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Depiction of the earthquake in an engraving from 1696, possibly showing Catania
Ruins of the Norman castle in Noto Antica
Ruins of the Norman castle in Noto Antica
The Cathedral of Noto, one of the many buildings constructed in Sicilian Baroque style after the earthquake
The Cathedral of Noto, one of the many buildings constructed in Sicilian Baroque style after the earthquake
The medieval cathedral of Mdina which was damaged in the earthquake (top) and the Baroque building which was built in 1696–1705 to replace it (bottom)
The medieval cathedral of Mdina which was damaged in the earthquake (top) and the Baroque building which was built in 1696–1705 to replace it (bottom)
Illustration 1: Sicilian Baroque. Basilica della Collegiata in Catania, designed by Stefano Ittar, c. 1768.
Illustration 2: University of Catania, designed by Vaccarini and completed by 1752, exemplifies typical Sicilian Baroque, with putti supporting the ba
Illustration 2: University of Catania, designed by Vaccarini and completed by 1752, exemplifies typical Sicilian Baroque, with putti supporting the balcony, wrought iron balustrades, decorated rustication and two-tone lava masonry – a reversal of the more conventional rusticated walls and smooth pilasters
Illustration 3: A Sicilian belfry crowns Rosario Gagliardi's Church of San Giuseppe in Ragusa Ibla
Illustration 3: A Sicilian belfry crowns Rosario Gagliardi's Church of San Giuseppe in Ragusa Ibla
Illustration 4: Messina's Porta Grazia, with its mouldings, scrolls and masks was widely copied all over Catania immediately following the quake.
Illustration 4: Messina's Porta Grazia, with its mouldings, scrolls and masks was widely copied all over Catania immediately following the quake.