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History
Abstract art
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Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world.
Robert Delaunay, 1912–13, Le Premier Disque, 134 cm (52.7 in.), private collection
Robert Delaunay, 1912–13, Le Premier Disque, 134 cm (52.7 in.), private collection
James McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket (1874), Detroit Institute of Arts
James McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket (1874), Detroit Institute of Arts
Francis Picabia, c. 1909, Caoutchouc, Centre Pompidou, Musée national d'art moderne, Paris
Francis Picabia, c. 1909, Caoutchouc, Centre Pompidou, Musée national d'art moderne, Paris
František Kupka, Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912, oil on canvas, 210 × 200 cm, Narodni Galerie, Prague. Published in Au Sa
František Kupka, Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912, oil on canvas, 210 × 200 cm, Narodni Galerie, Prague. Published in Au Salon d'Automne "Les Indépendants" 1912, Exhibited at the 1912 Salon d'Automne, Paris.
Visual language
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A visual language is a system of communication using visual elements. Speech as a means of communication cannot strictly be separated from the whole of human communicative activity which includes the visual and the term 'language' in relation to vision is an extension of its use to describe the perception, comprehension and production of visible signs.
Water, rabbit, deer pictographs on a replica of an Aztec Stone of the Sun.
Water, rabbit, deer pictographs on a replica of an Aztec Stone of the Sun.