1.
Thor
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In Norse mythology, Thor is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, the protection of mankind, and also hallowing and fertility. The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, into the modern period, Thor continued to be acknowledged in rural folklore throughout Germanic regions. Thor is frequently referred to in place names, the day of the week Thursday bears his name, in Norse mythology, largely recorded in Iceland from traditional material stemming from Scandinavia, numerous tales and information about Thor are provided. With Sif, Thor fathered the goddess Þrúðr, with Járnsaxa, he fathered Magni, with a mother whose name is not recorded, he fathered Móði, and he is the stepfather of the god Ullr. The same sources list Thor as the son of the god Odin and the earth, Jörð. Thor has two servants, Þjálfi and Röskva, rides in a cart or chariot pulled by two goats, Tanngrisnir and Tanngnjóstr, and is ascribed three dwellings. Thor wields the mountain-crushing hammer, Mjölnir, wears the belt Megingjörð and the iron gloves Járngreipr, Thor has inspired numerous works of art and references to Thor appear in modern popular culture. Like other Germanic deities, veneration of Thor is revived in the period in Heathenry. The name of the god is the origin of the weekday name Thursday, by employing a practice known as interpretatio germanica during the Roman Empire period, the Germanic peoples adopted the Roman weekly calendar, and replaced the names of Roman gods with their own. Latin dies Iovis was converted into Proto-Germanic *Þonares dagaz, from which stems modern English Thursday, beginning in the Viking Age, personal names containing the theonym Thórr are recorded with great frequency. Prior to the Viking Age, no examples are recorded, thórr-based names may have flourished during the Viking Age as a defiant response to attempts at Christianization, similar to the wide scale Viking Age practice of wearing Thors hammer pendants. They regard it as a duty to offer to him, on fixed days. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and the god Týr as Mars, and the identity of the Isis of the Suebi has been debated. In Thors case, the identification with the god Hercules is likely at least in part due to similarities between Thors hammer and Hercules club. In his Annals, Tacitus again refers to the veneration of Hercules by the Germanic peoples, Donar, the southern Germanic form of the gods name. According to an account, the Christian missionary Saint Boniface felled an oak tree dedicated to Jove in the 8th century. Around the second half of the 8th century, Old English mentions of a figure named Thunor are recorded, gabriel Turville-Petre saw this as an invented origin for the placename demonstrating loss of memory that Thunor had been a gods name. Adam details that Thor, they reckon, rules the sky, he governs thunder and lightning, winds and storms, fine weather and fertility and that Thor, with his mace, looks like Jupiter
2.
Norse mythology
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The cosmos in Norse mythology consists of Nine Worlds that flank a central cosmological tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings, various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök, there the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, by way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. In the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, the myths have further been revived in a religious context among adherents of Germanic Neopaganism. The majority of these Old Norse texts were created in Iceland and this occurred primarily in the 13th century. The Prose Edda was composed as a manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds. Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse, kennings, the Prose Edda presents numerous examples of works by various skalds from before and after the Christianization process and also frequently refers back to the poems found in the Poetic Edda. The Poetic Edda consists almost entirely of poems, with some prose narrative added, in comparison to skaldic poetry, Eddic poetry is relatively unadorned. Numerous further texts, such as the sagas, provide further information, the saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories to Migration period tales mentioning historic figures such as Attila the Hun. By way of historical linguistics and comparative mythology, comparisons to other attested branches of Germanic mythology may also lend insight, wider comparisons to the mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Of the mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, numerous gods are mentioned in the source texts. In the mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, the god Odin is also frequently mentioned in surviving texts. One-eyed, wolf and raven-flanked, and spear in hand, Odin pursues knowledge throughout the worlds, Odin has a strong association with death, Odin is portrayed as the ruler of Valhalla, where valkyries carry half of those slain in battle. Odins wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr. After a series of dreams had by Baldr of his death, his death is engineered by Loki, and Baldr thereafter resides in Hel. Odin must share half of his share of the dead with a powerful goddess and she is beautiful, sensual, wears a feathered cloak, and practices seiðr. She rides to battle to choose among the slain, and brings her chosen to her afterlife field Fólkvangr, Freyja weeps for her missing husband Óðr, and seeks after him in far away lands
3.
Loki
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In Norse mythology, Loki, Loptr, or Hveðrungr is a god or jötunn. Loki is the son of Fárbauti and Laufey, and the brother of Helblindi, by the jötunn Angrboða, Loki is the father of Hel, the wolf Fenrir, and the world serpent Jörmungandr. By his wife Sigyn, Loki is the father of Narfi and/or Nari, by the stallion Svaðilfari, Loki is the mother—giving birth in the form of a mare—to the eight-legged horse Sleipnir. In addition, Loki is referred to as the father of Váli in Prose Edda, though this also refers to Odin as the father of Váli twice. Lokis relation with the gods varies by source, Loki sometimes assists the gods, Loki is a shape shifter and in separate incidents he appears in the form of a salmon, a mare, a fly, and possibly an elderly woman named Þökk. Lokis positive relations with the end with his role in engineering the death of the god Baldr. In both the Poetic Edda and the Prose Edda, the goddess Skaði is responsible for placing a serpent above him while he is bound, Loki may be depicted on the Snaptun Stone, the Kirkby Stephen Stone, and the Gosforth Cross. Lokis origins and role in Norse mythology, which scholars have described as that of a trickster god, have been much debated by scholars. Loki has been depicted in or is referenced in a variety of media in popular culture. The etymology of the name Loki has yet to be solved and it may be related to Old Norse luka, meaning close, shut. The name Hveðrungr is also used in reference to Loki, occurring in names for Hel, in the Poetic Edda, Loki appears in the poems Völuspá, Lokasenna, Þrymskviða, Reginsmál, Baldrs draumar, and Hyndluljóð. In stanza 35 of the Poetic Edda poem Völuspá, a völva tells Odin that, among other things, she sees Sigyn sitting very unhappily with her bound husband, Loki. In stanza 54, after consuming Odin and being killed by Odins son Víðarr, the poem Lokasenna centers around Loki flyting with other gods, Loki puts forth two stanzas of insults while the receiving figure responds with a single stanza, and then another figure chimes in. The poem begins with an introduction detailing that Ægir, a figure associated with the sea, is hosting a feast in his hall for a number of the gods. There, the gods praise Ægirs servers Fimafeng and Eldir, Loki could not bear to hear that, and kills the servant Fimafeng. In response, the gods grab their shields, shrieking at Loki, the gods then return to the hall, and continue drinking. Entrance and rejection Loki comes out of the woods, and meets Eldir outside of the hall, Loki greets Eldir with a demand that Eldir tell him what the gods are discussing over their ale inside the hall. Eldir responds that they discuss their weapons and their prowess in war, Loki says that he will go into the feast, and that, before the end of the feast, he will induce quarrelling among the gods, and mix their mead with malice
4.
Tide
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Tides are the rise and fall of sea levels caused by the combined effects of the gravitational forces exerted by the Moon and the Sun and the rotation of the Earth. Some shorelines experience a semi-diurnal tide—two nearly equal high and low tides each day, other locations experience a diurnal tide—only one high and low tide each day. A mixed tide—two uneven tides a day, or one high, Tides vary on timescales ranging from hours to years due to a number of factors. To make accurate records, tide gauges at fixed stations measure water level over time, gauges ignore variations caused by waves with periods shorter than minutes. These data are compared to the level usually called mean sea level. Tidal phenomena are not limited to the oceans, but can occur in other systems whenever a gravitational field varies in time. For example, the part of the Earth is affected by tides. Tide changes proceed via the following stages, Sea level rises over several hours, covering the intertidal zone, the water rises to its highest level, reaching high tide. Sea level falls over several hours, revealing the intertidal zone, the water stops falling, reaching low tide. Oscillating currents produced by tides are known as tidal streams, the moment that the tidal current ceases is called slack water or slack tide. The tide then reverses direction and is said to be turning, slack water usually occurs near high water and low water. But there are locations where the moments of slack tide differ significantly from those of high, Tides are commonly semi-diurnal, or diurnal. The two high waters on a day are typically not the same height, these are the higher high water. Similarly, the two low waters each day are the low water and the lower low water. The daily inequality is not consistent and is small when the Moon is over the equator. From the highest level to the lowest, Highest Astronomical Tide – The highest tide which can be predicted to occur, note that meteorological conditions may add extra height to the HAT. Mean High Water Springs – The average of the two high tides on the days of spring tides, mean High Water Neaps – The average of the two high tides on the days of neap tides. Mean Sea Level – This is the sea level
5.
Cornus mas
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It is a medium to large deciduous shrub or small tree growing to 5–12 m tall, with dark brown branches and greenish twigs. The leaves are opposite, 4–10 cm long and 2–4 cm broad, with an ovate to oblong shape, the flowers are small, with four yellow petals, produced in clusters of 10–25 together in the late winter, well before the leaves appear. The fruit is a red drupe 2 cm long and 1.5 cm in diameter. The fruits when ripe on the plant bear a resemblance to coffee berries, the fruit is edible, but the unripe fruit is astringent. The fruit only fully ripens after it falls from the tree, when ripe, the fruit is dark ruby red or a bright yellow. In Turkey and Iran it is eaten with salt as a snack in summer, cultivars selected for fruit production in Ukraine have fruit up to four cm long. It is eaten in Eastern Europe in many ways including as a medicine and it is very high in vitamin C and is used to fight colds and flus. The fruit of C. mas has a history of use in traditional Chinese medicine. Known as shan zhu yu, 山茱萸, it is used to retain the jing, essence, to tonify the kidneys, the species is also grown as an ornamental plant for its late winter yellow flowers, which open earlier than those of Forsythia. While Cornus mas flowers are not as large and vibrant as those of the Forsythia, the wood of C. mas is extremely dense and, unlike the wood of most other woody plant species, sinks in water. This density makes it valuable for crafting into tool handles, parts for machines, Cornus mas was used from the seventh century BC onward by Greek craftsmen to construct spears, javelins and bows, the craftsmen considering it far superior to any other wood. The woods association with weaponry was so known that the Greek name for it was used as a synonym for spear in poetry during the fourth. The red dye used to make fezzes was produced from its bark, Cornus mas, male cornel, was named so to distinguish it from the true dogberry, the female cornel, Cornus sanguinea, and so it appears in John Gerards Herbal. The shrub was not native to the British Isles, william Turner had only heard of the plant in 1548, but by 1551 he had heard of one at Hampton Court Palace. Gerard said it was to be found in the gardens of such as rare and dainty plants and by the 17th century. The appreciation of the early acid-yellow flowers is largely a 20th-century development, the Royal Horticultural Society gave Cornus mas an Award of Garden Merit in 1924. The cultivars Golden glory and Variegata have also gained the award, wood economy National Agricultural Research Foundation - Pomology Institute, Cornus mas Greek website about the plant
6.
Marvel Comics
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Marvel Comics is the common name and primary imprint of Marvel Worldwide Inc. formerly Marvel Publishing, Inc. and Marvel Comics Group, an American publisher of comic books and related media. In 2009, The Walt Disney Company acquired Marvel Entertainment, Marvel Worldwides parent company, Marvel started in 1939 as Timely Publications, and by the early 1950s had generally become known as Atlas Comics. Marvels modern incarnation dates from 1961, the year that the company launched The Fantastic Four and other superhero titles created by Stan Lee, Jack Kirby, Steve Ditko and many others. Most of Marvels fictional characters operate in a reality known as the Marvel Universe. Martin Goodman founded the later known as Marvel Comics under the name Timely Publications in 1939. Martin Goodman, a magazine publisher who had started with a Western pulp in 1933, was expanding into the emerging—and by then already highly popular—new medium of comic books. The issue was a success, with it and a second printing the following month selling, combined. While its contents came from an outside packager, Funnies, Inc, Timely had its own staff in place by the following year. It, too, proved a hit, with sales of one million. Goodman formed Timely Comics, Inc. beginning with comics cover-dated April 1941 or Spring 1941, Goodman hired his wifes cousin, Stanley Lieber, as a general office assistant in 1939. Lee wrote extensively for Timely, contributing to a number of different titles, Goodmans business strategy involved having his various magazines and comic books published by a number of corporations all operating out of the same office and with the same staff. One of these companies through which Timely Comics was published was named Marvel Comics by at least Marvel Mystery Comics #55. As well, some covers, such as All Surprise Comics #12, were labeled A Marvel Magazine many years before Goodman would formally adopt the name in 1961. The post-war American comic market saw superheroes falling out of fashion and this globe branding united a line put out by the same publisher, staff and freelancers through 59 shell companies, from Animirth Comics to Zenith Publications. Atlas also published a plethora of childrens and teen humor titles, including Dan DeCarlos Homer the Happy Ghost, Atlas unsuccessfully attempted to revive superheroes from late 1953 to mid-1954, with the Human Torch, the Sub-Mariner, and Captain America. Atlas did not achieve any hits and, according to Stan Lee, Atlas survived chiefly because it produced work quickly, cheaply. During this time, the Comic Code Authority made its debut in September 1954, Wertham published the book Seduction of the Innocent in order to force people to see that comics were impacting American youth. He believed violent comics were causing children to be reckless and were turning them into delinquents, in September 1954, comic book publishers got together to set up their own self-censorship organization—the Comics Magazine Association of America—in order to appease audiences
7.
Thor (Marvel Comics)
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Thor is a fictional superhero appearing in American comic books published by Marvel Comics. He has starred in several ongoing series and limited series, and is a member of the superhero team the Avengers. The character has appeared in associated Marvel merchandise including animated television series, clothing, toys, trading cards, video games. The character was first portrayed in action by Eric Allan Kramer in the 1988 television movie The Incredible Hulk Returns. Thor placed 14th on IGNs list of Top 100 Comic Book Heroes of All Time in 2011, a different version of the mythological Thor had appeared previously in Venus #12-13. Lee in 2002 described Thors genesis early in the Marvel pantheon, following the creation of the Hulk and it finally came to me, Dont make him human — make him a god. I decided readers were already pretty familiar with the Greek and Roman gods and it might be fun to delve into the old Norse legends. In a 1984 interview Kirby said I did a version of Thor for D. C. in the fifties before I did him for Marvel. I created Thor at Marvel because I was forever enamored of legends, which is why I knew about Balder, Heimdall, I tried to update Thor and put him into a superhero costume, but he was still Thor. And in a 1992 interview, Kirby said knew the Thor legends very well, I felt that might be a new thing for comics, taking the old legends and modernizing them. Subsequent stories of the 13-page feature The Mighty Thor continued to be plotted by Lee, various artists penciled the feature, including Jack Kirby, Joe Sinnott, Don Heck, and Al Hartley. With Journey into Mystery #101, the series began a long and definitive run by writer and co-plotter Lee, Lee and Kirby included Thor in The Avengers #1 as a founding member of the superhero team. The character has appeared in every subsequent volume of the series. The five-page featurette Tales of Asgard was added in Journey into Mystery #97, the feature itself expanded to 18 pages in #105, which eliminated the remaining anthological story from each issue, it was reduced to 16 pages five issues later. Comics historian Les Daniels noted that the adventures of Thor were gradually transformed from stories about a superhero into a spectacular saga. Artist Chic Stone, who inked several early Thor stories, observed that Kirby could just lead you through all these different worlds, the readers would follow him anywhere. Journey into Mystery was retitled Thor with issue #126, Tales of Asgard was replaced by a five-page featurette starring the Inhumans from #146–152, after which featurettes were dropped and the Thor stories expanded to Marvels then-standard 20-page length. Marvel filed for a trademark for The Mighty Thor in 1967, after Kirby left the title, Neal Adams penciled issues #180-181
8.
Buffy the Vampire Slayer
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The series premiered on March 10,1997, on The WB and concluded on May 20,2003, on UPN. The series narrative follows Buffy Summers, the latest in a line of women known as Vampire Slayers. In the story, Slayers are called to battle against vampires, demons, like previous Slayers, Buffy is aided by a Watcher, who guides, teaches, and trains her. Unlike her predecessors, Buffy surrounds herself with a circle of friends who become known as the Scooby Gang. The series received critical and popular acclaim, frequently being listed as one of the greatest TV shows of all time, although such ratings are lower than successful shows on the big four networks, they were a success for the relatively new and smaller WB Television Network. Buffys success has led to hundreds of products, including novels, comics. The series has received attention in fandom, parody, and academia, Buffy Summers is the Slayer, one in a long line of young women chosen by fate to battle evil forces. Buffy receives guidance from her Watcher, Rupert Giles, Giles, rarely referred to by his first name, is a member of the Watchers Council, whose job is to train and guide the Slayers. Giles researches the supernatural creatures that Buffy must face, offers insights into their origins and advice on how to defeat them, Buffy is also helped by friends she meets at Sunnydale High, Willow Rosenberg and Xander Harris. Willow is originally a wallflower who excels at academics, providing a contrast to Buffys outgoing personality and they share the social isolation that comes with being different, and especially from being exceptional young women. As the series progresses, Willow becomes a more assertive character and a powerful witch, in contrast, Xander, with no supernatural skills but very athletic, provides comic relief and a grounded perspective. It is Xander who often provides the heart to the series, Buffy and Willow are the only characters who appear in all 144 episodes, Xander is missing in only one. The cast of characters grew over the course of the series, Buffy first arrives in Sunnydale with her mother, Joyce Summers, who functions as an anchor of normality in the Summers lives even after she learns of Buffys role in the supernatural world. Buffys younger sister Dawn Summers is introduced in season five, a vampire with a soul, Angel, is Buffys love interest throughout the first three seasons. He leaves Buffy as he believes he isnt good enough for her and he goes on to make amends for his sins and to search for redemption in his own spin-off, Angel. He makes several guest appearances in the seasons, including the last episode. At Sunnydale High, Buffy meets several other students besides Willow and Xander willing to join her fight for good, Cordelia Chase, the archetypal shallow cheerleader, reluctantly becomes involved. Daniel Oz Osbourne, a student, rock guitarist and werewolf
9.
Oxford University Press
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Oxford University Press is the largest university press in the world, and the second oldest after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics appointed by the known as the delegates of the press. They are headed by the secretary to the delegates, who serves as OUPs chief executive, Oxford University has used a similar system to oversee OUP since the 17th century. The university became involved in the print trade around 1480, and grew into a printer of Bibles, prayer books. OUP took on the project became the Oxford English Dictionary in the late 19th century. Moves into international markets led to OUP opening its own offices outside the United Kingdom, by contracting out its printing and binding operations, the modern OUP publishes some 6,000 new titles around the world each year. OUP was first exempted from United States corporation tax in 1972, as a department of a charity, OUP is exempt from income tax and corporate tax in most countries, but may pay sales and other commercial taxes on its products. The OUP today transfers 30% of its surplus to the rest of the university. OUP is the largest university press in the world by the number of publications, publishing more than 6,000 new books every year, the Oxford University Press Museum is located on Great Clarendon Street, Oxford. Visits must be booked in advance and are led by a member of the archive staff, displays include a 19th-century printing press, the OUP buildings, and the printing and history of the Oxford Almanack, Alice in Wonderland and the Oxford English Dictionary. The first printer associated with Oxford University was Theoderic Rood, the first book printed in Oxford, in 1478, an edition of Rufinuss Expositio in symbolum apostolorum, was printed by another, anonymous, printer. Famously, this was mis-dated in Roman numerals as 1468, thus apparently pre-dating Caxton, roods printing included John Ankywylls Compendium totius grammaticae, which set new standards for teaching of Latin grammar. After Rood, printing connected with the university remained sporadic for over half a century, the chancellor, Robert Dudley, 1st Earl of Leicester, pleaded Oxfords case. Some royal assent was obtained, since the printer Joseph Barnes began work, Oxfords chancellor, Archbishop William Laud, consolidated the legal status of the universitys printing in the 1630s. Laud envisaged a unified press of world repute, Oxford would establish it on university property, govern its operations, employ its staff, determine its printed work, and benefit from its proceeds. To that end, he petitioned Charles I for rights that would enable Oxford to compete with the Stationers Company and the Kings Printer and these were brought together in Oxfords Great Charter in 1636, which gave the university the right to print all manner of books. Laud also obtained the privilege from the Crown of printing the King James or Authorized Version of Scripture at Oxford and this privilege created substantial returns in the next 250 years, although initially it was held in abeyance. The Stationers Company was deeply alarmed by the threat to its trade, under this, the Stationers paid an annual rent for the university not to exercise its full printing rights – money Oxford used to purchase new printing equipment for smaller purposes
10.
Baldr
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Baldr is a god in Norse mythology, who is given a central role in the mythology. His precise function is, however, disputed and he is often interpreted as the god of love, peace, forgiveness, justice, light or purity, but he was not directly attested as a god of such. He is the son of Odin and the goddess Frigg. His twin brother is the blind god Höðr, jacob Grimm in his Teutonic Mythology identifies Old Norse Baldr with the Old High German Baldere, Palter, Paltar and with Old English bealdor, baldor lord, prince, king. Old Norse shows this usage of the word as an honorific in a few cases, as in baldur î brynju and herbaldr, both epithets of heroes in general. Grimm traces the etymology of the name to *balþaz, whence Gothic balþs, Old English bald, Old High German pald, all meaning white, but the interpretation of Baldr as the brave god may be secondary. Baltic has a word meaning the white, the good, in continental Saxon and Anglo-Saxon tradition, the son of Woden is called not Bealdor but Baldag and Bældæg, Beldeg, which shows association with day, possibly with Day personified as a deity. This, as Grimm points out, would agree with the shining one, white one. Grimms etymology is endorsed by modern research, according to Rudolf Simek, the original name for Baldr must be understood as shining day. One of the two Merseburg Incantations names Baldere, but also mentions a figure named Phol, considered to be a byname for Baldr and this interpretation is linked to the presupposition that the figure in question is a companion of Wodan, the upper god. In a different interpretation, phol is just another form of folon mentioned in the next line, in the Poetic Edda the tale of Baldrs death is referred to rather than recounted at length. Among the visions which the Völva sees and describes in the known as the Völuspá is one of the fatal mistletoe, the birth of Váli. Yet looking far into the future the Völva sees a vision of a new world. The Eddic poem Baldrs Dreams mentions that Baldr has bad dreams which the gods then discuss, Odin rides to Hel and awakens a seeress, who tells him Höðr will kill Baldr but Vali will avenge him. In Gylfaginning, Baldur is described as follows, Apart from this description Baldr is known primarily for the story of his death and his death is seen as the first in the chain of events which will ultimately lead to the destruction of the gods at Ragnarök. Baldr will be reborn in the new world, according to Völuspá and he had a dream of his own death and his mother had the same dreams. Since dreams were usually prophetic, this depressed him, so his mother Frigg made every object in every realm vow never to hurt Baldr, all objects made this vow except mistletoe. When Loki, the mischief-maker, heard of this, he made a spear from this plant
11.
Heimdallr
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In Norse mythology, Heimdallr is a god who possesses the resounding horn Gjallarhorn, owns the golden-maned horse Gulltoppr, has gold teeth, and is the son of Nine Mothers. Heimdallr is said to be the originator of social classes among humanity, Heimdallr and Loki are foretold to kill one another during the events of Ragnarök. Heimdallr is additionally referred to as Rig, Hallinskiði, Gullintanni, two lines of an otherwise lost poem about the god, Heimdalargaldr, survive. Heimdallr also appears as Heimdalr and Heimdali, the etymology of the name is obscure, but the one who illuminates the world has been proposed. Heimdallr may be connected to Mardöll, one of Freyjas names, Heimdallr and its variants are sometimes modernly anglicized as Heimdall or Heimdal. Heimdallr is attested as having three other names, Hallinskiði, Gullintanni, and Vindlér or Vindhlér, the name Hallinskiði is obscure, but has resulted in a series of attempts at deciphering it. Gullintanni literally means the one with the golden teeth, Vindlér translates as either the one protecting against the wind or wind-sea. All three have resulted in theories about the god. A lead spindle whorl bearing an Old Norse Younger Futhark inscription that mentions Heimdallr was discovered in Saltfleetby, the spindle whorl itself is dated from the year 1000 to 1100 AD. On the inscription, the god Heimdallr is mentioned alongside the god Odin and Þjálfi, in the Poetic Edda, Heimdallr is attested in six poems, Völuspá, Grímnismál, Lokasenna, Þrymskviða, Rígsþula, and Hrafnagaldr Óðins. Heimdallr is mentioned thrice in Völuspá, in the first stanza of the poem, the undead völva reciting the poem calls out for listeners to be silent and refers to Heimdallr, This stanza has led to various scholarly interpretations. The holy races have been considered variously as either humanity or the gods, the notion of humanity as Heimdallrs sons is otherwise unattested and has also resulted in various interpretations. Some scholars have pointed to the introduction to the poem Rígsþula. Later in Völuspá, the völva foresees the events of Ragnarök, schach details that Heimdallar hljóð has aroused much speculation. Snorri seems to have confused this word with gjallarhorn, but there is no attestation of the use of hljóð in the sense of horn in Icelandic. Various scholars have read this as hearing rather than horn, larrington says that Odin exchanged one of his eyes for wisdom from Mimir, guardian of the well, while Heimdall seems to have forfeited his ear. In the poem Grímnismál, Odin, tortured, starved and thirsty, in the poem Lokasenna, Loki flyts with various gods who have met together to feast. At one point during the exchanges, the god Heimdallr says that Loki is drunk and witless, and asks Loki why he wont stop speaking
