1.
1850 in art
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Events from the year 1850 in art. Controversial exhibition of Pre-Raphaelite paintings by Holman Hunt and Millais at the Royal Academy, james Collinson resigns from the Pre-Raphaelite Brotherhood, which then dissolves. Francisco Goyas engravings, Proverbios, are posthumously published, edouard Pingret relocates to Mexico City. Grand Prix de Rome, painting, William-Adolphe Bouguereau, Paul Baudry, Grand Prix de Rome, sculpture, Grand Prix de Rome, architecture, Grand Prix de Rome, music, J. A
2.
1855 in art
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Events from the year 1855 in art. July 3 – John Everett Millais and Effie Gray marry, jean Auguste Dominique Ingres exhibits Venus Anadyomene, which has taken him forty years to complete. William Bell Scott begins painting murals of Northumbrian history at Wallington Hall, the Bavarian National Museum is founded by King Maximilian II of Bavaria. Kelly, American sculptor and illustrator September 8 – William Friese-Greene, English photographer and cinematographer Willis E
3.
1857 in art
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Events from the year 1857 in art. June 22 – The South Kensington Museum, predecessor of the Victoria, lewis Carroll meets John Ruskin and begins to associate with the Pre-Raphaelites. In the same year, Ruskin publishes his Political Economy of Art, may 5 – October 17 – The Art Treasures of Great Britain exhibition is held in Manchester, one of the largest such displays of all time. Emily Mary Osborn – Nameless and Friendless O. G. W
4.
1861 in art
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Events from the year 1861 in art. February – Hilda Sjölin opens a studio in Malmö, making her one of the first known Swedish female professional photographers. Paul Cézanne and his friend Émile Zola arrive in Paris, berthe Morisot becomes a pupil of Corot. Édouard Manet has his first paintings accepted by the Salon, william Bell Scott concludes his series of murals of Northumbrian history at Wallington Hall with Iron and Coal, the Nineteenth Century
5.
1863 in art
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Events from the year 1863 in art. March – American-born painter James McNeill Whistler settles close to the River Thames in Chelsea, London, the École des Beaux-Arts in Paris becomes independent of the Académie des Beaux-Arts. Julia Margaret Cameron takes up photography, alexander Gilchrists Life of William Blake, Pictor Ignotus is published in London, edited posthumously by Anne Gilchrist. May 17 – Opening of first exhibition of the Salon des Refusés in Paris, and coining of the term avant-garde
6.
1864 in art
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Events from the year 1864 in art. January 30 – National Gallery of Ireland opens to the public in Dublin in a designed by Francis Fowke based on early plans by Charles Lanyon. February 20 – Painter George Frederic Watts marries his 16-year-old model and she elopes less than a year later. December 30 – Julia Margaret Cameron sends John Herschel an album of her first years photography including her iconic portrait of him, stanisław Chlebowski takes up a post as master painter to Sultan Abdülaziz in Istanbul. The National Gallery in London acquires The Annunciation, with Saint Emidius from Lord Taunton, F. Watts – Choosing James McNeill Whistler Caprice in Purple and Gold, The Golden Screen Symphony in White, No
7.
1865 in art
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Events from the year 1865 in art. July 21 – Charles Dodgson photographs Effie Gray Millais, John Everett Millais, ford Madox Brown completes his painting Work after thirteen years. Édouard Manets painting Olympia is first exhibited, at the Salon, jean-François Millets painting The Angelus is first exhibited and becomes very popular in France. The Bargello in Florence becomes an art museum
8.
1859 in architecture
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The year 1859 in architecture involved some significant architectural events and new buildings. September 7 - Big Ben in the tower of the Palace of Westminster in London completed by Sir Charles Barry to the designs of Augustus Pugin becomes fully operational. October 18 - New chapel at Exeter College, Oxford, designed by George Gilbert Scott, is dedicated, all Saints, Margaret Street, London, designed by William Butterfield, is completed. Red House in Bexleyheath, England designed by Philip Webb and William Morris, Tennessee State Capitol in Nashville, Tennessee, United States, designed by William Strickland, is completed. Third Vermont State House designed by Thomas Silloway, in Montpelier, Vermont, Needles Lighthouse on The Needles off the Isle of Wight, designed by James Walker, is built. Royal Gold Medal - George Gilbert Scott, grand Prix de Rome, architecture, Charles Thierry and Louis Boitte
9.
1859 in literature
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This article presents lists of the literary events and publications in 1859. – Tidskrift för hemmet, the first womens magazine in the Nordic countries, is established by Sophie Leijonhufvud, february 1 – George Eliots Adam Bede, her first full-length novel, is published by John Blackwood in the United Kingdom. April 30 – Charles Dickenss new weekly magazine All the Year Round is published for the first time in London, june–July – Frances Harpers The Two Offers, the first English-language short story by an African American author, is published in the first volume of The Anglo-African Magazine. November 26 – Wilkie Collinss sensation novel The Woman in White, an early example of mystery fiction, begins serialization in All the Year Round
10.
1859 in science
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The year 1859 in science and technology involved some significant events, listed below. This is also called the Carrington event, Richard Carrington being the first known person to observe solar flares and it is also the first major solar radiation storm to be recorded. Marian Albertovich Kowalski publishes the first usable method to deduce the rotation of the Milky Way, English clergyman Thomas William Webb publishes the first edition of his popular amateur guide Celestial Objects for Common Telescopes. November 3 – Alfred Russel Wallaces paper On the Zoological geography of the Malay Archipelago, november 24 – Charles Darwin publishes On the Origin of Species. December – Joseph Dalton Hookers Introductory Essay to the Flora Tasmaniae supports Darwins theories, isidore Geoffroy Saint-Hilaire, in the second volume of Histoire naturelle générale des Règnes organiques, introduces the term ethology. Wilhelm Peters first describes the guppy from Venezuela, rudolf Virchow publishes Vorlesungen über Cellularpathologie in ihrer Begründung auf physiologischer und pathologischer Gewebelehre, a major textbook on cellular pathology. Benjamin Collins Brodie reports the highly lamellar structure of thermally reduced graphite oxide, august von Hofmann isolates sorbic acid. Gustav Robert Kirchhoff and Robert Bunsen invent an improved spectroscope, John Tyndall discovers that some gases block infrared radiation. He suggests that changes in the concentration of gases could bring climate change. The Royal Geographical Society of London is granted a Royal Charter by Queen Victoria, arthur Cayley produces the first Cayley–Klein metric. Bernhard Riemann publishes his paper on number theory, Ueber die Anzahl der Primzahlen unter einer gegebenen Grösse including the Riemann zeta function, florence Nightingale publishes Notes on Nursing, What it is and What it is Not in London. District nursing begins in Liverpool, England, when philanthropist William Rathbone employs Mary Robinson to nurse the sick poor in their own homes, may 2 – Isambard Kingdom Brunels Royal Albert Bridge for the Cornwall Railway at Saltash in England is officially opened. November 24 – French ironclad Gloire launched, the first ocean-going ironclad battleship, Thomas Aveling of Rochester, Kent, England, produces the first traction engine, by modification of an existing machine. Étienne Lenoir, working in Paris, produces the first single-cylinder two-stroke Lenoir cycle gas engine with an ignition system. January 19 – Alice Eastwood, Canadian-born botanist, february 14 George Washington Gale Ferris Jr. American civil engineer, inventor of the Ferris wheel, henry Valentine Knaggs, English practitioner of naturopathic medicine. February 19 – Svante Arrhenius, Swedish winner of the Nobel Prize in Chemistry, february 28 – Florian Cajori, Swiss historian of mathematics. March 4 – Alexander Stepanovich Popov, Russian physicist, march 10 – Frank Leverett, American glaciologist
11.
Scottish National Gallery
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The Scottish National Gallery is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, in a building designed by William Henry Playfair. The gallery houses the Scottish national collection of art, including Scottish. The origins of Scotlands national collection lie with the Royal Institution for the Encouragement of the Fine Arts in Scotland and it began to acquire paintings, and in 1828 the Royal Institution building opened on The Mound. In 1826, the Scottish Academy was founded by a group of artists as an offshoot of the Royal Institution, a key aim of the RSA was the founding of a national collection. It began to build up a collection and from 1835 rented exhibition space within the Royal Institution building, in the 1840s, plans were put in place for a new building to house the RSA. William Henry Playfair was commissioned to prepare designs, and on 30 August 1850, in 1912 the RSA moved into the Royal Institution building, which remains known as the Royal Scottish Academy Building. At this time, internal remodelling was carried out by William Thomas Oldrieve, when it re-opened, the gallery concentrated on building its permanent collection of Scottish and European art for the nation of Scotland Additional basement galleries were constructed in 1970. Construction took five years and cost £32 million, the new underground space was opened as the Weston Link in August 2004. The Print Room or Research Library can be accessed by appointment, at the heart of the National Gallerys collection is a group of paintings transferred from the Royal Scottish Academy Building. This includes masterpieces by Jacopo Bassano, Van Dyck and Giambattista Tiepolo, the National Gallery did not receive its own purchase grant until 1903
12.
Edinburgh
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Edinburgh is the capital city of Scotland and one of its 32 local government council areas. Located in Lothian on the Firth of Forths southern shore, it is Scotlands second most populous city and the seventh most populous in the United Kingdom. The 2014 official population estimates are 464,990 for the city of Edinburgh,492,680 for the authority area. Recognised as the capital of Scotland since at least the 15th century, Edinburgh is home to the Scottish Parliament and it is the largest financial centre in the UK after London. Historically part of Midlothian, the city has long been a centre of education, particularly in the fields of medicine, Scots law, literature, the sciences and engineering. The University of Edinburgh, founded in 1582 and now one of four in the city, was placed 17th in the QS World University Rankings in 2013 and 2014. The city is famous for the Edinburgh International Festival and the Fringe. The citys historical and cultural attractions have made it the United Kingdoms second most popular tourist destination after London, attracting over one million overseas visitors each year. Historic sites in Edinburgh include Edinburgh Castle, Holyrood Palace, the churches of St. Giles, Greyfriars and the Canongate, Edinburghs Old Town and New Town together are listed as a UNESCO World Heritage Site, which has been managed by Edinburgh World Heritage since 1999. It appears to derive from the place name Eidyn mentioned in the Old Welsh epic poem Y Gododdin, the poem names Din Eidyn as a hill fort in the territory of the Gododdin. The Celtic element din was dropped and replaced by the Old English burh, the first documentary evidence of the medieval burgh is a royal charter, c. 1124–1127, by King David I granting a toft in burgo meo de Edenesburg to the Priory of Dunfermline. In modern Gaelic, the city is called Dùn Èideann, the earliest known human habitation in the Edinburgh area was at Cramond, where evidence was found of a Mesolithic camp site dated to c.8500 BC. Traces of later Bronze Age and Iron Age settlements have found on Castle Rock, Arthurs Seat, Craiglockhart Hill. When the Romans arrived in Lothian at the end of the 1st century AD, at some point before the 7th century AD, the Gododdin, who were presumably descendants of the Votadini, built the hill fort of Din Eidyn or Etin. Although its location has not been identified, it likely they would have chosen a commanding position like the Castle Rock, Arthurs Seat. In 638, the Gododdin stronghold was besieged by forces loyal to King Oswald of Northumbria and it thenceforth remained under their jurisdiction. The royal burgh was founded by King David I in the early 12th century on land belonging to the Crown, in 1638, King Charles Is attempt to introduce Anglican church forms in Scotland encountered stiff Presbyterian opposition culminating in the conflicts of the Wars of the Three Kingdoms. In the 17th century, Edinburghs boundaries were defined by the citys defensive town walls
13.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
14.
William Henry Playfair
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William Henry Playfair FRSE was one of the greatest Scottish architects of the 19th century, designer of many of Edinburghs neo-classical landmarks in the New Town. He was born on 15 July 1790 in Russell Square, London, to James Playfair, Playfairs father was also an architect, and his uncles were John Playfair, the scientist, and William Playfair, an economist and pioneer of information graphics. Two of his finest works are the buildings of the National Gallery of Scotland. The Playfair Project completed in 2004 joined the two buildings with an underground link. In the 1830s Playfair is listed as living at 17 Great Stuart Street on the prestigious Moray Estate in Edinburghs west end, Playfair joined the Free Church following the Disruption of 1843, losing his right to burial in the parish churchyard. Playfair took David Cousin under his wing and was responsible for the part of his training. 1817 Appointed architect to design work on the Old College, University of Edinburgh. The building was completed around 1831,1818 Commissioned by the will of the late Captain John McNabb to design the main building of Dollar Academy, a fitting structure with a Doric facade, which is now named after him. However, due to lack of investment it was never finished, adjacent to The Royal Scottish Academy. 1851 Donaldsons College, Edinburgh 1852 Dunstane House – now a Hotel in west of Edinburgh 1859 National Gallery of Scotland opened to the two years after Playfairs death. Parks & Gardens, UK Playfair, William Henry, Dictionary of Scottish Architects Dictionary of Scottish Architects- William Henry Playfair Gazetteer for Scotland Details William Henry Playfairs buildings in Edinburgh Portrait
15.
William Morris
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William Morris was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a contributor to the revival of traditional British textile arts. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy family, Morris came under the strong influence of medievalism while studying Classics at Oxford University. Webb and Morris designed a home, Red House, then in Kent. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others, in 1875, Morris assumed total control of the company, which was renamed Morris & Co. Although retaining a main home in London, from 1871 Morris rented the rural retreat of Kelmscott Manor, greatly influenced by visits to Iceland, with Eiríkr Magnússon he produced a series of English-language translations of Icelandic Sagas. In 1877 he founded the Society for the Protection of Ancient Buildings to campaign against the damage caused by architectural restoration, in 1891 he founded the Kelmscott Press to publish limited-edition, illuminated-style print books, a cause to which he devoted his final years. Morris is recognised as one of the most significant cultural figures of Victorian Britain, though best known in his lifetime as a poet, founded in 1955, the William Morris Society is devoted to his legacy, while multiple biographies and studies of his work have seen publication. Many of the associated with his life are open to visitors, much of his work can be found in art galleries and museums. Morris was born at Elm House in Walthamstow, Essex, on 24 March 1834. Raised into a wealthy family, he was named after his father. His mother was Emma Morris, who came from Woodford Hall in Woodford, Essex and he also took rides through the Essex countryside on his pony, and visited the various churches and cathedrals throughout the country, marveling at their architecture. His father took him on visits outside of the county, for instance to Canterbury Cathedral, the Chiswick Horticultural Gardens, and to the Isle of Wight, where he adored Blackgang Chine. In February 1848 Morris began his studies at Marlborough College in Marlborough, Wiltshire and he despised his time there, being bullied, bored, and homesick. He did use the opportunity to many of the prehistoric sites of Wiltshire, such as Avebury and Silbury Hill. At Christmas 1851, Morris was removed from the school and returned to Water House, guy, Assistant Master at the nearby Forest School. In June 1852 Morris entered Oxford Universitys Exeter College, although since the college was full and he disliked the college and was bored by the manner in which they taught him Classics
16.
Jane Morris
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Jane Morris was an English artists model who embodied the Pre-Raphaelite ideal of beauty. She was a model and muse to William Morris, the English textile designer, poet, novelist, translator, and socialist activist, whom she later married, and to Dante Gabriel Rossetti. Jane Burden was born in Oxford, the daughter of a stableman, Robert Burden, and his wife Ann Maizey, who was a laundress. At the time of her birth, her parents were living at St Helens Passage, in the parish of St Peter-in-the-East and her mother Ann was illiterate and probably came to Oxford as a domestic servant. Little is known of Jane Burdens childhood, but it was poor, in October 1857, Burden and her sister Elizabeth, known as Bessie, attended a performance of the Drury Lane Theatre Company in Oxford. Jane Burden was noticed by Dante Gabriel Rossetti and Edward Burne-Jones who were members of a group of artists painting the Oxford Union murals, struck by her beauty, they asked her to model for them. Burden sat mostly for Rossetti as a model for Queen Guinevere and afterwards for William Morris, like Rossetti, Morris used Burden as the model for his painting of Queen Guinevere. During this period, Morris fell in love with Burden and they became engaged, Burdens education was limited and she was probably destined to go into domestic service like her mother. After her engagement, she was educated to become a rich gentlemans wife. Her keen intelligence allowed her to recreate herself and she was a voracious reader who became proficient in French and Italian and became an accomplished pianist with a strong background in classical music. Her manners and speech became refined to an extent that contemporaries referred to her as Queenly, later in life, she had no trouble moving in upper class circles. She also became a skilled needlewoman who would be renowned for her embroideries. Jane married William Morris at St Michael at the Northgate in Oxford on 26 April 1859 and her father was described as a groom, in stables at 65 Holywell Street. After the marriage, the Morrises lived at the Red House in Bexleyheath, while living there, they had two daughters, Jane Alice Jenny, born in January 1861, and Mary May, who later edited her fathers works. They moved to Queens Square in London and later bought Kelmscott House in Hammersmith as their main residence, in 1871, Morris and Rossetti took out a joint tenancy on Kelmscott Manor on the Gloucestershire-Oxfordshire-Wiltshire borders. William Morris went to Iceland, leaving his wife and Rossetti to furnish the house, Jane Morris had become closely attached to Rossetti and became a favourite muse of his. Their relationship is reputed to have started in 1865 and lasted, on differing levels and they shared a deep emotional relationship, and she inspired Rossetti to write poetry and create some of his best paintings. Her discovery of his dependence on the drug, chloral hydrate, in 1884, Jane Morris met the poet and political activist Wilfrid Scawen Blunt at a house party given by her close friend, Rosalind Howard
17.
Edward Burne-Jones
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Burne-Joness early paintings show the heavy inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic voice. In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery and these included The Beguiling of Merlin. The timing was right, and he was taken up as a herald, Edward Coley Burne Jones was born in Birmingham, the son of a Welshman, Edward Richard Jones, a frame-maker at Bennetts Hill, where a blue plaque commemorates the painters childhood. He attended Birminghams King Edward VI grammar school from 1844 and the Birmingham School of Art from 1848 to 1852, before studying theology at Exeter College, at Oxford he became a friend of William Morris as a consequence of a mutual interest in poetry. The members of the Brotherhood read John Ruskin and Tennyson, visited churches, at this time Burne-Jones discovered Thomas Malorys Le Morte dArthur which was to be so influential in his life. In February 1857, Rossetti wrote to William Bell Scott In 1856 Burne-Jones became engaged to Georgiana Georgie MacDonald and she was training to be a painter, and was the sister of Burne-Joness old school friend. The couple married in 1860, after which she made her own work in woodcuts, Georgiana bore a son, Philip, in 1861. A second son, born in the winter of 1864 while Georgiana was gravely ill with scarlet fever, the family soon moved to 41 Kensington Square, and their daughter Margaret was born there in 1866. In 1867 Burne-Jones and his family settled at the Grange, an 18th-century house set in a garden in North End, Fulham. During these difficult years Georgiana developed a friendship with Morris. Morris and Georgie may have been in love, but if he asked her to leave her husband, in the end, the Burne-Joneses remained together, as did the Morrises, but Morris and Georgiana were close for the rest of their lives. His troubled son Philip, who became a portrait painter. His adored daughter Margaret married John William Mackail, the friend and biographer of Morris and their children were the novelists Angela Thirkell and Denis Mackail. In an edition of the magazine, Chums, an article on Burne-Jones stated that. his pet grandson used to be punished by being sent to stand in a corner with his face to the wall. One day on being sent there he was delighted to find the wall prettily decorated with fairies, flowers, birds and his indulgent grandfather had utilised his talent to alleviate the tedium of his favourites period of penance. Burne-Jones once admitted that after leaving Oxford he found himself at five-and-twenty what he ought to have been at fifteen and he had had no regular training as a draughtsman, and lacked the confidence of science. Many are pen-and-ink drawings on vellum, exquisitely finished, of which his Waxen Image is one of the earliest and best examples, although the subject, medium and manner derive from Rossettis inspiration, it is not the hand of a pupil merely, but of a potential master. This was recognized by Rossetti himself, who before long avowed that he had nothing more to teach him
18.
Frederic Edwin Church
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Frederic Edwin Church was an American landscape painter born in Hartford, Connecticut. Churchs paintings put an emphasis on light and a respect for natural detail. In his later years, Church painted classical Mediterranean and Middle Eastern scenes and cityscapes, Church was the son of Eliza and Joseph Church. The familys wealth came from Churchs father, a silversmith and watchmaker in Hartford, Joseph, in turn, was the son of Samuel Church, who founded the first paper mill in Lee, Massachusetts in the Berkshires. Joseph later became an official and a director of The Aetna Life Insurance Company, the familys wealth allowed Frederic Church to pursue his interest in art from a very early age. At eighteen years of age, Church became the pupil of Thomas Cole in Catskill, New York after Daniel Wadsworth, in May 1849, Church was elected as the youngest Associate of the National Academy of Design and was promoted to Academician the following year. Soon after, he sold his first major work to Hartfords Wadsworth Athenaeum, Church was the product of the second generation of the Hudson River School and the pupil of Thomas Cole, the school’s founder. The Hudson River School was established by the British Thomas Cole when he moved to America and started painting landscapes, mostly of mountains, both Cole and Church were devout Protestants and the latters beliefs played a role in his paintings especially his early canvases. Cole, along with his friend Asher Durand, started school in New York. The paintings were characterized by their focus on traditional American pastoral settings, especially the Catskill Mountains and this style attempted to capture the wild realism of an unsettled America that was quickly disappearing, and the feelings of discovery and appreciation for natural beauty. His American frontier landscapes show the expansionist and optimistic outlook of the United States in the mid-nineteenth century, Church did differ from Cole in the topics of his paintings, he preferred natural and often majestic scenes over Coles propensity towards allegory. Church, like most second generation Hudson River School painters, used extraordinary detail, romanticism, romanticism was prominent in Britain and France in the early 1800s as a counter-movement to the Enlightenment virtues of order and logic. Artists of the Romantic period often depicted nature in idealized scenes that depicted the richness and beauty of nature and this tradition carries on in the works of Frederic Church, who idealizes an uninterrupted nature, highlighted by creating excruciatingly detailed art. The technical skill comes in the form of luminism, a Hudson River School innovation particularly present in Churchs works, luminism is also cited as encompassing several technical aspects, which can be seen in Church’s works. One example is the attempt to “hide brushstrokes, ” which makes the scene more realistic. Most importantly is the emphasis on light in these scenes, the several sources of light create contrast in the pictures that highlights the beauty and detailed imagery in the painting. Church began his career by painting classic Hudson River School scenes of New York and New England, Church’s method consisted of creating paintings in his studio based on sketches created of views in the summer months. In these earlier years of his career, Church’s style was reminiscent of that of his teacher, Thomas Cole, Church’s work was immediately divergent from Cole’s focus on ethereal, almost mythological, scenes, but his early work did resemble Cole’s tone
19.
The Heart of the Andes
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The Heart of the Andes is a large oil-on-canvas landscape painting by the American artist Frederic Edwin Church. At more than five feet high and almost ten feet wide, it depicts a landscape in the South American Andes. Its exhibition in 1859 was a sensation, and the painting established Church as the foremost landscape painter in the United States and it has been in the collection of New Yorks Metropolitan Museum of Art since 1909, and is among Churchs most renowned works. In 1853 and again in 1857, Church traveled in Ecuador and Colombia, financed by businessman Cyrus West Field, Church was inspired by the Prussian naturalist and explorer Alexander von Humboldt, and his 1845 treatise Kosmos. Humboldt was among the last of the great scientific generalists, Church retraced Humboldts travels in South America. The Heart of the Andes is a composite of the South American topography observed by Church during his travels, at the center right of the mountain landscape is a shimmering pool served by a waterfall. The snow-capped, majestic Mount Chimborazo of Ecuador appears in the distance, the evidence of human presence consists of a lightly worn path that fades away, a hamlet and church lying in the central plain, and closer to the foreground, two natives are seen before a cross. The church, a detail in Churchs paintings, is Catholic and Spanish-colonial. Churchs signature appears cut into the bark of the highlighted foreground tree at left, the play of light on his signature has been interpreted as the artists statement of mans ability to tame nature—yet the tree appears in poor health compared to the vivid jungle surrounding it. The theory of British critic John Ruskin was also an important influence on Church, ruskins Modern Painters was a five-volume treatise on art that was, according to American artist Worthington Whittredge, in every landscape painters hand by mid-century. Ruskin emphasized the scrutiny of nature, and he viewed art, morality, the presence of the cross suggests the peaceful coexistence of religion with the landscape. The Heart of the Andes was first exhibited publicly between April 29 and May 23,1859 at New Yorks Studio Building on West 10th Street, the citys first studio edifice designed for artists. The event attracted a turnout for a single-painting exhibition in the United States. Even on the day of the showing, patrons waited in line for hours to enter the Exhibition Room. The installation of the work was as unique as its dimension, there is no record of the appearance or arrangement of the Studio Building exhibit. It has been claimed, although probably falsely, that the room was decorated with palm fronds. More certain is that the paintings frame had a breadth of fourteen feet and a height of almost thirteen. It was likely made of chestnut, a departure from the prevailing gilt frame
20.
New York City
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The City of New York, often called New York City or simply New York, is the most populous city in the United States. With an estimated 2015 population of 8,550,405 distributed over an area of about 302.6 square miles. Located at the tip of the state of New York. Home to the headquarters of the United Nations, New York is an important center for international diplomacy and has described as the cultural and financial capital of the world. Situated on one of the worlds largest natural harbors, New York City consists of five boroughs, the five boroughs – Brooklyn, Queens, Manhattan, The Bronx, and Staten Island – were consolidated into a single city in 1898. In 2013, the MSA produced a gross metropolitan product of nearly US$1.39 trillion, in 2012, the CSA generated a GMP of over US$1.55 trillion. NYCs MSA and CSA GDP are higher than all but 11 and 12 countries, New York City traces its origin to its 1624 founding in Lower Manhattan as a trading post by colonists of the Dutch Republic and was named New Amsterdam in 1626. The city and its surroundings came under English control in 1664 and were renamed New York after King Charles II of England granted the lands to his brother, New York served as the capital of the United States from 1785 until 1790. It has been the countrys largest city since 1790, the Statue of Liberty greeted millions of immigrants as they came to the Americas by ship in the late 19th and early 20th centuries and is a symbol of the United States and its democracy. In the 21st century, New York has emerged as a node of creativity and entrepreneurship, social tolerance. Several sources have ranked New York the most photographed city in the world, the names of many of the citys bridges, tapered skyscrapers, and parks are known around the world. Manhattans real estate market is among the most expensive in the world, Manhattans Chinatown incorporates the highest concentration of Chinese people in the Western Hemisphere, with multiple signature Chinatowns developing across the city. Providing continuous 24/7 service, the New York City Subway is one of the most extensive metro systems worldwide, with 472 stations in operation. Over 120 colleges and universities are located in New York City, including Columbia University, New York University, and Rockefeller University, during the Wisconsinan glaciation, the New York City region was situated at the edge of a large ice sheet over 1,000 feet in depth. The ice sheet scraped away large amounts of soil, leaving the bedrock that serves as the foundation for much of New York City today. Later on, movement of the ice sheet would contribute to the separation of what are now Long Island and Staten Island. The first documented visit by a European was in 1524 by Giovanni da Verrazzano, a Florentine explorer in the service of the French crown and he claimed the area for France and named it Nouvelle Angoulême. Heavy ice kept him from further exploration, and he returned to Spain in August and he proceeded to sail up what the Dutch would name the North River, named first by Hudson as the Mauritius after Maurice, Prince of Orange
21.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
22.
Camille Pissarro
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Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism, Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54, in 1873 he helped establish a collective society of fifteen aspiring artists, becoming the pivotal figure in holding the group together and encouraging the other members. Cézanne said he was a father for me, a man to consult and a little like the good Lord, and he was also one of Gauguins masters. Renoir referred to his work as revolutionary, through his portrayals of the common man. Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions and he acted as a father figure not only to the Impressionists but to all four of the major Post-Impressionists, including Georges Seurat, Paul Cézanne, Vincent van Gogh and Paul Gauguin. Jacob Abraham Camille Pissarro was born on 10 July 1830 on the island of St. Thomas to Frederick and his father was of Portuguese Jewish descent and held French nationality. His mother was from a French-Jewish family from the island of St. Thomas and his father was a merchant who came to the island from France to deal with the hardware store of a deceased uncle and married his widow. The marriage caused a stir within St. Thomas small Jewish community because she was married to Fredericks uncle. In subsequent years his four children were forced to attend the primary school. Upon his death, his will specified that his estate be split equally between the synagogue and St. Thomas Protestant church, when Camille was twelve his father sent him to boarding school in France. He studied at the Savary Academy in Passy near Paris, while a young student, he developed an early appreciation of the French art masters. Monsieur Savary himself gave him a grounding in drawing and painting and suggested he draw from nature when he returned to St. Thomas. However, his father preferred he work in his business, giving him a job working as a cargo clerk and he took every opportunity during those next five years at the job to practise drawing during breaks and after work. When he turned twenty-one, Danish artist Fritz Melbye, then living on St. Thomas, inspired Pissarro to take on painting as a profession, becoming his teacher. Pissarro then chose to leave his family and job and live in Venezuela and he drew everything he could, including landscapes, village scenes, and numerous sketches, enough to fill up multiple sketchbooks. In 1855 he moved back to Paris where he working as assistant to Anton Melbye. In Paris he worked as assistant to Danish painter Anton Melbye and he also studied paintings by other artists whose style impressed him, Courbet, Charles-François Daubigny, Jean-François Millet, and Corot
23.
Claude Monet
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Monets ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. He was the son of Claude Adolphe Monet and Louise Justine Aubrée Monet. On 20 May 1841, he was baptized in the parish church, Notre-Dame-de-Lorette, as Oscar-Claude. Despite being baptized Catholic, Monet later became an atheist, in 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the familys ship-chandling and grocery business and his mother was a singer, and supported Monets desire for a career in art. On 1 April 1851, Monet entered Le Havre secondary school of the arts, locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a student of Jacques-Louis David. On the beaches of Normandy around 1856 he met fellow artist Eugène Boudin, Boudin taught Monet en plein air techniques for painting. Both received the influence of Johan Barthold Jongkind, on 28 January 1857, his mother died. At the age of sixteen, he left school and went to live with his widowed, childless aunt, when Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would go and sit by a window. Monet was in Paris for several years and met other painters, including Édouard Manet and others who would become friends. After drawing a low number in March 1861, Monet was drafted into the First Regiment of African Light Cavalry in Algeria for a seven-year period of military service. His prosperous father could have purchased Monets exemption from conscription but declined to do so when his son refused to give up painting. While in Algeria Monet did only a few sketches of scenes, a single landscape. In a Le Temps interview of 1900 however he commented that the light, after about a year of garrison duty in Algiers, Monet contracted typhoid fever and briefly went absent without leave. Following convalescence, Monets aunt intervened to get him out of the army if he agreed to complete a course at an art school and it is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter
24.
Armand Guillaumin
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Armand Guillaumin was a French impressionist painter and lithographer. Born Jean-Baptiste Armand Guillaumin in Paris, he worked at his uncles lingerie shop while attending evening drawing lessons and he also worked for a French government railway before studying at the Académie Suisse in 1861. There, he met Paul Cézanne and Camille Pissarro with whom he maintained lifelong friendships, while he never achieved the stature of these two, his influence on their work was significant. Cézanne attempted his first etching based on Guillaumin paintings of barges on the River Seine, Guillaumin exhibited at the Salon des Refusés in 1863. He participated in six of the eight Impressionist exhibitions,1874,1877,1880,1881,1882 and 1886, in 1886, he became a friend of Vincent van Gogh whose brother, Theo sold some of his works. He was finally able to quit his government job and concentrate on painting full-time in 1891, noted for their intense colours, Guillamins paintings are represented in major museums around the world. He is best remembered for his landscapes of Paris, the Creuse département, guillamin was called the leader of the École de Crozant, a diverse group of painters who came to depict the landscape in the region of the Creuse around the village of Crozant. One of these depictions, titled Landscape in Crozant, is housed in the Chicago Institute of Arts and his bust is in the square near the village church. Armand Guillaumin died in 1927 in Orly, Val-de-Marne just south of Paris, works by or about Armand Guillaumin at Internet Archive A biography of Armand Guillaumin. Www. armandguillaumin. org 260 works by Armand Guillaumin www. comiteguillaumin
25.
Artists Rifles
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The Artists Rifles is a regiment of the British Army Reserve. Raised in London in 1859 as a light infantry unit. It did not serve outside Britain during World War II, as it was used as a training unit at that time. The regiment was disbanded in 1945 but in 1947, it was re-established to resurrect the Special Air Service Regiment, today, the full title of the Regiment is 21 Special Air Service Regiment and with 23 Special Air Service Regiment, it forms the Special Air Service. The regiment was formed in 1859, part of the volunteer movement which developed in the face of potential French invasion after Felice Orsinis attack on Napoleon III was linked to Britain. It was established on 28 February 1860 as the 38th Middlesex Rifle Volunteer Corps and its first commanders were the painters Henry Wyndham Phillips and Frederic Leighton. The units badge, designed by J. W. Wyon, shows the heads of the Roman gods Mars, until 1914 the regimental full dress uniform was light grey with white facings, silver buttons and braid. This distinctive uniform dated from the foundation as a volunteer unit. After World War I standard khaki was the normal dress, in September 1880, the corps became the 20th Middlesex Rifle Volunteer Corps, with headquarters at Dukes Road, off Euston Road, London. It formed the 7th Volunteer Battalion of the Rifle Brigade from 1881 until 1891, during this period, The Artists Rifles fought in the Second Boer War as part of the City Imperial Volunteers. After the 1860s the voluntary recruitment basis of the regiment gradually broadened to include professions other than artistic ones, by 1893 lawyers and architects made up 24% of the unit, doctors followed with 10% and civil engineers 6%. Sculptors and painters totaled about 5%, following the formation of the Territorial Force, the Artists Rifles was one of 26 volunteer battalions in the London and Middlesex areas that combined to form the new London Regiment. It became the 28th Battalion of The London Regiment on 1 April 1908, the Artists Rifles was a popular unit for volunteers. It had been increased to twelve companies in 1900 and was formed into three sub-battalions in 1914, and recruitment was restricted by recommendation from existing members of the battalion. Over fifteen thousand men passed through the battalion during the war, the battalion eventually saw battle in France in 1917 and 1918. Members of the Regiment won eight Victoria Crosses, fifty-six DSOs, in the early 1920s, the unit was reconstituted as an infantry regiment within the Territorial Army, as the 28th County of London Regiment. In 1937, this regiment became part of The Prince Consorts Own Rifle Brigade, the regiment was not deployed during the Second World War, functioning again as an Officers Training Corps throughout the war. It was disbanded in 1945, but reformed in The Rifle Brigade in January 1947, the number 21 SAS was chosen to perpetuate two disbanded wartime regiments 1 SAS and 2 SAS, with the 1 and the 2 being reversed into 21
26.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
27.
British Army
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The British Army is the principal land warfare force of the United Kingdom. As of 2017 the British Army comprises just over 80,000 trained Regular, or full-time, personnel and just over 26,500 trained Reserve, or part-time personnel. Therefore, the UK Parliament approves the continued existence of the Army by passing an Armed Forces Act at least once every five years, day to day the Army comes under administration of the Ministry of Defence and is commanded by the Chief of the General Staff. Repeatedly emerging victorious from these decisive wars allowed Britain to influence world events with its policies and establish itself as one of the leading military. In 1660 the English, Scottish and Irish monarchies were restored under Charles II, Charles favoured the foundation of a new army under royal control and began work towards its establishment by August 1660. The Royal Scots Army and the Irish Army were financed by the Parliament of Scotland, the order of seniority of the most senior line regiments in the British Army is based on the order of seniority in the English army. At that time there was only one English regiment of dragoons, after William and Marys accession to the throne, England involved itself in the War of the Grand Alliance, primarily to prevent a French invasion restoring Marys father, James II. Spain, in the two centuries, had been the dominant global power, and the chief threat to Englands early transatlantic ambitions. The territorial ambitions of the French, however, led to the War of the Spanish Succession and the Napoleonic Wars. From the time of the end of the Seven Years War in 1763, Great Britain was the naval power. As had its predecessor, the English Army, the British Army fought the Kingdoms of Spain, France, and the Netherlands for supremacy in North America and the West Indies. With native and provincial assistance, the Army conquered New France in the North American theatre of the Seven Years War, the British Army suffered defeat in the American War of Independence, losing the Thirteen Colonies but holding on to Canada. The British Army was heavily involved in the Napoleonic Wars and served in campaigns across Europe. The war between the British and the First French Empire of Napoleon Bonaparte stretched around the world and at its peak, in 1813, the regular army contained over 250,000 men. A Coalition of Anglo-Dutch and Prussian Armies under the Duke of Wellington, the English had been involved, both politically and militarily, in Ireland since being given the Lordship of Ireland by the Pope in 1171. The campaign of the English republican Protector, Oliver Cromwell, involved uncompromising treatment of the Irish towns that had supported the Royalists during the English Civil War, the English Army stayed in Ireland primarily to suppress numerous Irish revolts and campaigns for independence. Having learnt from their experience in America, the British government sought a political solution, the British Army found itself fighting Irish rebels, both Protestant and Catholic, primarily in Ulster and Leinster in the 1798 rebellion. The Haldane Reforms of 1907 formally created the Territorial Force as the Armys volunteer reserve component by merging and reorganising the Volunteer Force, Militia, Great Britains dominance of the world had been challenged by numerous other powers, in the 20th century, most notably Germany
28.
Peter Nicolai Arbo
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Peter Nicolai Arbo was a Norwegian historical painter, who specialized in painting motifs from Norwegian history and images from Norse mythology. He is most noted for Asgårdsreien, a motif based on the Wild Hunt legend and Valkyrie. Peter Nicolai Arbo grew up at Gulskogen Manor in Gulskogen, a borough in Drammen and he was the son of headmaster Christian Fredrik Arbo and his wife Marie Christiane von Rosen. His brother Carl Oscar Eugen Arbo was a medical doctor. Arbos childhood home, Gulskogen, was built in 1804 as a residence for his older cousin, lumber dealer. Arbo started his art education with a year at the Art School operated by Frederik Ferdinand Helsted in Copenhagen 1851-1852, after this, he studied at the art academy in Düsseldorf. From 1853 to 1855 he studied under of Karl Ferdinand Sohn, professor of Kunstakademie Düsseldorf, at Düsseldorf he was for some time a private student of the history painter C. He had contact with Adolph Tidemand and became a friend of Hans Gude both of whom were professors at the art academy in Düsseldorf. He is associated with the Düsseldorf school of painting, in 1861 Arbo returned to Norway and the following year he went on a study trip together with Gude and Frederik Collett. In 1863 he painted the first version of Horse flock on the high mountains, the version from 1889 is at the National Museum of Art, Architecture and Design in Oslo and is considered one of the most important of his works. In 1866 he was appointed a Knight of the Royal Norwegian Order of St. Olav and he held numerous positions, including as a juror in Stockholm in 1866 and Philadelphia in 1876, and was Commissioner of the Viennese art department exhibition in 1873. He was also a member of the National Gallery Company from 1875, drammens Museum is located in the heart of Drammen, on the southern side of the Drammen River. In earlier years this was an area of elegant country houses on the magnificent landed property known as Marienlyst, exhibits of the museum include items from the historical and cultural background of Norway. Drammen museum consists of five departments including Gulskogen Manor, the childhood home Peder Nicolai Arbo, in the many beautiful rooms of Gulskogen Manor, one will find works by this distinguished history-painter. Paintings by Peter Nicolai Arbo Marit I
29.
Thomas Jones Barker
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Thomas Jones Barker was an English historical and portrait painter. He was the son of the painter Thomas Barker and studied in Paris under Horace Vernet, in 1835-45 exhibited much at the Salon and subsequently at the Royal Academy. Probably influenced by Vernet, some of his earliest military paintings were of scenes from the Napoleonic Wars including his 1853 Royal Academy piece Wellington at Sobrauren. In his later life he was known especially as a military painter and he did exhibit a number of paintings depicting this war. One of his most famous paintings from the 1850s was The Relief of Lucknow completed in 1859, the picture which was shown to Queen Victoria in May 1860, contained numerous portraits based on sketches taken by the Swedish artist Egron Lundgren, who had traveled to India in 1858. 1855, and Riderless War-Horses after the Battle of Sedan, Wellington set out on horseback, etc. London Riderless War-Horses after the Battle of Sedan, in the early morning I visited, etc. Riderless War-Horses after the Battle of Sedan, in the early morning I visited, etc. Harrington, Peter, The Defence of Kars, Paintings by William Simpson and Thomas Jones Barker, Journal of the Society for Army Historical Research, Vol. LXIX, No. British Artists and War, The Face of Battle in Paintings and Prints, 1700-1914, London, nilsson, Sten, Egron Lundgren, reporter of the Indian Mutiny, Apollo, Vol. XCII, No. This article incorporates text from a now in the public domain, Gilman. Thurston, H. T. Colby, F. M. eds. article name needed
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