1.
Reference work
–
A reference work is a book or periodical to which one can refer for information. The information is intended to be found quickly when needed, Reference works are usually referred to for particular pieces of information, rather than read beginning to end. The writing style used in works is informative, the authors avoid use of the first person. Many reference works are compiled by a team of contributors whose work is coordinated by one or more editors rather than by an individual author, indices are commonly provided in many types of reference work. Updated editions are published as needed, in some cases annually. Reference works include dictionaries, thesauruses, encyclopedias, almanacs, bibliographies, many reference works are available in electronic form and can be obtained as application software, CD-ROMs, DVDs, or online through the Internet. A reference work is useful to its users if they attribute some degree of trust, in comparison, a reference book or reference-only book in a library is one that may only be used in the library and may not be borrowed from the library. Many such books are works, which are, usually, used briefly or photocopied from. Keeping them in the library assures that they always be available for use on demand. Some reference-only books are too valuable to permit borrowers to take them out, reference-only items may be shelved in a reference collection located separately from circulating items. Some libraries consist entirely, or to an extent, of books which may not be borrowed. An electronic resource is a piece of information that is stored electronically, general American Reference Books Annual, ARBA. Littleton, Col. Libraries Unlimited, 1970- Bergenholtz, H. Nielsen, S. Tarp, S. Lexicography at a Crossroads, Dictionaries and Encyclopedias Today, printed Reference Material London, Library Association Katz, W. A. Introduction to Reference Work, 3rd ed.2 vols, new York, McGraw-Hill Nielsen, Sandro The Effect of Lexicographical Information Costs on Dictionary Making and Use. J. Walfords Concise Guide to Reference Material, London, Library Association ISBN 0-85365-882-X, p.19. Books of Reference for School Libraries, an annotated list, 2nd ed. London, Library Association Malclès, geneva, Droz, 1950-58 Sheehy, E. P. et al. comps. Guide to Reference Books, 9th ed. Chicago, American Library Association, Supplement,1980 Totok, W. & Weitzel, aufl. hrg. von W. Totok, K. -H. Frankfurt am Main, Klostermann Day, Alan, walford, A. J. Walfords Guide to Reference Material
2.
Hardcover
–
A hardcover or hardback book is one bound with rigid protective covers. It has a flexible, sewn spine which allows the book to lie flat on a surface when opened, following the ISBN sequence numbers, books of this type may be identified by the abbreviation Hbk. Hardcover books are printed on acid-free paper, and are much more durable than paperbacks. Hardcover books are more costly to manufacture. If brisk sales are anticipated, an edition of a book is typically released first. Some publishers publish paperback originals if slow hardback sales are anticipated, for very popular books these sales cycles may be extended, and followed by a mass market paperback edition typeset in a more compact size and printed on shallower, less hardy paper. In the past the release of an edition was one year after the hardback. It is very unusual for a book that was first published in paperback to be followed by a hardback, an example is the novel The Judgment of Paris by Gore Vidal, which had its revised edition of 1961 first published in paperback, and later in hardcover. Hardcover books are sold at higher prices than comparable paperbacks. Hardcovers typically consist of a block, two boards, and a cloth or heavy paper covering. The pages are sewn together and glued onto a flexible spine between the boards, and it too is covered by the cloth, a paper wrapper, or dust jacket, is usually put over the binding, folding over each horizontal end of the boards. On the folded part, or flap, over the front cover is generally a blurb, the back flap is where the biography of the author can be found. Reviews are often placed on the back of the jacket, bookbinding Paperback How to make a simple Hardcover book
3.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
4.
OCLC
–
The Online Computer Library Center is a US-based nonprofit cooperative organization dedicated to the public purposes of furthering access to the worlds information and reducing information costs. It was founded in 1967 as the Ohio College Library Center, OCLC and its member libraries cooperatively produce and maintain WorldCat, the largest online public access catalog in the world. OCLC is funded mainly by the fees that libraries have to pay for its services, the group first met on July 5,1967 on the campus of the Ohio State University to sign the articles of incorporation for the nonprofit organization. The group hired Frederick G. Kilgour, a former Yale University medical school librarian, Kilgour wished to merge the latest information storage and retrieval system of the time, the computer, with the oldest, the library. The goal of network and database was to bring libraries together to cooperatively keep track of the worlds information in order to best serve researchers and scholars. The first library to do online cataloging through OCLC was the Alden Library at Ohio University on August 26,1971 and this was the first occurrence of online cataloging by any library worldwide. Membership in OCLC is based on use of services and contribution of data, between 1967 and 1977, OCLC membership was limited to institutions in Ohio, but in 1978, a new governance structure was established that allowed institutions from other states to join. In 2002, the structure was again modified to accommodate participation from outside the United States. As OCLC expanded services in the United States outside of Ohio, it relied on establishing strategic partnerships with networks, organizations that provided training, support, by 2008, there were 15 independent United States regional service providers. OCLC networks played a key role in OCLC governance, with networks electing delegates to serve on OCLC Members Council, in early 2009, OCLC negotiated new contracts with the former networks and opened a centralized support center. OCLC provides bibliographic, abstract and full-text information to anyone, OCLC and its member libraries cooperatively produce and maintain WorldCat—the OCLC Online Union Catalog, the largest online public access catalog in the world. WorldCat has holding records from public and private libraries worldwide. org, in October 2005, the OCLC technical staff began a wiki project, WikiD, allowing readers to add commentary and structured-field information associated with any WorldCat record. The Online Computer Library Center acquired the trademark and copyrights associated with the Dewey Decimal Classification System when it bought Forest Press in 1988, a browser for books with their Dewey Decimal Classifications was available until July 2013, it was replaced by the Classify Service. S. The reference management service QuestionPoint provides libraries with tools to communicate with users and this around-the-clock reference service is provided by a cooperative of participating global libraries. OCLC has produced cards for members since 1971 with its shared online catalog. OCLC commercially sells software, e. g. CONTENTdm for managing digital collections, OCLC has been conducting research for the library community for more than 30 years. In accordance with its mission, OCLC makes its research outcomes known through various publications and these publications, including journal articles, reports, newsletters, and presentations, are available through the organizations website. The most recent publications are displayed first, and all archived resources, membership Reports – A number of significant reports on topics ranging from virtual reference in libraries to perceptions about library funding
5.
Dewey Decimal Classification
–
The Dewey Decimal Classification, or Dewey Decimal System, is a proprietary library classification system first published in the United States by Melvil Dewey in 1876. It has been revised and expanded through 23 major editions, the latest issued in 2011 and it is also available in an abridged version suitable for smaller libraries. It is currently maintained by the Online Computer Library Center, a cooperative that serves libraries. OCLC licenses access to a version for catalogers called WebDewey. The Decimal Classification introduced the concepts of relative location and relative index which allow new books to be added to a library in their location based on subject. Libraries previously had given books permanent shelf locations that were related to the order of acquisition rather than topic, the classifications notation makes use of three-digit Arabic numerals for main classes, with fractional decimals allowing expansion for further detail. Using Arabic numerals for symbols, it is flexible to the degree that numbers can be expanded in linear fashion to cover aspects of general subjects. A library assigns a number that unambiguously locates a particular volume in a position relative to other books in the library. The number makes it possible to find any book and to return it to its place on the library shelves. The classification system is used in 200,000 libraries in at least 135 countries, the major competing classification system to the Dewey Decimal system is the Library of Congress Classification system created by the U. S. Melvil Dewey was an American librarian and self-declared reformer and he was a founding member of the American Library Association and can be credited with the promotion of card systems in libraries and business. He developed the ideas for his classification system in 1873 while working at Amherst College library. He applied the classification to the books in library, until in 1876 he had a first version of the classification. In 1876, he published the classification in pamphlet form with the title A Classification and Subject Index for Cataloguing and Arranging the Books and he used the pamphlet, published in more than one version during the year, to solicit comments from other librarians. It is not known who received copies or how many commented as only one copy with comments has survived, in March 1876, he applied for, and received copyright on the first edition of the index. The edition was 44 pages in length, with 2,000 index entries, comprised 314 pages, with 10,000 index entries. Editions 3–14, published between 1888 and 1942, used a variant of this same title, Dewey modified and expanded his system considerably for the second edition. In an introduction to that edition Dewey states that nearly 100 persons hav contributed criticisms, one of the innovations of the Dewey Decimal system was that of positioning books on the shelves in relation to other books on similar topics
6.
Library of Congress Classification
–
The Library of Congress Classification is a system of library classification developed by the Library of Congress. It is used by most research and academic libraries in the U. S. the Classification is also distinct from Library of Congress Subject Headings, the system of labels such as Boarding schools and Boarding schools—Fiction that describe contents systematically. The classification was invented by Herbert Putnam in 1897, just before he assumed the librarianship of Congress, with advice from Charles Ammi Cutter, it was influenced by his Cutter Expansive Classification, the Dewey Decimal System, and the Putnam Classification System. It was designed specifically for the purposes and collection of the Library of Congress to replace the fixed location system developed by Thomas Jefferson, by the time Putnam departed from his post in 1939, all the classes except K and parts of B were well developed. LCC has been criticized for lacking a theoretical basis, many of the classification decisions were driven by the practical needs of that library rather than epistemological considerations. Although it divides subjects into broad categories, it is essentially enumerative in nature and that is, it provides a guide to the books actually in one librarys collections, not a classification of the world. In 2007 the Wall Street Journal reported that in the countries it surveyed most public libraries, the National Library of Medicine classification system uses the initial letters W and QS–QZ, which are not used by LCC. Some libraries use NLM in conjunction with LCC, eschewing LCCs R for Medicine, others use LCCs QP–QR schedules and include Medicine R. Subclass AC – Collections. Collected works Subclass AE – Encyclopedias Subclass AG – Dictionaries and other reference works Subclass AI – Indexes Subclass AM – Museums. Collectors and collecting Subclass AN – Newspapers Subclass AP – Periodicals Subclass AS – Academies, directories Subclass AZ – History of scholarship and learning. The humanities Subclass B – Philosophy Subclass BC – Logic Subclass BD – Speculative philosophy Subclass BF – Psychology Subclass BH – Aesthetics Subclass BJ – Ethics Subclass BL – Religions, rationalism Subclass BM – Judaism Subclass BP – Islam. Seals Subclass CE – Technical Chronology, calendar Subclass CJ – Numismatics Subclass CN – Inscriptions. Former Soviet Republics – Poland Subclass DL – Northern Europe, maps Subclass GA – Mathematical geography. Cartography Subclass GB – Physical geography Subclass GC – Oceanography Subclass GE – Environmental Sciences Subclass GF – Human ecology, anthropogeography Subclass GN – Anthropology Subclass GR – Folklore Subclass GT – Manners and customs Subclass GV – Recreation. Leisure Subclass H – Social sciences Subclass HA – Statistics Subclass HB – Economic theory, demography Subclass HC – Economic history and conditions Subclass HD – Industries. Labor Subclass HE – Transportation and communications Subclass HF – Commerce Subclass HG – Finance Subclass HJ – Public finance Subclass HM – Sociology Subclass HN – Social history, Social reform Subclass HQ – The family. Marriage, Women and Sexuality Subclass HS – Societies, secret, benevolent, races Subclass HV – Social pathology. Municipal government Subclass JV – Colonies and colonization, International migration Subclass JX – International law, see JZ and KZ Subclass JZ – International relations Subclass K – Law in general
7.
Popular music
–
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training and it stands in contrast to both art music and traditional or folk music. Art music was historically disseminated through the performances of music, although since the beginning of the recording industry. Traditional music forms such as blues songs or hymns were passed along orally, or to smaller. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States, although popular music sometimes is known as pop music, the two terms are not interchangeable. Popular music songs and pieces typically have easily singable melodies, in the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have an appeal within the culture of their origin. Through the mixture of genres, new popular music forms are created to reflect the ideals of a global culture. The examples of Africa, Indonesia and the Middle East show how Western pop music styles can blend with local traditions to create new hybrid styles. Sales of recordings or sheet music are one measure, middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Manuel states that one criticism of music is that it is produced by large media conglomerates and passively consumed by the public. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, moreover, understandings of popular music have changed with time. A societys popular music reflects the ideals that are prevalent at the time it is performed or published, david Riesman states that the youth audiences of popular music fit into either a majority group or a subculture. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values and this allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. Form in popular music is most often sectional, the most common sections being verse, chorus or refrain, other common forms include thirty-two-bar form, chorus form *, and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics, the verse and chorus are considered the primary elements. Each verse usually has the melody, but the lyrics change for most verses. The chorus usually has a phrase and a key lyrical line which is repeated
8.
Time Out (magazine)
–
Time Out is a magazine published by Time Out Digital Ltd. In 2012, the became a free publication with a weekly readership of over 307,000. In addition to print, the Time Out London website has seven million unique users, Time Outs global market presence includes partnerships with Nokia and mobile apps for iOS and Android operating systems. It was the recipient of the International Consumer Magazine of the Year award in both 2010 and 2011 and the renamed International Consumer Media Brand of the Year in 2013 and 2014. Time Out started as a magazine created in 1968 by Tony Elliott, the first product was titled Where Its At, before being inspired by Dave Brubecks album Time Out. The magazine was initially a counter-culture publication which took a non-conformist stance on such as gay rights, racial equality. As one example of its editorial stance, in 1976 Londons Time Out published the names of 60 purported CIA agents stationed in England. Early issues had a print run of around 5,000, Elliott launched Time Out New York, his North American magazine debut, in 1995. The magazine procured young and upcoming talent to provide cultural reviews for young New Yorkers at the time, the success of TONY led to the introduction of Time Out New York Kids, a quarterly magazine aimed at families. The expansion continued with Elliott licensing the Time Out brand worldwide spreading the magazine to 39 cities including Istanbul, Dubai, Beijing, Hong Kong, additional Time Out products included travel magazines, city guides, and books. In 2010, Time Out became the publisher of travel guides. The group, founded by Peter Dubens, was owned by Tony Elliott and Oakley Capital until 2016, Time Out has subsequently launched websites for an additional 33 cities including Delhi, Washington D. C. Boston, Manchester and Bristol. when it was listed on Londons AIM stock exchange, in June 2016, Time Out Group underwent an IPO and is listed on Londons AIM stock exchange. The London edition of Time Out became a magazine in September 2012. This strategy increased revenue by 80 percent with continued upsurge, Time Out has also invited a number of guest columnists to write for the magazine. The columnist as of 2014 was Giles Coren, in April 2015, Time Out switched its New York magazine to the free distribution model to increase the reader base and grow brand awareness. This transition doubled circulation by increasing its Web audience, estimated around 3.5 million unique visitors a month, Time Out increased its weekly magazine circulation to over 305,000 copies complementing millions of digital users of Time Out New York. Free magazines are distributed at bars, restaurants, gyms, subway stations, and theaters, in addition, a subscription service is offered to those that prefer the magazine to be physically delivered and paid subscribers have access to a digital edition of the magazine
9.
Vogue (magazine)
–
Vogue is an American fashion and lifestyle magazine made up of many components including fashion, beauty, culture, living, and runway. Vogue began as a newspaper in 1892 in the United States. The British Vogue was the first international edition launched in 1916, Turnures intention was to create a publication that celebrated the ceremonial side of life, one that attracts the sage as well as debutante, men of affairs as well as the belle. From its inception, the magazine targeted the new New York upper class, the magazine at this time was primarily concerned with fashion, with coverage of sports and social affairs included for its male readership. Despite the magazines content, it very slowly during this period. Condé Montrose Nast purchased Vogue in 1905 one year before Turnures death and he changed it to a bi-weekly magazine and started Vogue overseas in the 1910s. Under Nast, the magazine shifted its focus to women. The magazines number of publications and profit increased dramatically under Nasts management, by 1911, the Vogue brand had garnered a reputation that it continues to maintain, targeting an elite audience and expanding into the coverage of weddings. According to Condé Naste Russia, after the First World War made deliveries in the Old World impossible, the decision to print in England proved to be successful causing Nast to release the first issue of French Vogue in 1920. The magazines number of subscriptions surged during the Great Depression, during this time, noted critic and former Vanity Fair editor Frank Crowninshield served as its editor, having been moved over from Vanity Fair by publisher Condé Nast. In July of 1932, American Vogue placed its first color photograph on the cover of the magazine, the photograph was taken by photographer Edward Steichen and portrays a woman swimmer holding a beach ball in the air. Nast was responsible for introducing color printing and the two-page spread and he greatly impacted the magazine and turned it into a successful business and the womens magazine we recognize today and greatly increased the sales volumes until his death in 1942. Toward this end, Vogue extended coverage to include East Village boutiques such as Limbo on St, marks Place, as well as including features of downtown personalities such as Andy Warhols Superstar Jane Holzers favorite haunts. Vogue also continued making household names out of models, a practice continued with Suzy Parker, Twiggy, Jean Shrimpton, Lauren Hutton, Veruschka, Marisa Berenson, Penelope Tree. In 1973, Vogue became a monthly publication, under editor-in-chief Grace Mirabella, the magazine underwent extensive editorial and stylistic changes to respond to changes in the lifestyles of its target audience. Mirabella states that she was chosen to change Vogue because women werent interested in reading about or buying clothes that served no purpose in their changing lives and she was selected to make the magazine appeal to the the free, working, liberated woman of the seventies. She changed the magazine by adding text with interviews, arts coverage, when that type of stylihtic ceange f ell out of favor in the 1980s, Mirabella was brutally fired. Her take on it, For a magazine devoted to style, in July of 1988, after Vogue had began to lose ground to a three-year-old upstart Elle, Anna Wintour was named editor-in-chief
