicker, more sophisticated, by the early 1970s, soul music had been influenced by psychedelic rock and other genres, leading to psychedelic soul. The United States saw the development of neo soul around 1994, there are also several other subgenres and offshoots of soul music. The term soul had been used among African-American musicians to emphasize the feeling of being an African-American in the United States, according to another source, Soul music was the result of the urbanization and commercialization of rhythm and blues in the 60s. The phrase soul music itself, referring to music with secular lyrics, is first attested in 1961. The term soul in African-American parlance has connotations of African-American pride, gospel groups in the 1940s and 1950s occasionally used the term as part of their name. The jazz style that derived from gospel came to be called soul jazz, important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter, Hank Ballard, and Etta James. Ray Charles is often cited as popularizing the genre with his string of hits starting with 1954s I Got a Woman. Singer Bobby Womack said, Ray was the genius and he turned the world onto soul music. Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style, little Richard and James Brown were equally influential. Sam Cooke and Jackie Wilson are also acknowledged as soul forefathers. Cooke became popular as the singer of gospel group The Soul Stirrers
3.
Burt Bacharach
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Burt Freeman Bacharach is an American composer, songwriter, record producer, pianist, and singer. As of 2014, Bacharach had written 73 US and 52 UK Top 40 hits, in 1997 he was the subject of a PBS Great Performances biography. And in recent years a number of albums and concerts have helped introduce his music to younger audiences. Among them was a 2009 concert by Dutch singer Trijntje Oosterhuis, in 2012 Bacharach and David received the Library of Congress Gershwin Prize for Popular Song, the first time the honor has been given to a songwriting team. The ceremony was hosted by President Obama, and included a concert performed with various stars, Bacharach was born in Kansas City, Missouri, and grew up in the Forest Hills section of New York City, graduating from Forest Hills High School in 1946. His family was Jewish, but he says that they didnt practice or give attention to their religion. But the kids I knew were Catholic, he adds, I was Jewish but I didnt want anybody to know about it. Bacharach showed a keen interest in jazz as a teenager, disliking his classical piano lessons and he got to hear bebop musicians such as Dizzy Gillespie and Count Basie, whose style would later influence his songwriting. Bacharach studied music at Montreals McGill University, under Helmut Blume, at the Mannes School of Music, during this period he studied a range of music, including jazz harmony, which has since been important to songs which are generally considered pop music. His composition teachers included Darius Milhaud, Henry Cowell, and Bohuslav Martinů, Bacharach cites Milhaud as his biggest influence, under whose guidance he wrote a Sonatina for Violin, Oboe and Piano. Following his tour of duty in the United States Army, Bacharach spent the three years as a pianist and conductor for popular singer Vic Damone. Damone recalls, Burt was clearly bound to go out on his own and he was an exceptionally talented, classically trained pianist, with very clear ideas on the musicality of songs, how they should be played, and what they should sound like. He later worked in similar capacity for other singers, including Polly Bergen, Steve Lawrence. When he was unable to better jobs, Bacharach worked at resorts in the Catskill Mountains of New York. In 1956, at age 28, Bacharachs productivity increased when composer Peter Matz recommended him to Marlene Dietrich and he then became part-time music director for Dietrich, a German actress and singer who had been an international screen star in the 1930s. They toured worldwide off and on until the early 1960s, when they werent touring, as a result of his collaboration with Dietrich, he gained his first major recognition as a conductor and arranger. In her autobiography, she remembered that Bacharach loved touring in Russia and Poland because the violinists were extraordinary and he liked Edinburgh and Paris, along with the Scandinavian countries, and he also felt at home in Israel, she says, where music was similarly much revered. By the early 1960s, after five years with Dietrich
4.
Miami
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Miami is a seaport city at the southeastern corner of the U. S. state of Florida and its Atlantic coast. According to the U. S. Census Bureau, Miamis metro area is the eighth-most populous, Miami is a major center, and a leader in finance, commerce, culture, media, entertainment, the arts, and international trade. In 2012, Miami was classified as an Alpha−World City in the World Cities Study Groups inventory, in 2010, Miami ranked seventh in the United States in terms of finance, commerce, culture, entertainment, fashion, education, and other sectors. It ranked 33rd among global cities, in 2008, Forbes magazine ranked Miami Americas Cleanest City, for its year-round good air quality, vast green spaces, clean drinking water, clean streets, and citywide recycling programs. According to a 2009 UBS study of 73 world cities, Miami was ranked as the richest city in the United States, Miami is nicknamed the Capital of Latin America and is the largest city with a Cuban-American plurality. Miami has the third tallest skyline in the U. S. with over 300 high-rises, Downtown Miami is home to the largest concentration of international banks in the United States, and many large national and international companies. The Civic Center is a center for hospitals, research institutes, medical centers. For more than two decades, the Port of Miami, known as the Cruise Capital of the World, has been the number one cruise port in the world. It accommodates some of the worlds largest cruise ships and operations, Metropolitan Miami is the major tourism hub in the American South, number two in the U. S. after New York City and number 13 in the world, including the popular destination of Miami Beach. The Miami area was inhabited for thousands of years by indigenous Native American tribes, the Tequestas occupied the area for a thousand years before encountering Europeans. An Indian village of hundreds of people dating to 500–600 B. C. was located at the mouth of the Miami River, in 1566 the explorer, Pedro Menéndez de Avilés, claimed it for Spain. A Spanish mission was constructed one year later in 1567, Spain and Great Britain successively controlled Florida, and Spain ceded it to the United States in 1821. In 1836, the US built Fort Dallas as part of its development of the Florida Territory and attempt to suppress, the Miami area subsequently became a site of fighting during the Second Seminole War. Miami is noted as the major city in the United States conceived by a woman, Julia Tuttle, a local citrus grower. The Miami area was known as Biscayne Bay Country in the early years of its growth. In the late 19th century, reports described the area as a promising wilderness, the area was also characterized as one of the finest building sites in Florida. The Great Freeze of 1894–95 hastened Miamis growth, as the crops of the Miami area were the ones in Florida that survived. Julia Tuttle subsequently convinced Henry Flagler, a tycoon, to expand his Florida East Coast Railway to the region
5.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
6.
Detroit
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Detroit is the most populous city in the U. S. state of Michigan, the fourth-largest city in the Midwest and the largest city on the United States–Canada border. It is the seat of Wayne County, the most populous county in the state, the municipality of Detroit had a 2015 estimated population of 677,116, making it the 21st-most populous city in the United States. Roughly one-half of Michigans population lives in Metro Detroit alone, the Detroit–Windsor area, a commercial link straddling the Canada–U. S. Border, has a population of about 5.7 million. Detroit is a port on the Detroit River, a strait that connects the Great Lakes system to the Saint Lawrence Seaway. The Detroit Metropolitan Airport is among the most important hubs in the United States, the City of Detroit anchors the second-largest economic region in the Midwest, behind Chicago, and the thirteenth-largest in the United States. Detroit and its neighboring Canadian city Windsor are connected through a tunnel and various bridges, Detroit was founded on July 24,1701 by the French explorer and adventurer Antoine de la Mothe Cadillac and a party of settlers. During the 19th century, it became an important industrial hub at the center of the Great Lakes region, with expansion of the American automobile industry in the early 20th century, the Detroit area emerged as a significant metropolitan region within the United States. The city became the fourth-largest in the country for a period, in the 1950s and 1960s, suburban expansion continued with construction of a regional freeway system. A great portion of Detroits public transport was abandoned in favour of becoming a city in the post-war period. Due to industrial restructuring and loss of jobs in the auto industry, between 2000 and 2010 the citys population fell by 25 percent, changing its ranking from the nations 10th-largest city to 18th. In 2010, the city had a population of 713,777 and this resulted from suburbanization, corruption, industrial restructuring and the decline of Detroits auto industry. In 2013, the state of Michigan declared an emergency for the city. Detroit has experienced urban decay as its population and jobs have shifted to its suburbs or elsewhere, conservation efforts managed to save many architectural pieces since the 2000s and allowed several large-scale revitalisations. More recently, the population of Downtown Detroit, Midtown Detroit, paleo-Indian people inhabited areas near Detroit as early as 11,000 years ago. In the 17th century, the region was inhabited by Huron, Odawa, Potawatomi, for the next hundred years, virtually no British, colonist, or French action was contemplated without consultation with, or consideration of the Iroquois likely response. When the French and Indian War evicted the Kingdom of France from Canada, the 1798 raids and resultant 1799 decisive Sullivan Expedition reopened the Ohio Country to westward emigration, which began almost immediately, and by 1800 white settlers were pouring westwards. By 1773, the population of Detroit was 1,400, by 1778, its population was up to 2,144 and it was the third-largest city in the Province of Quebec
7.
Reprise Records
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Reprise Records /rəˈpriz/ is an American major record label, founded in 1960 by Frank Sinatra. It was mostly inactive from 1976 to 1987 and it is owned by Warner Music Group, and operates through Warner Bros. Reprise Records was formed in 1960 by Frank Sinatra in order to more artistic freedom for his own recordings. Hence, he garnered the nickname The Chairman of the Board, having left Capitol/EMI, and after trying to buy Norman Granzs Verve Records, the first album Sinatra released on Reprise was Ring-a-Ding-Ding. As CEO of Reprise, Sinatra recruited several artists for the label, such as fellow Rat Pack members Dean Martin and Sammy Davis. The original roster from 1961 to 1963 included Bing Crosby, Jo Stafford, Rosemary Clooney, Nancy Sinatra, Esquivel, the label still issues any Sinatra work recorded while on the label and, after his death in 1998, it had great success with his greatest hits collections. One of the founding principles under Sinatras leadership was that each artist would have full creative freedom. This is the reason why recordings of early Reprise artists are distributed through other labels. In Martins case, his Reprise recordings were out of print for nearly 20 years before a deal was struck with Capitol Records, in 1963, as part of a film deal, Warner Bros. purchased Reprise from Sinatra, who nonetheless retained a 20% interest in the label. Many of the artists on the label were dropped by Warner Bros. Reprise president Mo Ostin was retained as the head of the label, warner-Reprise executives began targeting younger acts, beginning by securing the American distribution rights to the Pye Records recordings by the Kinks in 1964. Reprise would soon add teen-oriented pop acts like Dino, Desi & Billy to the roster, as well, Franks own daughter Nancy Sinatra would be retained by Ostin, becoming a major pop star starting in late 1965. The label moved almost exclusively to rock-oriented music in the late 1960s, rex, the Meters, John Cale, Gordon Lightfoot, Michael Franks, Richard Pryor, Al Jarreau, Fleetwood Mac, Fanny, and the Beach Boys. In 1976, the Reprise label was deactivated by Warner Bros. an unconfirmed explanation for this move is that Sinatra wanted to be the only artist on Reprise, and Young is said to have been the only Reprise act who refused to agree to a change in labels. In late 1985, some copies of the Dream Academys hit single Life in a Northern Town were pressed with Warner Bros. labels bearing a Reprise logo,1986 saw releases bearing Reprise labels from the Dream Academy as well as Dwight Yoakam. Vice President of Promotion Rich Fitzgerald was appointed as label Vice-President and it was formerly home to the Jimi Hendrix and the Barenaked Ladies catalogs in the U. S. When the Bee Gees back catalog was remastered by Rhino Records in the 2000s, neil Young stated in a documentary about his life that Marilyn Manson was turned down by Reprise. In September 2011, several took place at Reprise Records
8.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
9.
Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions
10.
Ahmet Ertegun
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Ahmet Ertegun (/ˈɑːmɛt ˈɛərtəɡən/, Turkish spelling, Ahmet Ertegün, was a Turkish-American businessman, songwriter and philanthropist. He was best known as the co-founder and president of Atlantic Records and he also wrote classic blues and pop songs, and served as the chairman of the Rock and Roll Hall of Fame and museum, located in Cleveland, Ohio. Ertegun has been described as one of the most significant figures in the recording industry. He was also a significant figure in fostering ties between the U. S. and Turkey, his birthplace and he served as the chairman of the American Turkish Society for over 20 years until his death. He also co-founded the New York Cosmos soccer team of the original North American Soccer League. Born in Istanbul in 1923 to an aristocratic Turkish family, Ertegun and his family, including elder brother Nesuhi, moved to Washington, D. C. in 1935, with their father, Munir. Munir served as the second Ambassador of the then-young Republic of Turkey to the United States of America. Prior to his appointment as Ambassador Extraordinary and Plenipotentiary of the Republic of Turkey to Washington, Erteguns mother was Hayrünnisa, an accomplished musician who played keyboard and stringed instruments. She bought the records of the day, to which Ertegun. His older brother Nesuhi introduced him to music, taking him at the age of nine to see the Duke Ellington. When Ahmet was 14, his mother bought him a record-cutting machine, although he attended Landon School, an affluent all-male private school in Bethesda, Maryland, Ahmet would joke I got my real education at Howard—Howard University being a historically black college. Despite his affluent upbringing, Ertegun began to see a different world from his affluent peers, Ahmet and Nesuhi staged concerts by Lester Young, Sidney Bechet and other jazz giants, often at the Jewish Community Center. In this period of segregation, it was the only place that would allow an ethnically mixed audience. They also traveled to New Orleans and to Harlem to listen to music, Ertegun graduated from St. Johns College in Annapolis in 1944. In November of the year, Munir Ertegun died. In 1946 President Harry Truman ordered the battleship USS Missouri to return his body to Turkey as a demonstration of friendship between the USA and Turkey and this act also served as a show of support to counter the Soviet Unions potential political demands on Turkey. At the time of his fathers death, Ahmet was taking courses in Medieval philosophy at Georgetown University. Soon afterward, the returned to Turkey to stay
11.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
12.
Atco Records
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ATCO Records is an American record company and label founded in 1955 as a division of Atlantic Records. It was devised as an outlet for productions by one of Atlantics founders, Herb Abramson and it was also intended as a home for acts that did not fit the format of Atlantic, which was releasing blues, jazz, rhythm and blues, and soul. The Atco name is an abbreviation of ATlantic COrporation, Atco also provided distribution for other labels, including RSO Records, Volt, Island, Modern, Ruthless, and Rolling Stones Records. For most of its history Atco was known for pop music and rock and roll and these included Harry Arnold, Betty Carter, King Curtis, Herb Geller, Roland Hanna, and Helen Merrill. Atcos rock era began with Bobby Darin and The Coasters, in the early 1960s Atlantic began to license material from international sources, leading to instrumental hit singles from Jorgen Ingmann, Acker Bilk and Bent Fabric. Starting in the mid-1960s, Atco moved into rock-and-roll with Sonny and Cher, Buffalo Springfield, Vanilla Fudge, in 1964 Atco released a single in the U. S. by The Beatles, Aint She Sweet, which had been recorded in Hamburg in 1961. With lead vocals by John Lennon, Aint She Sweet reached #19 on the Billboard Hot 100 chart in August 1964, in 1966 Atco released Substitute by The Who. This would be the only Who recording to appear on Atco, although Pete Townshend, Atlantic de-emphasized Atco in the mid-1970s, using the label mostly for hard rock acts and some British and European bands. In the mid-1970s Atco issued early albums from AC/DC, starting in 1978, AC/DC releases were issued on Atlantic until their contract with the label ended in the 1990s. In 1980 Atcos visibility rose with strong performances from Pete Townshends Empty Glass album. The last #1 hit on Atco was If Wishes Came True by Sweet Sensation in 1990, in 1991 Sylvia Rhone merged Atco with Atlantics fledgling EastWest Records America label and briefly operated the combination as Atco–East West Records America. By 1994 the Atco name was dropped and the label continued operating as EastWest Records America, since then the Atco name and logo appeared only on reissues of old material through Elektra. As of mid-2005 its most recent release was the soundtrack of the Bobby Darin biopic Beyond the Sea, in 2006, Warner Music Group reactivated Atco Records in conjunction with Rhino Entertainment. Scarlett Johansson, Keith Sweat, and Art Garfunkel were among the first artists signed to the label, Garfunkel issued Some Enchanted Evening on January 30,2007. Johansson issued Anywhere I Lay My Head on May 20,2008, queensrÿche released its American Soldier album on Atco on March 31,2009. The New York Dolls released its album Cause I Sez So on Atco on May 5,2009, the following is a list of artists who have recorded for Atco Records
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