1.
Self-portrait
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A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. With better and cheaper mirrors, and the advent of the panel portrait, Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a portrait of his wife, and he belonged to the social group that had begun to commission portraits. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, a self-portrait may be a portrait of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in these works, the artist usually appears as a face in the crowd or group, often towards the edges or corner of the work and behind the main participants. Rubenss The Four Philosophers is a good example and this culminated in the 17th century with the work of Jan de Bray. Many artistic media have used, apart from paintings, drawings. In the famous Arnolfini Portrait, Jan van Eyck is probably one of two figures glimpsed in a mirror – a surprisingly modern conceit. The Van Eyck painting may have inspired Diego Velázquez to depict himself in view as the painter creating Las Meninas, as the Van Eyck hung in the palace in Madrid where he worked. This was another modern flourish, given that he appears as the painter, in what may be one of the earliest childhood self-portraits now surviving, Albrecht Dürer depicts himself as in naturalistic style as a 13-year-old boy in 1484. In later years he appears variously as a merchant in the background of Biblical scenes, leonardo da Vinci may have drawn a picture of himself at the age of 60, in around 1512. The picture is often reproduced as Da Vincis appearance, although this is not certain. In the 17th century, Rembrandt painted a range of self-portraits, family and professional group paintings, including the artists depiction, became increasingly common from the 17th century on. From the later 20th century on, video plays a part in self-portraiture. Vigée-Lebrun painted a total of 37 self-portraits, many of which were copies of earlier ones, Women artists have historically embodied a number of roles within their self-portraiture. Most common is the artist at work, showing themselves in the act of painting, or at least holding a brush and palette. Often, the viewer if the clothes worn were those they normally painted in. Images of artists at work are encountered in Ancient Egyptian painting, one of the first self-portraits was made by the Pharaoh Akhenatens chief sculptor Bak in 1365 BC
2.
La Baule
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La Baule-Escoublac, commonly referred to as La Baule, is a commune in the Loire-Atlantique department in western France. During July and August each year, the population of La Baule increases dramatically with many Parisians staying for weeks, despite this, La Baule is still virtually unknown outside of France. In 1779, a violent storm buried the village under sand, La Baule-Escoublac was rebuilt further inland. At that time, the very unstable dunes were occupied only by officers, who gave them the name of Bôle. It was only in 1879, when the Saint-Nazaire-Croisic railroad was conceived by Parisian industrialist Jules-Joseph Hennecart that the tourist potential of the coast was recognised. Just before the inauguration of the line, Hennecart bought 40 ha of dunes for the Society of Escoublac Dunesachète, Lafont designed a long sand promenade named Avenue de la Gare and a chapel. After the railroad opened Lafont built more than 250 villas, taking the lead in the development of the seaside resort. In 1918, casino business magnate François André set up the redesigning of the La Baule resort based on the Deauville model by combining casinos, luxury hotels and sports facilities all on one site. On July 27,1927 the new stations of La Baule-les-Pins, by that time, La Baule has become a very fashionable seaside resort. During World War II La Baule formed part of the stretch of coast leading to the nearby harbour city of Saint-Nazaire. La Baule and the areas were heavily occupied by the Germans throughout World War II. Although there is a memorial in the Parc de la Victoire in La Baule to 40 named war victims and this episode is called Poche de Saint-Nazaire from the French expression poche de resistance. One of Frances most exclusive seaside resorts during the first half of the 20th century, today the resort mixes wealthy family villas, luxury hotels and seaside apartment buildings, creating an original and unique atmosphere of social diversity. The Grand Prix de la Baule was a Grand Prix motor racing event held here during the 1930s, today, the Grand Prix de la Ville de La Baule is a prestigious equestrian show jumping competition that is part of the international Equestrian Nations Cup series. The bay is regarded as the most beautiful in Europe, furthermore, La Baule is part of the Côte dAmour, which features beautiful cliffs and amazing views of the Atlantic Ocean. The commune of Escoublac has achieved a new vitality with the restoration of its civic center, the Musee Aeronautique Presquile Cote dAmour, located at the airport, maintains a collection of restored historical French aircraft in flying condition. - RSS La Baule and the Love Coast Official La Baule Tourist Office City council website Many pictures of La Baule Directory La Baule The website to party at La Baule
3.
Loire-Atlantique
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Loire-Atlantique is a department on the west coast of France named after the Loire River and the Atlantic Ocean. Loire-Atlantique is one of the original 83 departments created during the French Revolution on March 4,1790, originally, it was named Loire-Inférieure, but its name was changed in 1957 to Loire-Atlantique. The area is part of the historical Duchy of Brittany, and contains what many still consider to be Brittanys capital. However, when the system of French Regions was reviewed by the Vichy Government, whilst these administrative changes were reversed after the war, they were re-implemented in the 1955 boundary changes intended to optimise the management of the regions. There has since been a series of reflecting a strong local mood to have the department reintegrated with Brittany. Loire-Atlantique is part of the current region of Pays-de-la-Loire and is surrounded by the department of Morbihan, Ille-et-Vilaine, Maine-et-Loire, Upper Brittanys indigenous language is Gallo, a romance language related to French. The number of Gallo language speakers has been in decline since the early 20th century. The language is neither official nor taught in primary or secondary education, the Breton language, a Celtic language, native to Lower Brittany, was historically spoken in the western area of Loire-Atlantique, and up to 1920 in Batz-sur-Mer. This area has a rather Breton toponymy, for instance, Guérande originates from the Breton Gwenn Rann, the folklore and musical traditions of eastern or Lower Brittany are generally similar to those of western or Upper Brittany. The département operates the Lila network of buses, which link its villages, towns. The urban areas of Nantes and Saint-Nazaire operate their own urban transport networks, by rail, the regional trains and buses of the TER Pays de la Loire link major towns and cities of the Pays de la Loire and adjoining regions, including those of the département. Nantes is on the TGV network, with high speed trains running to Paris by the LGV Atlantique in just over 2 hours, Nantes Atlantique Airport, located 8 km to the southwest of the city of Nantes, serves the département and surrounding areas. It is the biggest airport in northwestern France, linking with several French, North African and European cities and it is currently planned that this airport will be replaced by a new Aéroport du Grand Ouest, situated 30 km to the north-west of Nantes in the commune of Notre-Dame-des-Landes. The €580 million project was approved in February 2008, with construction expected to start in 2012 and an opening date in 2015
4.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
5.
Printmaking
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Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is not considered a copy but rather is considered an original, a print may be known as an impression. Printmaking is not chosen only for its ability to multiple impressions. Prints are created by transferring ink from a matrix or through a screen to a sheet of paper or other material. Screens made of silk or synthetic fabrics are used for the screenprinting process, other types of matrix substrates and related processes are discussed below. Multiple impressions printed from the matrix form an edition. Prints may also be printed in book form, such as illustrated books or artists books, Printmaking techniques are generally divided into the following basic categories, Relief, where ink is applied to the original surface of the matrix. Relief techniques include woodcut or woodblock as the Asian forms are known, wood engraving. Intaglio, where ink is applied beneath the surface of the matrix. Intaglio techniques include engraving, etching, mezzotint, aquatint, planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image. Planographic techniques include lithography, monotyping, and digital techniques, stencil, where ink or paint is pressed through a prepared screen, including screenprinting and pochoir. Other types of printmaking techniques outside these groups include collagraphy and viscosity printing, collagraphy is a printmaking technique in which textured material is adhered to the printing matrix. This texture is transferred to the paper during the printing process, Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family, for example, Rembrandts prints are usually referred to as etchings for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Woodcut, a type of print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe. These are the two areas where woodcut has been most extensively used purely as a process for making images without text, the artist draws a design on a plank of wood, or on paper which is transferred to the wood
6.
Les Nabis
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Les Nabis were a group of Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890s. Initially a group of friends interested in art and literature. In 1890, they began to participate successfully in public exhibitions, meanwhile, most members of the group—Maurice Denis, Pierre Bonnard, Édouard Vuillard—could stand, artistically, on their own. Only Paul Sérusier had problems to overcome—though it was his Talisman, painted at the advice of Paul Gauguin, nabi means prophet in Hebrew and in Arabic. Les Nabis originated as a group of young student artists who banded together at the Académie Julian. Paul Sérusier galvanized Les Nabis, and provided the name and disseminated the example of Paul Gauguin among them, Pierre Bonnard, Édouard Vuillard and Maurice Denis became the best known of the group, at the time, however, they were somewhat peripheral to the core group. The term was coined by the linguist Auguste Cazalis who drew a parallel between the way these painters aimed to revitalize painting and the way the ancient prophets had rejuvenated Israel, possibly the nickname arose because most of them wore beards, some were Jews and all were desperately earnest. Les Nabis regarded themselves as initiates, and used a private vocabulary and they called a studio ergasterium, and ended their letters with the initials E. T. P. M. V. Et M. P. Bonnards posters and lithographs are more firmly in the Art Nouveau, after the turn of the century, as modern art moved towards Abstraction, Expressionism, Cubism, etc. In their later years, these painters also largely abandoned their earlier interests in Decorative and his Théories summed up the Nabis aims long after they had been superseded by the fauve painters and by cubism. Other Nabis were Pierre Bonnard, Édouard Vuillard, Ker-Xavier Roussel, Paul Ranson, the sculptor Aristide Maillol was associated for a time with the group. The Scot, James Pitcairn-Knowles and the Hungarian, Jozsef Rippl-Ronai, lived together in Paris during the first decade of the 20th century and also turned to glass blowing, the post-Impressionist styles they embraced skirted some aspects of contemporary art nouveau and Symbolism. The influence of the English Arts and Crafts Movement set them to work in media that involved crafts beyond painting, printmaking, book illustration and poster design, textiles, pont-Aven School Henry Lerolle, patron Odilon Redon Boyer, Patricia Eckert. The Nabis and the Parisian Avant-Garde, four French Symbolists, A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis. Les peintres du vingtième siècle, Nabis, Fauves, Cubistes, Nabis, Bonnard, Vuillard and Their Circle. The Prophets of Montmartre Ashe Journal article on Les Nabis by Alamantra, Pierre Bonnard, the Graphic Art, an exhibition catalog from The Metropolitan Museum of Art, which contains material on Bonnard and others in the Les Nabis
7.
Ker-Xavier Roussel
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Ker-Xavier Roussel was a French painter associated with Les Nabis. In 1888, he enrolled in the École des Beaux-Arts, and soon began frequenting the Académie Julian where Maurice Denis and he is best known for paintings of French landscapes usually depicting women, children, nymphs, and fauns in bucolic settings. In 1899, Roussel, Vuillard, and his close friend, Pierre Bonnard, traveled to Lake Como, Venice. Roussel is mentioned in Gertrude Steins Autobiography of Alice B, there she recounts an exchange he had with Theodore Duret in Vollards shop at an uncertain date after 1904. Roussel complained of the lack of recognition that he and the other Nabi painters had to contend with, Duret consoled him by pointing out his incompatibility with the manners and fashions of the bourgeois world and the differences between art and official art. In 1926, Ker-Xavier Roussel won the Carnegie Prize for art, Ker-Xavier Roussel died in 1944 at his home in LÉtang-la-Ville, Yvelines. Frèches-Thory, Claire, & Perucchi-Petry, Ursula, ed
8.
Maurice Denis
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Maurice Denis was a French painter and writer, and a member of the Symbolist and Les Nabis movements. His theories contributed to the foundations of cubism, fauvism, Maurice Denis was born 25 November 1870, in Granville, Manche, a coastal town in the Normandy region of France. Waters and coastlines would remain favorite subject throughout his career. The Denis family was affluent, and young Maurice attended both the École des Beaux-Arts and the Académie Julian, where he studied with the French figure painter and theorist Jules Joseph Lefebvre. At the Académie, he met painters and future Nabi members including Paul Sérusier, Pierre Bonnard, through Bonnard he also met the future Nabis Édouard Vuillard, Ker-Xavier Roussel, in 1890, they formed The Nabis. They chose Nabi—Hebrew for Prophet—because they understood they would be creating new forms of expression, the group would split apart by the end of the decade, and would influence the later work of both Bonnard and Vuillard, as well as non-Nabi painters like Henri Matisse. After Les Nabis, Denis went on to focus on religious subjects, in 1922, he published his collected historical and theoretical work as Nouvelles théories sur l’art moderne, sur l’art sacré—that is, New Theories of Modern and Sacred Art. The subjects of his works include landscapes and figure studies, particularly of mother. Denis was among the first artists to insist on the flatness of the picture plane—one of the starting points for modernism. In 1898, he produced a theory of creation that found the source for art in the character of the painter, That which creates a work of art is the power and the will of the artist. The Ateliers dArt Sacré were founded on 5 November 1919 after World War I by Denis, the Ateliers created art for churches, particularly those devastated by the recent war. Denis said that he was against academic art because it sacrificed emotion to convention and artifice, above all he wanted beauty, which was an attribute of divinity. Denis, a Catholic tertiary, married his first wife, Marthe Meurier and they had seven children, and she would pose for numerous Denis works. Following her death in 1919, Denis painted a chapel dedicated to her memory, two years later, he married again, to Elisabeth Graterolle, and fathered two more children. Politically, he was close to the monarchist Action Française movement, Denis died in Paris of injuries resulting from an automobile accident in November 1943. In 1980, the Maurice Denis Museum was opened in the home in the Parisian suburb of Saint-Germain-en-Laye. A major retrospective was mounted at the Musée Des Beaux Arts de Montréal in 2007, a similar exhibition took place in 1995 at the UKs Walker Art Gallery in Liverpool. Leçons de l’Italie, d’après son journal | Lessons from Italy, based on his Journal
9.
National Gallery of Art
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The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D. C. located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated an art collection and funds for construction. The Gallery often presents temporary special exhibitions spanning the world and the history of art and it is one of the largest museums in North America. In 1930 Mellon formed the A. W. Mellon Educational and Charitable Trust, when quizzed by Abbot, he explained that the project was in the hands of the Trust and that its decisions were partly dependent on the attitude of the Government towards the gift. Designed by architect John Russell Pope, the new structure was completed and accepted by President Franklin D. Roosevelt on behalf of the American people on March 17,1941. Neither Mellon nor Pope lived to see the completed, both died in late August 1937, only two months after excavation had begun. At the time of its inception it was the largest marble structure in the world, as anticipated by Mellon, the creation of the National Gallery encouraged the donation of other substantial art collections by a number of private donors. The Gallerys East Building was constructed in the 1970s on much of the land left over from the original congressional joint resolution. It was funded by Mellons children Paul Mellon and Ailsa Mellon Bruce, designed by famed architect I. M. Pei, the contemporary structure was completed in 1978 and was opened on June 1 of that year by President Jimmy Carter. The new building was built to house the Museums collection of paintings, drawings, sculptures. The design received a National Honor Award from the American Institute of Architects in 1981, the final addition to the complex is the National Gallery of Art Sculpture Garden. Completed and opened to the public on May 23,1999, the National Gallery of Art is supported through a private-public partnership. The United States federal government provides funds, through annual appropriations, to support the museums operations, all artwork, as well as special programs, are provided through private donations and funds. The museum is not part of the Smithsonian Institution, noted directors of the National Gallery have included David E. Finley, Jr. John Walker, and J. Carter Brown. Rusty Powell III is the current director, entry to both buildings of the National Gallery of Art is free of charge. From Monday through Saturday, the museum is open from 10 a. m. –5 p. m. it is open from 11 –6 p. m. on Sundays and it is closed on December 25 and January 1. The museum comprises two buildings, the West Building and the East Building linked by an underground passage
10.
Pierre Bonnard
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Pierre Bonnard was a French painter and printmaker, as well as a founding member of the Post-Impressionist group of avant-garde painters Les Nabis. Bonnard preferred to work from memory, using drawings as a reference, the intimate domestic scenes, for which he is perhaps best known, often include his wife Marthe de Meligny. Identified as a practitioner of Impressionism in the early 20th century, Bonnard has since been recognized for his unique use of color. Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867 and he led a happy and carefree youth as the son of a prominent official of the French Ministry of War. He studied classics during his baccalaureate, at the insistence of his father, Bonnard studied law, graduating and briefly practicing as a barrister in 1888. However, he had attended art classes at Ecole des Beaux-Arts and Académie Julian. His earlier work such as Woman in Checkered Dress shows the influence of Japanese prints, in 1891, he met Toulouse-Lautrec and began showing his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he, Bonnards talent was appreciated early in his career, Claude Roger-Marx remarked in 1893 that he catches fleeting poses, steals unconscious gestures, crystallises the most transient expressions. His first show was at the Galerie Durand-Ruel in 1896, in his twenties Bonnard was a part of Les Nabis, a group of young artists committed to creating work of symbolic and spiritual nature. Other Nabis include Vuillard and Maurice Denis, in addition to his paintings, he also became known for his posters and book illustrations, as well as for his prints and theater set designs. He left Paris in 1910 for the south of France, Bonnard was described, by his own friend and historians, as a man of quiet temperament and one who was unobtrusively independent. His life was free from the tensions and reversals of untoward circumstance. It has been suggested that, Like Daumier, whose life knew little serenity, Bonnard is known for his intense use of color, especially via areas built with small brush marks and close values. His often complex compositions—typically of sunlit interiors and gardens populated with friends, Bonnards fondness for depicting intimate scenes of everyday life, has led to him being called an Intimist, his wife Marthe was an ever-present subject over the course of several decades. She is seen seated at the table, with the remnants of a meal, or nude. He also painted several self-portraits, landscapes, street scenes, and many still lifes, Bonnard did not paint from life but rather drew his subject—sometimes photographing it as well—and made notes on the colors. He then painted the canvas in his studio from his notes, I have all my subjects to hand, he said, I go back and look at them. And before I start painting I reflect, I dream and he worked on numerous canvases simultaneously, which he tacked onto the walls of his small studio
11.
Synthetism
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Synthetism is a term used by post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism, the term is derived from the French verb synthétiser. Paul Gauguin, Émile Bernard, Louis Anquetin, and others pioneered the style during the late 1880s, synthetist artists aimed to synthesize three features, The outward appearance of natural forms. The artist’s feelings about their subject, the purity of the aesthetic considerations of line, colour and form. The confusing title has been associated with impressionism. Synthetism emphasized two-dimensional flat patterns, thus differing from impressionist art, Paul Sérusier - Talisman Paul Gauguin - Vision After The Sermon, La Belle Angele, The Loss of Innocence Émile Bernard - Buckwheat Harvest Charles Laval - Going to Market Cuno Amiet - Breton Spinner
12.
Paul Gauguin
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Eugène Henri Paul Gauguin was a French post-Impressionist artist. Underappreciated until after his death, Gauguin is now recognized for his use of color. His work was influential to the French avant-garde and many artists, such as Pablo Picasso. Many of his paintings were in the possession of Russian collector Sergei Shchukin and he was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. He was also a proponent of wood engraving and woodcuts as art forms. Gauguin was born in Paris, France to Clovis Gauguin and Alina Maria Chazal on June 7,1848 and his birth coincided with revolutionary upheavals throughout Europe that year. His father, a 34-year-old liberal journalist, came from a family of petit-bourgeoisie entrepreneurs residing in Orléans and he was compelled to flee France when the newspaper for which he wrote was suppressed by French authorities. Gauguins mother, the 22-year-old Aline Marie Chazal, was the daughter of Andre Chazal, an engraver, and Flora Tristan and their union ended when Andre assaulted his wife Flora and was sentenced to prison for attempted murder. Paul Gauguins maternal grandmother, Flora Tristan, was the daughter of Thérèse Laisnay. Details of Thérèses family background are not known, her father, Don Mariano, was a Spanish nobleman, members of the wealthy Tristan Moscoso family held powerful positions in Peru. Nonetheless, Don Marianos unexpected death plunged his mistress and daughter Flora into poverty, when Floras marriage with Andre failed, she petitioned for and obtained a small monetary settlement from her fathers Peruvian relatives. She sailed to Peru in hopes of enlarging her share of the Tristan Moscoso family fortune and this never materialized, but she successfully published a popular travelogue of her experiences in Peru which launched her literary career in 1838. An active supporter of early socialist societies, Gauguins maternal grandmother helped to lay the foundations for the 1848 revolutionary movements, placed under surveillance by French police and suffering from overwork, she died in 1844. Her grandson Paul idolized his grandmother, and kept copies of her books with him to the end of his life. In 1850, Clovis Gauguin departed for Peru with his wife Alina and he died of a heart attack en route, and Alina arrived in Peru a widow with the 18-month-old Paul and his 2 ½ year-old sister, Marie. Gauguins mother was welcomed by her granduncle, whose son-in-law would shortly assume the presidency of Peru. To the age of six, Paul enjoyed an upbringing, attended by nursemaids. He retained a vivid memory of period of his childhood which instilled indelible impressions of Peru that haunted him the rest of his life
13.
Venice
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Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
14.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
15.
Milan
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Milan is a city in Italy, capital of the Lombardy region, and the most populous metropolitan area and the second most populous comune in Italy. The population of the city proper is 1,351,000, Milan has a population of about 8,500,000 people. It is the industrial and financial centre of Italy and one of global significance. In terms of GDP, it has the largest economy among European non-capital cities, Milan is considered part of the Blue Banana and lies at the heart of one of the Four Motors for Europe. Milan is an Alpha leading global city, with strengths in the arts, commerce, design, education, entertainment, fashion, finance, healthcare, media, services, research, and tourism. Its business district hosts Italys Stock Exchange and the headquarters of the largest national and international banks, the city is a major world fashion and design capital, well known for several international events and fairs, including Milan Fashion Week and the Milan Furniture Fair. The city hosts numerous cultural institutions, academies and universities, with 11% of the national total enrolled students, Milans museums, theatres and landmarks attract over 9 million visitors annually. Milan – after Naples – is the second Italian city with the highest number of accredited stars from the Michelin Guide, the city hosted the Universal Exposition in 1906 and 2015. Milan is home to two of Europes major football teams, A. C. Milan and F. C. Internazionale, the etymology of Milan is uncertain. One theory holds that the Latin name Mediolanum comes from the Latin words medio, however, some scholars believe lanum comes from the Celtic root lan, meaning an enclosure or demarcated territory in which Celtic communities used to build shrines. Hence, Mediolanum could signify the central town or sanctuary of a Celtic tribe, indeed, the name Mediolanum is borne by about sixty Gallo-Roman sites in France, e. g. Saintes and Évreux. Alciato credits Ambrose for his account, around 400 BC, the Celtic Insubres settled Milan and the surrounding region. In 222 BC, the Romans conquered the settlement, renaming it Mediolanum, Milan was eventually declared the capital of the Western Roman Empire by Emperor Diocletian in 286 AD. Diocletian chose to stay in the Eastern Roman Empire and his colleague Maximianus ruled the Western one, immediately Maximian built several monuments, such as a large circus 470 m ×85 m, the Thermae Herculeae, a large complex of imperial palaces and several other buildings. With the Edict of Milan of 313, Emperor Constantine I guaranteed freedom of religion for Christians, after the city was besieged by the Visigoths in 402, the imperial residence was moved to Ravenna. In 452, the Huns overran the city, in 539, the Ostrogoths conquered and destroyed Milan during the Gothic War against Byzantine Emperor Justinian I. In the summer of 569, a Teutonic tribe, the Lombards, conquered Milan, some Roman structures remained in use in Milan under Lombard rule. Milan surrendered to the Franks in 774 when Charlemagne took the title of King of the Lombards, the Iron Crown of Lombardy dates from this period
16.
Brittany
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Brittany is a cultural region in the north-west of France. Brittany has also referred to as Less, Lesser or Little Britain. It is bordered by the English Channel to the north, the Celtic Sea and the Atlantic Ocean to the west, and its land area is 34,023 km². Since reorganisation in 1956, the administrative region of Brittany comprises only four of the five Breton departments. The remaining area of old Brittany, the Loire-Atlantique department around Nantes, at the 2010 census, the population of historic Brittany was estimated to be 4,475,295. Of these, 71% lived in the region of Brittany, while 29% lived in the Loire-Atlantique department, in 2012, the largest metropolitan areas were Nantes, Rennes, and Brest. Brittany is the homeland of the Breton people and is recognised by the Celtic League as one of the six Celtic nations. A nationalist movement seeks greater autonomy within the French Republic, the word Brittany, along with its French, Breton and Gallo equivalents Bretagne, Breizh and Bertaèyn, derive from the Latin Britannia, which means Britons land. This word had been used by the Romans since the 1st century to refer to Great Britain and this word derives from a Greek word, Πρεττανικη or Βρεττανίαι, used by Pytheas, an explorer from Massalia who visited the British Islands around 320 BC. This term probably comes from a Gallic word, aremorica, which close to the sea. Another name, Letauia, was used until the 12th century and it possibly means wide and flat or to expand and it gave the Welsh name for Brittany, Llydaw. Later, authors like Geoffrey of Monmouth used the terms Britannia minor, breton-speaking people may pronounce the word Breizh in two different ways, according to their region of origin. Breton can be divided into two dialects, the KLT and the dialect of Vannes. KLT speakers pronounce it and would write it Breiz, while the Vannetais speakers pronounce it, the official spelling is a compromise between both variants, with a z and an h together. In 1941, efforts to unify the dialects led to the creation of the so-called Breton zh, on its side, Gallo language has never had a widely accepted writing system and several ones coexist. For instance, the name of the region in that language can be written Bertaèyn in ELG script, or Bertègn in MOGA, Brittany has been inhabited by humans since the Lower Paleolithic. This population was scarce and very similar to the other Neanderthals found in the whole of Western Europe and their only original feature was a distinct culture, called Colombanian. One of the oldest hearths in the world has found in Plouhinec
17.
Normandy
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Normandy is one of the regions of France, roughly corresponding to the historical Duchy of Normandy. Administratively, Normandy is divided into five departments, Calvados, Eure, Manche, Orne and it covers 30,627 km², forming roughly 5% of the territory of France. Its population of 3.37 million accounts for around 5% of the population of France, Normans is the name given to the inhabitants of Normandy, and the region is the homeland of the Norman language. The historical region of Normandy comprised the region of Normandy, as well as small areas now part of the départements, or departments of Mayenne. For a century and a following the Norman conquest of England in 1066, Normandy and England were linked by Norman. Archaeological finds, such as paintings, prove that humans were present in the region in prehistoric times. Celts invaded Normandy in successive waves from the 4th to the 3rd century BC, when Julius Caesar invaded Gaul, there were nine different Celtic tribes living in Normandy. The Romanisation of Normandy was achieved by the methods, Roman roads. Classicists have knowledge of many Gallo-Roman villas in Normandy, in the late 3rd century, barbarian raids devastated Normandy. Coastal settlements were raided by Saxon pirates, Christianity also began to enter the area during this period. In 406, Germanic tribes began invading from the east, while the Saxons subjugated the Norman coast, the Roman Emperor withdrew from most of Normandy. As early as 487, the area between the River Somme and the River Loire came under the control of the Frankish lord Clovis, the Vikings started to raid the Seine Valley during the middle of the 9th century. As early as 841, a Viking fleet appeared at the mouth of the Seine, after attacking and destroying monasteries, including one at Jumièges, they took advantage of the power vacuum created by the disintegration of Charlemagnes empire to take northern France. The fiefdom of Normandy was created for the Norwegian Viking leader Hrólfr Ragnvaldsson, Rollo had besieged Paris but in 911 entered vassalage to the king of the West Franks, Charles the Simple, through the Treaty of Saint-Clair-sur-Epte. In exchange for his homage and fealty, Rollo legally gained the territory which he, the name Normandy reflects Rollos Viking origins. The descendants of Rollo and his followers adopted the local Gallo-Romance language and they became the Normans – a Norman-speaking mixture of Saxons and indigenous Franks and Celts. Besides the Norman conquest of England and the subsequent conquests of Wales and Ireland, Norman families, such as that of Tancred of Hauteville, Rainulf Drengot and Guimond de Moulins played important parts in the Norman conquest of southern Italy and Crusades. They also carved out a place for themselves and their descendants in the Crusader states of Asia Minor, the 14th century Norman explorer Jean de Béthencourt established a kingdom in the Canary Islands
18.
Salon d'Automne
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The Salon dAutomne, or Société du Salon dautomne, is an annual art exhibition held in Paris, France since 1903. During the Salons early years, established such as Pierre-Auguste Renoir threw their support behind the new exhibition. Foreign artists are well represented. The Salon dAutomne also boasts the presence of a politician and patron of the arts and this was the idea behind Jourdains dream of opening a new Salon des Refusés in the late 1890s, and realized in the opening the Salon dAutomne in 1903. Providing a venue where artists could be recognized, while wrestling the public out of its complacency were, to Jourdain. The platform of the Salon dAutomne was based on an open admission, jurors were members of society itself, not members of the Academy, the state, or official art establishments. Refused exhibition space in the Grand Palais, the first Salon dAutomne was held in the poorly lit and it was backed financially by Jansen. While Rodin applauded the endeavor, and submitted drawings, he refused to join doubting it would succeed, notwithstanding, the first Salon dAutomne, which included works by Matisse, Bonnard and other progressive artists, was unexpectedly successful, and was met with wide critical acclaim. Even Paul Signac, president of the Salon des Indépendants, never forgave Jourdain for having founded a rival salon, what he had not predicted was a retaliation that threatened the future of the new salon. Carolus-Duran threatened to ban from his Société established artists who might consider exhibiting at the Salon dAutomne, retaliating in defense of Jourdain, Eugène Carrière issued a statement that if forced to choose, he would join the Salon dAutomne and resign from the Société Nationale des Beaux-Arts. The valuable publicity generated by the articles on the controversy worked in favor of the Salon dAutomne. Thus, Eugène Carrière saved the burgeoning salon, Henri Marcel, sympathetic to the Salon dAutomne, became director of the Beaux-Arts, and assured it would take place at the prestigious Grand Palais the following year. The success of the Salon dAutomne was not, however, due to such controversy, success was due to the tremendous impact of its exhibitions on both the art world and the general public, extending from 1903 to the outset of the First World War. He soon became known as a staunch critic of traditionalism and a fervent proponent of Modernism, yet even for him. The first Salon dAutumne exhibition opened 31 October 1903 at the Palais des Beaux-Arts de la Ville de Paris in Paris, Albert Gleizes exhibited two paintings, Vieux moulin à Montons-Villiers and Le matin à Courbevoie. A room at the 1904 Salon dAutome was dedicated to Paul Cézanne, with works, including various portraits, self-portraits, still lifes, flowers, landscapes. Another room presented works of Puvis de Chavannes, with 44 works, and another was dedicated to Odilon Redon with 64 works, including paintings, drawings and lithographs. Auguste Renoir and Henri de Toulouse-Lautrec too were represented in separate rooms with 35 and 28 works respectively, Vauxcelles described their work with the phrase Donatello chez les fauves, contrasting the orgy of pure tones with a Renaissance-style sculpture that shared the room with them
19.
Henri de Toulouse-Lautrec
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Toulouse-Lautrec is among the best-known painters of the Post-Impressionist period, with Cézanne, Van Gogh and Gauguin. In a 2005 auction at Christies auction house, La Blanchisseuse, his painting of a young laundress, sold for US$22.4 million. The last part of his name means he was a member of an aristocratic family and his younger brother was born in 1867, but died the following year. After the death of his brother, Henris parents separated and a nanny ended up taking care of him, at the age of eight, Henri went to live with his mother in Paris where he drew sketches and caricatures in his exercise workbooks. The family quickly realised that Henris talents lay in drawing and painting, a friend of his father, René Princeteau, visited sometimes to give informal lessons. Some of Henris early paintings are of horses, a speciality of Princeteau, in 1875, Toulouse-Lautrec returned to Albi because his mother had concerns about his health. He took thermal baths at Amélie-les-Bains and his mother consulted doctors in the hope of finding a way to improve her sons growth, Toulouse-Lautrecs parents, the Comte and Comtesse, were first cousins, and he suffered from congenital health conditions sometimes attributed to a family history of inbreeding. At age 13, Toulouse-Lautrec fractured his right femur, at age 14, he fractured his left. The breaks did not heal properly, modern physicians attribute this to an unknown genetic disorder, possibly pycnodysostosis, or a variant disorder along the lines of osteopetrosis, achondroplasia, or osteogenesis imperfecta. Rickets aggravated by praecox virilism has also been suggested, afterwards, his legs ceased to grow, so that as an adult he was extremely short. He developed an adult-sized torso, while retaining his child-sized legs, additionally, he is reported to have had hypertrophied genitals. Physically unable to participate in many activities enjoyed by males his age and he became an important Post-Impressionist painter, art nouveau illustrator, and lithographer, and, through his works, recorded many details of the late-19th-century bohemian lifestyle in Paris. Toulouse-Lautrec contributed a number of illustrations to the magazine Le Rire during the mid-1890s, after initially failing college entrance exams, he passed his second attempt and completed his studies. Toulouse-Lautrecs mother had high ambitions and, with the aim of her son becoming a fashionable and respected painter and he was drawn to Montmartre, the area of Paris famous for its bohemian lifestyle and the haunt of artists, writers, and philosophers. Studying with Bonnat placed Toulouse-Lautrec in the heart of Montmartre, an area he rarely left over the next 20 years. After Bonnat took a new job, Toulouse-Lautrec moved to the studio of Fernand Cormon in 1882 and studied for a five years. At this time he met Émile Bernard and Vincent van Gogh, Cormon, whose instruction was more relaxed than Bonnats, allowed his pupils to roam Paris, looking for subjects to paint. During this period, Toulouse-Lautrec had his first encounter with a prostitute, which led him to paint his first painting of a prostitute in Montmartre, a woman rumoured to be Marie-Charlet
20.
Fresco
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Fresco is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. Buon fresco pigment mixed with water of temperature on a thin layer of wet, fresh plaster, for which the Italian word for plaster. Because of the makeup of the plaster, a binder is not required, as the pigment mixed solely with the water will sink into the intonaco. The pigment is absorbed by the wet plaster, after a number of hours, many artists sketched their compositions on this underlayer, which would never be seen, in a red pigment called sinopia, a name also used to refer to these under-paintings. Later, new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, if the painting was to be done over an existing fresco, the surface would be roughened to provide better adhesion. This area is called the giornata, and the different day stages can usually be seen in a large fresco, buon frescoes are difficult to create because of the deadline associated with the drying plaster. Once a giornata is dried, no more buon fresco can be done, if mistakes have been made, it may also be necessary to remove the whole intonaco for that area—or to change them later, a secco. An indispensable component of this process is the carbonatation of the lime, the eyes of the people of the School of Athens are sunken-in using this technique which causes the eyes to seem deeper and more pensive. Michelangelo used this technique as part of his trademark outlining of his central figures within his frescoes, in a wall-sized fresco, there may be ten to twenty or even more giornate, or separate areas of plaster. After five centuries, the giornate, which were nearly invisible, have sometimes become visible, and in many large-scale frescoes. Additionally, the border between giornate was often covered by an a secco painting, which has fallen off. One of the first painters in the period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. A person who creates fresco is called a frescoist, a secco or fresco-secco painting is done on dry plaster. The pigments thus require a medium, such as egg. Blue was a problem, and skies and blue robes were often added a secco, because neither azurite blue nor lapis lazuli. By the end of the century this had largely displaced buon fresco
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Geneva
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Geneva is the second most populous city in Switzerland and is the most populous city of Romandy, the French-speaking part of Switzerland. Situated where the Rhône exits Lake Geneva, it is the capital of the Republic, the municipality has a population of 198,072, and the canton has 484,736 residents. In 2014, the compact agglomération du Grand Genève had 946,000 inhabitants in 212 communities in both Switzerland and France, within Swiss territory, the commuter area named Métropole lémanique contains a population of 1.25 million. This area is essentially spread east from Geneva towards the Riviera area and north-east towards Yverdon-les-Bains, Geneva is the city that hosts the highest number of international organizations in the world. It is also the place where the Geneva Conventions were signed, Geneva was ranked as the worlds ninth most important financial centre for competitiveness by the Global Financial Centres Index, ahead of Frankfurt, and third in Europe behind London and Zürich. A2009 survey by Mercer found that Geneva has the third-highest quality of life of any city in the world, the city has been referred to as the worlds most compact metropolis and the Peace Capital. In 2009 and 2011, Geneva was ranked as, respectively, the city was mentioned in Latin texts, by Caesar, with the spelling Genava, probably from a Celtic toponym *genawa- from the stem *genu-, in the sense of a bending river or estuary. The medieval county of Geneva in Middle Latin was known as pagus major Genevensis or Comitatus Genevensis, the name takes various forms in modern languages, Geneva /dʒᵻˈniːvə/ in English, French, Genève, German, Genf, Italian, Ginevra, and Romansh, Genevra. The city in origin shares its name, *genawa estuary, with the Italian port city of Genoa, Geneva was an Allobrogian border town, fortified against the Helvetii tribe, when the Romans took it in 121 BC. It became Christian under the Late Roman Empire, and acquired its first bishop in the 5th century, having been connected to the bishopric of Vienne in the 4th. In the Middle Ages, Geneva was ruled by a count under the Holy Roman Empire until the late 14th century, around this time the House of Savoy came to dominate the city. In the 15th century, a republican government emerged with the creation of the Grand Council. In 1541, with Protestantism in the ascendancy, John Calvin, by the 18th century, however, Geneva had come under the influence of Catholic France, which cultivated the city as its own. France also tended to be at odds with the ordinary townsfolk, in 1798, revolutionary France under the Directory annexed Geneva. At the end of the Napoleonic Wars, on 1 June 1814, in 1907, the separation of Church and State was adopted. Geneva flourished in the 19th and 20th centuries, becoming the seat of international organizations. Geneva is located at 46°12 North, 6°09 East, at the end of Lake Geneva. It is surrounded by two chains, the Alps and the Jura
22.
Metropolitan Museum of Art
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The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
23.
Florence Meyer Blumenthal
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For their altruism, Florence Blumenthal and her husband George Blumenthal received the French Legion of Honor in 1929. Both a street as well as a square in Paris are named in her honor. Blumenthals younger brother Eugene Meyer Jr. was President and publisher of the Washington Post, in 1898, Florence married international financier George Blumenthal. In 1925, Blumenthal moved to Paris with her husband, later donating to the Children’s Hospital in Paris the Metropolitan Museum of Art in New York, the Sorbonne in Paris. She and her husband received the French Legion of Honor in 1929, Washington Post publisher Katharine Graham described her aunt, known within the family as Florie, as having a perfect figure and for bringing home massive amounts of clothing from Paris. Blumenthal was also related to the Levi Strauss family through her sisters, Rosalie and Elise. In 1907, she and her husband were injured in an accident in Paris. The Blumenthals had one son, who died at an early age, Blumenthal died on September 21,1930, at age fifty-five, of bronchial pneumonia at home in Paris. In 2010, the Médiathèque of Haguenau hosted an exhibit of the Florence Blumenthal archives, the Prix Blumenthal was a grant or stipend awarded through the Fondation franco-américaine Florence Blumenthal, which Florence Blumenthal had founded. Grants were given from 1919-1954 to painters, sculptors, decorators, engravers, writers, juries including Paul Signac and Aristide Maillol, awarded a Prix Blumenthal purse of six thousand francs per year for two years. This was increased from 1926 until her death in 1930 to ten francs a year. In 1952 Marrot won in 1952, the French Légion dhonneur, — and her textiles continue under license to companies including Nike, Anthropologie. See, Rooftops textile print by Marrot See, Clayton Marcus chair for Rowe Furniture using Marrot Print See, Nike shoe using Marrot Print
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Prix Blumenthal
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The purse increased in 1926 until Blumenthals death in 1930 to ten thousand francs for two years. Composer Georges Migot served as vice-president and subsequently as president of the foundation, beginning in 1919 the foundation awarded nearly two hundred grants, and on April 11,1937, the Prix Blumenthal was declared dutilité publique, giving it a special tax classification. At the time of the dissolution in 1973 it was under the direction of Georges Huisman, director of the école des Beaux-Arts, along with author André Maurois. In 2010, the Médiathèque of Haguenau hosted an exhibit of the Florence Blumenthal archives, blumethals younger brother Eugene Meyer Jr. later become the president and publisher of the Washington Post — and was the father of Katharine Graham, editor of the Washington Post during Watergate. She was also related to Levi Strauss through her sisters, in 1925, Blumenthal moved to Paris with her husband, later donating large sums to the Children’s Hospital in Paris, the Metropolitan Museum of Art in New York and the Sorbonne in Paris. Blumenthal died in Paris in 1930, at age fifty-five, having won, along with her husband, in 1952 Marrot was awarded the French Légion dhonneur, — and her textiles continue under license to diverse companies including Nike, Anthropologie and the handbag maker, Hayden-Harnett. Partial list, by year of award
25.
The Grand Teddy tea-rooms paintings
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The Grand Teddy tea-rooms paintings is a collective name for three glue distemper oval paintings executed by Edouard Vuillard for Le Grand Teddy tea-rooms in Paris in 1918. The largest is privately owned, but is sometimes exhibited, one of the smaller works was featured on an episode of the BBC television programme Fake or Fortune. Which first broadcast on 19 January 2014, the location of the third is currently unknown. With the closure of the cafe in 1922, the paintings were bought by Jos Hessel, Vuillards friend, the largest shows the fashionable patrons of the cafe. It was exhibited at the Jewish Museum in New York City in May,2012 and it is 150 x 290 cm in an oval shape in landscape format. It is privately owned and only seen in public. Nearly five feet high and over eleven-and-a-half feet wide, Le Grand Teddy was accompanied by two smaller ovals, identified in the notes as The Cafe and The Oysters. Standing four feet high in portrait orientation, neither appeared in the Vuillard catalogue raisonné when the paintings were acquired as a pair by art dealer Robert Warren, in 2005 he sold The Oysters on eBay for £3,000. In 2007, The Café was sold on for £11,000 by a Suffolk family at TW Gaze in Diss, depicting a number of ladies seated at a banquette, The Café was re-examined for the BBC programme Fake or Fortune. By the Wildenstein Institute and authenticated by unanimous decision of its Vuillard Committee, estimated to be worth £250,000, The Café remains with 2007 purchaser Keith Tutt and will be included in subsequent print editions of the catalogue raisonné. Its mate The Oysters carries the same estimated value, depicting a couple seated to champagne and oysters, its whereabouts remain unknown, as the dealer Warren has been unable to identify its purchaser. He contacted the BBC programme Fake or Fortune, in an attempt to gain their help in authenticating his work. Tutts vertical oval painting, titled The Café, depicts an oblique elevated view of a café interior and it was thought to be one of the three paintings commissioned from Vuillard in 1918 to decorate Le Grand Teddy. This showed that both paintings were virtually identical, both in the type of canvas used, and the medium with which Vuillard had painted the works. This was a relatively unusual compound of animal glue and pigment, called glue distemper and he was thought to have chosen glue distemper for the Grand Teddy commission in part because its unvarnished matte surface did not reflect the bright electric lights then coming into common use. An investigation of the provenance traced the back from Tutt, through Robert Warren. After submitting all the evidence to a committee at the secretive and highly conservative Wildenstein Institute in Paris, Tutt, team learned that the committee had unanimously agreed The Café to be a genuine work, and that it would henceforward be incorporated into the catalogue raisonné of Vuillard. As a result of validation, the painting was estimated to be worth at least UK£200, 00–£300,000
26.
Distemper (paint)
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Distemper is a term with a variety of meanings for paints used in decorating and as a historical medium for painting pictures, and contrasted with tempera. The binder may be glues of vegetable or animal origin, soft distemper is not abrasion resistant and may include binders such as chalk, ground pigments, and animal glue. Hard distemper is stronger and wear-resistant and can include casein or linseed oil as binders, Distemper is an early form of whitewash, also used as a medium for artistic painting, usually made from powdered chalk or lime and size. Alternatives to chalk include the toxic white lead. Distempered surfaces can be marked and discoloured, and cannot be washed down, so distemper is best suited to temporary. The technique of painting on distempered surfaces blends watercolors with whiting, the colours are mixed with whitening, or finely-ground chalk, and tempered with size. The whitening makes them opaque and gives them body, but is also the cause of their drying light, a source of considerable embarrassment to the inexperienced eye is that the colours when wet present such a different appearance from what they do when dry. Many Medieval and Renaissance painters used distemper painting rather than oil paint for some of their works, the earliest paintings on canvas were mostly in distemper, which was also widely used in Asia, especially in Tibetan thankas. Distemper paintings suffer more than oil paintings as they age, and it was the commonest medium for painting banners and decorations for temporary celebrations, both of which attracted artists of the highest quality, especially when they were official court artists. Too much of the glue disposes the painting to crack and peel from the ground, while, with too little, it is friable, other sources would describe the Mantegnas as also being in distemper. Contemporary artist John Connell was known for using distemper in paintings sometimes as large as ten feet, fayum mummy portraits, from Late Antique Egypt Dirk Bouts Entombment, 1450s. National Gallery, London Many paintings by Mantegna The Raphael Cartoons, London Édouard Vuillard Lunch at Vasouy,1901, mark Tobeys White Journey, modern Le Grand Teddy by Édouard Vuillard Removing Distemper. Soft Distemper The Problem with Distemper
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Fake or Fortune?
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Fake or Fortune. is a returning, award-winning BBC1 television series which examines the provenance and attribution of notable artworks. Since the first series aired in 2011, Fake or Fortune, has become the most popular arts show on television, regularly drawing audiences of 5 million viewers in the UK alone. It is co-presented by journalist Fiona Bruce and art dealer and art historian Philip Mould with forensic analysis, each series has first aired on BBC1, except the third series accidentally first airing on SVT. The sixth series is due to broadcast in the summer of 2017, in each episode, Philip Mould and Fiona Bruce focus their attention on a painting, usually related to one particular artist. This evidence is presented to established authorities to help to argue the legitimacy of the work. There were four episodes in the first series, which started on 19 June 2011, the series had three episodes, Works featured in series 2 The third series features four episodes. The first episode was first shown on 27 December 2013, on Swedens SVT, Philip Mould described the appearance on Swedish television weeks ahead of the British premiere as a weird BBC World cock-up. SVT on its website described the programme at the time as a Brittisk dokumentärserie från 2012, Works featured in series 3 Filming for the fifth series started on 24 November 2015. The series was slated to be broadcast on 17 July 2016, tom Sutcliffe in The Independent had a mixed view as a result of the presentation of the facts, saying, It was full of cliffhanger tension and thrilling moments of discovery. But I couldnt entirely shift the suspicion that some of it was just a little too good to be true. The first programme of the series, shown in the UK on 19 January 2014. The record audience was pulled in on 12 July 2015 with an attendance of 5.8 million viewers. The programme has aired on PBS in the United States, at BBC Programmes Fake or Fortune
28.
Theodore Roosevelt
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Theodore Roosevelt Jr. was an American statesman, author, explorer, soldier, naturalist, and reformer who served as the 26th president of the United States from 1901 to 1909. As a leader of the Republican Party during this time, he became a force for the Progressive Era in the United States in the early 20th century. Born a sickly child with debilitating asthma, Roosevelt successfully overcame his health problems by embracing a strenuous lifestyle and he integrated his exuberant personality, vast range of interests, and world-famous achievements into a cowboy persona defined by robust masculinity. Home-schooled, he began a lifelong naturalist avocation before attending Harvard College and his first of many books, The Naval War of 1812, established his reputation as both a learned historian and as a popular writer. Upon entering politics, he became the leader of the faction of Republicans in New Yorks state legislature. Returning a war hero, he was elected governor of New York in 1898, the state party leadership distrusted him, so they took the lead in moving him to the prestigious but powerless role of vice presidential candidate as McKinleys running mate in the election of 1900. Roosevelt campaigned vigorously across the country, helping McKinleys re-election in a victory based on a platform of peace, prosperity. Following the assassination of President McKinley in September 1901, Roosevelt succeeded to the office at age 42, making conservation a top priority, he established a myriad of new national parks, forests, and monuments intended to preserve the nations natural resources. In foreign policy, he focused on Central America, where he began construction of the Panama Canal and he greatly expanded the United States Navy and sent the Great White Fleet on a world tour to project the United States naval power around the globe. His successful efforts to end the Russo-Japanese War won him the 1906 Nobel Peace Prize, elected in 1904 to a full term, Roosevelt continued to promote progressive policies, but many of his efforts and much of his legislative agenda were eventually blocked in Congress. Roosevelt successfully groomed his close friend, William Howard Taft, to succeed him in the presidency, after leaving office, Roosevelt went on safari in Africa and toured Europe. Returning to the United States, he became frustrated with Tafts approach, failing to win the Republican presidential nomination in 1912, Roosevelt founded his own party, the Progressive, so-called Bull Moose Party, and called for wide-ranging progressive reforms. The split among Republicans enabled the Democrats to win both the White House and a majority in the Congress in 1912, Republicans aligned with Taft nationally would control the Republican Party for decades. Frustrated at home, Roosevelt led an expedition to the Amazon basin. During World War I, he opposed President Woodrow Wilson for keeping the country out of the war, and offered his military services, although planning to run again for president in 1920, Roosevelt suffered deteriorating health and died in early 1919. Roosevelt has consistently ranked by scholars as one of the greatest American presidents. Historians admire Roosevelt for rooting out corruption in his administration, but are critical of his 1909 libel lawsuits against the World and his face was carved into Mount Rushmore, alongside those of George Washington, Thomas Jefferson, and Abraham Lincoln. Theodore Roosevelt Jr. was born on October 27,1858, at East 20th Street in New York City and he was the second of four children born to socialite Martha Stewart Mittie Bulloch and glass businessman and philanthropist Theodore Roosevelt Sr
29.
Wildenstein Institute
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The Wildenstein Institute is a French art institute that publishes catalogues raisonnés and scholarly inventories. The Institute was founded in 1970 by Daniel Wildenstein as the Fondation Wildenstein and was renamed the Wildenstein Institute in 1990 and it is an offshoot of the art dealing company owned by the Wildenstein family for five generations. It houses the historic documents and photographic archives assembled by Nathan Wildenstein and his son Georges, Daniel Wildenstein established the Wildenstein Index Number used by the Institute to identify paintings. It publishes catalogues raisonnés and scholarly inventories of impressionists such as Monet and it describes itself as a center for research in art history. It is currently headed by Guy Wildenstein, the Institute publishes a Monet catalogue raisonné and is regarded as the official authenticator of Monet paintings. Acceptance of a Monet by the Institute significantly increases the value of a painting. The Institute controversially refused to authenticate Bords de la Seine à Argenteuil after an investigation by Fiona Bruce, which first aired on 19 June 2011. In 2011, a police raid discovered and seized 30 paintings valued at tens of millions of pounds from the Institutes Paris headquarters
30.
Norton Simon Museum
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The Norton Simon Museum is an art museum located in Pasadena, California, United States. It was previously known as the Pasadena Art Institute and the Pasadena Art Museum, the museum contains the Norton Simon Theater which shows film programs daily, and hosts lectures, symposia, and dance and musical performances year-round. The museum is located along the route of the Tournament of Rosess Rose Parade, the Museum filled a void, being the only modern art museum between San Francisco and La Jolla in California at the time. It was renowned for art exhibits and supported the work of local contemporary artists such as Helen Lundeberg, John McLaughlin. Hopps later drew up a short list of California architects for a new building, including Richard Neutra, Charles Eames, John Lautner, Craig Ellwood. Hopps insisted on an architect because he expected a high level of interaction throughout the design process. A new Pasadena Art Museum building was completed in 1969, designed by Pasadena architects Thornton Ladd, the distinctive and modern curvilinear exterior facade is faced in 115,000 glazed tiles, in varying rich brown tones with an undulating surface, made by renowned ceramic artisan Edith Heath. Hopps resigned before the museum opened, in the early 1970s, due to an ambitious schedule of exhibits and the new building project, the museum began to experience serious financial hardships. He was first approached for assistance in 1971 by trustees of the museum. In 1974, the museum and Simon came to an agreement, the remainder was used to display the Pasadena museums contemporary collection. A new 10-member board of trustees was formed, consisting of four members from Simons group, Simon also became responsible for the collection and building projects, in return the museum was renamed to Norton Simon Museum and renovated at a reported cost of more than $3 million. Simon died in 1993, and the actress Jennifer Jones, his widow and chairwoman of the board, made corrective, conciliatory moves that have repositioned the museum and its two collections. In 1995, the museum began a major $5 million renovation with the architect Frank Gehry, the gardens were redesigned by Power and Associates to house the 20th-century sculpture collection in an engaging setting. The new Norton Simon Theater was the element of the renovation, designed by Gensler & Associates. The Norton Simon Museum, which more than 11,000 objects. As of 2014, their public filings placed the combined value of the artworks at about $2.5 billion. The museum makes relatively little effort to expand the collection amassed by its founder, for more than three decades after it was founded in 1975, the Norton Simon Museum maintained a no-loans policy. In 2007 the board agreed to select works to museums including the National Gallery in Washington
31.
Jewish Museum (Manhattan)
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It focuses both on artifacts of Jewish history and on modern and contemporary art. Its permanent exhibition, Culture and Continuity, The Jewish Journey, is supplemented by multiple temporary exhibitions each year. Felix M. Warburg and his brother Paul Warburg were international bankers in the early 20th Century who cultivated their fortunes at the New York banking firm Kuhn, Loeb, & Co. Felix and Paul moved to the United States in 1894 and Felix soon after married Freida Schiff, daughter of Jacob Schiff, active in the Jewish community and philanthropy for most of his life, Felix organized the Federation of Jewish Philanthropies by combining 75 separate charities and organizations. He also served as the director of the Jewish Theological Seminary of America along with his father-in-law Jacob H. Schiff, by that time, the Warburg family had been living in the house since 1908 when construction that began two years prior was completed. The collection was moved in 1931, with the Seminary, to 122nd, the Jewish Theological Seminary received over 400 Jewish ceremonial items and created, The Museum of Jewish Ceremonial Objects, previously the Jacob Schiff Library. The collection was expanded by major donations from Hadji Ephraim Benguiat. In 1939, in light of WWII, Poland sent about 350 objects to New York city from homes and synagogues in order to preserve them. Frieda Warburg said at the opening that the museum would not be a somber memorial, the first expansion of the museum was the addition of a sculpture garden in 1959 by Adam List. The building was expanded in 1963 and further by architect Kevin Roche in 1993, in the 1960s, the museum took a more active role in the general world of contemporary art, with exhibitions such as Primary Structures, which helped to launch the Minimalist art movement. In the decades since, the museum has had a focus on Jewish culture. From 1990 through 1993, director Joan Rosenbaum led the project to renovate and expand the building and carry out the museum’s first major capital campaign, the project, designed by architect Kevin Roche, doubled the size of the museum, providing it with a seven-story addition. In 1992, the Jewish Museum and the Film Society of Lincoln Center teamed up to create The New York Jewish Film Festival, today, the museum also provides educational programs for adults and families, sponsoring concerts, films, symposiums and lectures related to its exhibitions. Joan Rosenbaum was the director from 1981 until her retirement in 2010. In 2011 the museum named Claudia Gould as its new director, in 2012 Jens Hoffmann joined as Deputy Director, Exhibitions and Public Programs. The Felix M. Warburg House was constructed in François I style, 1906-1908 for Felix and Frieda Warburg, François I style was originally found in New York City in the late 19th century through the works of Richard Morris Hunt. Hunt was a renowned architect throughout the Northeast, particularly in New England and was one of the first American architects to study at the elite Ecole des Beaux-Arts in Paris, France. Gilbert was an apprentice of Hunt and emulated Hunts classic Châteauesque style for the Warburg house while also adding some Gothic features, the original house is built in limestone with mansard roofs, dripping moldings, and gables
32.
The Seamstress (painting)
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The Seamstress is an 1893 oil painting by French artist Édouard Vuillard, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It is a small, intimate image of a woman sewing, the Seamstress depicts a woman with her back to the viewer, sewing in front of a window. A feeling of three-dimensionality is created by the juxtaposition of vividly patterned wallpaper with plain grey walls, the painting seems almost unfinished, since Vuillard left the underlying board exposed in the table, the seamstress dress, and the wall. The stripe of wallpaper that dominates the left third of the composition is related to the rest of the room. The interplay of those beiges, browns, and reds with the stark, the scraps of cloth and wallpaper create patterns of color and shape as visually arresting as the subject matter. Vuillard is most famous for indoor scenes such as this, which reveal the details of their subjects lives in claustrophobic detail, most of his 1890s output was small, domestic, and feminine as a result of the artists corset-maker mothers heavy influence on his life. The physical, though not emotional, diminutiveness, of early works dissatisfied Vuillard. For these, he abandoned his style and moved to more conventional depictions of objects. Thus, the current artistic consensus is that his career peaked in his first decade, as an eager young student, he had helped form les Nabis, a group of progressive artists inspired by Gauguin and the Symbolists. They prioritized the abstract and decorative functions of shape and color, the IMA acquired The Seamstress in 1969 as a gift of Miss Blanche Stillson in memory of Caroline Marmon Feslerand. It has the acquisition number 69.68 and it is currently on display in the Sidney and Kathy Taurel gallery
33.
Indianapolis Museum of Art
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The Indianapolis Museum of Art is an encyclopedic art museum located in Indianapolis, Indiana, United States. The museum, which underwent a $74 million expansion in 2005, is located on a 152-acre campus on the near northwest area outside downtown Indianapolis, the Indianapolis Museum of Art is the ninth oldest and eighth largest encyclopedic art museum in the United States. The permanent collection comprises over 54,000 works, including African, American, Asian, M. W. Turner, and a growing contemporary art collection. Other areas of emphasis include textiles and fashion arts as well as a recent focus on modern design, in addition to its collections, the museum consists of 100 Acres, The Virginia B. The IMA also owns the Miller House, a Mid-Century modern home designed by Eero Saarinen and located in Columbus, the museums holdings demonstrate the institutions emphasis on the connections among art, design, and the natural environment. Founded in 1883 by the Art Association of Indianapolis, the first permanent museum was opened in 1906 as part of the John Herron Art Institute, among the Art Associations founders was May Wright Sewall, known for her work in the womens suffrage movement. Other supporters have included Booth Tarkington, Eli Lilly, Herman C, the associated John Herron Art Institute was established with the help of notable Hoosier Group artists T. C. Dr. Charles L. Venable is the current Melvin and Bren Simon Director, the museum is widely recognized as innovative in its development of open source technologies, institutional transparency, and collaboration between museums. In 2008, the IMA became the first fine art museum to be named an Energy Star partner due to its greening initiative and efforts to reduce energy consumption. In 2009, the IMA was awarded the National Medal for Museum and Library Service for public service, specifically the museums free admission policy, the Indianapolis Museum of Art was founded as the Art Association of Indianapolis, an open-membership group led by the suffragist May Wright Sewall. Formed in 1883, the organization aimed to inform the public about visual art, the Art Associations first exhibition, which opened November 7,1883, contained 453 artworks from 137 artists. The death of wealthy Indianapolis resident John Herron in 1895 left a substantial bequest with the stipulation that the money be used for a gallery, the John Herron Art Institute opened in 1902 at the corner of 16th and Pennsylvania street. Emphasis on the Arts and Crafts movement grew throughout the years of the school. William Henry Fox was hired in 1905 as the Art Institutes first director, from 1905 to 1910, Fox managed both the museum and the school while constructing two new buildings on the 16th street site. From the 1930s until the 1950s, the John Herron Art Institute placed an emphasis on professionalism, wilbur Peat, director of the museum from 1929 until 1965, acquired significant portions of the collection. Peat also made connections with such as Dr. George H. A. Clowes, Booth Tarkington. After years of debate surrounding expansion and relocation of the museum and school, Lilly III and Ruth Lilly, donated the family estate, Oldfields, to the Art Association of Indianapolis in 1966. One year later it was decided that the school would become a part of Indiana Universitys Indianapolis campus in an effort to assist with accreditation
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Cleveland Museum of Art
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The Cleveland Museum of Art is an art museum located in the Wade Park District, in the University Circle neighborhood on Clevelands east side. Internationally renowned for its holdings of Asian and Egyptian art. The museum has remained true to the vision of its founders, keeping general admission free to the public. With about 598,000 visitors annually, it is one of the most visited art museums in the world, for the benefit of all people, forever. The Cleveland Museum of Art was founded as a trust in 1913 with an endowment from prominent Cleveland industrialists Hinman Hurlbut, John Huntington and Horace Kelley. The neoclassical, white Georgian Marble, Beaux-Arts building was constructed on the edge of Wade Park. Wade Park and the museum were designed by the architectural firm, Hubbell & Benes. The 75-acre green space takes its name from philanthropist Jeptha H. Wade, the museum opened its doors to the public on June 6,1916, with Wades grandson, Jeptha H. Wade II, proclaiming it, for the benefit of all people, forever. Wade, like his grandfather, had a great interest in art and served as the museums first vice-president, today, the park, with the museum still as its centerpiece, is on the National Register of Historic Places. In March 1958, the first addition to the building opened and this addition, which was on the north side of the original building, was designed by the Cleveland architectural firm of Hayes and Ruth and consisted of new gallery space and a new art library. The museum again expanded in 1971 with the opening of the North Wing, the museums main entrance now shifted to the North Wing. The auditorium, classrooms, and lecture halls shifted into the North Wing, allowing this space in the Original Building to be turned into gallery space. In 1983, a West Wing, designed by the Cleveland architectural firm of Dalton, van Dijk, Johnson and this provided larger library space, as well as nine new galleries. Between 2001 and 2012, the 1958 and 1983 additions were demolished, designed by Rafael Viñoly, this $350 million project doubled the museums size to 592,000 square feet. Viñoly covered the space created by the demolition of the 1958 and 1983 structures with a glass-roofed atrium, the east wing opened in 2009, and the north wing and atrium in 2012. The West Wing opened on January 2,2014, the museums building and renovation project, Building for the Future, began in 2005 and was originally targeted for completion in 2012 at projected costs of $258 million. The $350 million project—two-thirds of which was earmarked for the renovation of the original 1916 structure—added two new wings, and was the largest cultural project in Ohios history. The new east and west wings, as well as the enclosing of the courtyard under a soaring glass canopy, have brought the museums total floor space to 592,000 square feet
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