1.
Order of Saint Benedict
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Each community within the order maintains its own autonomy, while the order itself represents their mutual interests. Internationally, the order is governed by the Benedictine Confederation, a body, established in 1883 by Pope Leo XIIIs Brief Summum semper, individuals whose communities are members of the order generally add the initials OSB after their names. The monastery at Subiaco in Italy, established by Saint Benedict of Nursia circa 529, was the first of the monasteries he founded. He later founded the Abbey of Monte Cassino, there is no evidence, however, that he intended to found an order and the Rule of Saint Benedict presupposes the autonomy of each community. It was from the monastery of St. Andrew in Rome that Augustine, the prior, at various stopping places during the journey, the monks left behind them traditions concerning their rule and form of life, and probably also some copies of the Rule. Lérins Abbey, for instance, founded by Honoratus in 375, probably received its first knowledge of the Benedictine Rule from the visit of St. Augustine, in Gaul and Switzerland, it supplemented the much stricter Irish or Celtic Rule introduced by Columbanus and others. In many monasteries it eventually displaced the earlier codes. Largely through the work of Benedict of Aniane, it became the rule of choice for monasteries throughout the Carolingian empire, Monastic scriptoria flourished from the ninth through the twelfth centuries. Sacred Scripture was always at the heart of every monastic scriptorium, as a general rule those of the monks who possessed skill as writers made this their chief, if not their sole active work. In the Middle Ages monasteries were founded by the nobility. Cluny Abbey was founded by William I, Duke of Aquitaine in 910, the abbey was noted for its strict adherence to the Rule of St. Benedict. The abbot of Cluny was the superior of all the daughter houses, one of the earliest reforms of Benedictine practice was that initiated in 980 by Romuald, who founded the Camaldolese community. The English Benedictine Congregation is the oldest of the nineteen Benedictine congregations, Augustine of Canterbury and his monks established the first English Benedictine monastery at Canterbury soon after their arrival in 597. Many of the sees of England were founded and governed by the Benedictines. Monasteries served as hospitals and places of refuge for the weak, the monks studied the healing properties of plants and minerals to alleviate the sufferings of the sick. Germany was evangelized by English Benedictines, willibrord and Boniface preached there in the seventh and eighth centuries and founded several abbeys. In the English Reformation, all monasteries were dissolved and their lands confiscated by the Crown, during the 19th century they were able to return to England, including to Selby Abbey in Yorkshire, one of the few great monastic churches to survive the Dissolution. St. Mildreds Priory, on the Isle of Thanet, Kent, was built in 1027 on the site of an abbey founded in 670 by the daughter of the first Christian King of Kent, currently the priory is home to a community of Benedictine nuns
2.
Monastery
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A monastery is a building or complex of buildings comprising the domestic quarters and workplaces of monastics, monks or nuns, whether living in communities or alone. A monastery generally includes a place reserved for prayer which may be a chapel, church or temple, a monastery complex typically comprises a number of buildings which include a church, dormitory, cloister, refectory, library, balneary and infirmary. These may include a hospice, a school and a range of agricultural and manufacturing such as a barn. In English usage, the monastery is generally used to denote the buildings of a community of monks. In modern usage, convent tends to be applied only to institutions of female monastics, historically, a convent denoted a house of friars, now more commonly called a friary. Various religions may apply these terms in specific ways. The earliest extant use of the term monastērion is by the 1st century AD Jewish philosopher Philo in On The Contemplative Life, in England the word monastery was also applied to the habitation of a bishop and the cathedral clergy who lived apart from the lay community. Most cathedrals were not monasteries, and were served by canons secular, however, some were run by monasteries orders, such as York Minster. Westminster Abbey was for a time a cathedral, and was a Benedictine monastery until the Reformation. They are also to be distinguished from collegiate churches, such as St Georges Chapel, in most of this article, the term monastery is used generically to refer to any of a number of types of religious community. In the Roman Catholic religion and to some extent in certain branches of Buddhism, there is a more specific definition of the term. Buddhist monasteries are generally called vihara, viharas may be occupied by males or females, and in keeping with common English usage, a vihara populated by females may often be called a nunnery or a convent. However, vihara can also refer to a temple, in Tibetan Buddhism, monasteries are often called gompa. In Thailand, Laos and Cambodia, a monastery is called a wat, in Burma, a monastery is called a kyaung. A Christian monastery may be an abbey, or a priory and it may be a community of men or of women. A charterhouse is any monastery belonging to the Carthusian order, in Eastern Christianity, a very small monastic community can be called a skete, and a very large or important monastery can be given the dignity of a lavra. The great communal life of a Christian monastery is called cenobitic, as opposed to the life of an anchorite. In Hinduism monasteries are called matha, mandir, koil, or most commonly an ashram, jains use the Buddhist term vihara
3.
Visigoths
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The Visigoths were the western branches of the nomadic tribes of Germanic peoples referred to collectively as the Goths. These tribes flourished and spread throughout the late Roman Empire in Late Antiquity, the Visigoths emerged from earlier Gothic groups who had invaded the Roman Empire beginning in 376 and had defeated the Romans at the Battle of Adrianople in 378. Relations between the Romans and the Visigoths were variable, alternately warring with one another and making treaties when convenient, the Visigoths invaded Italy under Alaric I and sacked Rome in 410. The Visigoths first settled in southern Gaul as foederati of the Romans – a relationship established in 418, however, they soon fell out with their Roman hosts and established their own kingdom with its capital at Toulouse. They next extended their authority into Hispania at the expense of the Suebi, in 507, however, their rule in Gaul was ended by the Franks under Clovis I, who defeated them in the Battle of Vouillé. After that, the Visigoth kingdom was limited to Hispania, in or around 589, the Visigoths under Reccared I converted from Arianism to Nicene Christianity, gradually adopting the culture of their Hispano-Roman subjects. Their legal code, the Visigothic Code abolished the practice of applying different laws for Romans. Once legal distinctions were no longer being made between Romani and Gothi, they became known collectively as Hispani, in the century that followed, the region was dominated by the Councils of Toledo and the episcopacy. In 711 or 712, a force of invading African Moors defeated the Visigoths in the Battle of Guadalete and their king and many members of their governing elite were killed, and their kingdom rapidly collapsed. During their governance of the Kingdom of Hispania, the Visigoths built several churches that survive and they also left many artifacts, which have been discovered in increasing numbers by archaeologists in recent times. The Treasure of Guarrazar of votive crowns and crosses is the most spectacular and they founded the only new cities in western Europe from the fall of the Western half of the Roman Empire until the rise of the Carolingian dynasty. Many Visigothic names are still in use in modern Spanish and Portuguese, contemporaneous references to the Gothic tribes use the terms Vesi, Ostrogothi, Thervingi, and Greuthungi. Most scholars have concluded that the terms Vesi and Tervingi were both used to refer to one particular tribe, while the terms Ostrogothi and Greuthungi were used to refer to another. In addition, the Notitia Dignitatum equates the Vesi with the Tervingi in a reference to the years 388–391, the earliest sources for each of the four names are roughly contemporaneous. The first recorded reference to the Tervingi is in a eulogy of the emperor Maximian, delivered in or shortly after 291 and it says that the Tervingi, another division of the Goths, joined with the Taifali to attack the Vandals and Gepidae. The first known use of the term Ostrogoths is in a document dated September 392 from Milan and this would explain why the latter terms dropped out of use shortly after 400, when the Goths were displaced by the Hunnic invasions. Wolfram believes that the people Zosimus describes were those Tervingi who had remained behind after the Hunnic conquest, for the most part, all of the terms discriminating between different Gothic tribes gradually disappeared after they moved into the Roman Empire. The last indication that the Goths whose king reigned at Toulouse thought of themselves as Vesi is found in a panegyric on Avitus by Sidonius Apollinaris dated 1 January 456, most recent scholars have concluded that Visigothic group identity emerged only within the Roman Empire
4.
Nave
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The nave /ˈneɪv/ is the central aisle of a basilica church, or the main body of a church between its western wall and its chancel. It is the zone of a church accessible by the laity, the nave extends from the entry — which may have a separate vestibule — to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave and it provides the central approach to the high altar. The term nave is from medieval Latin navis, a ship was an early Christian symbol. The term may also have suggested by the keel shape of the vaulting of a church. The earliest churches were built when builders were familiar with the form of the Roman basilica and it had a wide central area, with aisles separated by columns, and with windows near the ceiling. Old St. Peters Basilica in Rome is a church which had this form. It was built in the 4th century on the orders of Roman emperor Constantine I, the nave, the main body of the building, is the section set apart for the laity, while the chancel is reserved for the clergy. In medieval churches the nave was separated from the chancel by the rood screen, medieval naves were divided into bays, the repetition of form giving an effect of great length, and the vertical element of the nave was emphasized. During the Renaissance, in place of dramatic effects there were more balanced proportions, longest nave in Denmark, Aarhus Cathedral,93 metres. Longest nave in England, St Albans Cathedral, St Albans,84 metres, longest nave in Ireland, St Patricks Cathedral, Dublin,91 metres. Longest nave in France, Bourges Cathedral,91 metres, including choir where a crossing would be if there were transepts, longest nave in Germany, Cologne cathedral,58 metres, including two bays between the towers. Longest nave in Italy, St Peters Basilica in Rome,91 metres, longest nave in Spain, Seville,60 metres, in five bays. Longest nave in the United States, Cathedral of Saint John the Divine, New York City, highest vaulted nave, Beauvais Cathedral, France,48 metres high but only one bay of the nave was actually built but choir and transepts were completed to the same height. Highest completed nave, Rome, St. Peters, Italy,46 metres high, abbey, with architectural discussion and groundplans Cathedral architecture Cathedral diagram List of highest church naves
5.
Apse
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In architecture, an apse is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an Exedra. Smaller apses may also be in other locations, especially shrines, an apse is a semicircular recess covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, in relation to church architecture it is generally the name given to where the altar is placed or where the clergy are seated. An apse is occasionally found in a synagogue, e. g. Maoz Haim Synagogue, the apse is separated from the main part of the church by the transept. Smaller apses are sometimes built in other than the east end. The domed apse became a part of the church plan in the early Christian era. In the Eastern Orthodox tradition, the apse is known as diaconicon. Various ecclesiastical features of which the apse may form part are drawn here, The chancel, directly to the east beyond the choir contains the High Altar. This area is reserved for the clergy, and was formerly called the presbytery. Hemi-cyclic choirs, first developed in the East, came to use in France in 470, famous northern French examples of chevets are in the Gothic cathedrals of Amiens, Beauvais and Reims. The word ambulatory refers to an aisle in the apse that passes behind the altar and choir. An ambulatory may refer to the passages that enclose a cloister in a monastery, or to other types of aisles round the edge of a church building
6.
Column
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A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member, the term column applies especially to a large round support with a capital and a base or pedestal and made of stone, or appearing to be so. A small wooden or metal support is called a post. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces, other compression members are often termed columns because of the similar stress conditions. Columns are frequently used to support beams or arches on which the parts of walls or ceilings rest. In architecture, column refers to such an element that also has certain proportional. A column might also be an element not needed for structural purposes, many columns are engaged. All significant Iron Age civilizations of the Near East and Mediterranean made some use of columns, egyptian columns are famously present in the Great Hypostyle Hall of Karnak, where 134 columns are lined up in 16 rows, with some columns reaching heights of 24 metres. Some of the most elaborate columns in the ancient world were those of the Persians and they included double-bull structures in their capitals. The Hall of Hundred Columns at Persepolis, measuring 70 ×70 metres, was built by the Achaemenid king Darius I, many of the ancient Persian columns are standing, some being more than 30 metres tall. The Minoans used whole tree-trunks, usually turned upside down in order to prevent re-growth, stood on a set in the stylobate. These were then painted as in the most famous Minoan palace of Knossos, the Minoans employed columns to create large open-plan spaces, light-wells and as a focal point for religious rituals. These traditions were continued by the later Mycenaean civilization, particularly in the megaron or hall at the heart of their palaces. Being made of wood these early columns have not survived, but their bases have and through these we may see their use. The Greeks developed the classical orders of architecture, which are most easily distinguished by the form of the column and their Doric, Ionic, and Corinthian orders were expanded by the Romans to include the Tuscan and Composite orders. Columns, or at least large structural exterior ones, became less significant in the architecture of the Middle Ages. Early columns were constructed of stone, some out of a piece of stone. Monolithic columns are among the heaviest stones used in architecture, other stone columns are created out of multiple sections of stone, mortared or dry-fit together
7.
Romanesque art
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Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 13th century, or later, depending on region. The preceding period is known as the Pre-Romanesque period, Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style, outside Romanesque architecture, the art of the period was characterised by a very vigorous style in both sculpture and painting. In illuminated manuscripts, for which the most lavishly decorated manuscripts of the period were mostly bibles or psalters, more originality is seen, as new scenes needed to be depicted. The same applied to the capitals of columns, never more exciting than in this period, colours, which can be seen as bright in the 21st century only in stained glass and well-preserved manuscripts, tended to be very striking, and mostly primary. Stained glass became widely used, although survivals are sadly few, monasteries continued to be extremely important, especially those of the expansionist new orders of the period, the Cistercian, Cluniac, and Carthusian, which spread across Europe. No Romanesque royal palace has really survived, the lay artist was becoming a valued figure – Nicholas of Verdun seems to have been known across the continent. Most masons and goldsmiths were now lay, and lay painters such as Master Hugo seem to have been in the majority, at least of those doing the best work, the iconography of their church work was no doubt arrived at in consultation with clerical advisors. Metalwork, including decoration in enamel, became very sophisticated, many spectacular shrines made to hold relics have survived, of which the best known is the Shrine of the Three Kings at Cologne Cathedral by Nicholas of Verdun and others. The Stavelot Triptych and Reliquary of St. Maurus are other examples of Mosan enamelwork, large reliquaries and altar frontals were built around a wooden frame, but smaller caskets were all metal and enamel. A few secular pieces, such as cases, jewellery and clasps have survived. The bronze Gloucester candlestick and the font of 1108–17 now in Liège are superb examples, very different in style. The former is highly intricate and energetic, drawing on manuscript painting, while the font shows the Mosan style at its most classical and majestic. The bronze doors, a column and other fittings at Hildesheim Cathedral, the Gniezno Doors. The aquamanile, a container for water to wash with, appears to have introduced to Europe in the 11th century. Artisans often gave the pieces fantastic zoomorphic forms, surviving examples are mostly in brass, many wax impressions from impressive seals survive on charters and documents, although Romanesque coins are generally not of great aesthetic interest. Like many pieces it was partly coloured. The Lewis chessmen are well-preserved examples of small ivories, of many pieces or fragments remain from croziers, plaques, pectoral crosses
8.
Vault (architecture)
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Vault is an architectural term for an arched form used to provide a space with a ceiling or roof. The parts of a vault exert lateral thrust that requires a counter resistance, when vaults are built underground, the ground gives all the resistance required. However, when the vault is built above ground, various replacements are employed to supply the needed resistance, an example is the thicker walls used in the case of barrel or continuous vaults. Buttresses are used to supply resistance when intersecting vaults are employed, the simplest kind of vault is the barrel vault, which is generally semicircular in shape. The barrel vault is an arch, the length being greater than its diameter. As in building an arch, a support is needed while rings of voussoirs are constructed. Until the topmost voussoir, the keystone, is positioned, the vault is not self-supporting, with a barrel vault, the centering can then be shifted on to support the next rings. Amongst the earliest known examples of any form of vaulting is to be found in the village of Khirokitia on Cyprus. Dating from ca.6000 BCE, the circular buildings supported beehive shaped corbel domed vaults of unfired mud-bricks, similar Beehive tombs, called tholoi, exist in Crete and Northern Iraq. Their construction differs from that at Khirokitia in that most appear partially buried, the inclusion of domes, however, represents a wider sense of the word vault. The distinction between the two is that a vault is essentially an arch which is extruded into the third dimension, whereas a dome is an arch revolved around its vertical axis. Pitched-brick vaults are named for their construction, the bricks are installed vertically and are leaning at an angle, examples have been found in archaeological excavations in Mesopotamia dating to the 2nd and 3rd millennium BC which were set in gypsum mortar. A barrel vault is the simplest form of a vault and resembles a barrel or tunnel cut lengthwise in half, the effect is that of a structure composed of continuous semicircular or pointed sections. The earliest known examples of barrel vaults were built by the Sumerians, possibly under the ziggurat at Nippur in Babylonia, which was built of fired bricks cemented with clay mortar. The earliest barrel vaults in ancient Egypt are thought to be those in the built by the 19th dynasty Pharaoh Ramesses II. The vault being over 800 feet long,10 feet in span, the enormous Eyvan-e Khosro at Ctesiphon was built over 1,500 years ago during the Persian Sasanian period as a throne room. The arch is about 37 metres high,26 metres across and 50 metres long, built entirely without centering, the rings relieved the centering from the weight imposed, and the two layers of bricks carried the concrete till it had set. As the walls carrying these vaults were built in concrete with occasional bond courses of brick
9.
Doubting Thomas
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In art, the episode has been frequently depicted since at least the 5th century, with its depiction reflecting a range of theological interpretations. The episode is related in the Gospel of John, though not in the three synoptic Gospels, the King James Version text is,24 But Thomas, one of the twelve, called Didymus, was not with them when Jesus came. 25 The other disciples therefore said unto him, We have seen the Lord. But he said them, Except I shall see in his hands the print of the nails, and put my finger into the print of the nails. 26 ¶ And after eight days again his disciples were within, and Thomas with them, came Jesus, the doors being shut, and stood in the midst, and said, Peace unto you. 27 Then saith he to Thomas, Reach hither thy finger, and behold my hands, and reach hither thy hand, and thrust into my side, and be not faithless,28 And Thomas answered and said unto him, My Lord and my God. 29 Jesus saith unto him, Thomas, because thou hast seen me, thou hast believed, blessed they that have not seen, commentators have noted that John avoids saying whether Thomas actually did thrust his hand in. This was used by theologians as biblical encouragement for the use of physical experiences such as pilgrimages, veneration of relics, the scene was used in a number of contexts in medieval art, including Byzantine icons. Where there was all the apostles were often shown, and sometimes Thomas acceptance of the Resurrection is shown, with Thomas kneeling. This iconography leaves it unclear whether the moment shown follows an examination or not, from the late Middle Ages onwards a number of variations of the poses of the two figures occur. The Medici family, heavily involved in the commission, also had an association with St Thomas. In the Catholic interpretation, although Jesus asserts the superiority of those who have faith without physical evidence, he was willing to show Thomas his wound. The Incredulity of Saint Thomas by Caravaggio is now the most famous depiction, both Rembrandt and Rubens painted it. The dramatic nature of the episode meant that it featured in medieval drama telling the story of the life of Jesus. It takes the whole of Play 41 of the York Mystery Cycle, other shorter cycles omit it, and the Chester Mystery Plays take 70 lines to cover it. The biblical episode generated two late medieval legends or stories, which appear in art. In other versions he is present at the actual Assumption, the supposed girdle itself is a relic of Prato Cathedral, and its veneration was regarded as especially helpful for pregnant women. The first version of the story is called the Madonna of the Girdle in art, an altarpiece by Palma Vecchio, now in the Brera Gallery in Milan, shows an intermediate version, with Thomas hurrying towards the other apostles, and the Virgin taking off her girdle
10.
Arcade (architecture)
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An arcade is a succession of arches, each counter-thrusting the next, supported by columns, piers, or a covered walkway enclosed by a line of such arches on one or both sides. In warmer or wet climates, exterior arcades provide shelter for pedestrians, the walkway may be lined with stores. A blind arcade superimposes arcading against a solid wall, blind arcades are a feature of Romanesque architecture that was taken into Gothic architecture. European shopping malls generally resemble the bazaars and souks of Asia, the word arcade comes from French arcade from Provençal arcada or Italian arcata, based on Latin arcus, ‘bow’. One of the earliest examples of a European shopping arcade, the Covered Market, Oxford, the Covered Market was started in response to a general wish to clear untidy, messy and unsavoury stalls from the main streets of central Oxford. John Gwynn, the architect of Magdalen Bridge, drew up the plans, twenty more soon followed, and after 1773 meat was allowed to be sold only inside the market. From this nucleus the market grew, with stalls for garden produce, pig meat, dairy products, Gostiny Dvor in St Petersburg, Russia is another early shopping arcade. Throughout the following century, Gostiny Dvor was augmented, resulting in ten indoor streets, during the post-World War II reconstructions, its inner walls were demolished and a huge shopping mall came into being. This massive 18th-century structure got a recently and entered the 21st century as one of the most fashionable shopping centres in Eastern Europe. An early French arcade is the Passage du Caire created in 1798 as a tribute to the French campaign in Egypt and it was appreciated by the public for its protection from the weather, noise and filth of the streets. A year later American architect William Thayer created the Passage des Panoramas with a row of shops passing between two panorama paintings, shopping arcades increasingly were built in the second Bourbon Restoration. Upper levels of arcades often contained apartments and sometimes brothels. S. W, australia Great Gostiny Dvor St. Petersburg, Russia The Passage St
