Adriaen Isenbrandt or Adriaen Ysenbrandt was a painter in Bruges, in the final years of Early Netherlandish painting, and the first of the Dutch and Flemish Renaissance painting of the Northern Renaissance. Documentary evidence suggests he was a significant and successful artist of his period, even though no specific works by his hand are clearly documented. Art historians have conjectured that he operated a large workshop specializing in religious subjects and devotional paintings, which were executed in a conservative style in the tradition of the Early Netherlandish painting of the previous century. By his time, the new booming economy of Antwerp had made this the centre of painting in the Low Countries, but the previous centre of Bruges retained considerable prestige.
The Mass of Saint Gregory the Great (about 1510–1550), oil on panel, 362 × 292 mm (14.3 × 11.5 in), J. Paul Getty Museum
The Magdalen in a Landscape, c. 1510–1525.
Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin,1530s, The Metropolitan Museum of Art
The Exposition des primitifs flamands à Bruges was an art exhibition of paintings by the so-called Flemish Primitives held in the Provinciaal Hof in Bruges between 15 June and 5 October 1902.
View of the main Memling room at the exhibition, with the St. Ursula Shrine at the centre, from Johan Huizinga's The Autumn of the Middle Ages
Image: Virgin with child, St. George, Ste. Catherine, the donors and their children
Image: Four lobed altarpiece with Jesus and saints Mark Luke John and Matthew