17th-century French art is generally referred to as Baroque, but from the mid- to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
Et in Arcadia ego by Nicolas Poussin
Versailles: Louis Le Vau's cour d'honneur
Nicolas Poussin was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
Self-portrait by Poussin, 1650
Death of Germanicus, 1628, Minneapolis Institute of Art
Venus and Adonis, c. 1628–1629, Kimbell Art Museum
The Inspiration of the Poet, 1629–30, Louvre