1.
Mixtape
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A mixtape is a home-made compilation of music recorded in a specific order, traditionally onto a cassette tape, though later replaced by CD or MP3 playlist formats. The songs can be sequential, or by beatmatching the songs and creating overlaps, compilations may include a selection of favorite songs, or music linked by theme or mood, perhaps tailored to the tapes intended recipient. Writing in 2004, essayist Geoffrey OBrien called the mix tape perhaps the most widely practiced American art form. Homemade mix tapes became common in the 1980s, but improvements in fidelity finally allowed the cassette to become a major player. The growth of the mixtape was also encouraged by improved quality and increased popularity of audio players in car entertainment systems. These recordings tended to be of technical ability than home-made mixtapes. One 12 October 1974 article in Billboard Magazine reported, Tapes were originally dubbed by jockeys to serve as standbys for times when they did not have disco turntables to hand, the tapes represent each jockeys concept of programming, placing, and sequencing of record sides. The music is heard without interruption, one- to three-hour programs bring anywhere from $30 to $75 per tape, mostly reel-to-reel, but increasingly on cartridge and cassette. Club proprietors, as well as DJs, would often prepare such tapes for sale, throughout the 1980s, mixtapes were a highly visible element of youth culture. The high point of traditional culture was arguably the publication of Nick Hornbys novel High Fidelity in 1995. Some mix enthusiasts also appreciate the potential of the mix CD for extended, continuous mixes, MP3 players have further enhanced track accessibility, though ones without a screen defeat that purpose. Today, websites concerned with electronic music provide mixes in a digital format and these usually consist of recorded DJ sets of live, beat-matched mixes of songs, which are used by DJs seeking to demonstrate their mixing skills to an online audience. Some radio shows worldwide specialize in mix series, including The Breezeblock on BBC Radio 1, The Solid Steel Show, and Eddy Temple-Morris/The Remix on Xfm. Additionally, DJs such as Grandmaster Flash, DJ QBert, DJ Spooky, DJ Z-Trip or DJ Shadow, The Avalanches, and Rjd2 have gained fame for creating new songs by combining fragments of existing songs. This practice is derived from the use of song loops as musical backdrops for an MCs rhymes in hip hop music. Frank Creighton, a director of anti-copyright infringement efforts for the Recording Industry Association of America and this requires the mixtape creator to consider the transitions between songs, the effects caused by juxtaposing a soft song with a loud song, and the overall narrative arc of the entire tape. It also came with an actual CD featuring ten of the songs discussed in the text, many have been so widely distributed that the CDDB has logged and can identify ID3 tags when a disc mix tape is inserted into a PC. In hip hops earliest days, the music existed in live form, so performers music was spread via tapes of parties
2.
Future (rapper)
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Nayvadius DeMun Wilburn, known professionally as Future, is an American rapper, singer, songwriter, and record producer. Born and raised in Atlanta, Georgia, Wilburn first became involved in music as part of the Dungeon Family collective, where he was nicknamed the Future. After amassing a series of mixtapes between 2010 and 2011, Future signed a record label deal with Epic Records and A1 Recordings. He subsequently released his album, Pluto, in April 2012 to positive reviews. Futures second album, Honest, was released in April 2014, between late 2014 and early 2015, he released a trio of mixtapes, Monster, Beast Mode, and 56 Nights. His next releases, DS2, What a Time to Be Alive, EVOL, FUTURE, the latter two made him the first artist to debut to two albums consecutively at the top of that chart. Future has also released several singles certified gold or higher by the RIAA, including Turn On the Lights, Move That Dope, Fuck Up Some Commas, Where Ya At, Jumpman, nayvadius DeMun Wilburn was born on November 20,1983 in Atlanta, Georgia. He began using his name while performing as one of the members of the musical collective The Dungeon Family. His first cousin, record producer and Dungeon Family member Rico Wade, encouraged him to sharpen his writing skills, Future voices his praise of Wades musical influence and instruction, calling him the mastermind behind his sound. He soon came under the wing of Atlantas own Rocko who signed him to his label A-1 Recordings, since then his work ethic has driven him to his success. From 2010 to early 2011, Future released a series of mixtapes including 1000, Dirty Sprite, the latter included the single Tony Montana, in reference to the Scarface film. During that time, Future was also partnering with a fellow rapper Gucci Mane on their collaborative album Free Bricks, and co-wrote YCs single Racks. Future signed a label recording contract with Epic Records fellow American rapper Rockos A1 Recordings, in September 2011, days before the release of his next mixtape. The mixtape was described by XXL magazine as ranging from simple and it would almost feel antiquated if Future werent amassing hits, or if he werent bringing some subtle new dimensions to the micro-genre. Though Future had told MTV that Streetz Calling would be his final mixtape prior to the release of his studio album, another mixtape. In December 2011, Future was featured on the cover of Issue #77 of The FADER, before his album being released in April 2012. Future was selected to the annual XXL Freshmen list in early 2012 and his debut album Pluto, originally planned for January, was eventually released on April 17. It included remixes of Tony Montana featuring Drake and Magic featuring T. I, according to Future, Magic was the first record T. I. jumped on when he came outta jail
3.
Hip hop music
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It developed as part of hip hop culture, a subculture defined by four key stylistic elements, MCing/rapping, DJing/scratching with turntables, break dancing, and graffiti writing. Other elements include sampling beats or bass lines from records, while often used to refer solely to rapping, hip hop more properly denotes the practice of the entire subculture. Hip hops early evolution occurred as sampling technology and drum machines became available and affordable. Turntablist techniques such as scratching and beatmatching developed along with the breaks and Jamaican toasting, rapping developed as a vocal style in which the artist speaks or chants along rhythmically with an instrumental or synthesized beat. The Sugarhill Gangs 1979 song Rappers Delight is widely regarded to be the first hip hop record to gain popularity in the mainstream. The 1980s marked the diversification of hip hop as the genre developed more complex styles, prior to the 1980s, hip hop music was largely confined within the United States. However, during the 1980s, it began to spread to scenes in dozens of countries. New school hip hop was the wave of hip hop music, originating in 1983–84 with the early records of Run-D. M. C. The Golden age hip hop period was a period between the mid-1980s and the early 1990s. Notable artists from this era include the Juice Crew, Public Enemy, & Rakim, Boogie Down Productions and KRS-One, EPMD, Slick Rick, Beastie Boys, Kool G Rap, Big Daddy Kane, Ultramagnetic MCs, De La Soul, and A Tribe Called Quest. Gangsta rap is a subgenre of hip hop that often focuses on the violent lifestyles, in the West Coast hip hop style, G-funk dominated mainstream hip hop for several years during the 1990s. I. G. In the 1990s, hip hop began to diversify with other regional styles emerging, such as Southern rap, at the same time, hip hop continued to be assimilated into other genres of popular music, examples being Neo soul and nu metal. Hip hop became a pop music genre in the mid-1990s. The popularity of hip hop music continued through the 2000s, with hip hop influences also increasingly finding their way into mainstream pop, the United States also saw the success of regional styles such as crunk, a Southern genre that emphasized the beats and music more than the lyrics. Starting in 2005, sales of hip hop music in the United States began to severely wane, during the mid-2000s, alternative hip hop secured a place in the mainstream, due in part to the crossover success of artists such as OutKast and Kanye West. Creation of the hip hop is often credited to Keith Cowboy, rapper with Grandmaster Flash. However, Lovebug Starski, Keith Cowboy, and DJ Hollywood used the term when the music was known as disco rap. Cowboy later worked the hip hop cadence into a part of his stage performance, the first use of the term in print was in The Village Voice, by Steven Hager, later author of a 1984 history of hip hop
4.
Freebandz
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Freebandz is a record label founded by American hip hop recording artist Future. The labels releases are distributed through Epic Records, the artists under the label are referred to as the Freeband Gang. Future signed a label deal with Epic Records in September 2011, days before the release of his mixtape. The mixtape was described by XXL magazine as ranging from simple and it would almost feel antiquated if Future werent amassing hits, or if he werent bringing some subtle new dimensions to the micro-genre. Though Future had told MTV that Streetz Calling would be his final mixtape prior to the release of his studio album, another mixtape. In December 2011, Future was featured on the cover of Issue #77 of The FADER, before his album being released in April 2012. Future was selected to the annual XXL Freshmen list in early 2012 and his debut album Pluto, originally planned for January, was eventually released on April 17. It included remixes of Tony Montana featuring Drake and Magic featuring T. I, according to Future, Magic was the first record T. I. jumped on when he came outta jail. Like, he was out of jail a day and he jumped straight on the Magic record without me even knowing about it, the track became Futures first single to enter the Billboard Hot 100 chart. Other collaborators on the album include Trae Tha Truth, R. Kelly and Snoop Dogg On October 8,2012, Pusha T released Pain featuring Future, in 2012, Future wrote, produced and was featured on Loveeeeeee Song taken from Barbadian singer Rihannas seventh studio album Unapologetic. On January 15,2013, Future released the compilation mixtape F. B. G, the Movie which features the artists signed to his Freebandz label, Young Scooter, Slice9, Casino, Mexico Rann and Maceo. It was certified platinum for having over 250,000 downloads on mixtape site DatPiff. Future said of his studio album Future Hendrix it will be a more substantive musical affair than his debut album. The album was to be released in 2013, the album will feature Kanye West, Rihanna, Ciara, Drake, Kelly Rowland, Jeremih, Diplo, and André3000, among others. The albums lead single, Karate Chop featuring Casino, premiered on January 25,2013 and was sent to radio on January 29,2013. The song is produced by Metro Boomin, the official remix, which features Lil Wayne, was sent radio and was released on iTunes on February 19,2013. On August 7,2013, Future changed the title of his album from Future Hendrix to Honest. It was later revealed that the album would be pushed back to April 22,2014, in December 2013, it was announced that Future would make a guest appearance on Kat Dahlias upcoming debut, My Garden
5.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
6.
Southside (record producer)
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Joshua Howard Luellen, professionally known as Southside, or by his stage name Young Sizzle, is an American record producer, songwriter and rapper. Southside gained recognition in the hip hop industry for producing songs for prominent artists across the American hip hop sphere. In 2010, Southside and fellow 1017 label-mate Lex Luger, established their production and songwriting team 808 Mafia. The basis for his name came from the place from where Luellen grew up, Southside. Southside grew up in the Southside region of Atlanta, Georgia, growing up, he was an accomplished baseball player and excelled in numerous baseball positions but eventually gave up the sport after suffering a concussion when he was hit in the head with a ball. He started making beats when he was 14 years old, when he got his first computer with his uncle and it was around his mid teenage years that Southside decided to start take music production as a serious career path. He was later discovered by then unknown rapper Waka Flocka Flame when he was 17 and through Wakas network, Gucci Mane eventually signed him to his label 1017 Brick Squad Records. At Bricksquad Records, Luellen met Lex Luger, who was producer for Waka Flocka. Southside’s first major release was the song Fuck the Club Up, in 2011, Southside co-produced the track Illest Motherfucker Alive, from Kanye West & Jay-Z’s critically acclaimed album Watch the Throne. This helped to boost his career and bring him into the hip hop scene. He has since worked with such as Rick Ross, B. o. B, Wale, Meek Mill, Lil Scrappy. Southside was the producer of Gucci Mane & Waka Flocka’s collaboration album Ferrari Boyz and on Flocka’s sophomore album Triple F Life, Friends. In January 2013, Southside produced Millions - the lead single from Pusha Ts mixtape Wrath of Caine, the music video for the song was released on February 10. The song sparked controversy when producer Rico Beats was asked to modify Southsides instrumental for the version of the song. Southside wasnt notified of the changes, which led to the two producers exchanging threats over Twitter, in Wrath of Caines official track list, Kanye West is credited as co-producer, instead of Rico Beats. Also in 2013, Southside & TM88 produced the song Tapout by Birdman for his album Rich Gang, the song peaked at #44 on the Billboard Hot 100 and have been certified Gold By The RIAA. Throughout the early 2010s, Southsides productions have featured on numerous mixtapes. Along with 808 Mafia’s TM88, the single “Danny Glover” became a breakout in early 2014 for Gucci Manes protégé Young Thug was produced by Southside, the well received project has seen more than a million combined streams and downloads via the online mixtape site DatPiff
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