1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Cold (band)
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Cold is an American rock band, formed in 1996 in Jacksonville, Florida. With two gold-albums, Cold has sold one million records in the US alone. On November 17,2006, it was announced on MySpace that, after a period of uncertainty since that February, in July 2008, it was announced that the original line-up would reunite for a tour in early 2009. This became permanent and the released their fifth studio album Superfiction on July 19,2011. Cold has gone through several line-up changes leaving vocalist Scooter Ward, Cold, who at the time were called Grundig, formed in 1996 with the line-up of Scooter Ward, Sam McCandless, Jeremy Marshall and Matt Loughran. The band, initially based in Jacksonville, moved to Atlanta hoping to get a break in the industry, during this time, Matt Loughran left the band and was replaced by Sean Lay, who also left the group. Kelly Hayes then joined the band, and they all returned to Florida. Following Colds progress in the Jacksonville scene was local Fred Durst, impressed by what he had heard, he invited Ward to record two acoustic tracks, Check Please and Ugly. The record was a success under A&M Records - now an imprint label under Interscope Records. That same year, the released the Oddity EP. Its cover photo, taken by the wife of McCandless, depicts their pet tarantula named Wednesday, the drummer would later note, Our music kind of creeps along like a spider. Following the underground success of Cold, Geffen financed their second album titled 13 Ways to Bleed on Stage, in 1999 before recording the album, the group recruited local guitarist Terry Balsamo, who briefly played for Limp Bizkit. With the new guitar addition Ward was now able to more on singing and interacting with the crowd. The album included guest singer Aaron Lewis from Staindon the songs Send in the Clowns and Bleed and singer Sierra Swan from Dollshead on No One and Witch. The song Just Got Wicked was also a hit, being featured in the soundtrack to the game Jet Grind Radio and hitting No.25 on Mainstream Rock tracks. In April 2002, the band released Gone Away, a moody ballad. The song first appeared on the WWF Tough Enough album and had a music video. With the success of 13 Ways to Bleed on Stage, Geffen financed their third album titled Year of the Spider
3.
Nu metal
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Nu metal is a form of alternative metal that combines elements of heavy metal music with elements of other music genres such as hip hop, alternative rock, funk and grunge. Nu metal bands have drawn elements and influences from a variety of musical styles, Nu metal rarely features guitar solos, the genre is heavily syncopated and based on guitar riffs. Many nu metal guitarists use seven-string guitars that are down-tuned to play a heavier sound, DJs are occasionally featured in nu metal to provide instrumentation such as sampling, turntable scratching and electronic backgrounds. Vocal styles in nu metal include singing, rapping, screaming and growling, Nu metal is one of the key genres of the New Wave of American Heavy Metal. Nu metal became popular in the late 1990s with bands and artists such as Korn, Limp Bizkit, Slipknot, many heavy metal fans have criticized nu metal, and do not regard it as true heavy metal. Many nu metal musicians have rejected the nu metal label and also have rejected being labeled as heavy metal, Nu metal is also known as nü-metal and aggro-metal. It is a subgenre of alternative metal, MTV states that the early nu metal group Korn arrived in 1993 into the burgeoning alternative metal scene, which would morph into nü-metal the way college rock became alternative rock. Stereogum has similarly claimed that nu metal was a outgrowth of the Lollapalooza-era alt-metal scene. Nu metal merges elements of metal music with elements of other music genres such as grunge, hip hop, funk. Nu metal bands also are influenced by and use elements of genres of metal music such as death metal, rap metal, groove metal, funk metal, alternative metal. Some nu metal bands such as Static-X and Dope made nu metal music elements of industrial metal. Nu metal music is heavily syncopated and is based mostly on guitar riffs, mid-song bridges and a general lack of guitar solos contrasts it with other genres of heavy metal. N its efforts to tune down and simplify riffs, nu-metal effectively drove a stake through the heart of the guitar solo. Another contrast with other metal genres is nu metals emphasis on rhythm, rather than on complexity or mood. The wah pedal is occasionally featured in nu metal music, Nu metal guitar riffs occasionally are similar to death metal guitar riffs. Nu metal bassists and drummers are often influenced by funk and hip hop, respectively, blast beats, which are common in heavy metal subgenres such as black metal and death metal, are extremely rare in nu metal. sound a Mack truck being crushed by a collapsing skyscraper. Some nu metal bands use seven-string guitars that are generally down-tuned, likewise, some bass guitarists use five-string and six-string instruments. Bass guitar-playing in nu metal often features an emphasis on elements such as slap bass, a percussive style of playing in which the thumb slaps the low strings
4.
Alternative metal
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Alternative metal is a music genre that infuses heavy metal with influences from alternative rock and other genres not normally associated with metal. The term has been in use since the 1980s, although it came into prominence in the 1990s, other genres considered part of the alternative metal movement included rap metal and funk metal, both of which influenced another prominent subgenre, nu metal. Nu metal expands the alternative metal sound, combining its vocal stylings and downtuned riffs with elements of genres, such as hip hop, funk, hardcore. They also remarked that alternative metal was originally a style united by its nonconformist sensibility rather than any immediately classifiable sound, one of the main characteristics of alternative metal and its subgenres are heavily downtuned, mid-paced chug-like guitar riffs. However, funk metal bands use a more conventional riffing style influenced by 1980s thrash metal. Alternative metal features clean and melodic vocals, influenced by those of alternative rock, later bands frequently incorporated vocal styles that alternated between clean singing, growls and screaming. Examples include alternative metal bands associated with the nu metal movement, such as Korn and Deftones, jonathan Gold of the Los Angeles Times wrote in 1990 Just as rock has an alternative, wing-bands like the Replacements and Dinosaur Jr. -so does metal. Alternative metal is alternative music that rocks, and alternative metal these days can reach 10 times the audience of other alternative rock. Janes Addiction plays an intense brand of 70s-influenced arty metal, so does Soundgarden, in fact, the arty meanderings of Sab and the Zep themselves would be considered alternative metal. Houston Press has described the genre as being a compromise for people for whom Nirvana was not heavy enough but Metallica was too heavy. The first wave of metal bands emerged from many backgrounds, including hardcore punk, noise rock, Seattles grunge scene, stoner rock, sludge metal. These bands never formed a movement or scene, rather they were bound by their incorporation of traditional metal influences. Fudge Tunnels style of alternative metal included influences from both sludge metal and noise rock, other early bands in the genre also came from hardcore punk backgrounds. During the 1980s, alternative metal appealed mainly to rock fans. Several bands associated with the genre denied their status as metal bands, Helmet drummer John Stanier said We fell into the whole metal thing by accident, we always hated it when people mentioned metal in conjunction with us. Saby Reyes-Kulkarni of Pitchfork Media stated bands like Faith No More, Soundgarden, Primus, Helmet, the Rollins Band, and dozens more were initially marketed as quasi-metal acts. This was only possible in a climate where record labels, journalists, many established 1980s metal bands released albums in the 1990s that were described as alternative metal, including Anthrax, Metallica and Mötley Crüe. It resulted in a standardized sound among alternative metal bands, in contrast to the more eccentric
5.
Post-grunge
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Post-grunge is a style of rock music that began in the 1990s and is considered a subgenre of alternative rock and hard rock. Originally, post-grunge was an informal and even pejorative label used to describe bands that emulated the sound of Nirvana and Pearl Jam, such as Bush, Candlebox. In the late 1990s, post-grunge morphed into a clearly defined style that married the sound. Post-grunge rose to prominence in the 1990s and continued to remain popular in the 2000s, Post-grunge bands such as Foo Fighters, Puddle of Mudd, Staind, Nickelback, Creed and Matchbox Twenty all achieved mainstream success. During the 1990s, a post-grunge sound emerged which emulated the attitudes and music of grunge, particularly its thick, distorted guitars, Post-grunge music tends to be in mid-tempo and is noted for having a polished, radio-ready production. Post-grunge tends to feature melodies and song structures that are common in pop music, sometimes post-grunge music features both an electric guitar and an acoustic guitar playing simultaneously. Post-grunge lyrics also tend to be about such as relationships, romance. According to Geffen, grunges frontmen posed with their addictions, post-grunges songwriters sought redemption for them, according to Geffen, artists such as Alanis Morissette, No Doubt and Sarah McLachlan all crystallized the songwriting strategy that would form the emotional core of the post-grunge moment. Post-grunge tends to have quality that is higher and cleaner than the quality in grunge. When grunge became a mainstream genre because of such as Nirvana and Pearl Jam. According to Tim Grierson of About, during the late 1990s, post-grunge morphed, becoming a derivative of grunge that combined characteristics of grunge with a more commercially accessible tone. During this time, post-grunge bands such as Creed and Nickelback emerged, Grierson wrote, Creed and Nickelback espoused a more conventional, almost conservative worldview built around the comforts of community and romantic relationships. Grierson also wrote, Post-grunge was a musical style, but bands like Nirvana. Post-grunge, by comparison, seemed to exist in order to court that very audience, in late 1992, Cobain was photographed in a T-shirt with Grunge is Dead printed on its front and the genres decline started to be widely discussed. The death of Cobain in 1994, as well as Pearl Jams touring problems, problems of addiction for Layne Staley of Alice in Chains led to the band cancelling scheduled dates in 1995. When grunge was mainstream, major labels began signing and promoting bands emulating the genre. In spite of the fact that such as Bush and Candlebox have been categorized as grunge. Collective Soul and Live are two other bands categorized as post-grunge that emerged along with Bush and Candlebox and its song Far Behind peaked at number 18 on the Billboard Hot 100
6.
Geffen Records
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Geffen Records is an American major record label, owned by Universal Music Group, which operates as one third of the Interscope Geffen A&M Records label. On March 23,2017, Billboard. com announced the label was relaunching with longtime A&R Neil Jacobson as President, Geffen Records was started in 1980 by music industry businessman David Geffen who, in the early 1970s, had founded Asylum Records. Geffen stepped down from Asylum in 1975, when he crossed over to film and was named a vice-president of Warner Bros and he was fired from Warner circa 1978, but remained locked in a 5-year contract, which prevented him from working elsewhere. He returned to work in 1980 and struck a deal with Warner Bros. Records to create Geffen Records, profits were split 50/50 between Geffen and the respective distributors. Geffen Records first artist was disco superstar Donna Summer, whose gold-selling album The Wanderer became the labels first release in 1980, the label followed it up with Double Fantasy by John Lennon and Yoko Ono. It was Lennons first new album since 1975, two weeks after it entered the charts, Lennon was murdered in New York City. As the 1980s progressed, Geffen would go on to have success with acts as Kylie Minogue, Enya, Quarterflash, Oxo, Asia, Wang Chung. This prompted Geffen to create a label, DGC Records in 1990. Geffen also distributed the first incarnation of Def American Recordings through Warner Bros. from 1988 to 1990, after a decade of operating through Warner, when its contract with the company expired, the label was sold to MCA Music Entertainment in 1990. The deal ultimately earned David Geffen an estimated US$800 million in stock, following the sale, Geffen Records operated as one of MCAs leading independently managed labels. Geffen Records would distribute releases on the new operations DreamWorks Records subsidiary, Universal Music Group acquired PolyGram in 1999, resulting in a corporate reorganization of labels. Geffen Records, along with A&M Records, was merged into Interscope Records. Although Geffen would continue to exist as a brand, it was downsized to fit into the expansion of Interscope. At the same time, international distribution of Interscope and Geffen releases switched to ex-PolyGram label Polydor Records, meanwhile, DreamWorks Records also folded, with artists such as Nelly Furtado, Lifehouse and Rufus Wainwright being absorbed by Geffen as well. During this time, DGC Records was also folded into Geffen, at the end of 2007, however, Geffen was absorbed further into Interscope, laying off sixty employees. In 2009, it was announced that Geffen Records had signed an agreement with the Holy See to produce an album of Marian songs, jimmy Iovine relaunched the Geffen imprint in 2011, moving its headquarters from California to New York City
7.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
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