1.
Album
–
Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
West Coast hip hop
–
West Coast hip hop is a hip hop music subgenre that encompasses any artists or music that originates in the West Coast region of the United States. The culture is believed to have been a mutual creation which evolved from interaction between people who identified with elements from their respective coasts. A number of laid the foundations for West Coast hip hop, long before the emergence of West Coast rappers such as DJ Flash & The Rappers Rapp Group, Eazy-E, Ice T. According to geniusrap. com, a cataclysmic event helped give rise to it out West, in 1967, Bud Schulberg founded a creative space entitled Watts Writers Workshop, intended to help the people of the Watts neighborhood and provide a place for them to express themselves freely. Out of this background the Watts Prophets formed, its members having moved to the West Coast from southern states such as Texas and Louisiana. The West Coast hip-hop scene started in earnest in 1978 with the founding of Unique Entertainment, a group influenced by Prince, East Coast hip hop, Kraftwerk, Parliament-Funkadelic and others. In 1984, Uncle Jamms Army released their first single, Dial-a-Freak, and in the same year Egyptian Lover released his On the Nile album, which includes the popular 12 single Egypt Egypt. Another early landmark occurred in 1981, when Duffy Hooks launched the first West Coast rap label, Rappers Rapp Records and its first act was the duo of Disco Daddy and Captain Rapp, whose debut single was Gigolo Rapp or Gigolo Groove. Later, in 1983, Captain Rapp would create the classic West Coast song Bad Times, in the mid-1980s, Mixmaster Spade defined an early form of gangsta rap with his Compton Posse. From this group, Spade mentored future rap stars of the West Coast, including Toddy Tee, in the same period, the Compton-based former locking dancer Alonzo Williams formed World Class Wreckin Cru, which included future N. W. A members Dr. Dre and DJ Yella. Williams also founded Kru-Cut Records and established a studio in the back of his nightclub Eves After Dark. During this period, one of the greatest factors in the spread of West Coast hip-hop was the radio station 1580 KDAY, in 1988, N. W. As landmark album Straight Outta Compton was released. As well as establishing a basis for the popularity of gangsta rap, in particular, the controversial Fuck tha Police and the ensuing censorship attracted substantial media coverage and public attention. Following the dissolution of N. W. A. due to in-fighting, the early 1990s was a period in which hip hop went from strength to strength. Tupac Shakurs debut album 2Pacalypse Now was released in 1991, demonstrating an awareness, with attacks on social injustice, poverty. Shakurs music and philosophy was rooted in various philosophies and approaches, including the Black Panther Party, Black nationalism, egalitarianism, and liberty. Also in 1991, Suge Knight founded Death Row Records using money he had extorted from the pop-rapper Vanilla Ice - the West Coast saw the debut of arguably its most influential and popular rapper. Other Death Row releases such as Snoop Doggy Doggs Doggystyle and 2Pacs All Eyez on Me became huge sellers and were critically acclaimed
3.
Gangsta rap
–
Gangsta rap or gangster rap is a subgenre of hip hop music with themes and lyrics that generally emphasize the gangsta lifestyle. After the national attention that Ice-T and N. W. A attracted in the late 1980s and early 1990s, gangsta rap became the most commercially lucrative subgenre of hip hop. Many gangsta rap artists openly boast of their associations with various street gangs as part of their artistic image, with the Bloods. Gangsta rap is closely related to other indigenous gang and crime-oriented forms of music, the subject matter inherent in gangsta rap has caused a great deal of controversy. The White House administrations of both George H. W. Bush and Bill Clinton criticized the genre, many gangsta rappers argue that in the world of their genre exists the emotions and perspectives of a people whose suffering is too often overlooked and belittled by society. Gangsta rap, some argue, was an effect of the various wrongdoings perpetrated against African-Americans in underprivileged neighborhoods. The various riots sparked by the Rodney King beating and the acquittal of the officers responsible for the beating sparked anger. Gangsta rap acted as an outlet so such people could express themselves angrily and they often used gangsta rap to tell the stories of their lives, which sometimes included strong violence, hypersexuality, and drug abuse. The 1973 album Hustlers Convention by Lightnin Rod and Jaren Clark featured lyrics that deal with life, including pimping. Many rappers, such as Ice-T and Mac Dre, have credited pimp, rudy Ray Moores stand-up comedy and films based on his Dolemite hustler-pimp alter ego also influenced gangsta rap and are still a popular source for samples. Finally, blaxploitation films of the 1970s, with their depictions of black underworld figures, were a major inspiration as well. Tracy Ice-T Morrow, was born in Newark, New Jersey, as a teenager, he moved to Los Angeles where he rose to prominence in the West Coast hip hop scene. In 1986, Ice-T released 6 in the Mornin, which is regarded as among the first gangsta rap songs. In an interview with PROPS magazine, Ice-T said, Heres the exact order of what really went down. Then the syncopation of that rap was used by me when I made 6 in the Mornin, the vocal delivery was the same. P. S. K. is makin that green. six in the morning, police at my door. When I heard that record I was like Oh @#. *%, and call it a bite or what you will but I dug that record. My record didnt sound like P. S. K, but I liked the way he was flowing with it. P. S. K. was talking about Park Side Killers and that was the only difference, when Schoolly did it, it was. one by one, Im knockin em out
4.
Jive Records
–
Jive Records was an American record label under the RCA Music Group formed in 1981 by Zomba Records. Formerly headquartered in New York City, the label was best known for a string of successes with hip hop artists in the 1980s, and also in teen pop and boy bands during the 1990s, jIVEs best-selling artists worldwide were the Backstreet Boys, *NSYNC, and Britney Spears. Today, the Jive brand is being used under the Sony Music France division under the name JIVE Epic France. In 1971, South African musicians Clive Calder and Ralph Simon began a publishing and it was named Zomba Records and relocated to London, England, four years later, their first client was a young Robert Mutt Lange. Zomba originally wanted to record labels, choosing instead to focus on their songwriters and producers while allowing other established labels to release the material. Later that decade, the opened offices in the US. In 1981, Zomba formed JIVE Records, whose operations began with the release of British dance and pop music such as Q-Feel, A Flock of Seagulls and its name was inspired by township JIVE, a type of music that originated in South Africa. Davis had hoped that Zombas connection with Mutt Lange would help alleviate the difficulties Arista was having finding potentially successful rock acts. By 1982, Calder was introduced to Barry Weiss, a college graduate who took Calder out to hip-hop clubs in New York City for his job interview with Zomba. He was immediately impressed, Together, they began grooming musicians for what would eventually become Whodini, after two days, the group created and recorded its hit single Magics Wand. While the group would eventually leave JIVE, the success allowed the label to focus on hip-hop artists throughout the 1980s. In 1987, JIVE cut distribution ties with Arista, effectively separating them from Daviss authority, who eschewed hip-hop. As the 1980s drew to a close, the label entered a deal with RCA Records, by the late 1990s, JIVE began signing pop acts Backstreet Boys, NSYNC, and Britney Spears. All three achieved massive success as the 2000s dawned, becoming the three best-selling acts in the labels history, in 1991, Barry Weiss became CEO and president of JIVE Records. After two decades, he left JIVE in March 2011 for Universal Music Group, the company was later reorganized with some artists moving to a restructured Epic Records, while others stayed with JIVE as it moved under the RCA Music Group. In April 2011, it was reported that Jay-Z had outbid executives at JIVE to acquire independent record label Block Starz Music. On October 7,2011, it was announced that JIVE, along with Arista and J Records would be shut down to refresh, all artists on those labels were moved to RCA Records. JIVE Records remains active in France as JIVE Epic, serving as the label for international pop
5.
Record producer
–
A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
6.
Johnny Zacchara
–
Johnny Zacchara is a fictional character on the ABC soap opera General Hospital and the contract role was portrayed by Brandon Barash from September 18,2007 until May 3,2013. He returned on December 5,2014 and he is the son of Claudia Zacchara and Gino Soleito. Until its reveal in 2012, he was believed to be the son of mobster, Anthony Zacchara, Brandon Barash first appeared in the contract role of Johnny Zacchara on September 18,2007. Barash revealed that he auditioned for the role with costar Julie Marie Berman, Brandon Barash ranked at #9 on Daytime Confidentials list of the Top 10 Newcomers of 2007. The post applauded Barash for being one of the most talented newcomers, in July 2008, Barash ranked at #25 on TV Guides list of Soaps Sexiest Men. In the spring of 2012 rumors began circulating that Barash had been let go from the series, the speculation was so strong that some of Barashs own cast mates began to express concern and support when fans started a petition to save the actors job on Twitter. The shows newly installed executive producer, Frank Valentini later took to Twitter himself to dispel the rumors of Barashs firing, after almost a year of denying rumors, Barash revealed at a fan event in late January 2013 that he had filmed his last scenes. Barash finally confirmed his departure via Twitter on March 5,2013, on November 10,2014, representatives at ABC confirmed Barashs return to the series in an unknown capacity, though, believed to be a story-dictated arc return. He returned to the show on December 5,2014, in October 2015, it was announced that Barash will return once again to the series, airing on December 8,2015. Barash vacated the role of Johnny once again on January 26,2016 and its hard to have a good relationship with your father when the guy tried to kill you. Johnny lost his mother at age nine when she saved him from being shot by his unstable father, now finally free of his sheltered life, hes determined to put his toxic family legacy behind him, no matter what the cost. Did we mention he defines the term bad boy, upon his introduction in 2007, the character of Johnny is described as the volatile loose canon son of mob boss, Anthony Zacchara. The handsome, troubled, Johnny, described as a bad boy with a heart is torn between staying loyal to his family and trying to maintain a sense of normalcy so that he can have a love life. During an interview with BuddyTV, Barash admitted that playing Johnny often felt like playing two roles, there are so many layers to Johnny. You see one thing on the exterior, but theres so much going on all that. An interview with Soap Town USA listed the similarities between Barash and his character as handsome, driven, well-layered and well-spoken, Barash also described Johnny as brooding and that Johnny always carries the weight of the world on his shoulders. As of 2008, Barash observed Johnny as being volatile and almost childish in a lot of ways, Johnny is both sure and unsure of what he wants in life. Johnny Zacchara arrives in Port Charles and meets Lulu Spencer and the two begin a flirtatious relationship
7.
Too Short
–
Todd Anthony Shaw, better known by the stage name Too Short, is an American rapper, producer, and actor. He is best known for his hit songs like The Ghetto, Too Short is one of the very few musicians to have been able to collaborate with both 2Pac and The Notorious B. I. G. during the height of their careers. Too Short is credited as being one of the rappers of West Coast hip hop. His rap lyrics are primarily about pimping, drug use, Shaw was born and grew up in South Central Los Angeles, California. In the early 1980s, Shaw and his moved to Oakland. He was a drummer in the band at Fremont High School in Oakland, in the mid 1980s, Shaw produced custom songs for people with his high school friend, Freddy B. In 1985, Too Short had his first release, Dont Stop Rappin which, along with the following three releases, featured raw, simple drum beats from a LinnDrum drum machine. This was also one of the first hip hop records to use the word bitch - a word which one of the rappers trademarks and was the focus of subsequent raps such as Aint nothing. In the early 1990s his beats came from mostly a TR-808 and from mid-to-late 2000s, in 1985, Too Short and Freddie B. formed the label Dangerous Music to regionally distribute his music and with others formed rap group The Dangerous Crew. Dangerous Music became Short Records, and then Up All Nite Records, with his 1989 release, Life Is. Too Short, he began using replayed established funk riffs with his beats. Subsequent work was collaborative, including work with Tupac Shakur. One of his notable collaborations during this period was on the track The World Is Filled. on the classic Notorious B. I. G, album Life After Death, he comes in on the third verse after Diddy and Biggie. Being featured on the album introduced him to an audience as well. He also appeared on TWDYs hit single Players Holiday from their 1999 debut album Derty Werk as well as the Priority Records compilation Nuthin, after these appearances, he began working on his eighth album, Cant Stay Away. The album included guest appearances by 8Ball & MJG, Jay-Z, Jermaine Dupri, Sean Combs, E-40, Daz Dillinger, Lil Jon, Soopafly, Scarface and B-Legit. Too Short relocated to Atlanta in 1994, but he did not begin working with a diverse variety of Southern artists until 2000. However, he didnt totally give up on his trademark funk grooves or sexually explicit style, new albums released 2000-2003 were You Nasty, Chase the Cat, Whats My Favorite Word. and Married to the Game. These albums all charted well, as they all were in the top 71 of the Billboard 200
8.
Spice 1 (album)
–
Spice 1 is the self-titled debut album by American rapper Spice 1, released April 14,1992 on Jive Records. The album was produced by Ant Banks, Blackjack, E-A-Ski & CMT and it peaked at number 14 on the Billboard Top R&B/Hip-Hop Albums and at number 82 on the Billboard Top Heatseekers. One single, Welcome to the Ghetto, peaked at number 39 on the Billboard Hot R&B/Hip-Hop Songs, along with singles, music videos were produced for four songs, including, In My Neighborhood, Welcome to the Ghetto,187 Proof and East Bay Gangsta. Richie Rich makes a appearance in Welcome to the Ghetto. East Bay Gangsta and Welcome to the Ghetto were B-sides on the other singles, the album was included in the Source Magazines 100 greatest hip hop albums. Allmusic -. His style, a mix of irony, disdain, acceptance and confusion. Entertainment Weekly -. Spice 1s lyrics are enough to make you forget youve heard it all before. his tales unfold with the drama of short stories. ITunes Store -. with a serving of gunplay and ghetto storytelling. Spices unique vocal style showcased an uncanny ability to twist and contort his flow. the bass-heavy beats still knock with authority, Welcome to the Ghetto Inner City Blues by Marvin Gaye No Ones Gonna Love You by The S. O. S. This type of note was uncommon for most artists who were sampling, album Singles Spice 1 at Allmusic Spice 1 at Discogs Spice 1 at MusicBrainz Spice 1 at Tower Records
9.
AmeriKKKa's Nightmare
–
AmeriKKKas Nightmare is the third studio album by American rapper Spice 1, released November 22,1994 on Jive Records. The album was produced by Ant Banks, Battlecat, Blackjack, DJ Slip and it peaked at number 2 on the Billboard Top R&B/Hip-Hop Albums and at number 22 on the Billboard 200. One single, Strap on the Side, peaked at number 74 on the Billboard Hot R&B/Hip-Hop Songs. This album is considered by many to be his most influential album, as well as containing guest appearances from artists such as E-40, 2Pac. Along with singles, music videos were released for two songs, Strap on the Side, and Face of a Desperate Man, the original version of Nigga Sings the Blues, was heard in the film, Jasons Lyric, and was also released on the films soundtrack. Album Singles AmeriKKKas Nightmare at Allmusic AmeriKKKas Nightmare at Discogs AmeriKKKas Nightmare at MusicBrainz AmeriKKKas Nightmare at Tower Records
10.
Single (music)
–
In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
11.
AllMusic
–
AllMusic is an online music guide service website. It was launched in 1991 by All Media Guide which later became All Media Network, AllMusic was launched in 1991 by Michael Erlewine of All Media Guide. The aim was to discographic information on every artist whos made a record since Enrico Caruso gave the industry its first big boost and its first reference book was published the following year. When first released onto the Internet, AMG predated the World Wide Web and was first available as a Gopher site, the AMG consumer web properties AllMusic. com, AllMovie. com and AllGame. com were sold by Rovi in July 2013 to All Media Network, LLC. All Media Network, LLC. was formed by the founders of SideReel. com. The following are contributors to AllMusic, as of this date, All Media Network also produced the AllMusic guide series that includes the AllMusic Guide to Rock, the All Music Guide to Jazz and the All Music Guide to the Blues. Vladimir Bogdanov is the president of the series, in August 2007, PC Magazine included AllMusic in its Top 100 Classic Websites list. All Media Network AllGame AllMovie SideReel All Music Guide to the Blues All Music Guide to Jazz Stephen Thomas Erlewine Official website
12.
Entertainment Weekly
–
Entertainment Weekly is an American magazine, published by Time Inc. that covers film, television, music, Broadway theatre, books and popular culture. Different from celebrity-focused publications like Us Weekly, People, and In Touch Weekly, EW primarily concentrates on entertainment media news, however, unlike Variety and The Hollywood Reporter, which are aimed at industry insiders, EW targets a more general audience. The first issue was published on February 16,1990, the cover price was $1.95 The title word entertainment was not capitalized on the cover until mid-1992 and has remained so since. By 2003, the weekly circulation averaged 1.7 million copies per week. In March 2006, managing editor Rick Tetzeli oversaw an overhaul of EWs graphics, Entertainment Weekly follows a typical magazine format by featuring a letters to the editor and table of contents in the first few pages, while also featuring advertisements. While many advertisements are unrelated to the entertainment industry, the majority of ads are typically related to up-and-coming television and these beginning articles open the magazine and as a rule focus on current events in pop culture. First Look, subtitled An early peek at some of Hollywoods coolest projects, is a spread with behind-the-scenes or publicity stills of upcoming movies. The Hit List, written each week by critic Scott Brown, highlights ten major events, Typically, there will be some continuity to the commentaries. This column was written by Jim Mullen and featured twenty events each week. The Hollywood Insider is a section that reports breaking news in entertainment. It gives details, in the columns, on the most-current news in television, movie. The Style Report is a section devoted to celebrity style. Because its focus is on celebrity fashion or lifestyle, it is rich in nature. Recently, the converted to a new format, five pictures of celebrity fashions for the week. A spin-off section, Style Hunter, which finds reader-requested articles of clothing or accessories that have appeared in pop culture recently, appears frequently. The Monitor is a two-page spread devoted to events in celebrity lives with small paragraphs highlighting events such as weddings, illnesses, arrests, court appearances. Deaths of major celebrities are typically detailed in a one-half- or full-page obituary titled Legacy and this feature is nearly identical to sister publication Peoples Passages feature. Harris column focuses on analyzing current popular-culture events, and is generally the most serious of the columns, harris has written about the writers strike and the 2008 presidential election, among other topics
13.
The Source
–
The Source is a United States-based monthly full-color magazine covering hip-hop music, politics, and culture, founded in 1988. It is the worlds longest running rap periodical, being founded as a newsletter in 1988, the Source was originally started by David Mays, a Harvard University student in Cambridge, Massachusetts. Mays decided to hire his friends, Jonathan Shecter, James Bernard and Ed Young. At the time, Mays handled duties as the publisher for the magazine, the magazines offices were moved from Massachusetts to New York City in 1990, a move that was made with the intention to expand the magazine into a mainstream market publication. The magazines annual awards show, known as The Source Awards, the Lifetime Achievement Award is the highest award given to an emcee who has contributed his/her time to succeeding in the hip-hop music industry. The Source also releases an album of hip-hop hits. The magazine expanded overseas with a French-language version, alongside The Source Latino, the company invested in mobile phones and ringtones under The Source Mobile Channel moniker, in which subscribers are offered their favorite choice of hip-hop ringtones. The Source also invested in its own urban clothing apparel company, the Source announced in a press conference that the magazine was in possession of an old tape in which a young Eminem was rapping racial slurs against Black women. For his part, Eminem did not deny making the tapes and he apologized for making the tapes but also exhorted the public to consider the origin of the allegations. Nevertheless, Eminem sued The Source for defamation and copyright infringement, the federal courts ruled in The Sources favor, and allowed a limited distribution of the tapes music and lyrics under Fair Use law. Mays and Benzino both countered the withdrawal of the lawsuit, calling it a cowardly move and they both claimed they could finally expose the truth about Eminem and planned to eventually release the racist tapes in a future magazine. It devoted its February 2004 issue to the discovery of the tapes, later, Benzino and The Source would urge video and radio stations to ban Eminems video, Just Lose It, and issue an apology to Michael Jackson. The video depicts Jackson in a light and the publication wanted to boycott the rapper. In spite of their efforts, BET was the network to ban the video. BET claimed Benzino was not the reason for the banning, Eminem released the single Like Toy Soldiers from Encore, in which he states hell walk away from it all before it gets any further. Benzino responded with the track, Look Into My Eyes. In 2005, after Kimberly Osorio had been fired, Mays. That same year he resigned after he was ordered to lower the rating of Little Brothers The Minstrel Show from four-and-a-half to four
14.
Rolling Stone
–
Rolling Stone is an American biweekly magazine that focuses on popular culture. It was founded in San Francisco in 1967 by Jann Wenner, who is still the publisher. It was first known for its coverage and for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a readership interested in youth-oriented television shows, film actors. In recent years, it has resumed its traditional mix of content, Rolling Stone magazine was founded in San Francisco in 1967 by Jann Wenner and Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. The first issue carried a date of November 9,1967. Some authors have attributed the name solely to Dylans hit single, At Gleasons suggestion, Rolling Stone initially identified with and reported the hippie counterculture of the era. In the very first edition, Wenner wrote that Rolling Stone is not just about the music, in the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazines political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith. It was at point that the magazine ran some of its most famous stories. One interviewer, speaking for a number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus. In 1977, the magazine moved its headquarters from San Francisco to New York City, editor Jann Wenner said San Francisco had become a cultural backwater. During the 1980s, the magazine began to shift towards being an entertainment magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television, films, the magazine also initiated its annual Hot Issue during this time. Rolling Stone was initially known for its coverage and for Thompsons political reporting. In the 1990s, the changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors
15.
Billboard 200
–
The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States, published weekly by Billboard magazine. It is frequently used to convey the popularity of an artist or groups of artists, often, a recording act will be remembered by its number ones, those of their albums that outperformed all others during at least one week. The chart is based mostly on sales of albums in the United States, the weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday and ends on Thursday. A new chart is published the following Tuesday with an issue post-dated to the Saturday of the following week, the charts streaming schedule is also tracked from Friday to Thursday. Example, Friday January 1 – sales tracking week begins Thursday January 7 – sales tracking week ends Tuesday January 12 – new chart published, New product is released to the American market on Fridays. Digital downloads of albums are included in Billboard 200 tabulation. Albums that are not licensed for sale in the United States are not eligible to chart. As of the issue dated April 15,2017, the album on the Billboard 200 is More Life by Drake. Billboard began an album chart in 1945, initially only five positions long, the album chart was not published on a weekly basis, sometimes three to seven weeks passing before it was updated. A biweekly, 15-position Best-Selling Popular Albums chart appeared in 1955, the position count varied anywhere from 10 to 30 albums. The first number-one album on the new weekly list was Belafonte by Harry Belafonte, the chart was renamed to Best-Selling Pop Albums later in 1956, and then to Best-Selling Pop LPs in 1957. Beginning on May 25,1959, Billboard split the ranking into two charts Best-Selling Stereophonic LPs for stereo albums and Best-Selling Monophonic LPs for mono albums and these were renamed to Stereo Action Charts and Mono Action Charts in 1960. In January 1961, they became Action Albums—Stereophonic and Action Albums—Monophonic, three months later, they became Top LPs—Stereo and Top LPs—Monaural. On August 17,1963 the stereo and mono charts were combined into a 150-position chart called Top LPs, on April 1,1967, the chart was expanded to 175 positions, then finally to 200 positions on May 13,1967. In 1960, Billboard began concurrently publishing album charts which ranked sales of older or mid-priced titles and these Essential Inventory charts were divided by stereo and mono albums, and featured titles that had already appeared on the main stereo and mono album charts. In January 1961, the Action Charts became Action Albums—Monophonic, Albums appeared on either chart for up to nine weeks, then were moved to an Essential Inventory list of approximately 200 titles, with no numerical ranking. This list continued to be published until the consolidated Top LPs chart debuted in 1963, in 1982, Billboard began publishing a Midline Albums chart which ranked older or mid-priced titles. The chart held 50 positions and was published on a bi-weekly basis, on May 25,1991, Billboard premiered the Top Pop Catalog Albums chart
16.
The Miracles
–
Formed in 1955 by Smokey Robinson, Warren Pete Moore, and Ronnie White, the group started off as the Five Chimes, changing their name to the Matadors two years later. The group then settled on the Miracles after the inclusion of Claudette Robinson in 1958, the most notable Miracles line-up included the Robinsons, Moore, White, Bobby Rogers and Marv Tarplin. In all, the group had over fifty charted hits by the time they disbanded, on the R&B charts, the Miracles scored 26 Top 10 Billboard R&B hits, with 4 R&B # 1s, and 11 U. S. R&B Top 10 Albums, including 2-#1s. Bobby Rogers and Ronald White revived the group as a touring ensemble sporadically during the 1980s, following Whites death in 1995, Rogers continued to tour with different members until he was forced into retirement due to health issues in 2011, dying less than two years later. The Miracles have been awarded many top music industry honors over the years, in 1997, the group received the Pioneer Award at the Rhythm and Blues Foundation for their musical achievements. Four years later, in 2001, they were inducted to the Vocal Group Hall of Fame, in 2004, they were ranked thirty-two on the Rolling Stone magazines list of The 100 Greatest Artists of All Time, retaining that same position seven years later, in 2011. Four of their hit songs were inducted into the Grammy Hall of Fame, in 2009, the group received a star on the Hollywood Walk of Fame. Throughout their careers, the Miracles were also enshrined with honors for their songwriting by both BMI and ASCAP, in 2008, Billboard listed them at #61 on their 100 most successful Billboard artists ever list. After much controversy, the Miracles were inducted to the Rock, the group that later became the Miracles was formed in 1955 by five teenage friends from Detroit, Michigan, under the name the Five Chimes. Three of the members, Smokey Robinson, Pete Moore. The group, influenced by such as Billy Ward and His Dominoes and Nolan Strong & the Diablos, featured Clarence Dawson. All FIVE CHIMESoriginal members attended Northern High School in Detroit, after Dawson quit the group and Grice dropped out to get married, they were replaced by Emerson Sonny Rogers and his cousin Bobby and changed their name to the Matadors. Ironically, both Smokey Robinson and Bobby Rogers were born in the hospital on the same month, date and year. In 1957, Sonny Rogers left to join the United States Army and Claudette Rogers, his sister, following two years of courtship, Smokey and Claudette married in November 1959. The group auditioned for Brunswick Records in front of Alonzo Tucker, Nat Tarnopol and one of the staff songwriters, Berry Gordy. Tucker was unimpressed by the audition, stating that there was the Platters that there couldnt be two groups in America like that with a woman in the group. Gordy recorded their first single, Got a Job, a song to the Silhouettes Get a Job in January 1958. Gordy shortly thereafter struck a deal with George Goldners End Records to distribute the single, before the song was released, the group changed their name to the Miracles, taking it from the moniker Miracletones, with the Tones taken out
17.
George Duke
–
George Duke was an American musician, known as a keyboard pioneer, composer, singer and producer in both jazz and popular mainstream musical genres. He worked with artists as arranger, music director, writer and co-writer, record producer. He first made a name for himself with the album The Jean-Luc Ponty Experience with the George Duke Trio. He was known primarily for thirty-odd solo albums, of which A Brazilian Love Affair from 1980 was his most popular, as well as for his collaborations with other musicians, George Duke was born in San Rafael, California. He was raised in Marin City and it was at the young age of 4 that Duke first became interested in the piano. His mother took him to see Duke Ellington in concert and subsequently told him about this experience, I dont remember it too well, says George, but my mother told me I went crazy. I ran around saying Get me a piano, get me a piano and he began his formal piano studies at the age of 7, at his local Baptist church. It was those early years that influenced his approach and feel. Duke attended Tamalpais High School in Mill Valley before earning a degree in trombone and composition with a minor in contrabass. Playing initially with friends from garages to local clubs, Duke quickly eased his way into session work and he later earned his masters degree in composition from San Francisco State University. Although he started out playing music he credited that his cousin Charles Burrell for convincing him to switch to jazz. Duke explained that he wanted to be free and Burrell more or less made the decision for me by convincing him to improvise, later he taught a course on Jazz And American Culture at Merritt College in Oakland. Duke appeared on a number of Frank Zappas albums through the 1970s, Frank Zappa played guitar solos on Dukes 1974 album, Feel - the instrumental Old Slippers, and Love - credited as Obdewll X, possibly due to contractual reasons. Duke covered two Zappa-composed songs on his 1975 album, The Aura Will Prevail, - Uncle Remus, Duke served as a record producer and composer on two instrumental tracks on Miles Davis albums, Backyard Ritual and Cobra. He has also worked with a number of Brazilian musicians, including singer Milton Nascimento, percussionist Airto Moreira, lynn Davis and Sheila E appeared on Dukes late-1970s solo albums Dont Let Go and Master of the Game. Duke was prominent in the R&B genre, releasing funk-based songs like Reach for It, in 1979 he traveled to Rio de Janeiro, where he recorded the album A Brazilian Love Affair, on which he employed singers Flora Purim and Milton Nascimento and percussionist Airto Moreira. The album contained music in an assortment of genres, including some Latin jazz. From a jazz standpoint, the albums most noteworthy songs include Nascimentos Cravo e Canela, Love Reborn, the track Brazilian Sugar was featured on the 2006 video game Dead or Alive Xtreme 2
18.
E-40
–
Earl Stevens better known by his stage name E-40, is an American rapper, entrepreneur, and investor from Vallejo, California. He is a member of the rap group The Click. He has released studio albums to date, appeared on numerous movie soundtracks. Initially an underground artist, his 1995 solo album In a Major Way opened him up to a wider audience, beginning in 1998, he began collaborating with more mainstream rappers outside of the Bay Area. He rose to even higher popularity in 2006 with his single Tell Me When to Go which was produced by Lil Jon. Earl E-40 Stevens graduated from Dr. James J. Hogan Senior High School in Vallejo, E-40 made his rap debut in 1986, with the EP Lets Side as a member of The Click. The EP was co-produced by Mike Mosley and Al Eaton and was released on Sick Wid It Records, in 1992 they released second album, Down and Dirty, and in 1993 E-40 made his solo album debut. Federal, a nine-track LP/14-track CD produced by Studio Ton and released by Sick Wid It Records in association with SMG, after a talent show at Grambling State University, the emcee and his cousin B-Legit decided to attempt a career in rap. Together, and with his sister Suga-T, they released their 1993 mainstream radio hit Captain Save a Hoe and they moved back to Vallejo and teamed up with D-Shot, E-40s brother, to form the group MVP or Most Valuable Players. E-40s gospel singing uncle helped them put out the record, Suga-T was then added to the group to form The Click. Thus, six solo albums were to follow, beginning with In a Major Way in 1995 as well as remastered versions of E-40s independent Sick Wid It recordings from previous years. In a Major Way was regionally well-received, with guest spots by such rappers as Tupac Shakur and Mac Mall, as well as his son Droop-E. His collaboration with southern rappers continued in 1998, when he was given guest appearances on albums by Southern rappers, including Lost by Eightball, in 2003, E-40 began hosting E-Feezy Radio, a weekly program San Francisco hip-hop radio station KMEL that showcased Bay Area hip hop. KMEL regularly broadcast the program until 2008, after completing a deal with Jive Records he signed with Lil Jons BME Recordings and Warner Bros. After the signing, he appeared on Lil Jons single Snap Yo Fingers, also featuring Sean P of YoungBloodz, which became a hit reaching the top 10 of the Billboard Hot 100. Afterwards, his single Tell Me When To Go, featuring Oakland rapper Keak Da Sneak, became popular throughout the United States, publicity for E-40 was achieved through the MTV special My Block, The Bay. He later released U And Dat in April 2006, featuring T-Pain and Kandi Girl and his album My Ghetto Report Card debuted at #1 on the Top R&B/Hip-Hop Albums chart and #3 on the Billboard Hot 200 on March 14,2006. Released through Sick Wid It/BME/Warner Bros, Records, the album was produced by Lil Jon, Rick Rock, and E-40s son, Droop-E
19.
Isaac Hayes
–
Isaac Lee Hayes Jr. was an American singer-songwriter, actor, voice actor and producer. Hayes was also a 2002 inductee into the Rock and Roll Hall of Fame. The song Soul Man, written by Hayes and Porter and first performed by Sam & Dave, has recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame. It was also honored by The Rock and Roll Hall of Fame, by Rolling Stone magazine, during the late 1960s, Hayes also began a career as a recording artist. He had several successful albums such as Hot Buttered Soul. In addition to his work in music, he worked as a composer of musical scores for motion pictures. He was well known for his score for the film Shaft. For the Theme from Shaft, he was awarded the Academy Award for Best Original Song in 1972 and he became the third African-American, after Sidney Poitier and Hattie McDaniel, to win an Academy Award in any competitive field covered by Academy of Motion Picture Arts and Sciences. He also won two Grammy Awards for that same year, later, he was given his third Grammy for his music album Black Moses. In recognition of his work there Hayes was crowned honorary king of the Ada. He acted in motion pictures and television, such as in the movies Truck Turner and Im Gonna Git You Sucka and he voiced the character Chef from the animated Comedy Central series South Park from its debut in 1997 until 2005. On August 5,2003, Hayes was honored as a BMI Icon at the 2003 BMI Urban Awards for his influence on generations of music makers. Throughout his songwriting career, Hayes received five BMI R&B Awards, as of 2008, his songs generated more than 12 million performances. Isaac Hayes, Jr. was born in Covington, Tennessee and he was the second child of Eula and Isaac Hayes, Sr. After his mother died young and his father abandoned his family, Isaac, Jr. was raised by his grandparents, Mr. and Mrs. Willie Wade. The child of a family, he grew up working on farms in Shelby County, Tennessee. At age five Hayes began singing at his church, he taught himself to play the piano, the Hammond organ, the flute. Hayes dropped out of school, but his former teachers at Manassas High School in Memphis encouraged him to complete his diploma
20.
Discogs
–
Discogs, short for discographies, is a website and crowdsourced database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. The Discogs servers, currently hosted under the domain name discogs. com, are owned by Zink Media, Inc. and are located in Portland, Oregon, US. While the site lists releases in all genres and on all formats, it is known as the largest online database of electronic music releases. Discogs currently contains over 8 million releases, by nearly 4 and he was inspired by the success of community-built sites such as Slashdot, eBay, and Open Directory Project, and decided to use this model for a music discography database. The sites original goal was to build the most comprehensive database of music, organized around the artists, labels. In 2003 the Discogs system was rewritten, and in January 2004 it began to support other genres. Since then, it has expanded to include rock and jazz in January 2005 and funk/soul, Latin, in January 2006 blues and non-music were added. On 30 June 2004, Discogs published a report, which included information about the number of its contributors and this report claimed that Discogs had 15,788 contributors and 260,789 releases. On 20 July 2007 a new system for sellers was introduced on the site called Market Price History. However, at the beginning of 2008, the Market Price History was also free of charge for all users. In late 2014, the company released two new beta websites, gearogs lets users add and track music equipment like synths, drum machines, and other electronic music making equipment. At the start of 2015, the company began another beta project — Bibliogs, users can submit information about their books, physical or electronic, different versions and editions, and also connect different credits to these books. 21,000 books were submitted by the end of 2016, the project remains in its beta phase. The license has since changed to a public domain one. Prior to the advent of this license and API, Discogs data was only accessible via the Discogs web sites HTML interface and was intended to be viewed only using web browsers, the HTML interface remains the only authorized way to modify Discogs data. On 7 June 2011 version 2 of the API was released, notable in this release was that a license key was no longer required, the default response was changed from XML to JSON, and the 5000 queries per day limit was removed. On 1 November 2011 a major update to version 2 of the API was released and this new release dropped support for XML, data is always returned in JSON format, however the monthly data dumps of new data are only provided in XML format. Additionally the Premium API service was dropped, on 24 June 2014 Discogs deprecated their XML API in lieu of a JSON-formatted API
21.
MusicBrainz
–
MusicBrainz is a project that aims to create an open data music database that is similar to the freedb project. MusicBrainz was founded in response to the placed on the Compact Disc Database. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become an open online database for music. MusicBrainz captures information about artists, their works, and the relationships between them. Recorded works entries capture at a minimum the album title, track titles, and these entries are maintained by volunteer editors who follow community written style guidelines. Recorded works can also store information about the date and country. As of 26 July 2016, MusicBrainz contained information about roughly 1.1 million artists,1.6 million releases, end-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as MP3, Ogg Vorbis or AAC. As with other contributions, the MusicBrainz community is in charge for maintaining and reviewing the data, besides collecting metadata about music, MusicBrainz also allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this, in 2000, MusicBrainz started using Relatables patented TRM for acoustic fingerprint matching. This feature attracted many users and allowed the database to grow quickly, however, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions. This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, tRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND, some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free service was uncertain, a replacement for it was sought. The Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský, while AcoustID and Chromaprint are not officially MusicBrainz projects, they are closely tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second, additional post-processing is then applied to compress this fingerprint while retaining patterns. The AcoustID search server then searches from the database of fingerprints by similarity, since 2003, MusicBrainzs core data are in the public domain, and additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL, the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, in December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye
22.
Tower Records
–
Tower Records was a retail music chain based in Sacramento, California. It currently exists as a franchise and an online music store. From 1960 until 2006, Tower operated retail stores in the United States, Tower. com was purchased by a separate entity and was not affected by the retail store closings. The corporate name was MTS Inc. but this was compared to the much more widely recognized Tower Records. In 1960, Russell Solomon opened the first Tower Records store on Watt Avenue, in Sacramento and he named it for his fathers drugstore, which shared a building and name with the Tower Theater, where Solomon first started selling records. By 1976, Solomon had opened Tower Books, Posters, and Plants at 1600 Broadway, in 1995, Tower. com opened, making the enterprise one of the first retailers to move online. Seven years after its founding, Tower Records expanded to San Francisco, opening a store in what was originally a store at Bay Street. The Tower Records stores in Japan split off from the chain and are now independent. In New York City, Tower Records operated a suite of stores on and it was a noted hangout for teenagers from the wider metropolitan area. The Tower Records Annex was in the building, but located in the back at the southwest corner of East 4th and Lafayette Streets, and stocked items that were older. The third store, Tower Video located on the southeast corner of East 4th and Lafayette Streets, specialized in video and, for a while, the second floor of this location also sold books. Their location on the Upper West Side, near Lincoln Center on 66th Street, the Nashville location on West End Avenue was in a former Packard dealership. The old showroom floor in front was devoted to CDs, cassettes, the area in the back housed videocassette sales and rentals, PC and console games and music paraphernalia. The strip mall next door contained a separate Tower Books, the location was famous for their late-night Monday events that culminated at midnight on Tuesday when staff started ringing up sales of new releases. Because of the proximity to Music Row, country music stars could occasionally be seen performing or shopping there. As part of a 2002 settlement with 41 states over CD price fixing Tower Records, along with retailers Musicland and Trans World Entertainment and it is estimated that between 1995 and 2000 customers were overcharged by nearly $500 million and up to $5 per album. In 2005, the company began using scan and listen stations in its stores and these stations allowed customers to listen to audio samples from CDs and to search for particular songs, albums and artists. This model of listening station is used at the Arizona-based chain Zia Records
23.
Let It Be Known
–
Let It Be Known is a seven track EP by American rapper Spice 1. It peaked at number 69 on the Billboard Top R&B/Hip-Hop Albums, the album was produced entirely by Ant Banks. Ghetto Thang Let It Be Known 187 Proof 1-900-S. P. I. C. E, in My Neighborhood Break Yourself City Streets Let It Be Known at Discogs Let It Be Known at MusicBrainz
24.
1990-Sick
–
1990-Sick is the fourth studio album by American rapper Spice 1, released December 5,1995, on Jive Records. The album was produced by Ant Banks, Blackjack, Bosko, Chase and it peaked at number 3 on the Billboard Top R&B/Hip-Hop Albums and at number 30 on the Billboard 200. One single, 1990-Sick, peaked at number 91 on the Billboard Hot R&B/Hip-Hop Songs, the album features guest appearances by MC Eiht, E-40, Kokane, Joya, Young Kyoz and G-Nut of 187 Fac. Along with singles, music videos were released for two songs, 1990-Sick featuring MC Eiht, and Aint No Love featuring Levitti, G-Nut makes a cameo appearance in 1990-Sick. Most artists throw a release party when they complete an album. After wrapping his latest album, 1990-Sick, he turned himself in to Oakland police, Spice was forced to lie low last summer while making the album, since cops were armed with a warrant for his arrest on illegal weapons charges. In between hiding and recording, he made a video for his first single, 1990-Sick, after serving two weeks in prison, he was released due to overcrowding. Allmusic –. Building from a solid West Coast hip-hop base, Spice 1 adds ragamuffin and dancehall flourishes, Spice 1 is an engaging rapper. The Source –. The way he switches flows from semi-automatic fire to fully automatic is enough to make you overlook the weak points of the CD, Spice may be 1990-SICK, but hes still 187-Pure
25.
The Black Bossalini
–
The Black Bossalini is the fifth studio album by American rapper Spice 1, released October 28,1997 on Jive Records. The album was produced by Ant Banks, Clint Payback Sands, Mike Mosley, Paris and it peaked at number 28 on the Billboard 200 and at number 5 on the Billboard Top R&B/Hip-Hop Albums. The album features guest appearances by WC, Big Syke, Ice-T, Too Short, Kokane, MC Breed, Yukmouth, along with a single, a music video was released for the song, Playa Man. The song,2 Hands & a Razorblade, was heard in the film, Dangerous Ground. Allmusic -. There are a couple of Southern Californian flourishes here and there. its a record that should appeal to his legions of fans
26.
Immortalized (Spice 1 album)
–
Immortalized, produced by Scott Russell Gordon and Spice 1, is the sixth album by Spice 1. This is his album after his debut ten years earlier. Track titles like, Fuck the World, Ride Fo Mine, Killerfornia, the production on most tracks, is California G-funk. The song Suckas Do What They Can, includes Yukmouth from the Luniz and Spices mentor Too $hort, thug Poetry Suckas Do What They Can U Cant Fade Me Skit U Cant Fade Me Club Skit Can I Hit It. High Powered Killerfornia News Flash Skit Gone with the Wind Too Deep in the Game Make Sure They Bleed Ride Fo Mine Street Skit Immortalized Fuck the World Droopy Skit 187 Proof Ride wit Me
27.
The Last Dance (Spice 1 album)
–
The Last Dance is Spice 1s seventh studio album. It was released on May 16,2000 in the U. S. and features appearances from rap artists MJG, RBL Posse, The Outlawz, Bad Azz, UGK and this was also his first independent album since leaving Jive. It was well received by fans, praising Spice for returning to his raw lyricism and murderous tales, reminiscent of previous albums such as 187 He Wrote, player Pieces 20/20s Who Can I Trust. Murder Man Dance Got Gunz G. A. M. E, thug Thang Y2G How We Ride Ghetto Soldier One Luv Gunz & Money Chocolate Philly
28.
Spiceberg Slim
–
Spiceberg Slim is the eighth studio album by American rapper Spice 1. The album was released in 2002 for Hard Tyme Records, & Riviera Records and made it to #79 on the Top R&B/Hip-Hop album charts, the album also featured guest appearances from Kokane, Tray Dee, Outlawz and Jayo Felony. Spiceberg Slim -3,38 Welcome Back to the Ghetto -4,09 If It Aint Rough, Kokane & Tray Deee -3,39 You Got Me Fucked Up -3,25 Turn da Heat Down feat. Spade -3,44 Niggas I Roll Wit -3,44 Lucky Im Rappin feat, Jayo Felony -3,46 Azz Hole Naked -4,07 Das OK feat. Band Welcome Back to the Ghetto Inner City Blues by Marvin Gaye
29.
The Ridah
–
The Ridah is the ninth studio album of US rapper Spice 1. Keith Andrews, Travis Wilcox, and Robert Green Spice 1 partnered up with Rajan Dave to produce it under XtraLaced Records, LLC. Work It Tonite track 1, a Punjabi East Indian Crossover, was produced by Manesh Judge & Noor Lodhi of Cold Fusion featuring Barinder Judge on vocals, XtraLaced Records, LLC was dissolved in 2004 and The Ridah was released June 8,2004 on Independent Warrior Records. Tha Eastsidaz -4,09 Reckless Eyeballin -3,40 Nature to Ride -3,43 Kizz My Azz -3,22 Pimp Pizzle feat. Dru Down -4,33 Cutthroat Game, Pt.2 -3,54 Boomin Pistols -3,04 Thug World feat, kurupt -3,261 in a Million -3,20 U Gotta Take It feat. 2Pac, LP & Headstrong -3,55 Behind Closed Doors, Pt.2 -4,02 Im a Boss -3,51 Pimp Pizzle feat
[1]
[3]