1.
1859 in art
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Events from the year 1859 in art. March 22 – Scottish National Gallery opens to the public in Edinburgh in neoclassical premises designed by W. H. Playfair, april 26 – William Morris marries his model, Jane Burden. Edward Burne-Jones presents them with a self-painted wardrobe, frederic E. Churchs The Heart of the Andes is exhibited in New York and draws 12,000 paying visitors. The Artists Rifles set up in London as a unit of the British Army
2.
1861 in art
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Events from the year 1861 in art. February – Hilda Sjölin opens a studio in Malmö, making her one of the first known Swedish female professional photographers. Paul Cézanne and his friend Émile Zola arrive in Paris, berthe Morisot becomes a pupil of Corot. Édouard Manet has his first paintings accepted by the Salon, william Bell Scott concludes his series of murals of Northumbrian history at Wallington Hall with Iron and Coal, the Nineteenth Century
3.
1863 in art
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Events from the year 1863 in art. March – American-born painter James McNeill Whistler settles close to the River Thames in Chelsea, London, the École des Beaux-Arts in Paris becomes independent of the Académie des Beaux-Arts. Julia Margaret Cameron takes up photography, alexander Gilchrists Life of William Blake, Pictor Ignotus is published in London, edited posthumously by Anne Gilchrist. May 17 – Opening of first exhibition of the Salon des Refusés in Paris, and coining of the term avant-garde
4.
1864 in art
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Events from the year 1864 in art. January 30 – National Gallery of Ireland opens to the public in Dublin in a designed by Francis Fowke based on early plans by Charles Lanyon. February 20 – Painter George Frederic Watts marries his 16-year-old model and she elopes less than a year later. December 30 – Julia Margaret Cameron sends John Herschel an album of her first years photography including her iconic portrait of him, stanisław Chlebowski takes up a post as master painter to Sultan Abdülaziz in Istanbul. The National Gallery in London acquires The Annunciation, with Saint Emidius from Lord Taunton, F. Watts – Choosing James McNeill Whistler Caprice in Purple and Gold, The Golden Screen Symphony in White, No
5.
1865 in art
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Events from the year 1865 in art. July 21 – Charles Dodgson photographs Effie Gray Millais, John Everett Millais, ford Madox Brown completes his painting Work after thirteen years. Édouard Manets painting Olympia is first exhibited, at the Salon, jean-François Millets painting The Angelus is first exhibited and becomes very popular in France. The Bargello in Florence becomes an art museum
6.
1870 in art
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Events from the year 1870 in art. June 28 – Claude Monet marries his mistress and model Camille Doncieux in Paris, july – Franco-Prussian War breaks out, Monet and Pissarro flee to London, Cézanne and his mistress, Marie-Hortense Fiquet, leave Paris for LEstaque where he predominantly paints landscapes. In September the Dutch painter Lourens Alma Tadema moves permanently to London where he adopts the name Lawrence Alma-Tadema, Édouard Manet and Louis Edmond Duranty fight a duel at Café Guerbois, Paris. Russian industrialist and patron of the arts Savva Mamontov acquires the Abramtsevo Colony, dante Gabriel Rossettis Poems are published, exhumed from Elizabeth Siddals grave. Daoud Corm goes to Rome to study under Roberto Bompiani at the Accademia di San Luca
7.
1871 in art
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Events from the year 1871 in art. March – Edward Lear settles at his villa in Sanremo, spring – James McNeill Whistler publishes Sixteen etchings of scenes on the Thames and paints his first moonlights of the river. May – James Tissot flees Paris for London, june 14 – Camille Pissarro marries his mistress Julie Vellay in the London borough of Croydon and moves to Pontoise. Summer – Claude Monet visits Zaandam, december – Monet and his wife Camille move to Argenteuil. William Morris and Dante Gabriel Rossetti become tenants of Kelmscott Manor, marie Spartali marries William James Stillman. Crocker establishes the Crocker Art Museum in Sacramento, California, the Apotheosis of War George Frederic Watts – Portrait of Frederic Leighton Alfred Waud – A Home on the Mississippi James McNeill Whistler Arrangement in Grey and Black No
8.
1872 in art
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Events from the year 1872 in art. February 20 – The Metropolitan Museum of Art opens in New York City. A, november 13 – Claude Monet begins painting Impression, Sunrise as viewed from his hotel room at Le Havre. November – Edward Lear acquires his cat Foss, date unknown William De Morgan sets up an art pottery in Chelsea, London. The first Wallace fountains, to the design of sculptor Charles-Auguste Lebourg, are installed in Paris
9.
1873 in art
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Events from the year 1873 in art. Early – Pre-Raphaelite painter Simeon Solomon is arrested in a urinal in London. May – Vincent van Gogh is re-located to London by his employer, monet, Renoir, Pissarro, and Sisley organize the Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs, etc. for the purpose of exhibiting artworks independently. The collection forming the Galleria Nazionale dellUmbria is moved to the Palazzo dei Priori, new Accademia delle Arti del Disegno established in Florence. Leslie Ward, as Spy, begins producing caricatures for the British magazine Vanity Fair
10.
1874 in art
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Events from the year 1874 in art. August 22 – English illustrator Helen Paterson marries Irish poet and editor William Allingham, december 19 – Monet begins painting his Snow at Argenteuil series. December 22 – Berthe Morisot, who has exhibited at the first Impressionist exhibition, marries Eugène, brother of Édouard Manet, goyas Black Paintings are transferred to canvas
11.
1876 in art
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Events from the year 1876 in art. April – Impressionist exhibition at the house of Paul Durand-Ruel,11 rue Peletier, may 16 – German American Napoleon of crime Adam Worth steals Gainsboroughs portrait Georgiana, Duchess of Devonshire from Agnews gallery in Old Bond Street, London. Henrietta Montalba exhibits at the Royal Academy for the first time, kathleen Newton moves into the London home of James Tissot, becoming his mistress and model
12.
1879 in art
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Events from the year 1879 in art. April 10–May 11 – Fourth Impressionist exhibition in Paris, arranged by Gustave Caillebotte at 28 avenue de lOpéra, ford Madox Brown begins painting the The Manchester Murals in Manchester Town Hall. Chicago Academy of Fine Arts established, guimet Museum of Asian art established in Lyon, France. Museum of Fine Arts Berne established in Switzerland, kate Greenaways first book, with her own colour illustrations, Under the Window, Pictures & Rhymes for Children, is published in London
13.
1869 in architecture
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The year 1869 in architecture involved some significant architectural events and new buildings. Construction of Neuschwanstein in Bavaria, designed by Christian Jank, is begun, february 3 - Booths Theatre, New York City, United States. May 12 - Chapel of St Johns College, Cambridge, England, designed by George Gilbert Scott, june - Yasukuni Shrine, Tokyo, Japan. November 6 - Blackfriars Bridge, London, England, november 17 - The modern Suez Canal. The Rotes Rathaus in Berlin, Germany, the Strangeways Prison in Manchester, England. Royal Gold Medal - Karl Richard Lepsius, grand Prix de Rome, architecture, Ferdinand Dutert
14.
1869 in music
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This article is about music-related events in 1869. February 28 - The premiere of Brahms Rinaldo took place in Vienna at a concert of the Akademischer Gesangverein, the composer conducted, with the tenor Gustav Walter, a student chorus numbering 300, and the Court Opera orchestra. April 3 – Edvard Griegs Piano Concerto is premiered at Copenhagens Casino, may 25 – The Vienna State Opera is inaugurated with a performance of Mozarts Don Giovanni. September 22 – Richard Wagners opera Das Rheingold debuts at the Königlich Hof- und Nationaltheater in Munich, approximate date – Start of golden age of flamenco. Tchaikovsky completes the initial version of Romeo and Juliet and it will be revised the next year and in 1880. Pyotr Ilyich Tchaikovsky - Six romances, Op
15.
1869 in science
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The year 1869 in science and technology involved some significant events, listed below. November 4 – The first issue of scientific journal Nature is published in London, march 6 – Dmitri Mendeleev makes a formal presentation of his periodic table to the Russian Chemical Society. June 15 – John Wesley Hyatt patents celluloid, in Albany, hippolyte Mège-Mouriès patents margarine in France as a beef tallow and skimmed milk substitute for butter. Publication of Adolphe Wurtzs Dictionnaire de chimie pure et appliquée begins in Paris, april 6 – The American Museum of Natural History is founded in New York. Paul Langerhans discovers the pancreatic islets, friedrich Miescher discovers deoxyribonucleic acid in the pus of discarded surgical bandages. Found in the nuclei of cells, Miescher names it nuclein, alfred Russel Wallace publishes The Malay Archipelago. W. Stanley Jevons publishes The Substitution of Similars and has a Logic Piano constructed to work out problems in symbolic logic. Copley Medal, Henri Victor Regnault Wollaston Medal for Geology, Henry Clifton Sorby February 14 – C. T. R. Wilson, april 8 – Harvey Cushing, American neurosurgeon. July 18 – Maria von Linden, German bacteriologist and zoologist, august 23 – Robert Gunther, English historian of science. October 3 – Robert W. Paul, English pioneer of cinematography, december 16 – Bertha Lamme, American electrical engineer. Helen Boyle, British physician and psychologist, july 22 – John A. Roebling, German American bridge engineer. September 11 – Thomas Graham, Scottish chemist
16.
Vincent van Gogh
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Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings and his suicide at 37 followed years of mental illness and poverty. Born into a family, Van Gogh drew as a child and was serious, quiet. As a young man he worked as an art dealer, often travelling and he turned to religion, and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881 and his younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, in 1886 he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility. As his work developed he created a new approach to still lifes and his paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include trees, cypresses, wheat fields. Van Gogh suffered from episodes and delusions and though he worried about his mental stability, he often neglected his physical health, did not eat properly. His friendship with Gauguin ended after a confrontation with a razor and he spent time in psychiatric hospitals, including a period at Saint-Rémy. After he discharged himself and moved to the Auberge Ravoux in Auvers-sur-Oise near Paris and his depression continued and on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later, Van Gogh was unsuccessful during his lifetime, and was considered a madman and a failure. He became famous after his suicide, and exists in the imagination as the quintessential misunderstood genius. His reputation began to grow in the early 20th century as elements of his style came to be incorporated by the Fauves. The most comprehensive source on Van Gogh is the correspondence between him and his younger brother, Theo. Their lifelong friendship, and most of what is known of Vincents thoughts, Theo van Gogh was an art dealer and provided his brother with financial and emotional support, and access to influential people on the contemporary art scene. Theo kept all of Vincents letters to him, Vincent kept few of the letters he received, after both had died, Theos widow Johanna arranged for the publication of some of their letters. A few appeared in 1906 and 1913, the majority were published in 1914, Vincents letters are eloquent and expressive and have been described as having a diary-like intimacy, and read in parts like autobiography
17.
Goupil & Cie
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Goupil & Cie was a leading art dealership in 19th-century France, with headquarters in Paris. Instrumental for this expansion were the Ateliers Photographiques, a plant north of Paris, in Asnières, the leading figure was Adolphe Goupil. His daughter Marie married the French artist Jean-Léon Gérôme, after several partnerships from 1827 onwards, Adolphe Goupil formed Goupil & Cie in 1850. Until 1861 the firm concentrated on buying, selling and editing prints, Goupils reproductions made Jean-Léon Gérôme, in particular, a well known artist. Vincent van Gogh fell ill and retired in 1872, but left his money in the firm until 1878 and his duties were taken over by Albert Goupil, son of Adolphe. When, in 1878, the van Gogh shares were finally withdrawn, from then on the firm was completely in the hands of the Goupil family and their sons-in-law Léon Boussod and René Valadon. In 1884 the Goupil family retired and the firm was transformed and renamed Boussod, Valadon & Cie. No.19 became a sales room when the administration was moved to Rue Chaptal. From 1881 this branch was run by Theo van Gogh, Paris 2 Place de lOpéra Goupils main sales room displaying Old Masters as well as the contemporary Salon New York 289 Broadway Established in 1846 by Léon Goupil. W. van Gogh, after his retirement this branch was run by V. Schmidt, moved to 25 Bedford Street, Strand in 1875 when Goupil & Cie took over Holloway & Sons and their salerooms. Goupils manager in London was at this time Charles Obach, Uncle Cent, as he was called by his nephews, moved to Paris in 1858 and took residence at 9 Rue Chaptal, which housed Goupils headquarters, too. In 1861, he became partner of Goupil & Cie, but retired in 1872, due to his health, to settle in Princenhage for the summers. Six years later, he withdrew his shares, as Uncle Cent had no children, his nephews were evidently supposed to follow him up in the firm, Vincent entered in 1869, Theo in 1873. When Vincent was sacked by Léon Boussod in 1876, the balance between the shareholders suffered - and so Theo got his chance, called to the Paris office for the time of the World Fair 1878, he was offered to stay in Paris. In these years, Vincent took up his vocation and began to study art, based on the Cours de dessin, Gérôme and edited by Goupil & Cie, 1868–1873. In 1880, he asked his former director Herman Gijsbert Tersteeg, at Goupils in The Hague, to him a copy. ISBN 90-400-9359-8 Gérôme & Goupil, Art and Enterprise, Réunion de musées nationaux, Paris 2000 ISBN 2-7118-4152-9 Musée Goupil, Bordeaux Goupil & Cie and Boussod, Research Library at the Getty Research Institute. Goupil & Cie/Boussod, Valadon & Cie Stock Books, Getty Provenance Index at the Getty Research Institute
18.
The Hague
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The Hague is a city on the western coast of the Netherlands, and the capital city of the province of South Holland. With a population of 520,704 inhabitants and more than one million including the suburbs, it is the third-largest city of the Netherlands. The Rotterdam The Hague Metropolitan Area, with a population of approximately 2.7 million, is the 12th-largest in the European Union and the most populous in the country. Located in the west of the Netherlands, The Hague is in the centre of the Haaglanden conurbation and lies at the southwest corner of the larger Randstad conurbation. The Hague is the seat of the Dutch government, parliament, the Supreme Court, and the Council of State, but the city is not the capital of the Netherlands, which constitutionally is Amsterdam. King Willem-Alexander of the Netherlands plans to live at Huis ten Bosch and works at Noordeinde Palace in The Hague, the Hague is also home to the world headquarters of Royal Dutch Shell and numerous other major Dutch companies. The Hague originated around 1230, when Count Floris IV of Holland purchased land alongside a pond, in 1248, his son and successor William II, King of the Romans, decided to extend the residence to a palace, which would later be called the Binnenhof. He died in 1256 before this palace was completed but parts of it were finished by his son Floris V, of which the Ridderzaal and it is still used for political events, such as the annual speech from the throne by the Dutch monarch. From the 13th century onwards, the counts of Holland used The Hague as their administrative centre, the village that originated around the Binnenhof was first mentioned as Haga in a charter dating from 1242. In the 15th century, the smarter des Graven hage came into use, literally The Counts Wood, with connotations like The Counts Hedge, s-Gravenhage was officially used for the city from the 17th century onwards. Today, this name is used in some official documents like birth. The city itself uses Den Haag in all its communication and their seat was located in The Hague. At the beginning of the Eighty Years War, the absence of city walls proved disastrous, in 1575, the States of Holland even considered demolishing the city but this proposal was abandoned, after mediation by William of Orange. From 1588, The Hague also became the seat of the government of the Dutch Republic, in order for the administration to maintain control over city matters, The Hague never received official city status, although it did have many of the privileges normally granted only to cities. In modern administrative law, city rights have no place anymore, only in 1806, when the Kingdom of Holland was a puppet state of the First French Empire, was the settlement granted city rights by Louis Bonaparte. After the Napoleonic Wars, modern-day Belgium and the Netherlands were combined in the United Kingdom of the Netherlands to form a buffer against France, as a compromise, Brussels and Amsterdam alternated as capital every two years, with the government remaining in The Hague. After the separation of Belgium in 1830, Amsterdam remained the capital of the Netherlands, when the government started to play a more prominent role in Dutch society after 1850, The Hague quickly expanded. The growing city annexed the rural municipality of Loosduinen partly in 1903, the city sustained heavy damage during World War II
19.
The Graphic
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The Graphic was a British weekly illustrated newspaper, first published on 4 December 1869 by William Luson Thomass company Illustrated Newspapers Limited. The influence of The Graphic within the art world was immense, its many admirers included Vincent Van Gogh, from 1889 Luson Thomass company, H. R. Baines and Co. published The Daily Graphic. The Graphic was founded by William Luson Thomas, a successful artist, wood engraver, earlier he, his brother and his brother-in-law had been persuaded to go to New York and assist in launching two newspapers, Picture Gallery and Republic. Thomas also had an establishment of his own and, aided by a large staff. His illustrated paper, despite being more expensive that its competition, when it began in 1869, the newspaper was printed in a rented house. By 1882, the company owned three buildings and twenty printing presses, and employed more than 1,000 people, the first editor was Henry Sutherland Edwards. A successful artist himself, founder Thomas recruited gifted artists including Luke Fildes, Hubert von Herkomer, Frank Holl, the Graphic was published on a Saturday and its original cover price was sixpence, while the Illustrated London News was fivepence. In addition to its market the paper had subscribers all around the British Empire. The Graphic covered home news and news from around the Empire, and devoted much attention to literature, arts, sciences, royal occasions and national celebrations and ceremonials were also given prominent coverage. Writers for the paper included George Eliot, Thomas Hardy, H. Rider Haggard, malcolm Charles Salaman was employed there from 1890 to 1899. Beatrice Grimshaw travelled the South Pacific reporting on her experiences for the Daily Graphic, mary Frances Billington served the Graphic as a special correspondent from 1890 to 1897, reporting from India in essays that were compiled into Woman in India. Topics of the Week,12 paragraphs of news coverage, amusements, A roundup of activities for the week, for the middle-class reader. Our illustrations, a summary of all the illustrations in the edition, home, a summary of the news in Britain. Church news Legal, Trials and Cases of interest to the target reader, a weekly serial written by popular authors of the time, such as William Black. Book reviews A summary of the new developments in science, rural notes, information about the season and tips about crops, and other news concerning the rampant unrest of the farm labourers. New Music, Reviews of the latest music and musicals, obituaries, of Church leaders, factory owners, European Royalty, musicians and noteworthy Victorians. Sport, coverage of football and cricket Motoring, c, 1903-1908 Dorothy Levitt, The Fastest Girl on Earth, wrote a column on motoring from the point of view of A womans right to motor. A collection of her articles formed the basis of the book The Woman, there were at least three pages dedicated to advertising and it is interesting to see the obsession with hygiene, with countless adverts for toothpaste and soap products
20.
William Luson Thomas
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William Luson Thomas was an English wood-engraver and the founder of various British newspapers. He worked as an engraver in Paris and also as an assistant to the well-known engraver William James Linton, Thomas was a friend of Charles Dickens and believed in social reform. At one time he worked for the Illustrated London News, and became convinced that pictures could have an influence on public opinion. In December 1869 he founded a new weekly illustrated newspaper, called The Graphic, in 1889, Thomas and his company H. R. Baines and Co. began publishing the first daily illustrated newspaper, called The Daily Graphic. He hoped that illustrated news would inspire people to campaign against various evils in Victorian society, including poverty and his newspapers achieved a significant readership throughout the British Empire and in the United States. When Thomas died in 1900, his company H. R. Baines and Co. was run by his son, the Graphic ceased to be published in 1932. His seventh son George Holt Thomas was a director and general manager of The Graphic and independently founded The Bystander and he also became a pioneer industrialist in the aviation industry but died in 1929. Sidney Lee, ed. Thomas, William Luson, dictionary of National Biography,1901 supplement
21.
Claude Monet
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Monets ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. He was the son of Claude Adolphe Monet and Louise Justine Aubrée Monet. On 20 May 1841, he was baptized in the parish church, Notre-Dame-de-Lorette, as Oscar-Claude. Despite being baptized Catholic, Monet later became an atheist, in 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the familys ship-chandling and grocery business and his mother was a singer, and supported Monets desire for a career in art. On 1 April 1851, Monet entered Le Havre secondary school of the arts, locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a student of Jacques-Louis David. On the beaches of Normandy around 1856 he met fellow artist Eugène Boudin, Boudin taught Monet en plein air techniques for painting. Both received the influence of Johan Barthold Jongkind, on 28 January 1857, his mother died. At the age of sixteen, he left school and went to live with his widowed, childless aunt, when Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would go and sit by a window. Monet was in Paris for several years and met other painters, including Édouard Manet and others who would become friends. After drawing a low number in March 1861, Monet was drafted into the First Regiment of African Light Cavalry in Algeria for a seven-year period of military service. His prosperous father could have purchased Monets exemption from conscription but declined to do so when his son refused to give up painting. While in Algeria Monet did only a few sketches of scenes, a single landscape. In a Le Temps interview of 1900 however he commented that the light, after about a year of garrison duty in Algiers, Monet contracted typhoid fever and briefly went absent without leave. Following convalescence, Monets aunt intervened to get him out of the army if he agreed to complete a course at an art school and it is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter
22.
Lawrence Alma-Tadema
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Sir Lawrence Alma-Tadema, OM, RA was a Dutch painter of special British denizenship. Born in Dronrijp, the Netherlands, and trained at the Royal Academy of Antwerp, Belgium, he settled in England in 1870, Lourens Alma Tadema was born on 8 January 1836 in the village of Dronrijp in the province of Friesland in the north of the Netherlands. The surname Tadema is an old Frisian patronymic, meaning son of Tade, while the names Lourens and he was the sixth child of Pieter Jiltes Tadema, the village notary, and the third child of Hinke Dirks Brouwer. His father had three sons from a previous marriage and his parents first child died young, and the second was Atje, Lourens sister, for whom he had great affection. The Tadema family moved in 1838 to the city of Leeuwarden. His father died when Lourens was four, leaving his mother with five children, Lourens, his sister and his mother had artistic leanings, and decided that drawing lessons should be incorporated into the childrens education. He received his first art training with a drawing master hired to teach his older half-brothers. It was intended that the boy would become a lawyer, diagnosed as consumptive and given only a short time to live, he was allowed to spend his remaining days at his leisure, drawing and painting. Left to his own devices he regained his health and decided to pursue a career as an artist, in 1852 he entered the Royal Academy of Antwerp in Belgium where he studied early Dutch and Flemish art, under Gustaf Wappers. During Alma-Tademas four years as a student at the Academy. Although de Taeye was not a painter, Alma-Tadema respected him and became his studio assistant. De Taeye introduced him to books that influenced his desire to portray Merovingian subjects early in his career and he was encouraged to depict historical accuracy in his paintings, a trait for which the artist became known. Under his guidance Alma-Tadema painted his first major work, The Education of the children of Clovis and this painting created a sensation among critics and artists when it was exhibited that year at the Artistic Congress in Antwerp. It is said to have laid the foundation of his fame, Alma-Tadema related that although Leys thought the completed painting better than he had expected, he was critical of the treatment of marble, which he compared to cheese. Alma-Tadema took this very seriously, and it led him to improve his technique and to become the worlds foremost painter of marble. Merovingian themes were the favourite subject up to the mid-1860s. It is perhaps in this series that we find the artist moved by the deepest feeling, however Merovingian subjects did not have a wide international appeal, so he switched to themes of life in ancient Egypt that were more popular. On these scenes of Frankish and Egyptian life Alma-Tadema spent great energy, in 1862 Alma-Tadema left Leyss studio and started his own career, establishing himself as a significant classical-subject European artist
23.
Peter Nicolai Arbo
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Peter Nicolai Arbo was a Norwegian historical painter, who specialized in painting motifs from Norwegian history and images from Norse mythology. He is most noted for Asgårdsreien, a motif based on the Wild Hunt legend and Valkyrie. Peter Nicolai Arbo grew up at Gulskogen Manor in Gulskogen, a borough in Drammen and he was the son of headmaster Christian Fredrik Arbo and his wife Marie Christiane von Rosen. His brother Carl Oscar Eugen Arbo was a medical doctor. Arbos childhood home, Gulskogen, was built in 1804 as a residence for his older cousin, lumber dealer. Arbo started his art education with a year at the Art School operated by Frederik Ferdinand Helsted in Copenhagen 1851-1852, after this, he studied at the art academy in Düsseldorf. From 1853 to 1855 he studied under of Karl Ferdinand Sohn, professor of Kunstakademie Düsseldorf, at Düsseldorf he was for some time a private student of the history painter C. He had contact with Adolph Tidemand and became a friend of Hans Gude both of whom were professors at the art academy in Düsseldorf. He is associated with the Düsseldorf school of painting, in 1861 Arbo returned to Norway and the following year he went on a study trip together with Gude and Frederik Collett. In 1863 he painted the first version of Horse flock on the high mountains, the version from 1889 is at the National Museum of Art, Architecture and Design in Oslo and is considered one of the most important of his works. In 1866 he was appointed a Knight of the Royal Norwegian Order of St. Olav and he held numerous positions, including as a juror in Stockholm in 1866 and Philadelphia in 1876, and was Commissioner of the Viennese art department exhibition in 1873. He was also a member of the National Gallery Company from 1875, drammens Museum is located in the heart of Drammen, on the southern side of the Drammen River. In earlier years this was an area of elegant country houses on the magnificent landed property known as Marienlyst, exhibits of the museum include items from the historical and cultural background of Norway. Drammen museum consists of five departments including Gulskogen Manor, the childhood home Peder Nicolai Arbo, in the many beautiful rooms of Gulskogen Manor, one will find works by this distinguished history-painter. Paintings by Peter Nicolai Arbo Marit I
24.
Thomas Armstrong (painter)
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Thomas Armstrong was an English artist and arts administrator. Born at Fallowfield, Manchester, on 19 October 1832, he was eldest son of Thomas Armstrong, educated at a private school at Tarvin, near Chester, he learned drawing under Mr. Crazier, of the Manchester Fine Art Academy. Deciding to adopt painting as a profession, he went to Paris in 1853, at the period as the Paris Gang of George du Maurier, Edward John Poynter. They formed the basis for du Mauriers novel Trilby, at first Armstrong worked in the Académie Suisse, and then in the atelier of Ary Scheffer, who was a major influence. In the summer he joined J. F. Millet, Bodmer and he studied in Academie Royale, Antwerp under Theodore van Lerius, and in 1860 he was joined by du Maurier at the Kunstakademie Düsseldorf, where Eduard Bendemann was professor. On his return to England, Armstrong worked on painting in houses in the north. In 1864 he settled in London, exhibited regularly at the Royal Academy from 1865 to 1877 and he helped Gertrude Jekyll found the School of Art Needlework. He supported the efforts of Walter Copland Perry to supply art students with models of antique sculpture and he supported an initiative on enamelling, under Pierre Adrien Dalpeyrat in 1886, and with Sir John Donnelly the School of Art Wood-carving. But one of his significant innovations was to invite Walter Crane to lecture in the National Art Training Schools, in this way the Arts and Crafts Movement found its way into public institutions. Armstrong retired from the South Kensington Museum in 1898, and was made C. B and he took up painting again, and made a mural tablet in plaster and copper for the church at Abbots Langley, to the memory of his only child. Armstrong died suddenly at Abbots Langley on 24 April 1911, and was buried there, on 22 April 1881 Armstrong married Mary Alice, daughter of Colonel Brine of Shaldon, Devon. Attribution This article incorporates text from a now in the public domain, Lee, Sidney, ed. Armstrong. Dictionary of National Biography,1912 supplement
25.
Knud Bergslien
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Knud Larsen Bergslien was a Norwegian painter, art teacher and master artist. In his art, he portrayed the lives of the Norwegian people, their history. Bergslien is most associated with his paintings, especially Skiing Birchlegs Crossing the Mountain with the Royal Child. Knud Larsen Bergslien was born in Voss, in Hordaland, Norway and his parents were Lars Bergeson Bergslien and Kirsten Knutsdotter Gjelle. Knud Bergslien was the brother of sculptor Brynjulf Bergslien and uncle of painter, monuments honoring the three famous Bergslien artists now exist in Bergslien park located in Voss, Hordaland. Knud Bergslien enlisted in the army when he was 18 years old, after having been a student at the artist Hans Reuschs school of drawing in Bergen, he continued his studies abroad. Bergslien studied in Antwerpen from 1844 to 1852, in Paris from 1850 to 1851 and he belonged to the Düsseldorf school of painting and was closely associated with follow artists Hans Fredrik Gude and Adolph Tidemand. Norwegian artist Johan Fredrik Eckersberg had established an art school on Lille Grensen in Christiania in 1859, after his death in 1870, the school would be continued by Knud Bergslien together with Morten Müller. Knud Bergslien served as the director of what became the Bergslien School of Painting, a whole generation of Norwegian painters became his students, among them Harriet Backer and Edvard Munch. Some of his students emigrated to America including the Norwegian-American artists, Lars Jonson Haukaness, Carl L. Boeckmann, today, Bergslien is most associated with his historical paintings, especially Skiing Birchlegs Crossing the Mountain with the Royal Child. His depiction of Birkebeiner skiers carrying Prince Haakon to safety during the winter of 1206 has become a national Norwegian icon, the prince grew up to be King Haakon IV whose reign marked the end of the period known as the Civil war era in Norway. Bergslien’s work is represented the National Gallery of Norway, andreas Bloch Carl L. Væring photo agency archives
26.
Albert Bierstadt
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Albert Bierstadt was an American painter best known for his lavish, sweeping landscapes of the American West. To paint the scenes, Bierstadt joined several journeys of the Westward Expansion, though not the first artist to record these sites, Bierstadt was the foremost painter of these scenes for the remainder of the 19th century. Born in Germany, Bierstadt was brought to the United States at the age of one by his parents and he later returned to study painting for several years in Düsseldorf. He became part of the Hudson River School in New York and their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. An important interpreter of the landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School. Bierstadt was born in Solingen, Germany, the son of Christina M. and Henry Bierstadt, the following year, in 1831, his family moved to New Bedford, Massachusetts. At an early age Bierstadt developed a taste for art and made clever crayon sketches in his youth, in 1851, he began to paint in oils. He returned to Germany in 1853 and studied painting for several years in Düsseldorf with members of its school of painting. After returning to New Bedford in 1857, he taught drawing and painting briefly, in 1858 he exhibited a large painting of a Swiss landscape at the National Academy of Design, which gained him positive critical reception and honorary membership in the Academy. Bierstadt began painting scenes in New England and upstate New York, a group of artists known as the Hudson River School portrayed its majestic landscapes and craggy areas, as well as the light affected by the changing waters. In 1859, Bierstadt traveled westward in the company of Frederick W. Lander and he returned to a studio he had taken at the Tenth Street Studio Building in New York with sketches that resulted in numerous finished paintings. In 1863 he traveled west again, this time in the company of the author Fitz Hugh Ludlow, throughout the 1860s, Bierstadt used studies from this trip as the source for large-scale paintings for exhibition. He continued to visit the American West throughout his career, during the American Civil War, Bierstadt paid for a substitute to serve in his place when he was drafted in 1863. He completed one Civil War painting Guerrilla Warfare, Civil War in 1862, Bierstadts painting was based on a stereoscopic photograph taken by his brother Edward Bierstadt, who operated a photography studio at Langleys Tavern in Virginia. Bierstadts painting received a review when it was exhibited at the Brooklyn Art Association at the Brooklyn Academy of Music in December 1861. In 1860, he was elected a member of the National Academy, he received medals in Austria, Bavaria, Belgium, in 1867 he traveled to London, where he exhibited two landscape paintings in a private reception with Queen Victoria. He traveled through Europe for two years, cultivating social and business contacts to sustain the market for his work overseas, Bierstadts technical proficiency, earned through his study of European landscape, was crucial to his success as a painter of the American West. It accounted for his popularity in disseminating views of the Rocky Mountains to those who had not seen them, the immense canvases he produced after his trips with Lander and Ludlow established him as the preeminent painter of the western American landscape
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William-Adolphe Bouguereau
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William-Adolphe Bouguereau was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, during his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde, by the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau, throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. William-Adolphe Bouguereau was born in La Rochelle, France, on November 30,1825, into a family of wine, the son of Théodore Bouguereau and Marie Bonnin, known as Adeline, William was brought up a Catholic. He had a brother, Alfred, and a younger sister, Marie. The family moved to Saint-Martin-de-Ré in 1832, another sibling was born in 1834, Kitty. At 12 the boy went to Mortagne to stay with his uncle Eugène, a priest, in 1839 he was sent to study the priesthood at a Catholic college in Pons. Here he was taught to draw and paint by Louis Sage who had studied under Ingres, William reluctantly left his studies to return to his family, now residing in Bordeaux. Here the boy met a local artist, Charles Marionneau, William also worked as a shop assistant, hand-colouring lithographs and making small paintings that were reproduced using chromolithography. He was soon the best pupil in his class and decided to become an artist in Paris, to fund the move, he sold portraits -33 oils in three months. All were unsigned and only one has been traced and he arrived in Paris aged 20 in March 1846. Bouguereau became a student at the École des Beaux-Arts, to supplement his formal training in drawing, he attended anatomical dissections and studied historical costumes and archeology. He was admitted to the studio of François-Édouard Picot, where he studied painting in the academic style and he also studied classical literature, which influenced his subject choice for the rest of his career. In April 1848 the young artist entered the Prix de Rome contest, soon after work began there were riots in Paris and Bouguereau enrolled in the National Guard. After an unsuccessful attempt to win the prize, he entered again in 1849, following 106 days of competition he again failed to win. His third attempt commenced in April 1850 and five months later he heard he had won a joint first prize, along with other category winners, William set off for Rome in December and finally arrived at the Villa Medici in January 1851. He explored the city, making sketches and watercolours as he went and he walked to Naples and on to Capri, Amalfi and Pompeii
28.
Jean-Baptiste Carpeaux
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Jean-Baptiste Carpeaux was a French sculptor and painter during the Second Empire under Napoleon III. Born in Valenciennes, Nord, son of a mason, his studies were under François Rude. Carpeaux entered the École des Beaux-Arts in 1844 and won the Prix de Rome in 1854, staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. Carpeaux sought real life subjects in the streets and broke with the classical tradition, Carpeaux debuted at the Salon in 1853 exhibiting La Soumission dAbd-el-Kader alEmperuer, a bas-relief in plaster that did not attract much attention. Carpeaux was an admirer of Napoléon III and followed him from city to city during Napoléons official trip through the north of France, Carpeaux soon grew tired of academicism and became a wanderer on the streets of Rome. He spent free time admiring the frescoes of Michelangelo at the Sistine Chapel, Carpeaux said, When an artist feels pale and cold, he runs to Michelangelo in order to warm himself, as with the rays of the sun. While a student in Rome, Carpeaux submitted a version of Pêcheur napolitain à la coquille. He carved the marble version several years later, showing it in the Salon exhibition of 1863 and it was purchased for Napoleon IIIs empress, Eugénie. The statue of the smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington, some years later, he carved the Girl with a Shell, a very similar study. In 1861, he made a bust of Princess Mathilde, then in 1866, he established his own atelier in order to reproduce and make work on a grander scale. In 1866, he was awarded the chevalier of the Legion of Honour and he employed his brother as the sales manager and made a calculated effort to produce work that would appeal to a larger audience. On 12 October 1875, he died at the Chateau de Bécon, among his students were Jules Dalou, Jean-Louis Forain and the American sculptor Olin Levi Warner. Carpeaux died at age 48 in Courbevoie, ugolin et ses fils with versions in other museums including the Musée dOrsay, Paris. Partly complete at his death, Carpeaux finished the terrestrial globe with the points represented by the four figures of Asia, Europe. LAmour à la folie, part of a group La danse for the facade of the Opera Garnier A page from insecula
29.
Palais Garnier
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The Palais Garnier is a 1, 979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. The Paris Opera now mainly uses the Palais Garnier for ballet, the Palais Garnier has been called probably the most famous opera house in the world, a symbol of Paris like Notre Dame Cathedral, the Louvre, or the Sacré Coeur Basilica. This opinion is far from unanimous however, the 20th-century French architect Le Corbusier once described it as a lying art, the Palais Garnier is a building of exceptional opulence. The style is monumental and considered Second-Empire Beaux-Arts style with axial symmetry in plan and these include very elaborate multicolored marble friezes, columns, and lavish statuary, many of which portray deities of Greek mythology. The principal facade is on the side of the building, overlooking the Place de lOpéra. Fourteen painters, mosaicists and seventy-three sculptors participated in the creation of its ornamentation, the two gilded figural groups, Charles Gumerys LHarmonie and La Poésie, crown the apexes of the principal facades left and right avant-corps. They are both made of gilt copper electrotype, the facade also incorporates other work by Gumery, Alexandre Falguière, and others. On the left and right lateral returns of the front facade are busts of the librettists Eugène Scribe and Philippe Quinault, when the Empire fell, work stopped, leaving unfinished dressed stonework. It is covered by a 13.5 metre diameter dome, two pairs of obelisks marking the entrances of the Rotunda to the north and the south. The interior consists of interweaving corridors, stairwells, alcoves and landings allowing the movement of large numbers of people, rich with velvet, gold leaf, and cherubim and nymphs, the interior is characteristic of Baroque sumptuousness. The building features a ceremonial staircase of white marble with a balustrade of red and green marble. Its design was inspired by Victor Louiss grand staircase for the Théâtre de Bordeaux, the pedestals of the staircase are decorated with female torchères, created by Albert-Ernest Carrier-Belleuse. When they were first fixed in two months before the opening of the building it was obvious to Garnier that they were too dark for the space. With the help of two of his students, Pils had to rework the canvases while they were in place overhead on the ceiling and, at the age of 61, he fell ill. His students had to finish the work, which was completed the day before the opening and this hall 18 meters high,154 meters long and 13 meters wide was designed to act as a drawing room for Paris society. Its ceiling was painted by Paul-Jacques-Aimé Baudry and represents various moments in the history of music, the foyer opens into an outside loggia at each end of which are the Salon de la Lune and Salon du Soleil. The auditorium has a traditional Italian horseshoe shape and can seat 1,979, the stage is the largest in Europe and can accommodate as many as 450 artists. The canvas house curtain was painted to represent a draped curtain, complete with tassels, the ceiling area, which surrounds the chandelier, was originally painted by Jules Eugène Lenepveu
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