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In the 1830s, men wore dark coats, light trousers, and dark cravats for daywear. Women's sleeves reached their ultimate width in the gigot sleeve. Her
1833 Fashion Plate: evening gown (left) and two morning dresses. The lady on the right wears a fichu-pelerine (tippet).
1833 Fashion Plate: evening gown (left) and two morning dresses. The lady on the right wears a fichu-pelerine (tippet).
By the later 1830s, fullness was moving from the upper to the lower sleeves. This morning dress of 1836–40 features shirring on the fitted upper sleev
By the later 1830s, fullness was moving from the upper to the lower sleeves. This morning dress of 1836–40 features shirring on the fitted upper sleeves; Victoria and Albert Museum.
This portrait shows the pleated panels of fabric that trim the gown around the bust and shoulders, and the method of gathering fullness in the large s
This portrait shows the pleated panels of fabric that trim the gown around the bust and shoulders, and the method of gathering fullness in the large sleeves. 1832.
Charles Pellegrini. Mr. Manuel Mateo Masculino López, c. 1834. Masculino was the most prominent and influential peinetón manufacturer. This portrait i
View of the Plaza de la Victoria—today the Plaza de Mayo—as depicted by Charles Pellegrini in 1831. The peinetón business was concentrated in the comm
View of the Plaza de la Victoria—today the Plaza de Mayo—as depicted by Charles Pellegrini in 1831. The peinetón business was concentrated in the commercial area surrounding the square, which was the central axis of the city.
Charles Pellegrini. Mrs. Lucía Carranza de Rodríguez Orey, 1831.
Charles Pellegrini. Mrs. Lucía Carranza de Rodríguez Orey, 1831.
Jacobo Fiorini. Mrs. Candelaria Somellera de Espinoza, c. 1830–1834.
Jacobo Fiorini. Mrs. Candelaria Somellera de Espinoza, c. 1830–1834.