1.
Damon Albarn
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Damon Albarn, OBE is an English musician, singer-songwriter, multi-instrumentalist and record producer. He is best known as the singer of the British rock band Blur as well as co-founder, vocalist, instrumentalist. After spending long periods of time touring the US, Albarns songwriting became influenced by British bands from the 1960s. The result of these came in the form of Modern Life Is Rubbish, Parklife. All three albums received critical acclaim while Blur gained mass popularity in the UK, aided by a Britpop rivalry with Oasis, subsequent albums such as Blur,13, Think Tank and The Magic Whip contained influences from lo-fi, electronic and hip hop music. Along with Tank Girl creator Jamie Hewlett, Albarn formed the virtual band Gorillaz in 1998, drawing influences from alternative rock, trip hop, hip hop, electronica, dub, reggae and pop music, the band released their self-titled debut album in 2001 to worldwide success. Although Albarn is the only permanent musical contributor, the albums feature collaborations from a range of artists. Gorillaz are cited by the Guinness Book of World Records as the Most Successful Virtual Band and he has also ventured into the world of opera with Dr Dee and Monkey, Journey to the West. In 2008 The Daily Telegraph ranked Albarn number 18 in their list of the 100 most powerful people in British culture, in a 2010 UK poll for Q magazine Albarn was voted the fourth-greatest frontman of all time. He was appointed Officer of the Order of the British Empire in the 2016 New Year Honours for services to music, Albarn was born on 23 March 1968, is the eldest child of artist Keith Albarn and his wife Hazel, née Dring. Their daughter Jessica, born in 1971, also went on to become an artist, Keith Albarn, originally from Nottinghamshire, was briefly the manager of Soft Machine and once a guest on BBCs Late Night Line-Up. He was head of The School of Art and Design at Colchester Institute, damons paternal grandfather Edward, an architect, had been a conscientious objector during the Second World War and was involved in a farming community in Lincolnshire, becoming a peace activist. In 2002 Edward Albarn died, Damon stated in an interview that Edward did not want to any longer. The Apollo Cumfycraft and The Tailendcharlie produced by his fathers company Keith Albarn & Partners Ltd under the trade-name of Playlearn, when Damon and Jessica were growing up, their family moved to Leytonstone, East London. The household was described as bohemian and their upbringing as liberal, Albarn agreed with his parents views, later claiming, I always thought my parents were absolutely dead right. I went against the grain in a weird way – by continually following them and his parents primarily listened to blues, Indian ragas and African music. The population of the area was predominantly white as opposed to the ethnically mixed part of London which he had used to. He described himself as not really fitting in with the politics of the place, Albarn was interested in music from an early age, attending an Osmonds concert at the age of six
2.
Iceland
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Iceland is a Nordic island country in the North Atlantic Ocean. It has a population of 332,529 and an area of 103,000 km2, the capital and largest city is Reykjavík. Reykjavík and the areas in the southwest of the country are home to over two-thirds of the population. Iceland is volcanically and geologically active, the interior consists of a plateau characterised by sand and lava fields, mountains and glaciers, while many glacial rivers flow to the sea through the lowlands. Iceland is warmed by the Gulf Stream and has a climate, despite a high latitude just outside the Arctic Circle. Its high latitude and marine influence still keeps summers chilly, with most of the archipelago having a tundra climate. According to the ancient manuscript Landnámabók, the settlement of Iceland began in the year 874 AD when the Norwegian chieftain Ingólfr Arnarson became the first permanent settler on the island. In the following centuries, Norwegians, and to a lesser extent other Scandinavians, emigrated to Iceland, the island was governed as an independent commonwealth under the Althing, one of the worlds oldest functioning legislative assemblies. Following a period of strife, Iceland acceded to Norwegian rule in the 13th century. The establishment of the Kalmar Union in 1397 united the kingdoms of Norway, Denmark, Iceland thus followed Norways integration to that Union and came under Danish rule after Swedens secession from that union in 1523. In the wake of the French revolution and the Napoleonic wars, Icelands struggle for independence took form and culminated in independence in 1918, until the 20th century, Iceland relied largely on subsistence fishing and agriculture, and was among the poorest in Europe. Industrialisation of the fisheries and Marshall Plan aid following World War II brought prosperity, in 1994, it became a part of the European Economic Area, which further diversified the economy into sectors such as finance, biotechnology, and manufacturing. Iceland has an economy with relatively low taxes compared to other OECD countries. It maintains a Nordic social welfare system that provides health care. Iceland ranks high in economic, political and social stability and equality, in 2013, it was ranked as the 13th most-developed country in the world by the United Nations Human Development Index. Iceland runs almost completely on renewable energy, some bankers were jailed, and the economy has made a significant recovery, in large part due to a surge in tourism. Icelandic culture is founded upon the nations Scandinavian heritage, most Icelanders are descendants of Germanic and Gaelic settlers. Icelandic, a North Germanic language, is descended from Old Norse and is related to Faroese
3.
Flamenco
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Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of Southern Spain. It includes cante, toque, baile, jaleo, palmas, the oldest record of flamenco dates to 1774 in the book Las Cartas Marruecas by José Cadalso. The genre originated in the music and dance styles of Andalusia, Flamenco has been influenced by and become associated with the Romani people in Spain, however, unlike Romani music in Eastern Europe, its origin and style is uniquely Andalusian. In recent years, flamenco has become popular all over the world and is taught in many countries, especially the United States. In Japan, there are more flamenco academies than there are in Spain, on November 16,2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity. There are many suggestions for the origin of the word flamenco as a musical term, the word was not recorded as a musical and dance term until the late 18th century. The Spanish word flamenco could have been a derivative of fire or flame, the word flamenco may have come to be used for fiery behaviour, which could have come to be applied to the Gitano players and performers. Palos are flamenco styles, classified by criteria such as rhythmic pattern, mode, chord progression, stanzaic form, there are over 50 different palos, some are sung unaccompanied while others have guitar or other accompaniment. Some forms are danced while others are not, there are many ways to categories Palos but they traditionally fall into three classes, the most serious is known as cante jondo, while lighter, frivolous forms are called cante chico. Forms that do not fit either category are classed as cante intermedio, Cante jondo has clear traces of Arabic and Spanish folk melodies, as well as vestiges of Byzantine, Christian and Jewish religious music. Each song of a set of verses, which are punctuated by guitar interludes called falsetas, the guitarist also provides a short introduction which sets the tonality, compás and tempo of the cante. Flamenco uses the Flamenco mode, in addition to the major and minor scales used in modern Western music. The Phrygian mode occurs in such as soleá, most bulerías, siguiriyas. A typical chord sequence, usually called the Andalusian cadence may be viewed as in a modified Phrygian, according to Manolo Sanlúcar E is here the tonic, F has the harmonic function of dominant while Am and G assume the functions of subdominant and mediant respectively. Guitarists tend to use two basic inversions or chord shapes for the tonic chord, the open 1st inversion E. Montoya also created a new palo as a solo for guitar, later guitarists have further extended the repertoire of tonalities, chord positions and scordatura. There are also palos in major mode, most cantiñas and alegrías, guajiras, some bulerías and tonás, the minor mode is restricted to the Farruca, the milongas, and some styles of tangos, bulerías, etc. In general traditional palos in major and minor mode are limited harmonically to two-chord or three-chord progressions, however modern guitarists have introduced chord substitution, transition chords, and even modulation
4.
Carpe diem
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Carpe diem is a Latin aphorism, usually translated seize the day, taken from book 1 of the Roman poet Horaces work Odes. Carpe is the second-person singular present active imperative of carpō pick or pluck used by Horace to mean enjoy, seize, use, Diem is the accusative case of the noun dies day. A more literal translation of carpe diem would thus be pluck the day —that is, in Horace, the phrase is part of the longer carpe diem, quam minimum credula postero, which can be translated as Seize the day, put very little trust in tomorrow. The ode says that the future is unforeseen and that one should not leave to chance future happenings and this phrase is usually understood against Horaces Epicurean background. The meaning of carpe diem as used by Horace is not to ignore the future, the phrase. ואם לא עכשיו, אימתי And if not now, then when. Collige, virgo, rosas appears at the end of the poem De rosis nascentibus attributed to Ausonius or Virgil. It encourages youth to life before it is too late, compare Gather ye rosebuds while ye may from Robert Herricks 1648 poem To the Virgins. De Brevitate Vitae, often referred to as Gaudeamus igitur, is a popular academic commercium song, on taking joy in student life and it is medieval Latin, dating to 1287. Related but distinct is the expression memento mori which carries some of the same connotation as carpe diem, for Horace, mindfulness of our own mortality is key in making us realize the importance of the moment. Remember that you are mortal, so seize the day, over time the phrase memento mori also came to be associated with penitence, as suggested in many vanitas paintings. Today many listeners will take the two phrases as representing almost opposite approaches, with carpe diem urging us to savour life and this is not the original sense of the memento mori phrase as used by Horace. In the 1989 movie Dead Poets Society, the English teacher John Keating, played by Robin Williams, famously says, later, this line was voted as the 95th greatest movie quote by the American Film Institute. The American progressive metal band Dream Theater released the 23-minute epic A Change of Seasons on their 1995 EP of the same name, the song numerously references the carpe diem or Seize the Day aphorism as part of its storyline. The American heavy metal band Metallica produced a song called Carpe Diem Baby on their 1997 album Reload, the chorus contains the line Come squeeze and suck the day. The soundtrack to the 2011 animated film Phineas and Ferb the Movie, the American punk rock band, Green Day, produced a song called Carpe Diem on their 2012 album ¡Uno. The chorus is Carpe Diem, a cry, are we all too young to die. Ask for reason, and no reply, are we all too young to die, the English alternative rock band, You Me at Six, produced a song called Carpe Diem on their 2014 album Cavalier Youth. The chorus is Carpe diem til the very end, Carpe diem til the bitter end
5.
Oedipus complex
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In psychoanalysis, the Oedipus complex is a childs desire, that the mind keeps in the unconscious via dynamic repression, to have sexual relations with the parent of the opposite sex. The Oedipal complex originally refers to the desire of a son for his mother. A childs identification with the parent is the successful resolution of the complex. Men and women who are fixated in the Oedipal and Electra stages of their psychosexual development might be considered mother-fixated and father-fixated, in adult life, this can lead to a choice of a sexual partner who resembles ones parent. Oedipus refers to a 5th-century BC Greek mythological character Oedipus, who kills his father, Laius. A play based on the myth, Oedipus Rex, was written by Sophocles, modern productions of Sophocles play were staged in Paris and Vienna in the 19th century and were phenomenally successful in the 1880s and 1890s. The Austrian psychiatrist, Sigmund Freud, attended. ”Freud described the character Oedipus, A six-stage chronology of Sigmund Freuds theoretic evolution of the Oedipus complex is, Stage 1. After his fathers death in 1896, and having seen the play Oedipus Rex, by Sophocles, as Freud wrote in a 1897 letter, I found in myself a constant love for my mother, and jealousy of my father. I now consider this to be an event in early childhood. Proposes that Oedipal desire is the complex of all neuroses. Complete Oedipus complex, identification and bisexuality are conceptually evident in later works, applies the Oedipal theory to religion and custom. Investigates the feminine Oedipus attitude and negative Oedipus complex, later the Electra complex, in the phallic stage, a boys decisive psychosexual experience is the Oedipus complex—his son–father competition for possession of mother. The boy directs his libido upon his mother, and directs jealousy, psycho-logic defense—In both sexes, defense mechanisms provide transitory resolutions of the conflict between the drives of the id and the drives of the ego. The first defense mechanism is repression, the blocking of memories, emotional impulses, the second defense mechanism is identification, in which the boy or girl child adapts by incorporating, to his or her ego, the personality characteristics of the same-sex parent. As a result of this, the boy diminishes his castration anxiety, in the case of the girl, this facilitates identifying with mother, who understands that, in being females, neither of them possesses a penis, and thus are not antagonists. Therefore, the satisfactory parental handling and resolution of the Oedipus complex are most important in developing the male infantile super-ego. This is because, by identifying with a parent, the boy internalizes Morality, thereby, he chooses to comply with societal rules, rather than reflexively complying in fear of punishment. Moreover, his admitting to wanting to procreate with mother was considered proof of the sexual attraction to the opposite-sex parent
6.
Incest
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Incest is sexual activity between family members or close relatives. The incest taboo is and has one of the most widespread of all cultural taboos. Most modern societies have laws regarding incest or social restrictions on closely consanguineous marriages, in societies where it is illegal, consensual adult incest is seen by some as a victimless crime. Some cultures extend the incest taboo to relatives with no consanguinity such as milk-siblings, stepsiblings, third-degree relatives on average share 12. 5% genes, and sexual relations between them is viewed differently in various cultures, from being discouraged to being socially acceptable. The children of incestuous relationships were regarded as illegitimate, and are still so regarded in some societies today, in most cases, the parents did not have the option to marry to remove that status, as incestuous marriages were, and are, normally also prohibited. A common justification for prohibiting incest is avoiding inbreeding, a collection of genetic disorders suffered by the children of parents with a genetic relationship. But inbreeding is not the basis for the incest taboo for two reasons. First, most prohibitions on incest cover affinity relationships—that is, relationships created by marriage —as well as created by adoption. And second, the incest taboo also applies to non-procreative sex—for example, some societies, such as the Balinese and some Inuit tribes, have different views about what constitutes illegal and immoral incest. However, sexual relations with a first-degree relative are almost universally forbidden, the English word incest is derived from the Latin incestus, which has a general meaning of impure, unchaste. It was introduced into Middle English, both in the generic Latin sense and in the modern sense. The derived adjective incestuous appears in the 16th century, before the Latin term came in, incest was known in Old English as sib-leger or mǣġhǣmed but in time, both words fell out of use. In ancient China, first cousins with the surnames were not permitted to marry. Several of the Egyptian Pharaohs married their siblings and had children with them. For example, Tutankhamun married his half-sister Ankhesenamun, and was himself the child of an union between Akhenaten and an unidentified sister-wife. It is now accepted that sibling marriages were widespread among all classes in Egypt during the Graeco-Roman period. Numerous papyri and the Roman census declarations attest to many husbands and wives being brother and sister, in the sequel to Oedipus, Antigone, his four children are also punished for their parents incestuousness. Incest appears in the accepted version of the birth of Adonis
7.
Ritual
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A ritual is a sequence of activities involving gestures, words, and objects, performed in a sequestered place, and performed according to set sequence. Rituals may be prescribed by the traditions of a community, including a religious community, Rituals are characterized but not defined by formalism, traditionalism, invariance, rule-governance, sacral symbolism, and performance. Rituals are a feature of all human societies. Even common actions like hand-shaking and saying hello may be termed rituals, the field of ritual studies has seen a number of conflicting definitions of the term. One given by Kyriakidis is that a ritual is an outsiders or etic category for a set activity that, to the outsider, seems irrational, non-contiguous, or illogical. The term can be used also by the insider or emic performer as an acknowledgement that this activity can be seen as such by the uninitiated onlooker, the English word ritual derives from the Latin ritualis, that which pertains to rite. In Roman juridical and religious usage, ritus was the way of doing something, or correct performance. The word ritual is first recorded in English in 1570, there are hardly any limits to the kind of actions that may be incorporated into a ritual. Catherine Bell argues that rituals can be characterized by formalism, traditionalism, invariance, rule-governance, sacral symbolism, Ritual utilizes a limited and rigidly organized set of expressions which anthropologists call a restricted code. Maurice Bloch argues that ritual obliges participants to use this formal oratorical style, which is limited in intonation, syntax, vocabulary, loudness, in adopting this style, ritual leaders speech becomes more style than content. Because this formal speech limits what can be said, it induces acceptance, compliance, Bloch argues that this form of ritual communication makes rebellion impossible and revolution the only feasible alternative. Ritual tends to support forms of social hierarchy and authority. Rituals appeal to tradition and are concerned to repeat historical precedents accurately. Traditionalism varies from formalism in that the ritual may not be yet still makes an appeal to historical. An example is the American Thanksgiving dinner, which may not be formal, thus, the appeal to history is important rather than accurate historical transmission. Catherine Bell states that ritual is also invariant, implying careful choreography and this is less an appeal to traditionalism than a striving for timeless repetition. The key to invariance is bodily discipline, as in prayer and meditation meant to mold dispositions. This bodily discipline is frequently performed in unison, by groups, Rituals tend to be governed by rules, a feature somewhat like formalism
8.
Locarno Festival
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The Locarno Festival is an international film festival held annually in August in the city of Locarno, Switzerland since 1946. Locarno is a film festival accredited by the FIAPF, the main feature of the festival is the open-air screening area at the Piazza Grande with room for over 8,000 spectators, having one of the largest open-air screens in the world. The top prize of the Festival is the Golden Leopard awarded to the best film in the international competition, other awards include the Leopard of Honour for outstanding career achievements, and the Prix du Public UBS, the public choice award. The Locarno Film Festival is well known worldwide as a festival of discovery, throughout its history the festival has discovered new trends and launched the careers of numerous directors and actors. The Festival del film Locarno kicked off on 23 August 1946, Grand Prize of the festival, awarded by the city and region of Locarno, for the best film in the concorso internazionale, that is shared equally between the director and the producer. Prize, awarded by cities of Ascona and Losone, for the second best film in the concorso internazionale, Prize, awarded by the city and region of Locarno, for the best directed film in the concorso internazionale. Prize awarded by a jury of critics to the first works presented in the sections concorso internazionale, concorso Cineasti del presente, Fuori concorso, Signs of Life. Prize awarded to the best film of competition, which is dedicated to first or second features. Ciné+ Special Jury Prize – Cineasti del presente, the French television channel Ciné+ Club offers the broadcast rights to the winning film and guarantees the broadcast on their channel. Pardo per il miglior regista emergente, Prize for the best new director, pardo per la migliore opera prima. Prize which has been awarded fro 2006 to 2009 to the best first work screened in the concorso internazionale or concorso Cineasti del presente. Pardino doro for the Best International Short Film – SRG SSR Prize, Prize awarded to the best short film in the international short film competition Pardi di domani. Pardino doro for the Best Swiss Short Film – Swiss Life Prize, Prize awarded to the best short film in the national short film competition Pardi di domani. Pardino dargento SSR SRG for the international competition, Prize awarded to a film in the international competition Pardi di domani. Pardino dargento Swiss Life for the national competition, Prize awarded to a film in the national competition Pardi di domani. Locarno short film nominee for the European Film Awards – Pianifica Prize, the prize, which is offered by the studio Pianifica, goes to a short film made by a European director, presented in one of the two competitions. The award includes an automatic nomination in the film category of the European Film Awards. The prize provides equipment offered by Cinegrell, Visuals SA, Freestudios SA, the winning film will be subtitled in three central European languages
9.
Thessaloniki International Film Festival
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The Thessaloniki International Film Festival has become one of the Southeast Europes primary showcases for the work of new and emerging filmmakers. The event features the International Section, a panorama of Greek films, the New Horizons program, the Balkan Survey, the Festival is competitive with the International Section jury awarding several prizes each year, most notably the Golden Alexander for Best Feature-Length Film. Since 1992, the International Thessaloniki Film Festival has striven to present the most innovative independent films from around the world, components of the Festival include, The International Competition section consists of new directors first or second films. The non-competitive panorama of Greek films, an overview of the recent local production is followed by the presentation of the State Film Awards by the Greek Ministry of Culture, the Independence Days non-competitive section is the cutting-edge showcase for the latest trends in independent film production. The Balkan Survey, created in 1994, stands as a program which offers audiences a window on the cinema of this region of the world. In March 2016, French film producer Élise Jalladeau was appointed as director of the Thessaloniki International Film Festival, in May 2016, film critic Orestis Andreadakis was named artistic director. Cinematographer Giorgos Arvanitis serves as president of the TIFF Board, retrospectives and tributes look at both historic masters, and emerging artists. The first period of Thessaloniki Film Festival starts in 1960 and finished in 1991, during this period the festival showed exclusively Greek films. The festival was first held in 1960 as a modest Week of Greek Cinema, from 1965 to 1991 the festival was named Festival of Greek Cinema. During these years the festival passed through various phases, the first years the festival was an important social event with flashy appearances of local showbiz stars. During the ], censorship made its appearance, during the Metapolitefsi the new generation of Greek directors dominated the awards, but at the same time the festival became increasingly politicized and two opposing groups of spectators appeared. The tension between two groups reached a peak in 1977, when the festival split in two different festivals. The split lasted only one year, during the 80s the importance of the festival declined until in 1992, when it was decided to upgrade the event to an international film festival. In 1992 the festival became a film festival, acknowledged by the International Federation of Film Producers Associations. The Greek movies competed in a different section of the festival with the name Greek State Film Awards, nowadays Thessaloniki International Film Festival is an annual event focused on the discovery and promotion of new directors from all over the world. For ten days in mid-November, audiences numbering approximately 70,000, as well as hundreds of Greek and foreign Festival guests, attend screenings of more than 150 films in the citys cinemas
pronunciation (help·info)) is 2000 film based on the 1996 novel by Hallgrímur Helgason.[1] Both are set in Reykjavík, Iceland. The film was directed by Baltasar Kormákur and stars Victoria Abril and Hilmir Snær Guðnason. The title is taken from the postal code for down-town Reykjavík, "the old city". The film won nine B-class film awards and received ten nominations most notably winning the Discovery Film Award at the Toronto International Film Festival.
