Afternoon of a Faun (Nijinsky)
The ballet, The Afternoon of a Faun, was choreographed by Vaslav Nijinsky for the Ballets Russes, and was first performed in the Théâtre du Châtelet in Paris on 29 May 1912. Nijinsky danced the main part himself. The music is Claude Debussy's symphonic poem Prélude à l'après-midi d'un faune. Both the music and the ballet were inspired by the poem L'Après-midi d'un faune by Stéphane Mallarmé. The costumes, sets and programme illustrations were designed by the painter Léon Bakst.
Programme illustration by Léon Bakst for the ballet
Menelaus intending to strike Helen is struck by her beauty instead. Louvre museum, Campana collection acquired 1861
A design by Léon Bakst for the stage setting
The Faun locks arms with the nymph
Vaslav or Vatslav Nijinsky was a Russian ballet dancer and choreographer of Polish ancestry. He is regarded as the greatest male dancer of the early 20th century. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance en pointe, a rare skill among male dancers at the time, and was admired for his seemingly gravity-defying leaps.
Vaslav Nijinsky as Vayou in Nikolai Legat's revival of Marius Petipa's The Talisman, St. Petersburg, 1909
Nijinsky in Krasnoye Selo, 1907
Nijinsky as Armide's slave in Le Pavillon d'Armide. The middle act was originally choreographed by Michel Fokine as L'animation de Gobelins for the 1907 Imperial ballet school student show, and was performed by the new Ballets Russes on its opening night in Paris, 1909.
Nijinsky in Le Festin, a suite of classic dances performed on the opening night of the Ballets Russes in Paris, May 1909. The company's courier later described the audience's reaction to Nijinsky's performance with Tamara Karsavina in the Bluebird (ballet) pas de deux: "when those two came on, good Lord! I have never seen such a public. You would have thought their seats were on fire."
