1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
West Coast hip hop
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West Coast hip hop is a hip hop music subgenre that encompasses any artists or music that originates in the West Coast region of the United States. The culture is believed to have been a mutual creation which evolved from interaction between people who identified with elements from their respective coasts. A number of laid the foundations for West Coast hip hop, long before the emergence of West Coast rappers such as DJ Flash & The Rappers Rapp Group, Eazy-E, Ice T. According to geniusrap. com, a cataclysmic event helped give rise to it out West, in 1967, Bud Schulberg founded a creative space entitled Watts Writers Workshop, intended to help the people of the Watts neighborhood and provide a place for them to express themselves freely. Out of this background the Watts Prophets formed, its members having moved to the West Coast from southern states such as Texas and Louisiana. The West Coast hip-hop scene started in earnest in 1978 with the founding of Unique Entertainment, a group influenced by Prince, East Coast hip hop, Kraftwerk, Parliament-Funkadelic and others. In 1984, Uncle Jamms Army released their first single, Dial-a-Freak, and in the same year Egyptian Lover released his On the Nile album, which includes the popular 12 single Egypt Egypt. Another early landmark occurred in 1981, when Duffy Hooks launched the first West Coast rap label, Rappers Rapp Records and its first act was the duo of Disco Daddy and Captain Rapp, whose debut single was Gigolo Rapp or Gigolo Groove. Later, in 1983, Captain Rapp would create the classic West Coast song Bad Times, in the mid-1980s, Mixmaster Spade defined an early form of gangsta rap with his Compton Posse. From this group, Spade mentored future rap stars of the West Coast, including Toddy Tee, in the same period, the Compton-based former locking dancer Alonzo Williams formed World Class Wreckin Cru, which included future N. W. A members Dr. Dre and DJ Yella. Williams also founded Kru-Cut Records and established a studio in the back of his nightclub Eves After Dark. During this period, one of the greatest factors in the spread of West Coast hip-hop was the radio station 1580 KDAY, in 1988, N. W. As landmark album Straight Outta Compton was released. As well as establishing a basis for the popularity of gangsta rap, in particular, the controversial Fuck tha Police and the ensuing censorship attracted substantial media coverage and public attention. Following the dissolution of N. W. A. due to in-fighting, the early 1990s was a period in which hip hop went from strength to strength. Tupac Shakurs debut album 2Pacalypse Now was released in 1991, demonstrating an awareness, with attacks on social injustice, poverty. Shakurs music and philosophy was rooted in various philosophies and approaches, including the Black Panther Party, Black nationalism, egalitarianism, and liberty. Also in 1991, Suge Knight founded Death Row Records using money he had extorted from the pop-rapper Vanilla Ice - the West Coast saw the debut of arguably its most influential and popular rapper. Other Death Row releases such as Snoop Doggy Doggs Doggystyle and 2Pacs All Eyez on Me became huge sellers and were critically acclaimed
3.
Gangsta rap
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Gangsta rap or gangster rap is a subgenre of hip hop music with themes and lyrics that generally emphasize the gangsta lifestyle. After the national attention that Ice-T and N. W. A attracted in the late 1980s and early 1990s, gangsta rap became the most commercially lucrative subgenre of hip hop. Many gangsta rap artists openly boast of their associations with various street gangs as part of their artistic image, with the Bloods. Gangsta rap is closely related to other indigenous gang and crime-oriented forms of music, the subject matter inherent in gangsta rap has caused a great deal of controversy. The White House administrations of both George H. W. Bush and Bill Clinton criticized the genre, many gangsta rappers argue that in the world of their genre exists the emotions and perspectives of a people whose suffering is too often overlooked and belittled by society. Gangsta rap, some argue, was an effect of the various wrongdoings perpetrated against African-Americans in underprivileged neighborhoods. The various riots sparked by the Rodney King beating and the acquittal of the officers responsible for the beating sparked anger. Gangsta rap acted as an outlet so such people could express themselves angrily and they often used gangsta rap to tell the stories of their lives, which sometimes included strong violence, hypersexuality, and drug abuse. The 1973 album Hustlers Convention by Lightnin Rod and Jaren Clark featured lyrics that deal with life, including pimping. Many rappers, such as Ice-T and Mac Dre, have credited pimp, rudy Ray Moores stand-up comedy and films based on his Dolemite hustler-pimp alter ego also influenced gangsta rap and are still a popular source for samples. Finally, blaxploitation films of the 1970s, with their depictions of black underworld figures, were a major inspiration as well. Tracy Ice-T Morrow, was born in Newark, New Jersey, as a teenager, he moved to Los Angeles where he rose to prominence in the West Coast hip hop scene. In 1986, Ice-T released 6 in the Mornin, which is regarded as among the first gangsta rap songs. In an interview with PROPS magazine, Ice-T said, Heres the exact order of what really went down. Then the syncopation of that rap was used by me when I made 6 in the Mornin, the vocal delivery was the same. P. S. K. is makin that green. six in the morning, police at my door. When I heard that record I was like Oh @#. *%, and call it a bite or what you will but I dug that record. My record didnt sound like P. S. K, but I liked the way he was flowing with it. P. S. K. was talking about Park Side Killers and that was the only difference, when Schoolly did it, it was. one by one, Im knockin em out
4.
Jive Records
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Jive Records was an American record label under the RCA Music Group formed in 1981 by Zomba Records. Formerly headquartered in New York City, the label was best known for a string of successes with hip hop artists in the 1980s, and also in teen pop and boy bands during the 1990s, jIVEs best-selling artists worldwide were the Backstreet Boys, *NSYNC, and Britney Spears. Today, the Jive brand is being used under the Sony Music France division under the name JIVE Epic France. In 1971, South African musicians Clive Calder and Ralph Simon began a publishing and it was named Zomba Records and relocated to London, England, four years later, their first client was a young Robert Mutt Lange. Zomba originally wanted to record labels, choosing instead to focus on their songwriters and producers while allowing other established labels to release the material. Later that decade, the opened offices in the US. In 1981, Zomba formed JIVE Records, whose operations began with the release of British dance and pop music such as Q-Feel, A Flock of Seagulls and its name was inspired by township JIVE, a type of music that originated in South Africa. Davis had hoped that Zombas connection with Mutt Lange would help alleviate the difficulties Arista was having finding potentially successful rock acts. By 1982, Calder was introduced to Barry Weiss, a college graduate who took Calder out to hip-hop clubs in New York City for his job interview with Zomba. He was immediately impressed, Together, they began grooming musicians for what would eventually become Whodini, after two days, the group created and recorded its hit single Magics Wand. While the group would eventually leave JIVE, the success allowed the label to focus on hip-hop artists throughout the 1980s. In 1987, JIVE cut distribution ties with Arista, effectively separating them from Daviss authority, who eschewed hip-hop. As the 1980s drew to a close, the label entered a deal with RCA Records, by the late 1990s, JIVE began signing pop acts Backstreet Boys, NSYNC, and Britney Spears. All three achieved massive success as the 2000s dawned, becoming the three best-selling acts in the labels history, in 1991, Barry Weiss became CEO and president of JIVE Records. After two decades, he left JIVE in March 2011 for Universal Music Group, the company was later reorganized with some artists moving to a restructured Epic Records, while others stayed with JIVE as it moved under the RCA Music Group. In April 2011, it was reported that Jay-Z had outbid executives at JIVE to acquire independent record label Block Starz Music. On October 7,2011, it was announced that JIVE, along with Arista and J Records would be shut down to refresh, all artists on those labels were moved to RCA Records. JIVE Records remains active in France as JIVE Epic, serving as the label for international pop
5.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
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