1.
Ansuz (rune)
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Ansuz is the conventional name given to the a-rune of the Elder Futhark, ᚨ. The name is based on Proto-Germanic *ansuz, denoting a deity belonging to the pantheon in Germanic paganism. The shape of the rune is likely from Neo-Etruscan a, like Latin A ultimately from Phoenician aleph, in the Norwegian rune poem, óss is given a meaning of estuary while in the Anglo-Saxon one, ōs ᚩ takes the Latin meaning of mouth. The Younger Futhark rune is transliterated as ą to distinguish it from the new ár rune, since the name of a is attested in the Gothic alphabet as ahsa or aza, the common Germanic name of the rune may thus either have been *ansuz god, or *ahsam ear. The Anglo-Saxon futhorc split the Elder Futhark a rune into three independent runes due to the development of the system in Anglo-Frisian. These three runes are ōs ᚩ, ac oak ᚪ, and æsc ᚫ ash, the Younger Futhark corresponding to the Elder Futhark ansuz rune is ᚬ, called óss. This represented the phoneme /ɑ̃/, and sometimes /æ/ and /o/, the variant grapheme ᚯ became independent as representing the phoneme /ø/ during the 11th to 14th centuries. In the Icelandic rune poem, the name óss refers to Odin, ᚬÓss er algingautr ok ásgarðs jöfurr, Óss is aged Gautr and prince of Ásgardr and lord of Vallhalla
2.
Baldr
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Baldr is a god in Norse mythology, who is given a central role in the mythology. His precise function is, however, disputed and he is often interpreted as the god of love, peace, forgiveness, justice, light or purity, but he was not directly attested as a god of such. He is the son of Odin and the goddess Frigg. His twin brother is the blind god Höðr, jacob Grimm in his Teutonic Mythology identifies Old Norse Baldr with the Old High German Baldere, Palter, Paltar and with Old English bealdor, baldor lord, prince, king. Old Norse shows this usage of the word as an honorific in a few cases, as in baldur î brynju and herbaldr, both epithets of heroes in general. Grimm traces the etymology of the name to *balþaz, whence Gothic balþs, Old English bald, Old High German pald, all meaning white, but the interpretation of Baldr as the brave god may be secondary. Baltic has a word meaning the white, the good, in continental Saxon and Anglo-Saxon tradition, the son of Woden is called not Bealdor but Baldag and Bældæg, Beldeg, which shows association with day, possibly with Day personified as a deity. This, as Grimm points out, would agree with the shining one, white one. Grimms etymology is endorsed by modern research, according to Rudolf Simek, the original name for Baldr must be understood as shining day. One of the two Merseburg Incantations names Baldere, but also mentions a figure named Phol, considered to be a byname for Baldr and this interpretation is linked to the presupposition that the figure in question is a companion of Wodan, the upper god. In a different interpretation, phol is just another form of folon mentioned in the next line, in the Poetic Edda the tale of Baldrs death is referred to rather than recounted at length. Among the visions which the Völva sees and describes in the known as the Völuspá is one of the fatal mistletoe, the birth of Váli. Yet looking far into the future the Völva sees a vision of a new world. The Eddic poem Baldrs Dreams mentions that Baldr has bad dreams which the gods then discuss, Odin rides to Hel and awakens a seeress, who tells him Höðr will kill Baldr but Vali will avenge him. In Gylfaginning, Baldur is described as follows, Apart from this description Baldr is known primarily for the story of his death and his death is seen as the first in the chain of events which will ultimately lead to the destruction of the gods at Ragnarök. Baldr will be reborn in the new world, according to Völuspá and he had a dream of his own death and his mother had the same dreams. Since dreams were usually prophetic, this depressed him, so his mother Frigg made every object in every realm vow never to hurt Baldr, all objects made this vow except mistletoe. When Loki, the mischief-maker, heard of this, he made a spear from this plant
3.
Christoffer Wilhelm Eckersberg
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Christoffer Wilhelm Eckersberg was a Danish painter. He was born in Blåkrog in the Duchy of Schleswig, to Henrik Vilhelm Eckersberg, painter and carpenter and he went on to lay the foundation for the period of art known as the Golden Age of Danish Painting, and is referred to as the Father of Danish painting. In 1786 his family moved to Blans, a village near the picturesque Alssund, where he enjoyed drawing pictures of the surrounding countryside, after confirmation he began his training as a painter under church- and portrait painter, Jes Jessen of Aabenraa. He continued his training at 17 years of age under Josiah Jacob Jessen in Flensborg and he, however, had his sights set on being accepted at the Royal Danish Academy of Art in Copenhagen. Still under apprenticeship he produced proficient drawings and paintings, having amassed some money, including financial support from local well-wishers, he arrived at Copenhagens Tollbooth on 23 May 1803. He was accepted into the Academy without payment in 1803 where he studied with Nikolaj Abraham Abildgaard and he made good progress, painting historical paintings, portraits and landscapes. However, friction between him and Abildgaard impeded his advancement, and he did not win the Academys big gold medal until 1809 and he also worked to earn living money as a hand laborer, and he made drawings for copperplate etchings. Although he received promise of a stipend in conjunction with the gold medal. On 1 July 1810, he married E. Christine Rebecca Hyssing against his wishes, in order to legitimize a son, Erling Carl Vilhelm Eckersberg and his son, Erling, eventually followed in his fathers footsteps with an Academy education, and a career as a copperplate engraver. On 3 July, a few days after the wedding, he began his travels out of the country, along with Tønnes Christian Bruun de Neergaard, writer, enthusiastic art lover and financial supporter, he made his way over Germany to Paris. Here he studied under neoclassicist Jacques-Louis David from 1811-1812 and he improved his skills in painting the human form, and followed his teachers admonition to paint after Nature and the Antique in order to find Truth. It was here that he developed a friendship with Paris roommate, fellow artist Jens Peter Møller. After two years he traveled further via Florence to Rome where he continued his studies between 1813-1816 and he worked on improving his skills as a history painter, and enjoyed painting smaller studies of the local life and area. He lived there three years among a group of artists, with Bertel Thorvaldsen as the cultural head. Eckersberg and Thorvaldsen developed a lasting relationship, and the master served the younger Eckersberg as both loyal friend and advisor. Eckersberg painted one of his best portraits, a portrait of Thorvaldsen, in Rome 1814, life in Rome agreed with him, and he was greatly affected by the bright southern light he experienced there. He produced a body of work during those years, including a number of exceptional landscape studies. His divorce from Hyssing was finalized during his stay out of the country, shortly after his return to Denmark he arranged for his admission into the Academy, and received as the subject of his admissions painting the Norse legend, the Death of Baldur
4.
Old Norse
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Old Norse was a North Germanic language that was spoken by inhabitants of Scandinavia and inhabitants of their overseas settlements during about the 9th to 13th centuries. These dates, however, are not absolute, since written Old Norse is found well into the 15th century, Old Norse was divided into three dialects, Old West Norse, Old East Norse and Old Gutnish. Old West and East Norse formed a continuum, with no clear geographical boundary between them. For example, Old East Norse traits were found in eastern Norway, although Old Norwegian is classified as Old West Norse, most speakers spoke Old East Norse in what is present day Denmark and Sweden. Old Gutnish, the more obscure dialectal branch, is included in the Old East Norse dialect due to geographical associations. It developed its own features and shared in changes to both other branches. The 12th century Icelandic Gray Goose Laws state that Swedes, Norwegians, Icelanders and Danes spoke the same language, another term used, used especially commonly with reference to West Norse, was norrœnt mál. In some instances the term Old Norse refers specifically to Old West Norse, the Old East Norse dialect was spoken in Denmark, Sweden, settlements in Kievan Rus, eastern England, and Danish settlements in Normandy. The Old Gutnish dialect was spoken in Gotland and in settlements in the East. In the 11th century, Old Norse was the most widely spoken European language, in Kievan Rus, it survived the longest in Veliky Novgorod, probably lasting into the 13th century there. Norwegian is descended from Old West Norse, but over the centuries it has heavily influenced by East Norse. Old Norse also had an influence on English dialects and Lowland Scots and it also influenced the development of the Norman language, and through it and to a smaller extent, that of modern French. Various other languages, which are not closely related, have heavily influenced by Norse, particularly the Norman dialects, Scottish Gaelic. The current Finnish and Estonian words for Sweden are Ruotsi and Rootsi, of the modern languages, Icelandic is the closest to Old Norse. Written modern Icelandic derives from the Old Norse phonemic writing system, contemporary Icelandic-speakers can read Old Norse, which varies slightly in spelling as well as semantics and word order. However, pronunciation, particularly of the phonemes, has changed at least as much as in the other North Germanic languages. Faroese retains many similarities but is influenced by Danish, Norwegian, although Swedish, Danish and the Norwegian languages have diverged the most, they still retain asymmetric mutual intelligibility. Speakers of modern Swedish, Norwegian and Danish can mostly understand each other without studying their neighboring languages, the languages are also sufficiently similar in writing that they can mostly be understood across borders
5.
Pantheon (religion)
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A pantheon directed by a thunderboltwielding autocrat might suggest a patriarchy and the valuing of warrior skills. A pantheon headed by a great-mother goddess could suggest an agricultural society. To confront the pantheon of the Egyptians is to confront a worldview marked by a sense of death and resurrection and the agricultural importance of the cycles of nature. The Greek pantheon is a metaphor for a view of life that values art, beauty, and the power of the individual. Max Webers 1922 opus Economy and Society discusses the link between a pantheon of gods and the development of monotheism, Pantheon can also refer to a temple or sacred building explicitly dedicated to all deities, avoiding the difficulty of giving an exhaustive list. The most known such structure is the Pantheon of Rome, first built between the years 27 BCE and 14 CE, the building standing today was constructed on the same site around 126 CE. It was dedicated to all gods as a gesture embracing the religious syncretism in the increasingly multicultural Roman Empire, with subjects worshipping gods from many cultures, the building was later renovated for use as a Christian church in 609 under Pope Boniface IV. Since the 16th century, pantheon can also refer in a sense to the set of a societys exalted persons. Wrigley, Richard & Craske, Matthew, Pantheons, Transformations of a Monumental Idea
6.
Old Norse religion
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Norse religion refers to the religious traditions of the Norsemen prior to the Christianization of Scandinavia, specifically during the Viking Age. Norse religion is a folk religion and it was the northern variation of the religion practiced in the lands inhabited by the Germanic tribes across most of Northern and Central Europe prior to Roman and Holy Roman incursions. However, it was not formalized nor categorized as a subset of Germanic paganism until it was described by outsiders who came into contact with native practitioners. The Norse - or people of Scandinavia - have always had contact with cultures outside Scandinavia. They were well aware of foreign religions and they traded, intermarried and sometimes worked as henchmen for other cultures, including the Romans. Most titles bestowed upon Norse religion are the ones which were used to describe the religion in a competitive manner, some of these terms were hedendom, Heidentum, Heathenry or Pagan. A more romanticized name for Norse religion is the medieval Icelandic term Forn Siðr or Old Custom, knowledge about Norse religion has been gathered from archaeological discoveries and from literature produced after the Christianization of Scandinavia. The literary sources that reference Norse paganism were written after the religion had declined, the vast majority of this came from 13th-century Iceland, where Christianity had taken longest to gain hold because of its remote location. The key literary texts for the study of Norse religion are the Prose Edda by Snorri Sturluson, the Gesta Danorum by Saxo Grammaticus and the Poetic Edda, by an unknown writer or writers. Saga literature informs us of the not only of the literate elite. Sagas are categorized on the basis of events described in the saga took place. Though Sagas are often mythical in nature, the ambitions are to give a realistic description of past events. Many sites in Scandinavia have yielded information about early Scandinavian culture. The oldest extant cultural examples are petroglyphs or helleristninger/hällristningar and these are usually divided into two categories according to age, hunting-glyphs and agricultural-glyphs. The hunting glyphs are the oldest and are found in Northern Scandinavia. These finds seem to indicate an existence based on hunting and fishing. These motifs were gradually subsumed by glyphs with more zoomorphic, or perhaps religious, the glyphs from the region of Bohuslän are later complemented with younger agricultural glyphs, which seem to depict an existence based more heavily on agriculture. These later motifs primarily depict ships, solar and lunar motifs, geometrical spirals and anthropomorphic beings and these finds shows several signs of rituals in a seemingly religious context, including some strong indications of human sacrifice such as the case of the Tollund Man bog body
7.
Odin
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In Germanic mythology, Odin is a widely revered god. In the modern period, Odin continued to be acknowledged in the folklore of Germanic Europe. Forms of his name appear frequently throughout the Germanic record, though narratives regarding Odin are mainly found in Old Norse works recorded in Iceland and these texts make up the bulk of modern understanding of Norse mythology. In Old Norse texts, Odin is depicted as one-eyed and long-bearded, frequently wielding a spear named Gungnir, and wearing a cloak, Odin is attested as having many sons, most famously the god Baldr with Frigg, and is known by hundreds of names. Odin has an association with Yule, and mankinds knowledge of both the runes and poetry is also attributed to him. In Old Norse texts, Odin is given primacy over female beings associated with the battlefield—the valkyries—and oversees Valhalla, where he receives half of those who die in battle, the other half are chosen by the goddess Freyja for her afterlife location, Fólkvangr. In later folklore, Odin appears as a leader of the Wild Hunt and he has also been associated with charms and other forms of magic, particularly in Old English and Old Norse texts. Odin has been a frequent subject of study in Germanic studies, in the modern period, Odin has inspired numerous works of poetry, music, and other forms of media. He is venerated in most forms of the new religious movement Heathenry, together with other gods venerated by the ancient Germanic peoples, some branches focus particularly on him. The Old Norse theonym Óðinn and its cognates, including Old English Wōden, Old Saxon Wōden, the masculine noun *wōđanaz developed from the Proto-Germanic adjective *wōđaz, related to Latin vātēs and Old Irish fáith, both meaning seer, prophet. Adjectives stemming from *wōđaz include Gothic woþs possessed, Old Norse óðr, mad, frantic, furious, additionally the Old Norse noun æði rage, fury and Old High German wuotī madness derive from the feminine noun *wōđīn, from *wōđaz. Over 170 names are recorded for the god Odin and these names are variously descriptive of attributes of the god, refer to myths involving him, or refer to religious practices associated with the god. This multitude of names makes Odin the god with the most names known among the Germanic peoples, the weekday name Wednesday derives from Old English wōdnesdæg. Cognate terms are found in other Germanic languages, such as Middle Low German wōdensdach, all of these terms derive from Proto-Germanic *Wodensdag, itself a Germanic interpretation of Latin Dies Mercurii. However, in Old High German, the derived from Odins was replaced by a translation of Church Latin media hebdomas. The earliest records of the Germanic peoples were recorded by the Romans and they regard it as a religious duty to offer to him, on fixed days, human as well as other sacrificial victims. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and Týr as Mars, and the identity of the Isis of the Suebi has been debated. But their rankings in their respective religious spheres may have very different
8.
Frigg
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In Germanic mythology, Frigg, Frija, Frea, and Frige is a goddess. In nearly all sources, she is described as the wife of the god Odin, in Old High German and Old Norse sources, she is also connected with the goddess Fulla. The English weekday name Friday bears her name, Frigg is described as a goddess associated with foreknowledge and wisdom in Norse mythology, the northernmost branch of Germanic mythology and most extensively attested. The children of Frigg and Odin include the gleaming god Baldr, due to significant thematic overlap, scholars have proposed a particular connection to the goddess Freyja. After Christianization, mention of Frigg continued to occur in Scandinavian folklore, in modern times, Frigg has appeared in modern popular culture, has been the subject of art, and receives modern veneration in Germanic Neopaganism. The theonyms Frigg and Frija are cognate forms—linguistic siblings of the same origin—that descend from a substantivized feminine of Proto-Germanic *frijaz, *frijaz descends from the same source as the feminine Sanskrit noun priyā and the feminine Avestan noun fryā. In the modern period, an -a suffix is applied to denote femininity. This spelling also serves the purpose of distancing the goddess from the English word frig, the connection with and possible earlier identification of the goddess Freyja with Frigg in the Proto-Germanic period is a matter of scholarly debate. The name Freyja is not attested outside of Scandinavia, like the name of the group of gods to which Freyja belongs, the Vanir. This is in contrast to the name of the goddess Frigg, who is attested as a common among the Germanic peoples. The best that can be done is to survey the arguments for and against their identity, the English weekday name Friday comes from Old English Frīges Day and is cognate with Old High German frîatac. Both weekday names are result of interpretatio germanica that occurred at or before the 3rd or 4th century CE, several place names refer to Frigg in what are now Norway and Sweden, although her name is altogether absent in recorded place names in Denmark. According to this legend, a people known as the Winnili were ruled by a woman named Gambara who had two sons, Ybor and Agio. The Vandals, ruled by Ambri and Assi, came to the Winnili with their army, Ybor, Agio, and their mother Gambara rejected their demands for tribute. Ambra and Assi then asked the god Godan for victory over the Winnili, to which Godan responded, Whom I shall first see when at sunrise, meanwhile, Ybor and Agio called upon Frea, Godans wife. Frea counseled them that at sunrise the Winnil should come, at sunrise, Frea turned Godans bed around to face east and woke him. Godan saw the Winnili, including their women, and asked who are those Long-beards. Frea responded to Godan, As you have given them a name, Godan did so, so that they should defend themselves according to his counsel and obtain the victory
9.
Thor
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In Norse mythology, Thor is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, the protection of mankind, and also hallowing and fertility. The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, into the modern period, Thor continued to be acknowledged in rural folklore throughout Germanic regions. Thor is frequently referred to in place names, the day of the week Thursday bears his name, in Norse mythology, largely recorded in Iceland from traditional material stemming from Scandinavia, numerous tales and information about Thor are provided. With Sif, Thor fathered the goddess Þrúðr, with Járnsaxa, he fathered Magni, with a mother whose name is not recorded, he fathered Móði, and he is the stepfather of the god Ullr. The same sources list Thor as the son of the god Odin and the earth, Jörð. Thor has two servants, Þjálfi and Röskva, rides in a cart or chariot pulled by two goats, Tanngrisnir and Tanngnjóstr, and is ascribed three dwellings. Thor wields the mountain-crushing hammer, Mjölnir, wears the belt Megingjörð and the iron gloves Járngreipr, Thor has inspired numerous works of art and references to Thor appear in modern popular culture. Like other Germanic deities, veneration of Thor is revived in the period in Heathenry. The name of the god is the origin of the weekday name Thursday, by employing a practice known as interpretatio germanica during the Roman Empire period, the Germanic peoples adopted the Roman weekly calendar, and replaced the names of Roman gods with their own. Latin dies Iovis was converted into Proto-Germanic *Þonares dagaz, from which stems modern English Thursday, beginning in the Viking Age, personal names containing the theonym Thórr are recorded with great frequency. Prior to the Viking Age, no examples are recorded, thórr-based names may have flourished during the Viking Age as a defiant response to attempts at Christianization, similar to the wide scale Viking Age practice of wearing Thors hammer pendants. They regard it as a duty to offer to him, on fixed days. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and the god Týr as Mars, and the identity of the Isis of the Suebi has been debated. In Thors case, the identification with the god Hercules is likely at least in part due to similarities between Thors hammer and Hercules club. In his Annals, Tacitus again refers to the veneration of Hercules by the Germanic peoples, Donar, the southern Germanic form of the gods name. According to an account, the Christian missionary Saint Boniface felled an oak tree dedicated to Jove in the 8th century. Around the second half of the 8th century, Old English mentions of a figure named Thunor are recorded, gabriel Turville-Petre saw this as an invented origin for the placename demonstrating loss of memory that Thunor had been a gods name. Adam details that Thor, they reckon, rules the sky, he governs thunder and lightning, winds and storms, fine weather and fertility and that Thor, with his mace, looks like Jupiter
10.
Vanir
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In Norse mythology, the Vanir are a group of gods associated with fertility, wisdom, nature, magic, and the ability to see the future. The Vanir are one of two groups of gods and are the namesake of the location Vanaheimr, after the Æsir–Vanir War, the Vanir became a subgroup of the Æsir. Subsequently, members of the Vanir are sometimes referred to as members of the Æsir. The Vanir are only attested in these Old Norse sources, Vanir is sometimes anglicized to Wanes. All sources describe the deities Njörðr, Freyr and Freyja as members of the Vanir, a euhemerized prose account in Heimskringla adds that Njörðrs sister—whose name is not provided—and Kvasir were Vanir. In addition, Heimskringla reports a tale involving king Sveigðirs visit to Vanaheimr, where he meets a woman by the name of Vana, while not attested as Vanir, the gods Heimdallr and Ullr have been theorized as potential members of the group. In the Prose Edda, a name listed for boars is Van-child and they have speculated whether the Vanir originally represented pre-Indo-European deities or Indo-European fertility gods, and have theorized a form of the gods as venerated by the pagan Anglo-Saxons. Numerous theories have proposed for the etymology of Vanir. Page says that, while there are no shortages of etymologies for the word, it is tempting to link the word with Old Norse vinr, friend, and Latin Venus, goddess of physical love. In the Poetic Edda, the Vanir, as a group, are referenced in the poems Völuspá, Vafþrúðnismál, Skírnismál, Þrymskviða. In Vafþrúðnismál, Gagnráðr engages in a game of wits with the jötunn Vafþrúðnir, Gagnráðr asks Vafþrúðnir where the Van god Njörðr came from, for though he rules over many hofs and hörgrs, Njörðr was not raised among the Æsir. Vafþrúðnir responds that Njörðr was created in Vanaheimr by wise powers and details that during the Æsir–Vanir War, in addition, when the world ends, Njörðr will return to the wise Vanir. Alvíssmál consists of question and answer exchanges between the dwarf Alvíss and the god Thor, in the poem, Alvíss supplies terms that various groups, including the Vanir, use to refer to various subjects. Alvíss attributes nine terms to the Vanir, one for Earth, Heaven, clouds, calm, the sea, fire, wood, seed, the poem Þrymskviða states that the god Heimdallr possesses foreknowledge, as the Vanir also can. Sigrdrífumál records that the Vanir are in possession of a sacred mead, in the poem, the valkyrie Sigrdrífa provides mystical lore about runes to the hero Sigurd. Sigrdrífa notes that runes were carved on to various creatures, deities and other figures. This mead is possessed by the Æsir, the elves, mankind, in Skírnismál, the beautiful jötunn Gerðr first encounters the god Freyrs messenger Skírnir, and asks him if he is of the elves, of the Æsir, or of the wise Vanir. Skírnir responds that he is not of any of the three groups, later in the poem, Skírnir is successful in his threats against Gerðr, and Gerðr offers Skírnir a crystal cup full of mead, noting that she never thought that she would love one of the Vanir
11.
Norse mythology
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The cosmos in Norse mythology consists of Nine Worlds that flank a central cosmological tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings, various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök, there the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, by way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. In the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, the myths have further been revived in a religious context among adherents of Germanic Neopaganism. The majority of these Old Norse texts were created in Iceland and this occurred primarily in the 13th century. The Prose Edda was composed as a manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds. Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse, kennings, the Prose Edda presents numerous examples of works by various skalds from before and after the Christianization process and also frequently refers back to the poems found in the Poetic Edda. The Poetic Edda consists almost entirely of poems, with some prose narrative added, in comparison to skaldic poetry, Eddic poetry is relatively unadorned. Numerous further texts, such as the sagas, provide further information, the saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories to Migration period tales mentioning historic figures such as Attila the Hun. By way of historical linguistics and comparative mythology, comparisons to other attested branches of Germanic mythology may also lend insight, wider comparisons to the mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Of the mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, numerous gods are mentioned in the source texts. In the mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, the god Odin is also frequently mentioned in surviving texts. One-eyed, wolf and raven-flanked, and spear in hand, Odin pursues knowledge throughout the worlds, Odin has a strong association with death, Odin is portrayed as the ruler of Valhalla, where valkyries carry half of those slain in battle. Odins wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr. After a series of dreams had by Baldr of his death, his death is engineered by Loki, and Baldr thereafter resides in Hel. Odin must share half of his share of the dead with a powerful goddess and she is beautiful, sensual, wears a feathered cloak, and practices seiðr. She rides to battle to choose among the slain, and brings her chosen to her afterlife field Fólkvangr, Freyja weeps for her missing husband Óðr, and seeks after him in far away lands
12.
Old English
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Old English or Anglo-Saxon is the earliest historical form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers probably in the mid 5th century, Old English developed from a set of Anglo-Frisian or North Sea Germanic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons, and Jutes. As the Anglo-Saxons became dominant in England, their language replaced the languages of Roman Britain, Common Brittonic, a Celtic language, Old English had four main dialects, associated with particular Anglo-Saxon kingdoms, Mercian, Northumbrian, Kentish and West Saxon. It was West Saxon that formed the basis for the standard of the later Old English period, although the dominant forms of Middle. The speech of eastern and northern parts of England was subject to strong Old Norse influence due to Scandinavian rule, Old English is one of the West Germanic languages, and its closest relatives are Old Frisian and Old Saxon. Like other old Germanic languages, it is different from Modern English. Old English grammar is similar to that of modern German, nouns, adjectives, pronouns, and verbs have many inflectional endings and forms. The oldest Old English inscriptions were using a runic system. Old English was not static, and its usage covered a period of 700 years, from the Anglo-Saxon settlement of Britain in the 5th century to the late 11th century, some time after the Norman invasion. While indicating that the establishment of dates is a process, Albert Baugh dates Old English from 450 to 1150, a period of full inflections. Perhaps around 85 per cent of Old English words are no longer in use, Old English is a West Germanic language, developing out of Ingvaeonic dialects from the 5th century. It came to be spoken over most of the territory of the Anglo-Saxon kingdoms which became the Kingdom of England and this included most of present-day England, as well as part of what is now southeastern Scotland, which for several centuries belonged to the Anglo-Saxon kingdom of Northumbria. Other parts of the island – Wales and most of Scotland – continued to use Celtic languages, Norse was also widely spoken in the parts of England which fell under Danish law. Anglo-Saxon literacy developed after Christianisation in the late 7th century, the oldest surviving text of Old English literature is Cædmons Hymn, composed between 658 and 680. There is a corpus of runic inscriptions from the 5th to 7th centuries. The Old English Latin alphabet was introduced around the 9th century, with the unification of the Anglo-Saxon kingdoms by Alfred the Great in the later 9th century, the language of government and literature became standardised around the West Saxon dialect. In Old English, typical of the development of literature, poetry arose before prose, a later literary standard, dating from the later 10th century, arose under the influence of Bishop Æthelwold of Winchester, and was followed by such writers as the prolific Ælfric of Eynsham. This form of the language is known as the Winchester standard and it is considered to represent the classical form of Old English
13.
Anglo-Saxon paganism
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A variant of the Germanic paganism found across much of north-western Europe, it encompassed a heterogeneous variety of disparate beliefs and cultic practices, with much regional variation. Anglo-Saxon paganism was a belief system, focused around a belief in deities known as the ése. The most prominent of these deities was probably Woden, other prominent gods included Thunor, there was also a belief in a variety of other supernatural entities which inhabited the landscape, including elves, nicor, and dragons. There is some evidence for the existence of temples, although other cultic spaces might have been open-air. The belief system also included ideas about magic and witchcraft. The deities of this provided the basis for the names of the days of the week in the English language. What is known about the religion and its accompanying mythology have since influenced both literature and Modern Paganism, the word pagan is a Latin term that was used by Christians in Anglo-Saxon England to describe non-Christians. These pagan belief systems would have been inseparable from other aspects of daily life and they also suggested that early Anglo-Saxon Christianity had a similar structure, although acknowledged that this would be a controversial notion. As a phenomenon, it appeared to lack any rules or consistency, also exhibiting regional variation, thus, the archaeologist Aleks Pluskowski suggested that it is possible to talk of multiple Anglo-Saxon paganisms. Also adopting the categories of Gustav Mensching, she described Anglo-Saxon paganism as a religion, in that they concentrated on survival. Using the expressions paganism or heathenism when discussing pre-Christian belief systems in Anglo-Saxon England is problematic, historically, many early scholars of the Anglo-Saxon period used the terms to describe the religious beliefs in England before its conversion to Christianity in the 7th century. Several later scholars criticised the use of the term in this context, the term pre-Christian religion avoids the judgemental connotations of paganism and heathenism but is not always chronologically accurate. The pre-Christian society of Anglo-Saxon England was non-literate, thus there is no contemporary written evidence of the Anglo-Saxon practice of paganism. Far fewer textual records discuss Anglo-Saxon paganism than the belief systems found in nearby Ireland, Francia. There is no neat, formalised account of Anglo-Saxon pagan beliefs as there is for instance for Classical mythology, although many scholars have used Norse mythology as a guide to understanding the beliefs of pre-Christian Anglo-Saxon England, caution has been expressed as to the utility of this approach. As Stenton noted, the connection between Anglo-Saxon and Scandinavian paganism occurred in a past which was already remote at the time of the Anglo-Saxon migration to Britain. Moreover, there was clear diversity among the pre-Christian belief systems of Scandinavia itself, Old English place-names also provide some insight into the pre-Christian beliefs and practices of Anglo-Saxon England. Some of these place-names reference the names of deities, while others use terms that refer to cultic practices that took place there
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Old High German
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Old High German is the earliest stage of the German language, conventionally covering the period from around 700 to 1050. Coherent written texts do not appear until the half of the 8th century. There are, however, a number of Elder Futhark inscriptions dating to the 6th century, as well as single words, during the migration period, the Elbe Germanic tribes settled in what became Alamannia, the Duchy of Bavaria and the Kingdom of Lombardy. Old High German comprises the dialects of these groups which underwent the Second Sound Shift during the 6th Century, namely all of Elbe Germanic, in the south, the Langobards, who had settled in Northern Italy, maintained their dialect until their conquest by Charlemagne in 774. This area did not become German-speaking again until the German eastward expansion of the early 12th century, though there was some attempt at conquest, Old High German literacy is a product of the monasteries, notably at St. Gallen, Reichenau and Fulda. Its origins lie in the establishment of the German church by Boniface in the mid 8th century, einhard tells how Charlemagne himself ordered that the epic lays should be collected for posterity. It was the neglect or religious zeal of later generations that led to the loss of these records, thus, it was Charlemagnes weak successor, Louis the Pious, who destroyed his fathers collection of epic poetry on account of its pagan content. Hrabanus Maurus, a student of Alcuins and abbot at Fulda from 822, was an important advocate of the cultivation of German literacy, among his students were Walafrid Strabo and Otfrid of Weissenburg. Notker Labeo towards the end of the Old High German period was among the greatest stylists in the language, the main difference between Old High German and the West Germanic dialects from which it developed is that it underwent the High German consonant shift. This is generally dated approximately to the late 5th and early 6th centuries—hence dating its start to around 500, the result of this sound change is that the consonantal system of German remains different from all other West Germanic languages, including English and Low German. Grammatically, however, Old High German remained very similar to Old English, Old Dutch, by the mid 11th century the many different vowels found in unstressed syllables had all been reduced to /ə/. Since these vowels were part of the endings in the nouns and verbs. For these reasons,1050 is seen as the start of the Middle High German period, for this reason the dialects may be termed monastery dialects. It declined after the conquest of the Lombard Kingdom by the Franks in 774 and it is classified as Upper German on the basis of evidence of the Second Sound Shift. The continued existence of a West Frankish dialect in the Western, claims that this might have been the language of the Carolingian court or that it is attested in the Ludwigslied, whose presence in a French manuscript suggests bilingualism, are controversial. The charts show the vowel and consonant systems of the East Franconian dialect in the 9th century and this is the dialect of the monastery of Fulda, and specifically of the Old High German Tatian. Old High German had five long vowels and six phonemic short vowels. Both occurred in stressed and unstressed syllables, notes, All back vowels likely had front-vowel allophones as a result of Umlaut
15.
Gothic language
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Gothic is an extinct Germanic language that was spoken by the Goths. It is known primarily from the Codex Argenteus, a copy of a fourth-century Bible translation. As a Germanic language, Gothic is a part of the Indo-European language family and it is the earliest Germanic language that is attested in any sizable texts, but it lacks any modern descendants. The oldest documents in Gothic date back to the fourth century, the language was in decline by the mid-sixth century, partly because of the military defeat of the Goths at the hands of the Franks, the elimination of the Goths in Italy, and geographic isolation. Gothic-seeming terms found in manuscripts may or may not belong to the same language. The existence of such early attested texts makes it a language of considerable interest in comparative linguistics, only a few documents in Gothic survive, not enough for completely reconstructing the language. That is especially true considering that most Gothic corpora are translations or glosses of other languages and he commissioned a translation of the Greek Bible into the Gothic language, of which roughly three-quarters of the New Testament and some fragments of the Old Testament have survived. It contains a part of the four Gospels. Since it is a translation from Greek, the language of the Codex Argenteus is replete with borrowed Greek words, the syntax in particular is often copied directly from the Greek. Codex Ambrosianus and the Codex Taurinensis, Five parts, totaling 193 leaves It contains scattered passages from the New Testament, of the Old Testament, the text likely had been somewhat modified by copyists. Codex Gissensis, One leaf, fragments of Luke 23–24 was found in Egypt in 1907 and was destroyed by damage in 1945. Several names in an Indian inscription were thought to be possibly Gothic by Krause, busbecqs material also contains many puzzles and enigmas and is difficult to interpret in the light of comparative Germanic linguistics. Reports of the discovery of parts of Ulfilas Bible have not been substantiated. Heinrich May in 1968 claimed to have found in England 12 leaves of a palimpsest containing parts of the Gospel of Matthew, only fragments of the Gothic translation of the Bible have been preserved. The translation was apparently done in the Balkans region by people in contact with Greek Christian culture. The Gothic Bible apparently was used by the Visigoths in Iberia until about 700 AD, and perhaps for a time in Italy, the Balkans, in exterminating Arianism, many texts in Gothic were probably expunged and overwritten as palimpsests or collected and burned. Very few secondary sources make reference to the Gothic language after about 800, some writers even referred to Slavic-speaking people as Goths. However, it is clear from Ulfilas translation that despite some puzzles the language belongs with the Germanic language group, the relationship between the language of the Crimean Goths and Ulfilass Gothic is less clear
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Jordanes
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Jordanes, also written Jordanis or, uncommonly, Jornandes, was a 6th-century Roman bureaucrat, who turned his hand to history later in life. While he also wrote Romana about the history of Rome, his work is his Getica. It is the extant ancient work dealing with the early history of the Goths. Jordanes was asked by a friend to write this book as a summary of a history of the Goths by the statesman Cassiodorus. He was selected for his known interest in history, his ability to write succinctly and he had been a high-level notarius, or secretary, of a small client state on the Roman frontier in Scythia Minor, modern south-eastern Romania and north-eastern Bulgaria. Other writers, e. g. Procopius, wrote works which are extant on the history of the Goths. As the only surviving work on Gothic origins, the Getica has been the object of critical review. Jordanes wrote in Late Latin rather than the classical Ciceronian Latin, according to his own introduction, he had only three days to review what Cassiodorus had written, meaning that he must also have relied on his own knowledge. Some of his statements are laconic, Jordanes writes about himself almost in passing, The Sciri, moreover, and the Sadagarii and certain of the Alani with their leader, Candac by name, received Scythia Minor and Lower Moesia. Paria, the father of my father Alanoviiamuth, was secretary to this Candac as long as he lived. Already in the Mommsen text edition of 1882 it was suggested that the long name of Jordanes father should be split into two parts, Alanovii Amuthis, both genitive forms. Jordanes fathers name would then be Amuth, the preceding word should then belong to Candac, signifying that he was an Alan. Mommsen, however, dismissed suggestions to emend a corrupt text, Jordanes writes that he was secretary to Candac, dux Alanorum, an otherwise unknown leader of the Alans. Jordanes was notarius, or secretary to Gunthigis Baza, a magister militum, nephew of Candac, the nature and details of the conversion remain obscure. The Goths had been converted with the assistance of Ulfilas, made bishop on that account, however, the Goths had adopted Arianism. Jordanes conversion may have been a conversion to the trinitarian Nicene creed, in the letter to Vigilius he mentions that he was awakened vestris interrogationibus - by your questioning. Alternatively, Jordanes conversio may mean that he had become a monk, or a religiosus, some manuscripts say that he was a bishop, some even say bishop of Ravenna, but the name Jordanes is not known in the lists of bishops of Ravenna. Jordanes wrote his Romana at the behest of a certain Vigilius, although some scholars have identified this person with pope Vigilius, there is nothing else to support the identification besides the name
17.
God (word)
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The English word God continues the Old English God, which is derived from Proto-Germanic *ǥuđán. The Proto-Germanic meaning of *ǥuđán and its etymology is uncertain and it is generally agreed that it derives from a Proto-Indo-European neuter passive perfect participle *ǵʰu-tó-m. This form within Proto-Indo-European itself was possibly ambiguous, and thought to derive from a root *ǵʰeu̯- to pour, libate, or from a root *ǵʰau̯- to call, to invoke. Sanskrit hutá = having been sacrificed, from the root hu = sacrifice. The oldest parts of the Gothic Bible, contained in the Codex Argenteus, is estimated to be from the fourth century, the words guda and guþ were used for God in the Gothic Bible. In 19th century scholarship, there were a number of alternative etymologies suggested, morgan Kavanagh in The Origin of Language and Myths claimed that the word god was taken from the Buddhas patriarchal name of Gotama. Henry Scadding, and Henry Le Mesurier in his book Mer-cur-ius, or The Word Maker, the connection of Gwydion with Wotan is due to Jacob Grimm. A significant number of scholars have connected this root with the names of three related Germanic tribes, the Geats, the Goths and the Gutar and these names may be derived from an eponymous chieftain Gaut, who was subsequently deified. Some variant forms of the name Odin such as the Lombardic Godan may point in the direction that the Lombardic form actually comes from Proto-Germanic *ǥuđánaz, during the complex christianization of the Germanic tribes of Europe, there were many linguistic influences upon the Christian missionaries. One example post downfall of the western Roman Empire are the missionaries from Rome led by Augustine of Canterbury, augustines mission to the Saxons in southern Britain was conducted at a time when the city of Rome was a part of a Lombardic kingdom. The translated Bibles which they brought on their mission were greatly influenced by the Germanic tribes they were in contact with, chief among them being the Lombards, there are many instances where the name Godan and Wodan are contracted to God and Wod. One instance is the hunt where Wod is used. One word for God in Hebrew is often written as the Tetragrammaton YHWH and its contraction Yah, also spelled Jah, is also found in Hallelujah which means Praise Jah. The word God was used to represent Greek Theos, Latin Deus in Bible translations, for the etymology of deus, see *dyēus. Greek θεός means god in English and it is often connected with Greek θέω, run, and θεωρέω, to look at, to see, to observe, Latin feriae holidays, fanum temple, and also Armenian di-k gods. Alternative suggestions connect *dhu̯es- smoke, spirit, attested in Baltic and Germanic words for spook, the earliest attested form of the word is the Mycenaean Greek te-o, written in Linear B syllabic script. The development of English orthography was dominated by Christian texts, pronouns referring to God are also often capitalized and are traditionally in the masculine grammatical gender, i. e. He, Him, His etc. Use of guda n the Gothic Bible, Gothic language and its relation to other Germanic languages such as Anglish and Saxon
18.
Germanic languages
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It is the third most spoken Indo-European subdivision, behind Italic and Indo-Iranian, and ahead of Balto-Slavic languages. Limburgish varieties have roughly 1.3 million speakers along the Dutch–Belgian–German border, the main North Germanic languages are Norwegian, Danish, Swedish, Icelandic, and Faroese, which have a combined total of about 20 million speakers. The East Germanic branch included Gothic, Burgundian, and Vandalic, the last to die off was Crimean Gothic, spoken in the late 18th century in some isolated areas of Crimea. The total number of Germanic languages throughout history is unknown, as some of them—especially East Germanic languages—disappeared during or after the Migration Period. Proto-Germanic, along all of its descendants, is characterized by a number of unique linguistic features. Early varieties of Germanic enter history with the Germanic tribes moving south from Scandinavia in the 2nd century BC, to settle in the area of todays northern Germany, furthermore, it is the de facto language of the United Kingdom, the United States and Australia. It is also a language in Nicaragua and Malaysia. German is a language of Austria, Belgium, Germany, Liechtenstein, Luxembourg and Switzerland and has regional status in Italy, Poland, Namibia. German also continues to be spoken as a minority language by immigrant communities in North America, South America, Central America, Mexico, a German dialect, Pennsylvania Dutch, is still present amongst Anabaptist populations in Pennsylvania in the United States. Dutch is a language of Aruba, Belgium, Curaçao. The Netherlands also colonised Indonesia, but Dutch was scrapped as a language after Indonesian independence. Dutch was until 1925 an official language in South Africa, but evolved in and was replaced by Afrikaans, Afrikaans is one of the 11 official languages in South Africa and is a lingua franca of Namibia. It is used in other Southern African nations as well, low German is a collection of sometimes very diverse dialects spoken in the northeast of the Netherlands and northern Germany. Scots is spoken in Lowland Scotland and parts of Ulster, frisian is spoken among half a million people who live on the southern fringes of the North Sea in the Netherlands, Germany, and Denmark. Luxembourgish is mainly spoken in the Grand Duchy of Luxembourg, though it extends into small parts of Belgium, France. Limburgish varieties are spoken in the Limburg and Rhineland regions, along the Dutch–Belgian–German border, Swedish is also one of the two official languages in Finland, along with Finnish, and the only official language in the Åland Islands. Danish is also spoken natively by the Danish minority in the German state of Schleswig-Holstein, Norwegian is the official language of Norway. Icelandic is the language of Iceland, and is spoken by a significant minority in the Faroe Islands
19.
Old Dutch
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In linguistics, Old Dutch or Old Low Franconian is the set of Franconian dialects spoken in the Low Countries during the Early Middle Ages, from around the 5th to the 12th century. Old Dutch is mostly recorded on fragmentary relics, and words have been reconstructed from Middle Dutch and it evolved into Middle Dutch around the 12th century. Before the advent of Old Dutch or any of the Germanic languages, the North Sea Germanic dialects were spoken in the whole of the coastal parts of the Netherlands and Belgium. It was largely replaced by Weser-Rhine Germanic dialects, spoken by the Salian Franks and it spread from northern Belgium and the southern Netherlands to the coast and evolved into Old Low Franconian or Old Dutch. It has, however, a North sea Germanic substrate, which is why some philologists put the language in that branch, linguists typically date this transition to around the 5th century. Old Dutch is divided in Old West Low Franconian and Old East Low Franconian, however, the divergence being that the latter shares more traits with neighboring historical forms of Central Franconian dialects such as Ripuarian and Moselle Franconian. Old English, Old Frisian, Old Saxon and Old Dutch share the subsumption of the Ingvaeonic nasal spirant law, much of the grammatical variation between Old Dutch and Old Saxon is similar to that between Old Dutch and Old High German. Old Dutch naturally evolved into Middle Dutch with some distinctions that approximate those found in most medieval West Germanic languages. The year 1150 CE is often cited as the time of the discontinuity, the most notable difference between Old and Middle Dutch is in a feature of speech known as vowel reduction. Round vowels in word-final syllables are rather frequent in Old Dutch, in Modern Dutch, recasting is necessary to form a coherent sentence. Old Dutch texts are rare and much more limited when compared to related languages like Old English. Most of the earliest texts written in the Netherlands were written in Latin rather than Old Dutch, some of these Latin texts, however, contained Old Dutch words interspersed with the Latin text. Also, it is hard to determine whether a text actually was written in Old Dutch, wad Several words that are known to have developed in the Netherlands before Old Dutch was spoken have been found, and are sometimes called Oudnederlands in a geographic sense. The oldest known example, wad, was mentioned in 108 AD by Tacitus. The word exclusively referred to the region and ground type that is now known as the Wadden Sea, however, since this word existed long before Old Dutch did, it cannot be considered part of its vocabulary, but rather of Proto-Germanic. Haþuþuwas ann kusjam loguns This sentence has been interpreted as of Haþuþewaz, I bestow upon the choosers of the swords. It was discovered on a sword sheath, excavated in 1996 in the Dutch village of Bergakker and is better described as Frankish than Old Dutch. The text however, does show the beginning of Old Dutch morphology, the word ann, found in the partially translated inscription is coined as the oldest Dutch by linguists Nicoline van der Sijs and Tanneke Schoonheim from Genootschap Onze Taal
