1.
Latin
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Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
2.
Louis XIV of France
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Louis XIV, known as Louis the Great or the Sun King, was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any monarch of a country in European history. In the age of absolutism in Europe, Louis XIVs France was a leader in the centralization of power. Louis began his rule of France in 1661, after the death of his chief minister. By these means he became one of the most powerful French monarchs, under his rule, the Edict of Nantes, which granted rights to Huguenots, was abolished. The revocation effectively forced Huguenots to emigrate or convert in a wave of dragonnades, which managed to virtually destroy the French Protestant minority. During Louis reign, France was the leading European power, and it fought three wars, the Franco-Dutch War, the War of the League of Augsburg. There were also two lesser conflicts, the War of Devolution and the War of the Reunions, warfare defined Louis XIVs foreign policies, and his personality shaped his approach. Impelled by a mix of commerce, revenge, and pique, in peacetime he concentrated on preparing for the next war. He taught his diplomats their job was to create tactical and strategic advantages for the French military, Louis XIV was born on 5 September 1638 in the Château de Saint-Germain-en-Laye, to Louis XIII and Anne of Austria. He was named Louis Dieudonné and bore the title of French heirs apparent. At the time of his birth, his parents had married for 23 years. His mother had experienced four stillbirths between 1619 and 1631, leading contemporaries thus regarded him as a divine gift and his birth a miracle of God. Sensing imminent death, Louis XIII decided to put his affairs in order in the spring of 1643, in defiance of custom, which would have made Queen Anne the sole Regent of France, the king decreed that a regency council would rule on his sons behalf. His lack of faith in Queen Annes political abilities was his primary rationale and he did, however, make the concession of appointing her head of the council. Louis relationship with his mother was uncommonly affectionate for the time, contemporaries and eyewitnesses claimed that the Queen would spend all her time with Louis. Both were greatly interested in food and theatre, and it is likely that Louis developed these interests through his close relationship with his mother. This long-lasting and loving relationship can be evidenced by excerpts in Louis journal entries, such as, but attachments formed later by shared qualities of the spirit are far more difficult to break than those formed merely by blood
3.
Jean-Baptiste Colbert
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Jean-Baptiste Colbert was a French politician who served as the Minister of Finances of France from 1665 to 1683 under the rule of King Louis XIV. His relentless hard work and thrift made him an esteemed minister and he achieved a reputation for his work of improving the state of French manufacturing and bringing the economy back from the brink of bankruptcy. Historians note that, despite Colberts efforts, France actually became increasingly impoverished because of the Kings excessive spending on wars, Colbert worked to create a favourable balance of trade and increase Frances colonial holdings. He also founded royal tapestry works at Gobelins and supported those at Beauvais, Colbert worked to develop the domestic economy by raising tariffs and by encouraging major public works projects. Colbert also worked to ensure that the French East India Company had access to markets, so that they could always obtain coffee, cotton, dyewoods, fur, pepper. In addition, Colbert founded the French merchant marine, Colbert issued more than 150 edicts to regulate the guilds. One such law had the intention of improving the quality of cloth, the edict declared that if the authorities found a merchants cloth unsatisfactory on three separate occasions, they were to tie him to a post with the cloth attached to him. Colberts father and grandfather operated as merchants in his birthplace of Reims and he claimed to have Scottish ancestry. A general belief exists that he spent his youth at a Jesuit college, working for a Parisian banker. Before the age of 20, Colbert had a post in the war office, Colbert spent some time as an inspector of troops, eventually becoming the personal secretary of Le Tellier. In 1647, through means, Colbert acquired the confiscated goods of an uncle. In 1648, he and his wife Marie Charron, received 40,000 crowns from an unknown source, in 1657, he purchased the Barony of Seignelay. Colbert was recommended to King Louis XIV by Mazarin, while Cardinal Mazarin was in exile, Louis trust in Colbert grew. In 1652 Colbert was asked to manage the affairs of the Cardinal while he was away and this new responsibility would detach Colbert from his other responsibility as commissaire des guerres. Although Colbert was not a supporter of Mazarin in principle, he would defend the cardinals interests with unflagging devotion. Colberts earliest recorded attempt at tax reform came in the form of a mémoire to Mazarin, showing that of the taxes paid by the people, the paper also contained an attack upon the Superintendent Fouquet. The postmaster of Paris, a spy of Fouquets, read the letter, in 1661, Mazarin died and Colbert made sure of the Kings favour by revealing the location of some of Mazarins hidden wealth. In short, Colbert acquired power in every department except that of war, a great financial and fiscal reform at once claimed all his energies
4.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
5.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
6.
Architectural theory
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Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in most architecture schools and is practiced by the leading architects. Some forms that architecture theory takes are the lecture or dialogue, the treatise or book, Architectural theory is often didactic, and theorists tend to stay close to or work from within schools. It has existed in form since antiquity, and as publishing became more common. Books, magazines, and journals published a number of works by architects. As a result, styles and movements formed and dissolved much more quickly than the relatively enduring modes in earlier history and it is to be expected that the use of the internet will further the discourse on architecture in the 21st century. There is little information or evidence about major architectural theory in antiquity, until the 1st century BCE and this does not mean, however, that such works did not exist. Vitruvius was a Roman writer, architect, and engineer active in the 1st century BCE, probably written between 27 and 23 BCE, it is the only major contemporary source on classical architecture to have survived. Divided into ten sections or books, it covers almost every aspect of Roman architecture, from town planning, materials, decorations, temples, water supplies and it rigorously defines the classical orders of architecture. The rediscovery of Vitruvius work had a influence on architects of the Renaissance, adding archaeological underpinnings to the rise of the Renaissance style. Renaissance architects, such as Niccoli, Brunelleschi and Leon Battista Alberti, throughout the Middle Ages, architectural knowledge was passed by transcription, word of mouth and technically in master builders lodges. Due to the nature of transcription, few examples of architectural theory were penned in this time period. Most works from this period were theological, and were transcriptions of the bible, the Abbot Sugers Liber de rebus in administratione sua gestis, was an architectural document that emerged with gothic architecture. Another was Villard de Honnecourts portfolio of drawings from about the 1230s, in Song Dynasty China, Li Jie published the Yingzao Fashi in 1103, which was an architectural treatise that codified elements of Chinese architecture. From Alberti, good architecture is validated through the Vitruvian triad and this triplet conserved all its validity until the 19th century. The Age of the Enlightenment witnessed considerable development in architectural theory on the European continent, New archeological discoveries drove new interest in Classical art and architecture. These theories anticipated the development of Functionalism in modern architecture, towards the end of the century, there occurred a blossoming of theoretical activity. In England, Ruskins ideals underpinned the emergence of the Arts and Crafts movement exemplified by the writings of William Morris and this in turn formed the basis for Art Nouveau in the UK, exemplified by the work of Charles Rennie Mackintosh, and influenced the Vienna Secession
7.
Europe
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Europe is a continent that comprises the westernmost part of Eurasia. Europe is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, yet the non-oceanic borders of Europe—a concept dating back to classical antiquity—are arbitrary. Europe covers about 10,180,000 square kilometres, or 2% of the Earths surface, politically, Europe is divided into about fifty sovereign states of which the Russian Federation is the largest and most populous, spanning 39% of the continent and comprising 15% of its population. Europe had a population of about 740 million as of 2015. Further from the sea, seasonal differences are more noticeable than close to the coast, Europe, in particular ancient Greece, was the birthplace of Western civilization. The fall of the Western Roman Empire, during the period, marked the end of ancient history. Renaissance humanism, exploration, art, and science led to the modern era, from the Age of Discovery onwards, Europe played a predominant role in global affairs. Between the 16th and 20th centuries, European powers controlled at times the Americas, most of Africa, Oceania. The Industrial Revolution, which began in Great Britain at the end of the 18th century, gave rise to economic, cultural, and social change in Western Europe. During the Cold War, Europe was divided along the Iron Curtain between NATO in the west and the Warsaw Pact in the east, until the revolutions of 1989 and fall of the Berlin Wall. In 1955, the Council of Europe was formed following a speech by Sir Winston Churchill and it includes all states except for Belarus, Kazakhstan and Vatican City. Further European integration by some states led to the formation of the European Union, the EU originated in Western Europe but has been expanding eastward since the fall of the Soviet Union in 1991. The European Anthem is Ode to Joy and states celebrate peace, in classical Greek mythology, Europa is the name of either a Phoenician princess or of a queen of Crete. The name contains the elements εὐρύς, wide, broad and ὤψ eye, broad has been an epithet of Earth herself in the reconstructed Proto-Indo-European religion and the poetry devoted to it. For the second part also the divine attributes of grey-eyed Athena or ox-eyed Hera. The same naming motive according to cartographic convention appears in Greek Ανατολή, Martin Litchfield West stated that phonologically, the match between Europas name and any form of the Semitic word is very poor. Next to these there is also a Proto-Indo-European root *h1regʷos, meaning darkness. Most major world languages use words derived from Eurṓpē or Europa to refer to the continent, in some Turkic languages the originally Persian name Frangistan is used casually in referring to much of Europe, besides official names such as Avrupa or Evropa
8.
Americas
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The Americas, also collectively called America, encompass the totality of the continents of North America and South America. Together they make up most of the land in Earths western hemisphere, along with their associated islands, they cover 8% of Earths total surface area and 28. 4% of its land area. The topography is dominated by the American Cordillera, a chain of mountains that runs the length of the west coast. The flatter eastern side of the Americas is dominated by river basins, such as the Amazon, St. Lawrence River / Great Lakes basin, Mississippi. Humans first settled the Americas from Asia between 42,000 and 17,000 years ago, a second migration of Na-Dene speakers followed later from Asia. The subsequent migration of the Inuit into the neoarctic around 3500 BCE completed what is regarded as the settlement by the indigenous peoples of the Americas. The first known European settlement in the Americas was by the Norse explorer Leif Ericson, however, the colonization never became permanent and was later abandoned. The voyages of Christopher Columbus from 1492 to 1502 resulted in permanent contact with European powers, diseases introduced from Europe and Africa devastated the indigenous peoples, and the European powers colonized the Americas. Mass emigration from Europe, including numbers of indentured servants. Decolonization of the Americas began with the American Revolution in 1776, the population is over 1 billion, with over 65% of them living in one of the three most populous countries. As of the beginning of the 2010s, the most populous urban agglomerations are Mexico City, New York, Sao Paulo, Los Angeles, Buenos Aires and Rio de Janeiro, all of them megacities. The name America was first recorded in 1507 in the Cosmographiae Introductio, apparently written by Matthias Ringmann and it first applied to both North and South America by Gerardus Mercator in 1538. Amerigen means land of Amerigo and derives from Amerigo and gen, America accorded with the feminine names of Asia, Africa, and Europa. When conceived as a continent, the form is generally the continent of America in the singular. However, without a context, singular America in English commonly refers to the United States of America. In some countries of the world, America is considered a continent encompassing the North America and South America subcontinents, the first inhabitants migrated into the Americas from Asia. Habitation sites are known in Alaska and the Yukon from at least 20,000 years ago, beyond that, the specifics of the Paleo-Indian migration to and throughout the Americas, including the dates and routes traveled, are subject to ongoing research and discussion. Widespread habitation of the Americas occurred during the glacial maximum
9.
Louvre Palace
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The Louvre Palace is a former royal palace located on the Right Bank of the Seine in Paris, between the Tuileries Gardens and the church of Saint-Germain lAuxerrois. Its present structure has evolved in stages since the 16th century, in 1793 part of the Louvre became a public museum, now the Musée du Louvre, which has expanded to occupy most of the building. The Palace is situated in the right-bank of the River Seine between Rue de Rivoli to the north and the Quai François Mitterrand to the south. To the west is the Jardin des Tuileries and, to the east, the Rue de lAmiral de Coligny, where its most architecturally famous façade, the Louvre Colonnade, the Cour Napoléon and Cour du Carrousel are separated by the street known as the Place du Carrousel. Some 51,615 sq m in the complex are devoted to public exhibition floor space. The Old Louvre occupies the site of the 12th-century fortress of King Philip Augustus and its foundations are viewable in the basement level as the Medieval Louvre department. This structure was razed in 1546 by King Francis I in favour of a royal residence which was added to by almost every subsequent French monarch. King Louis XIV, who resided at the Louvre until his departure for Versailles in 1678, completed the Cour Carrée, the Old Louvre is a quadrilateral approximately 160 m on a side consisting of 8 ailes which are articulated by 8 pavillons. With it, the last external vestiges of the medieval Louvre were demolished, the New Louvre is the name often given to the wings and pavilions extending the Palace for about 500 m westwards on the north and on the south sides of the Cour Napoléon and Cour du Carrousel. This consummation only lasted a few years, however, as the Tuileries was burned in 1871, the northern limb of the new Louvre consists of three great pavilions along the Rue de Rivoli, the Pavillon de la Bibliothèque, Pavillon de Rohan and Pavillon de Marsan. As on the side, three inside pavilions and their wings define three more subsidiary Courts, Cour du Sphinx, Cour Viconti and Cour Lefuel. The Chinese American architect I. M. Pei was selected in 1983 to design François Mitterrands Grand Louvre Project. The ground-level entrance to this complex was situated in the centre of the Cour Napoléon and is crowned by the prominent steel-and-glass pyramid, in a proposal by Kenneth Carbone, the nomenclature of the wings of the Louvre was simplified in 1987 to reflect the Grand Louvres organization. This allows the visitor to avoid becoming totally mystified at the bewildering array of named wings. The origin of the name Louvre is unclear, the French historian Henri Sauval, probably writing in the 1660s, stated that he had seen in an old Latin-Saxon glossary, Leouar is translated castle and thus took Leouar to be the origin of Louvre. According to Keith Briggs, Sauvals theory is often repeated, even in recent books, but this glossary has never seen again. Briggs suggests that H. J. Wolfs proposal in 1969 that Louvre derives instead from Latin Rubras, david Hanser, on the other hand, reports that the word may come from French louveterie, a place where dogs were trained to chase wolves. In 1190 King Philip II Augustus, who was about to leave on the Third Crusade, completed in 1202, the new fortress was situated in what is now the southwest quadrant of the Cour Carrée
10.
Napoleon
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Napoleon Bonaparte was a French military and political leader who rose to prominence during the French Revolution and led several successful campaigns during the French Revolutionary Wars. As Napoleon I, he was Emperor of the French from 1804 until 1814, Napoleon dominated European and global affairs for more than a decade while leading France against a series of coalitions in the Napoleonic Wars. He won most of these wars and the vast majority of his battles, one of the greatest commanders in history, his wars and campaigns are studied at military schools worldwide. Napoleons political and cultural legacy has ensured his status as one of the most celebrated and he was born Napoleone di Buonaparte in Corsica to a relatively modest family from the minor nobility. When the Revolution broke out in 1789, Napoleon was serving as an officer in the French army. Seizing the new opportunities presented by the Revolution, he rose through the ranks of the military. The Directory eventually gave him command of the Army of Italy after he suppressed a revolt against the government from royalist insurgents, in 1798, he led a military expedition to Egypt that served as a springboard to political power. He engineered a coup in November 1799 and became First Consul of the Republic and his ambition and public approval inspired him to go further, and in 1804 he became the first Emperor of the French. Intractable differences with the British meant that the French were facing a Third Coalition by 1805, in 1806, the Fourth Coalition took up arms against him because Prussia became worried about growing French influence on the continent. Napoleon quickly defeated Prussia at the battles of Jena and Auerstedt, then marched the Grand Army deep into Eastern Europe, France then forced the defeated nations of the Fourth Coalition to sign the Treaties of Tilsit in July 1807, bringing an uneasy peace to the continent. Tilsit signified the high watermark of the French Empire, hoping to extend the Continental System and choke off British trade with the European mainland, Napoleon invaded Iberia and declared his brother Joseph the King of Spain in 1808. The Spanish and the Portuguese revolted with British support, the Peninsular War lasted six years, featured extensive guerrilla warfare, and ended in victory for the Allies. The Continental System caused recurring diplomatic conflicts between France and its client states, especially Russia, unwilling to bear the economic consequences of reduced trade, the Russians routinely violated the Continental System and enticed Napoleon into another war. The French launched an invasion of Russia in the summer of 1812. The resulting campaign witnessed the collapse of the Grand Army, the destruction of Russian cities, in 1813, Prussia and Austria joined Russian forces in a Sixth Coalition against France. A lengthy military campaign culminated in a large Allied army defeating Napoleon at the Battle of Leipzig in October 1813, the Allies then invaded France and captured Paris in the spring of 1814, forcing Napoleon to abdicate in April. He was exiled to the island of Elba near Rome and the Bourbons were restored to power, however, Napoleon escaped from Elba in February 1815 and took control of France once again. The Allies responded by forming a Seventh Coalition, which defeated Napoleon at the Battle of Waterloo in June, the British exiled him to the remote island of Saint Helena in the South Atlantic, where he died six years later at the age of 51
11.
Turgot map of Paris
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The Turgot map of Paris is a highly accurate and detailed map of the city of Paris as it appeared in 1734–1736. The Turgot map was published in 1739 as an atlas of 20 non-overlapping sectional birds-eye view maps in isometric perspective toward the southeast, additionally, there is one simplified general map with a 4 x 5 grid showing the layout of the 20 sectional maps. The atlas covers an area corresponding to the first eleven of the modern-day arrondissements. Each sectional map is 50 cm high by 80 cm wide, if the sectional maps are assembled, the composite is 250.5 cm high x 322.5 cm wide. It has been called the first all-comprising graphical inventory of the capital, down to the last orchard and tree, detailing every house and naming even the most modest cul-de-sac. He asked Louis Bretez, member of the Royal Academy of Painting and Sculpture and professor of perspective, to draw up the plan of Paris, by contract, Turgot requested a very faithful reproduction with great accuracy. Louis Bretez, was allowed to enter into the mansions, houses and gardens in order to take measurements, in the eighteenth century, the trend was to abandon portraits of cities for a geometric plan, more technical and mathematical. In 1736, Claude Lucas, engraver of the Royal Academy of Sciences, the plan was published in 1739, and the prints were bound in volumes offered to the King, the members of the Academy, and the Municipality. Additional copies were to serve as representations of France to foreigners, the 21 engraved brass plates are kept by the Chalcography of the Louvre, where they are even now used for re-printing employing the same techniques as two centuries ago. Commons, Turgot map of Paris Notes Sources Boutier, Jean, les Plans de Paris, second edition. Plan de Paris, commencé lanneé1734, dessiné et gravé sous les ordres de Messire Michel Étienne Turgot, Marquis de Sousmons at WorldCat
12.
Paris Opera
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The Paris Opera is the primary opera company of France. Classical ballet as we know it today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral, small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The companys annual budget is in the order of 200 million euros, with this money, the company runs the two houses and supports a large permanent staff, which includes the orchestra of 170, a chorus of 110 and the corps de ballet of 150. Each year, the Opéra presents about 380 performances of opera, ballet and other concerts, to an audience of about 800,000 people. In the 2012/13 season, the Opéra presented 18 opera titles,13 ballets,5 symphonic concerts, the companys training bodies are also active, with 7 concerts from the Atelier Lyrique and 4 programmes from the École de Danse. The poet Pierre Perrin began thinking and writing about the possibility of French opera in 1655 and he believed that the prevailing opinion of the time that the French language was fundamentally unmusical was completely incorrect. Seventeenth-century France offered Perrin essentially two types of organization for realizing his vision, an academy or a public theater. On 28 June 1669, Louis XIV signed the Privilège accordé au Sieur Perrin pour létablissement dune Académie dOpéra en musique and he was free to select business partners of his choice and to set the price of tickets. No one was to have the right of free entry including members of the royal court, although it was to be a public theatre, it retained its status as royal academy in which the authority of the king as the primary stakeholder was decisive. The monopoly, originally intended to protect the enterprise from competition during its phase, was renewed for subsequent recipients of the privilege up to the early French Revolution. As Victoria Johnson points out, the Opera was an organization by nature so luxurious and expensive in its productions that its survival depended on financial protection. His first opera Pomone with music by Robert Cambert opened on 3 March 1671, a second work, Les peines et les plaisirs de lamour, with a libretto by Gabriel Gilbert and music by Cambert, was performed in 1672. The institution was renamed the Académie Royale de Musique and came to be known in France simply as the Opéra. Because of legal difficulties Lully could not use the Salle de la Bouteille, during Lullys tenure, the only works performed were his own. The first productions were the pastorale Les fêtes de lAmour et de Bacchus, Lully greatly desired a better theatre and persuaded the king to let him use the one at the Palais-Royal free of charge. The Théâtre du Palais-Royal had been altered in 1660 and 1671, the first production in the new theatre was Alceste on 19 January 1674. The opera was bitterly attacked by those enraged at the restrictions that Lully had caused to be placed on the French, to mitigate the damage, Louis XIV arranged for new works to be premiered at the court, usually at the Chateau Vieux of the Château de Saint-Germain-en-Laye. This had the advantage of subsidizing the cost of rehearsals, as well as most of the machinery, sets, and costumes
13.
Government of France
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The Government of the French Republic exercises executive power. It is composed of a minister, who is the head of government. Senior ministers are titled as Ministers, whereas junior ministers are titled as Secretaries of State, a smaller and more powerful executive body, called the Council of Ministers, is composed only of the senior ministers, though some Secretaries of State may attend Council meetings. By comparison, the Government of France is equivalent to Her Majestys Government in the United Kingdom, all members of the French government are nominated by the President of the Republic on the advice of the Prime Minister. Members of the government are ranked in an order, which is established at the time of government formation. In this hierarchy, the Prime Minister is the head of government and he is nominated by the President of the Republic. After being nominated to lead a government, the Prime Minister nominee must propose a list of ministers to the President, the President can either accept or reject these proposed ministers. Ministers are ranked by importance, Ministers of State are senior ministers and it is an honorary rank, granted to some Ministers as a sign of prestige. Ministers are senior ministers, and are members of the Council of Ministers, Secretaries of State are junior ministers. This is the lowest rank in the French ministerial hierarchy, Secretaries work directly under a Minister, or sometimes directly under the Prime Minister. While the Council of Ministers does not include Secretaries of State as members, according to the Constitution of the French Fifth Republic, the government directs and decides the policy of the nation. In practice, the government writes bills to be introduced to parliament, all political decisions made by the government must be registered in the government gazette. All bills and some decrees must be approved by the Council of Ministers, furthermore, it is the Council of Ministers that defines the collective political and policy direction of the government, and takes practical steps to implement that direction. In addition to writing and implementing policy, the government is responsible for national defence, the workings of the government of France are based on the principle of collegiality. Meetings of the Council of Ministers take place every Wednesday morning at the Élysée Palace and they are presided over by the President of the Republic, who promotes solidarity and collegiality amongst government ministers. These meetings follow a set format, in the first part of a meeting, the Council deliberates over general interest bills, ordinances, and decrees. In the second part, the Council discusses individual decisions by each Minister regarding the appointment of civil servants. In addition, the Minister of Foreign Affairs provides the Council with weekly updates on important international issues, most government work, however, is done elsewhere
14.
Institut de France
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The Institut de France is a French learned society, grouping five académies, the most famous of which is the Académie française. The Institute, located in Paris, manages approximately 1,000 foundations, as well as museums and it also awards prizes and subsidies, which amounted to a total of €5,028,190.55 for 2002. Most of these prizes are awarded by the Institute on the recommendation of the académies, the Institut de France was established on 25 October 1795, by the French government. Académie française – initiated 1635, suppressed 1793, restored 1803 as a division of the institute, Académie des inscriptions et belles-lettres – initiated 1663. Académie des sciences – initiated 1666, the Royal Society of Canada, initiated 1882, was modeled after the Institut de France and the Royal Society of London
15.
Daniel Gittard
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Daniel Gittard was a French architect. Daniel Gittard was born in Blandy-les-Tours, in 1671, he became one of the first eight members of the Académie royale darchitecture created by Louis XIV
16.
Antoine Lepautre
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Antoine Lepautre or Le Pautre was a French architect and engraver. Born in Paris, he was the brother of the prolific, Antoine Lepautre has been called one of the most inventive architects of the early years of Louis XIVs reign. He was a protégé of Cardinal Mazarin, to whom he dedicated his Desseins de plusieurs palais, in 1646–1648, Lepautre built a chapel for the Jansenist Convent of Port-Royal at Paris. The Hôtel de Beauvaiss architectural qualities were noted by Bernini during his Paris sojourn and he built the Château du Vaudreuil in 1658–1660. In 1660 Lepautre was appointed architect to Philippe I, Duke of Orléans. In this quality he built the wings for the lost Château de Saint-Cloud, madame de Montespan commissioned him to make plans for her Château de Clagny, close to Versailles, the unfinished project was completed after Lepautres death by Jules Hardouin-Mansart. For Antoine Nompar de Caumont, duc de Lauzun, Lepautre built the Hôtel de Lauzun at Saint-Germain-en-Laye, in 1671, he became one of the first eight members of the Académie royale darchitecture created by Louis XIV. The monograph in English is Robert W. Berger, Antoine Le Pautre, Antoine Lepautre, Jacques Lepautre et Jean Lepautre vol. I of three Oeuvres darchitecture, http, //architectura. cesr. univ-tours. fr/Traite/Auteur/Le_Pautre. asp. param=en Media related to Antoine Lepautre at Wikimedia Commons, les oeuvres darchitecture dAnthoine Le Pautre, architecte ordinaire du Roy
17.
Provinces of France
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The Kingdom of France was organized into provinces until March 4,1790, when the establishment of the department system superseded provinces. The provinces of France were roughly equivalent to the counties of England. In some cases, several regions or departments share names with the historic provinces. The list below shows the provinces of France at the time of their dissolution during the French Revolution. Capital cities are shown in parentheses, bold indicates a city that was also the seat of a judicial and quasi-legislative body called either a parlement or a conseil souverain. In some cases, this body met in a different city than the capital, comtat Venaissin, a Papal fief 36. Imperial Free City of Mulhouse 37, montbéliard, a fief of Württemberg Partial display of historical provincial arms, Ancien Régime in France Gallery of French coats of arms Coat of arms Heraldry
18.
Claude Perrault
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Claude Perrault was a French architect, best known for his participation in the design of the east façade of the Louvre in Paris. He also achieved success as a physician and anatomist, and as an author, Perrault was born and died in Paris. His treatise on the five orders of architecture followed in 1683. As physician and natural philosopher with a degree from the University of Paris. A committee commissioned by Louis XIV, the Petit Conseil, comprising Louis Le Vau, Charles Le Brun and it was begun in 1668 and was almost completed in 1680, by which time Louis XIV had abandoned the Louvre and focused his attention on the Palace of Versailles. The wing behind the east façade was not finished until the 19th century with the advent of Napoleon, the definitive design of the east façade is attributed to Perrault, who made the final alterations needed to accommodate a decision to double the width of the south wing. The east façade, divided in five parts, is a solution of the French classicism. The simple character of the ground floor basement sets off the paired Corinthian columns, modeled according to Vitruvius, against a shadowed void. Little that could be called Baroque can be identified in its cool classicism that looks back to the 16th century, perraults participation in its design established his reputation as an architect. Perrault also built an Observatory, the church of St-Benoît-le-Bétourné, designed a new church of Ste-Geneviève, perraults design for a triumphal arch on Rue St-Antoine was preferred to competing designs of Le Brun and Le Vau, but was only partly executed in stone. When the arch was taken down in the 19th century, it was found that the master had devised a means of so interlocking the stones, without mortar. In addition, he made a contribution in acoustics. His treatise on sound was a part of the book Oeuvres diverses de Physique et de Mecanique, in his later book, he treats such subjects as sound media, sources of sound and sound receivers. In musical acoustics, he noted the importance of vibration on consonance and dissonance and his study De la Musique des Anciens in the Oeuvres diverses discussed how combinations of notes yields harmony. It also contains critical examinations of old manuscripts on European music and his brother, Charles Perrault, is remembered as the classic reteller of the old story of Cinderella among other fables. Mémoires pour servir à l’histoire N=naturelle des animaux, introduction by Alberto Pérez-Gómez to Indra Kagis McEwens translation of Perrault’s Ordonnance for the five kinds of columns after the method of the Ancients. Santa Monica, CA, Getty Center for the History of Art, media related to Claude Perrault at Wikimedia Commons Works by Claude Perrault at Project Gutenberg Works by or about Claude Perrault at Internet Archive
19.
Jules Hardouin-Mansart
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Jules Hardouin-Mansart was a French architect whose work is generally considered to be the apex of French Baroque architecture, representing the power and grandeur of Louis XIV. Hardouin-Mansart was one of the most important European architects of the seventeenth century and he also learned from Libéral Bruant, architect of the royal veterans hospital in Paris known as Les Invalides. Hardouin-Mansart served as Louis XIVs chief architect, first enlarging the royal château of Saint-Germain-en-Laye and he became the surintendant des Bâtiments du Roi. Outside the château proper, he built the Grand Trianon and the Orangerie, as well as subsidiary royal dwellings not far away, most of these works still set their stamp on the character of Paris and can be seen by a modern-day tourist. A traditional French touch is the modest pedimented entrance flanked by projecting pavilions. Behind, the axis is extended between the former parterres, now grass. The park with formally shaped water was out by André Le Nôtre. The small scale makes it easier to compare to the approximately contemporary Het Loo and he died at Marly-le-Roi in 1708. 17th-century French art Herbermann, Charles, ed. Jules Mansard
20.
Pierre Bullet
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Pierre Bullet was a French architect. He was one of the students of François Blondel, among his works are the Château de Champs-sur-Marne, and Porte Saint-Martin. Art and Architecture in France, 1500–1700
21.
Philippe de La Hire
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Philippe de La Hire was a French painter, mathematician, astronomer, and architect. According to Bernard le Bovier de Fontenelle he was an academy unto himself and he was born in Paris, the son of Laurent de La Hire, a distinguished artist and Marguerite Coquin. In 1660, he moved to Venice for four years to study painting, upon his return to Paris, he became a disciple of Girard Desargues from whom he learned geometrical perspective and was received as a master painter on August 4,1670. His paintings have sometimes confused with those of his son, Jean Nicolas de La Hire. He also began to study science and showed an aptitude for mathematics, from 1679–1682 he made several observations and measurements of the French coastline, and in 1683 aided in mapping France by extending the Paris meridian to the north. In 1683 La Hire assumed the chair of mathematics at the Collège Royal, from 1687 onwards he taught at the Académie d’architecture. La Hire wrote on methods,1673, on conic sections,1685, a treatise on epicycloids,1694, one on roulettes,1702. His works on conic sections and epicycloids were based on the teaching of Desargues and he also translated the essay of Manuel Moschopulus on magic squares, and collected many of the theorems on them which were previously known, this was published in 1705. He also published a set of tables in 1702. La Hires work also extended to descriptive zoology, the study of respiration, two of his sons were also notable for their scientific achievements, Gabriel-Philippe de La Hire, mathematician, and Jean-Nicolas de La Hire, botanist. Mons La Hire, a mountain on the Moon, is named for him, unless otherwise stated La Hires works are in French. In, Histoire de lAcadémie royale des sciences, p, La Hire, Philippe de la, vol. 2, pp. 662–664, in The Dictionary of Seventeenth-Century French Philosophers, oConnor, John J. Robertson, Edmund F. Philippe de La Hire, MacTutor History of Mathematics archive, University of St Andrews. Philippe de La Hire at the Catholic Encyclopedia This text incorporates public domain material from the Rouse History of Mathematics
22.
Robert de Cotte
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Robert de Cotte was a French architect-administrator, under whose design control of the royal buildings of France from 1699, the earliest notes presaging the Rococo style were introduced. First a pupil of Jules Hardouin-Mansart, he became his brother-in-law. After Hardouin-Mansarts death, de Cotte completed his projects, notably the royal chapel at Versailles. Fiske Kimball, the chronicler of the Rococo, notes that there are no surviving drawings by de Cotte from this period, from 1708, Robert de Cotte was Premier architecte du Roi and director of the Académie royale darchitecture. De Cotte, with ever-widening responsibilities at Court, was occupied with projects in Paris. His name is inscribed on the first draft for the project for Place Vendôme. Mariette attributed its design to François-Antoine Vassé, and Fiske Kimball, on the basis of surviving preparatory drawings, no new architects were added to the rolls of the Bâtiments du Roi. Balthasar Neumann, in Paris to consult him over the operations at Würzburg, found him. At this period, de Cotte was responsible for the Hôtel de Conti, rue de Bourbon, outside France, de Cottes team was commissioned for projects to be completed on site by local craftsmen. In Bonn, his team was employed by the Elector of Cologne, for the design of his rural Poppelsdorf Palace. The decoration of the Cabinet des Glâces in the palace followed designs by Oppenord that featured reverse curves and garlands applied to mirror surfaces. A new wing called the Buen Retiro was commissioned in the autumn of 1717, from newly-Bourbon Spain, the princesse des Ursins required his advice on the queens apartments of the royal palace in Madrid. An octagonal room was fabricated in Paris under de Cottes eye, 1713–1715, at La Granja, an assistant from de Cottes office, René Carlier, was employed in the designs for the parterres. For the cardinal de Rohan, de Cotte provided decors for the Château de Saverne in Alsace, Robert Neuman, Robert de Cotte and the Perfection of Architecture in Eighteenth-Century France, University of Chicago Press,1994. ISBN 0-226-57437-7 Robert de Cotte at the archINFORM database
23.
Antoine Desgodetz
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His Edifices antiques was reissued in Paris,1729 and again in 1779, when it proved as helpful to Neoclassical architects as it had been to classicizing Late Baroque ones. Essential to his proof were the measurements taken by Desgodetz in Rome, Les edifices antiques. was reproduced in 1972. Taste and the Antique, The Lure of Classical Sculpture 1500-1900, antoine Desgodetz and the Academie Royale dArchitecture, The Art Bulletin 40 pp 23–53. Review of Wolfgang Herrmann, The Theory of Claude Perrault, London, A. Zwemmer Ltd,1973, archived from the original on 2009-06-27. Les edifices antiques de Rome, dessinés et mesurés très exactement Les edifices antiques de Rome Desgodets works on line
24.
Jacques Gabriel
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Jacques Gabriel was a French architect, the father of the famous Ange-Jacques Gabriel. The younger Jacques Gabriel was appointed one of the controlleurs généraux at the Bâtiments du Roi in 1688 and he was made a member of the Académie at Mansarts reorganization of that body in 1699. Gabriels work in Paris has been much remodelled, mariettes Architecture françoise offers plates illustrating several hôtels particuliers by Gabriel. He completed the Hôtel de Lassay nearby and he was responsible for the Hôtel Peyrenc de Moras, 1728-31. Period Rooms in the Metropolitan Museum of Art, a fully digitized text from The Metropolitan Museum of Art Libraries
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Ange-Jacques Gabriel
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Ange-Jacques Gabriel was the most prominent French architect of his generation. Ange-Jacques Gabriel was born on October 23,1698 to a Parisian family of architects and he was initially trained by the royal architect Robert de Cotte and his father Jacques Gabriel, whom he assisted in the creation of the Place Royale in Bordeaux. He was made a member of the Académie royale darchitecture in 1728, gabriels symmetrical palace-like façades for the hôtels particuliers that enclose the north side of the Place Louis XV, Paris, were begun in 1754 and completed in 1763. That on the right housed the storerooms for the furnishings, with luxurious apartments for the intendant. His sober rationality in planning and detail promoted the transition from Rococo to Neoclassicism, for forty years, Gabriel supplied all designs not only for exterior construction and also for the constant remodeling of interiors at Versailles. His Petit Trianon at Versailles is one of the gems of French Classicism and he died in Paris in 1782. Extension and transformations at the Château de Choisy, 1740–1777 Château de Compiègne,1750 onwards The Pavillon du Butard,1750 at La Celle-Saint-Cloud, the Architecture of the French Enlightenment, pp. 38–44. Les architectes parisiens du XVIIIe siècle, dictionnaire biographique et critique, Architecture in France in the Eighteenth Century, pp. 145–160. 2, pp. 133–144, in Macmillan Encyclopedia of Architects,4 volumes,11, pp. 882–884, in The Dictionary of Art,34 volumes, edited by Jane Turner. Ange-Jacques Gabriel at Great Buildings Online
26.
Claude-Nicolas Ledoux
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Claude-Nicolas Ledoux was one of the earliest exponents of French Neoclassical architecture. His greatest works were funded by the French monarchy and came to be perceived as symbols of the Ancien Régime rather than Utopia, the French Revolution hampered his career, much of his work was destroyed in the nineteenth century. In 1804, he published a collection of his designs under the title LArchitecture considérée sous le rapport de lart, in this book he took the opportunity of revising his earlier designs, making them more rigorously neoclassical and up to date. This revision has distorted an accurate assessment of his role in the evolution of Neoclassical architecture and his most ambitious work was the uncompleted Royal Saltworks at Arc-et-Senans, an idealistic and visionary town showing many examples of architecture parlante. Conversely his works and commissions included the more mundane and everyday architecture such as approximately sixty elaborate tollgates around Paris in the Wall of the General Tax Farm. Ledoux was born in 1736 in Dormans-sur-Marne, the son of a modest merchant from Champagne, at an early age his mother, Francoise Domino, and godmother, Francoise Piloy, encouraged him to develop his drawing skills. Later the Abbey of Sassenage funded his studies in Paris at the Collège de Beauvais and he then trained under Pierre Contant dIvry, and also made the acquaintance of Jean-Michel Chevotet. These two eminent Parisian architects designed in both the restrained French Rococo manner, known as the Louis XV style and in the Goût grec phase of early Neoclassicism, the two master architects introduced Ledoux to their affluent clientele. One of Ledouxs first patrons was the Baron Crozat de Thiers, another client obtained through the auspices of his teachers was Président Hocquart de Montfermeil and his sister, Mme de Montesquiou. In 1762, the young Ledoux was commissioned to redecorate the Café Godeau, the result was an interior of trompe loeil and mirrors. Pilasters painted on the walls were interspersed with alternating Pier glasses and panels painted with trophies of helmets and weaponry, in 1969 this interior was moved to the Musée Carnavalet. The following year the Marquis de Montesquiou-Fézensac commissioned Ledoux to redesign the old hilltop château on his estate at Mauperthuis, Ledoux rebuilt the château and created new gardens, replete with fountains supplied by an aqueduct. In addition in the gardens and park he built an orangery, in 1764, he designed for Président Hocquart, a Palladian house on the Chaussée dAntin using the colossal order. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, a friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. In 1766 Ledoux began designing the Hôtel dHallwyll, a building that, according to the Dijon architect Jacques Cellerier, received widespread praise, the owner Franz-Joseph dHallwyll and his wife, Marie-Thérèse Demidorge, were anxious to ensure work was executed economically. Therefore, Ledoux had to reuse portions of the existing buildings and he had envisaged two colonnades in the Doric order leading to a nymphaeum decorated with urns at the foot of the garden. However, the limitations of the site made this impossible, so Ledoux resorted to trompe loeil painting a colonnade on the wall of the neighboring convent
27.
Richard Mique
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Richard Mique was a neoclassical French architect born in Lorraine. Richard Mique was born at Nancy, the son of Simon Mique, following their example, he became an architect in the service of duke Stanislas Leszczyński, ex-king of Poland and father of Maria Leszczyńska, the consort of King Louis XV of France. Following the death of Héré de Corny, Mique participated as premier architecte in Stanislas grand plans for reordering and embellishing Nancy, Stanislas made him a chevalier of the Order of Saint-Michel and maneuvered unsuccessfully to have Mique placed on the payroll of the Bâtiments du Roi. Following his patrons death in February 1766, Mique was called to France the following October and his official career in France was initially stymied by the influence of Ange-Jacques Gabriel, premier architecte. His main clients were a series of royal ladies, at the queens death, her daughter Madame Adélaïde completed the project. He purchased a seigneurie in Lorraine, which completed his transformation to courtier-architect and he laid out the queens garden at the Petit Trianon from 1774 to 1785 in collaboration, it is believed with the painter Hubert Robert. The design — one of the first instances, of pre-Victorian kitsch — was based on sketches by the comte de Caraman, an inspired amateur of gardening. Mique was also responsible for the Hameau de la Reine, a farming village built around an artificial lake at the northeastern corner of the estate. During the Revolution, he was arrested along with his son as participants in a conspiracy to save the life of Marie Antoinette, whose favorite architect he had been. He was brought before a tribunal and, after a summary trial on 7 July 1794. This was just three weeks before the fall of Robespierre and the end of the Reign of Terror,1762, His first known design, for a kiosk in the gardens of Lunéville. 1763-64 Two gates for the city of Nancy, the Porte Sainte-Catherine,1765, Plans for the Sainte-Catherine barracks at Nancy. 1767-72, Buildings for an Ursuline convent in the town of Versailles for Maria Leszczyńska, the convent now houses the Lycée Hoche. Miques first two plans were rejected, the third executed design is similar to Jacques-Germain Soufflots Church of Sainte-Geneviève in Paris. 1775-84, All the structures, including the bridge, that form the picturesque hamlet, 1775-85, Church of the Carmelites Basilica of Saint-Denis, for the aunt of Louis XVI, Madame Louise, who had become a nun in the convent at Saint-Denis. Madame Louise dictated in detail the subjects she wanted for the sculptural decorations, the neoclassical building, with a Corinthian portico adapted from the Roman Maison Carrée at Nîmes, was consecrated 28 May 1784. 1778-79, The private theatre of Marie Antoinette at the Petit Trianon, 1778-81, The octagonal Belvedere, consecrated to the Seasons, the Pavillon du Rocher and the Temple de lAmour in the newly-informal gardens of the Petit Trianon at Versailles. 1782, Consolidation of the tower at the Cathedral of Orléans 1785, Modifications at the Château de Saint-Cloud for Marie Antoinette 1785, Mique, the architect of royal intimacy in Michael Conon, Bourgeois and Aristocratic Encounters in Garden Art Couvent de la Reine The Church of the Carmelites
28.
History of art
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The history of art is the history of any activity or product made by humans in a visual form for aesthetical or communicative purposes, expressing ideas, emotions or, in general, a worldview. The subsequent expansion of the list of arts in the 20th century reached to nine, architecture, dance, sculpture, music, painting, poetry, film, photography. The study of the history of art was developed during the Renaissance. Today, art enjoys a network of study, dissemination and preservation of all the artistic legacy of mankind throughout history. The rise of media has been crucial in improving the study, international events and exhibitions like the Whitney Biennial and biennales of Venice and São Paulo or the Documenta of Kassel have helped the development of new styles and trends. Institutions like UNESCO, with the establishment of the World Heritage Site lists, the field of art history was developed in the West, and originally dealt exclusively with European art history, with the High Renaissance as the defining standard. Gradually, over the course of the 20th century, a vision of art history has developed. This expanded version includes societies from across the globe, and it attempts to analyze artifacts in terms of the cultural values in which they were created. Thus, art history is now seen to all visual art. The history of art is often told as a chronology of masterpieces created in each civilization and it can thus be framed as a story of high culture, epitomized by the Wonders of the World. On the other hand, vernacular art expressions can also be integrated into art historical narratives, in the latter cases art objects may be referred to as archeological artifacts. One way to examine how art history is organized is by examining the major survey textbooks, information on canonical art history is also found in the Heilbrunn Timeline of Art History, which is sponsored by the Metropolitan Museum of Art in New York City. The first tangible artifacts of human art that have found are from the Stone Age. During the Paleolithic, humans practiced hunting and gathering and lived in caves, in the Bronze Age, the first protohistoric civilizations arose. The Paleolithic had its first artistic manifestation in 25,000 BCE, the first traces of human-made objects appeared in southern Africa, the Western Mediterranean, Central and Eastern Europe, Siberia, India and Australia. These first traces are generally worked stone, wood or bone tools, to paint in red, iron oxide was used, in black, manganese oxide and in ochre, clay. Surviving art from this period includes small carvings in stone or bone, cave paintings have been found in the Franco-Cantabrian region. There are pictures with magical-religious character and also pictures with a naturalistic sense, sculpture is represented by the so-called Venus figurines, feminine figures which were probably used in fertility cults, such as the Venus of Willendorf
29.
Architecture of Paris
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The city of Paris has notable examples of architecture of every period from the Middle Ages to the 21st century. The great Paris Universal Expositions of 1889 and 1900 added Paris landmarks, including the Eiffel Tower, in the 20th century, the Art Deco style of architecture first appeared in Paris, and Paris architects also influenced the postmodern architecture of the second half of the century. Very little architecture remains from the ancient town of Lutetia, founded by a Celtic tribe known as the Parisii in about the 3rd century BC and it was conquered by the Romans in 52 BC, and turned into a Gallo-Roman garrison town. It was rebuilt in 1st century AD on the classic Roman plan, an axis, or cardo. The center of Roman administration was on the island, the Roman governors palace stood where the Palais de Justice is located today, the right bank was largely undeveloped. The city grew up the Left Bank, on the slopes of Mount Saint-Geneviève, vestiges of one bath, the Thermes de Cluny, can still be seen on Boulevard Saint-Michel. It was the largest of the three baths, one hundred meters by sixty-five meters, and was built at the end of the 2nd century or beginning of the 3rd century BC, at the height of the towns grandeur. The baths are now part of the Musée national du Moyen Âge, nearby, on rue Monge, are the vestiges of the Roman amphitheater, called the Arenes de Lutece, which was discovered and restored in the 19th century. Though the population of the town was no more than 5–6 thousand persons, the amphitheater measured 130 meters by 100 meters. Fifteen tiers of seats remain from the original thirty-five and it was built in the 1st century AD and was used for the combat of gladiators and animals, and also for theatrical performances. It is now on display in the Roman baths at the Museum of the Middle Ages, unlike the south of France, Paris has very few examples of Romanesque architecture, most churches and other buildings in that style were rebuilt in the Gothic style. The most remarkable example of Romanesque architecture in Paris is the church of the Abbey of Saint-Germain-des-Prés, an earlier church had been destroyed by the Vikings in the 9th century. The oldest elements of the original church existing today are the tower, and it is considered the earliest existing place of worship in Paris. The gothic choir, with its buttresses, was added in the mid-12th century, it was consecrated by Pope Alexander III. It was one of the earliest gothic style elements to appear in a Paris church, Romanesque and Gothic elements are found together in several old Paris churches. The interior of the church of Saint-Julien-le-Pauvre has been rebuilt, but it still has massive Romanesque columns. The former priory of Saint-Martin-des-Champs has a choir and chapels supported by contreforts and it now belongs to the Musee des Arts et Metiers. In 987 Hugues Capet became the first King of France, and established his capital in Paris, though at the time his kingdom was little bigger than the Île-de-France, or modern Paris region
30.
Oxford Art Online
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A new edition was published in 2003 by Oxford University Press. Written by 6,700 experts from around the world, its 32, 600-pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to The New York Times Book Review it is the most ambitious art-publishing venture of the late 20th century, almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Julia Margaret Cameron to Shoji Hamada, Korea to Timbuktu, the Enlightenment to Marxism, entries include bibliographies and a vast number of images. The dictionary is available in a standard hardcover edition, though the leather-bound version appears to be out of print. The Grove Dictionary of Art is published by Oxford University Press, the online version, which is updated three times a year, is available by subscription and includes some extra content. In the UK, many libraries offer it free to their online users using their library membership number. The Grove Dictionary of Art was first offered online through the Grove Art Online web site in 1998. The site was expanded and renamed as Oxford Art Online, including works, The Oxford Companion to Western Art, Encyclopedia of Aesthetics. In 2011, the Benezit Dictionary of Artists was added to the database, the New Grove Dictionary of Music and Musicians References Sources Jane Turner
31.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
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