1.
Ancient Greek
–
Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a historical stage of its own, although in its earliest form it closely resembled Attic Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects, Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language, Ancient Greek was a pluricentric language, divided into many dialects. The main dialect groups are Attic and Ionic, Aeolic, Arcadocypriot, some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are also several historical forms, homeric Greek is a literary form of Archaic Greek used in the epic poems, the Iliad and Odyssey, and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic, the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period and they have the same general outline, but differ in some of the detail. The invasion would not be Dorian unless the invaders had some relationship to the historical Dorians. The invasion is known to have displaced population to the later Attic-Ionic regions, the Greeks of this period believed there were three major divisions of all Greek people—Dorians, Aeolians, and Ionians, each with their own defining and distinctive dialects. Often non-west is called East Greek, Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, and Northern Peloponnesus Doric. The Lesbian dialect was Aeolic Greek and this dialect slowly replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek, by about the 6th century AD, the Koine had slowly metamorphosized into Medieval Greek
Ancient Greek
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Inscription about the construction of the statue of
Athena Parthenos in the
Parthenon, 440/439 BC
Ancient Greek
–
Ostracon bearing the name of
Cimon,
Stoa of Attalos
Ancient Greek
–
The words ΜΟΛΩΝ ΛΑΒΕ as they are inscribed on the marble of the 1955
Leonidas Monument at
Thermopylae
2.
Greek mythology
–
It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
Greek mythology
–
Bust of
Zeus,
Otricoli (Sala Rotonda,
Museo Pio-Clementino,
Vatican).
Greek mythology
–
Greek Mythology
Greek mythology
–
Prometheus (1868 by
Gustave Moreau). The myth of Prometheus first was attested by
Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of
Prometheus Bound,
Prometheus Unbound, and
Prometheus Pyrphoros.
Greek mythology
–
The Roman poet
Virgil, here depicted in the fifth-century manuscript, the
Vergilius Romanus, preserved details of Greek mythology in many of his writings.
3.
Locris
–
Locris was a region of ancient Greece, the homeland of the Locrians, made up of three distinct districts. The city of Locri in Calabria, also known in antiquity as Epizephyrian Locris, was a founded by the Locrians in Magna Graecia. There is some disagreement over whether it was those from Opuntian Locris or from Ozolian Locris who were responsible, the territory of the Locrians was divided into three by Doris and Phocis, perhaps due to an early invasion of a contiguous Locrian state. This fact, combined with the regions infertility, meant that the Locrians tended to be dominated by their neighbours, to the south-west of Phocis was Ozolian Locris, situated on the north coast of the Gulf of Corinth, between Naupactus and Crisa. The main cities of Ozolian Locris were Amphissa and Naupactus which was its seaport, to the north east of Phocis was Opuntian Locris, named after its main city, Opus. Finally, to the north of Phocis was Epicnemidian Locris, situated near the pass of Thermopylae, the territories of the Opuntian Locri and the Epicnemidian Locri were not a continuous unit but were separated from one another by Phocis The main towns of Ozolian Locris were Amphissa and Naupactus. Today, the area is part of Aetolia-Acarnania and Phocis, the main towns of Opuntia Locris were Opus and Larymna. Today, Opuntian Locris is part of modern Phthiotis, main article, Epicnemidian Locris The main towns of Epicnemidian Locris were Nicaea and Thronium. Today, Epicnemidian Locris is part of modern Phthiotis, the province of Locris was one of the provinces of the Phthiotis Prefecture. Its capital was the town Atalanti and its territory corresponded with that of the current municipalities Amfikleia-Elateia, Lokroi, and Molos-Agios Konstantinos
Locris
–
The mountains of Ozolian Locris, looking towards
Naupactus, engraving.
4.
Ajax (mythology)
–
Ajax or Aias is a mythological Greek hero, the son of King Telamon and Periboea, and the half-brother of Teucer. He plays an important role, and is portrayed as a figure and a warrior of great courage in Homers Iliad and in the Epic Cycle. He is also referred to as Telamonian Ajax, Greater Ajax, or Ajax the Great, in Etruscan mythology, he is known as Aivas Tlamunus. Ajax is the son of Telamon, who was the son of Aeacus and grandson of Zeus and he is the cousin of Achilles, and is the elder half-brother of Teucer. Many illustrious Athenians, including Cimon, Miltiades, Alcibiades and the historian Thucydides, the Italian scholar Maggiani recently showed that on an Etruscan tomb dedicated to Racvi Satlnei in Bologna there is a writing that says, aivastelmunsl = family of Telamonian Ajax. In Homers Iliad he is described as of great stature, colossal frame, known as the bulwark of the Achaeans, he was trained by the centaur Chiron, at the same time as Achilles. He was described as fearless, strong and powerful but also with a high level of combat intelligence. Ajax commands his army wielding a shield made of seven cow-hides with a layer of bronze. Unlike Diomedes and Achilles, Ajax appears as a mainly defensive warrior, instrumental in the defence of the Greek camp and ships, when the Trojans are on the offensive, he is often seen covering the retreat of the Achaeans. Significantly, while one of the deadliest heroes in the whole poem, in the Iliad, Ajax is notable for his abundant strength and courage, seen particularly in two fights with Hector. In Book 7, Ajax is chosen by lot to meet Hector in a duel which lasts most of a whole day, the second fight between Ajax and Hector occurs when the latter breaks into the Mycenaean camp, and fights with the Greeks among the ships. In Book 14, Ajax throws a giant rock at Hector which almost kills him, in Book 15, Hector is restored to his strength by Apollo and returns to attack the ships. Ajax, wielding a spear as a weapon and leaping from ship to ship. In Book 16, Hector and Ajax duel once again, Hector then disarms Ajax and Ajax is forced to retreat, seeing that Zeus is clearly favoring Hector. Hector and the Trojans succeed in burning one Greek ship, the culmination of an assault that almost finishes the war, Ajax is responsible for the death of many Trojans lords, including Phorcys. Ajax often fought in tandem with his brother Teucer, known for his skill with the bow, Ajax would wield his magnificent shield, as Teucer stood behind picking off enemy Trojans. Achilles was absent during these encounters because of his feud with Agamemnon, in Book 9, Agamemnon and the other Mycenaean chiefs send Ajax, Odysseus and Phoenix to the tent of Achilles in an attempt to reconcile with the great warrior and induce him to return to the fight. Although Ajax speaks earnestly and is received, he does not succeed in convincing Achilles
Ajax (mythology)
–
Achilles and Ajax play a board game with
knucklebones on this late 6th-century
lekythos, a type of oil-storing vessel associated with funeral rites
Ajax (mythology)
–
Sorrowful Ajax (Asmus Jacob Carstens, ca. 1791)
Ajax (mythology)
–
A Black-figure Amphora with Ajax Carrying the Dead
Achilles.
Walters Art Museum,
Baltimore.
Ajax (mythology)
–
The suicide of Ajax
5.
Telamon
–
In the Iliad he was the father of Greek heroes Ajax the Great and Teucer the Archer by different mothers. Some accounts mention a son of his, Trambelus. He and Peleus were also friends of Heracles, assisting him on his expeditions against the Amazons. In an earlier account recorded by Pherecydes of Leros, Telamon and Peleus were not brothers and this would accord with Peleus being the father of the other hero Achilles. After killing their half-brother, Phocus, Telamon and Peleus had to leave Aegina, King Cychreus of Salamis welcomed Telamon and befriended him. Telamon married Cychreus daughter Periboea, who gave birth to Ajax, later, Cychreus gave Telamon his kingdom. In other versions of the myth Cychreus daughter is named Glauce, and Periboea is Telamons second wife, Telamon also figures in both versions of Heracles sacking of Troy, which was ruled by King Laomedon. Before the Trojan War, Poseidon sent a sea monster to attack Troy, in the King Tros version, Heracles agreed to kill the monster if Tros would give him the horses he received from Zeus as compensation for Zeus kidnapping Ganymede, Tros son. Tros agreed, Heracles succeeded and Telamon married Hesione, Tros daughter, in the King Laomedon version, Laomedon planned on sacrificing his daughter Hesione to Poseidon in the hope of appeasing him. Telamon took Hesione as a war prize and married her, due to Ajax committing suicide at Troy, Telamon banished Teucer from Salamis for not bringing his brother home. In Apollodorus Library, Telamon was almost killed during the siege of Troy, Telamon was the first one to break through the Trojan wall, which enraged Hercules as he was coveting that glory for himself. Hercules was about to cut him down with his sword when Telamon began to assemble an altar out of nearby stones in honor of Hercules. Hercules was so pleased, after the sack of Troy he gave Telamon Hesione as a wife, Hesione requested that she be able to bring her brother Podarces with her. Hercules would not allow it unless Hesione bought Podarces as a slave, Hesione paid for her brother with a veil. Podarces name was changed to Priam – which, according to Greek author Apollodorus, was derived from the Greek phrase “to buy”. The Telamon is an ancient Greek song only found referred to by name in some ancient Greek plays and it is usually thought to be a warlike song about Telamons son Ajax, though some other commentaries thought it to be a mournful song about Telamon himself. It began with, Son of Telamon, warlike Ajax and they say you are the bravest of the Grecians who came to Troy, next to Achilles. In architecture telamons are colossal male figures used as columns and these are also called atlas, atlantes or atlantids, they are the male versions of caryatids
Telamon
–
Architectural
Telamon on the
Wayne County, Ohio courthouse.
Telamon
–
Telemon on left of entrance to
Palazzo Davia Bargellini,
Bologna
6.
Locrians
–
The Locrians were an ancient Greek tribe that inhabited the region of Locris in Central Greece, around Parnassus. They spoke the Locrian dialect, a Doric-Northwest dialect, and were related to their neighbouring tribes, the Phocians. In Greek mythology, the Locrians were the descendants of Locrus, great-grandson of Deucalion and Pyrrha, according to some traditions, Deucalion was a native of the Locrian city of Opus, thus the Locrians are said to have been the first tribe to be called Hellenes. The Locrians are said to have arrived in southern Greece in the late 2nd millennium BC from their homeland on Pindus, in historical times, the Locrians were divided into two distinct tribes, differing from each other in customs, habits and civilization. It is likely that Locrian territory once extended from sea to sea, the most famous colony of the Locrian tribe was the city of Epizephyrian Locri, founded in the 7th century BC in Magna Græcia, which exists until today as Locri. According to Strabo the founders were the Ozolian Locrians, from the region of Amphissa, in the 6th century BC, the Locrians had a series of conflicts with the neighbouring tribes. Only the Opuntian Locrians are mentioned by Homer, they were the more ancient and the more civilized. The Ozolian Locrians, who are said to have been a colony of the former, are not mentioned in history until the time of the Peloponnesian War, and are even then represented as a semi-barbarous people. That was the last mention of the Ozolian Locrians, as they suffered the defeat from Corinth later, the Locrians around Thermopylae were the first to have been called Hellenes. Later the name expanded to include the other Greek tribes through the Amphictionia of Delphi, to which they belonged, and their religion. The most famous of their heroes were Ajax the Locrian, best known as Ajax the Lesser, son of Oileus, in the Greek mythology, the Locrians are closely related to the Phocians and Eleans. Although the Locrians hardly viewed men and women as equals, women held special religious rights, Locrian women became the vehicles for the transmission of status, and marriage maintained the social order of a traditional oligarchy. The national hero of the Locrians was Ajax the Locrian, who led the 40 Locrian ships to Troy, Locrians respected him so much, that after his death they kept a place for him in their phalanx, thinking that he will always fight with them. On the other side, Ajaxs actions resulted in his death according to Greek mythology, after the fall of Troy, he raped Cassandra in the temple of Athena, where she had taken refuge as a supplicant. For this crime, Poseidon wrecked the ship of Ajax on the coast of Euboea and Ajax was killed by a lightning bolt. After their death, they would not be given a decent burial, while for each maiden who died, another one must be sent into the temple by night, and she would be stoned to death if seen. The goddess is referred to as Athena Ilias, a not necessarily derived from Ilion, but maybe from the family deity Oileus, the father of Ajax. According to Apollodorus, after the command of the Delphic oracle, after their death, they were replaced, while the tribute ended after a thousand years with the end of the Phocian War, which destroyed Naryca, the town that supplied the maidens
Locrians
–
Ajax raping Cassandra from the Palladium. Side A of an Attic black-figure amphora, ca. 540 BC. From Vulci.
7.
Trojan War
–
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
Trojan War
–
Achilles tending the wounded
Patroclus (
Attic red-figure kylix, c. 500 BC)
Trojan War
–
The Burning of Troy (1759/62),
oil painting by Johann Georg Trautmann
Trojan War
–
The Judgment of Paris (1904) by
Enrique Simonet
Trojan War
–
Thetis gives her son Achilles weapons forged by Hephaestus (detail of Attic
black-figure hydria, 575–550 BC)
8.
Homer
–
Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
Homer
–
Idealized portrayal of Homer dating to the
Hellenistic period.
British Museum.
Homer
–
Part of an 11th-century manuscript, "the Townley Homer". The writing on the top and right side are
scholia.
Homer
–
Homer and His Guide, by
William-Adolphe Bouguereau (1825–1905), portraying Homer on
Mount Ida, beset by dogs and guided by the goatherder Glaucus (as told in
Pseudo-Herodotus)
Homer
–
Raphael 's inspired Homer on
Mount Parnassus.
9.
Iliad
–
The iLiad was an electronic handheld device, or e-Reader, which could be used for document reading and editing. Like the Barnes and Noble nook, Sony Reader or Amazon Kindle, in 2010, sales of the iLiad ended when its parent company, iRex, filed for bankruptcy. The display used is an active matrix display, which uses E Ink Vizplex Imaging Film manufactured by E Ink Corporation. Underneath the E Ink screen is a tablet by WACOM which requires a stylus for input. When it was introduced, the Iliad had largest screen size of existing e-paper products, the iLiad can display document files in several formats, including PDF, Mobipocket, XHTML and plain text. It can also display JPEG, BMP and PNG images, as of May 3,2007 Mobipocket is supported, making the mobipocket digital rights management content available on this platform. IRexs product page for the states that Support for additional E-book formats will become available over the coming months. Through its wireless service, iDS, the iLiad can also download content. Les Echos, a French financial newspaper, is distributed this way, users can connect to their computer over a wireless network to sync new data onto the iLiads internal memory or an inserted MMC, SD, or CF card. The distributor of the iLiad is iRex Technologies, a Philips spin-off company and it was initially advertised in December 2005, to be launched in April 2006, but was delayed until July, when it started to be sold as a beta product. It was released to the public near the end of July. Its list price in Europe is €649, and in US $699, one of the advanced features of the iLiad is the ability to add notes to existing documents. With the integrated Wacom tablet and stylus, it is possible to directly on almost any document. Using the desktop software, those notes can be merged into the original document and this provides malleability, an important feature of physical books that is missing from most ebook products, allowing users to annotate, highlight, and personalize the text. Because of its open Linux operating system, the iLiad is able to run third party applications created for it, developers and users wishing to create or run third party applications can request shell access from the manufacturer. Developers have been able to improve on the devices functionality by porting viewers such as FBReader, full screen PDF reading is made available by community-supported iPDF releases. Programs for recreation, including audio playback, sudoku, and calendars, are rapidly growing community content available for use on the iLiad, independent users have also reported successful porting of mobile web browsers to iLiads Linux platform, although with limited functionality and many bugs. IRex as a company has had a relationship with its Open Source developers
Iliad
–
iRex iLiad
Iliad
Iliad
–
iLiad in sunlight
Iliad
–
iLiad e-book reader equipped with e-paper display
10.
Odyssey
–
The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature, the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the poem mainly focuses on the Greek hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of suitors, the Mnesteres or Proci. The Odyssey continues to be read in the Homeric Greek and translated into languages around the world. Many scholars believe the poem was composed in an oral tradition by an aoidos, perhaps a rhapsode. The details of the ancient oral performance and the conversion to a written work inspire continual debate among scholars. The Odyssey was written in a dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek. Among the most noteworthy elements of the text are its non-linear plot, in the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer and it was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have stolen from Musaeus by either Eugamon or Eugammon of Cyrene. The Odyssey begins ten years after the end of the ten-year Trojan War, and Odysseus has still not returned home from the war. Odysseus protectress, the goddess Athena, requests to Zeus, king of the gods, to finally allow Odysseus to return home when Odysseus enemy, then, disguised as a Taphian chieftain named Mentes, she visits Telemachus to urge him to search for news of his father. He offers her hospitality, they observe the suitors dining rowdily while the bard Phemius performs a poem for them. Penelope objects to Phemius theme, the Return from Troy, because it reminds her of her missing husband and that night Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena, he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos
Odyssey
–
Charles Gleyre,
Odysseus and
Nausicaä
Odyssey
–
Greek text of the Odyssey' s opening passage
Odyssey
–
Odysseus Overcome by
Demodocus ' Song, by
Francesco Hayez, 1813–15
Odyssey
–
Odysseus and the Sirens, eponymous vase of the
Siren Painter, ca. 480-470 BC, (
British Museum)
11.
Virgil
–
Publius Vergilius Maro, usually called Virgil or Vergil /ˈvɜːrdʒᵻl/ in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature, the Eclogues, the Georgics, a number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him. Virgil is traditionally ranked as one of Romes greatest poets and his Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Virgils work has had wide and deep influence on Western literature, most notably Dantes Divine Comedy, in which Virgil appears as Dantes guide through Hell, the tradition holds that Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul. Analysis of his name has led to beliefs that he descended from earlier Roman colonists, modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Macrobius says that Virgils father was of a background, however. He attended schools in Cremona, Mediolanum, Rome and Naples, after considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry. From Virgils admiring references to the neoteric writers Pollio and Cinna, it has been inferred that he was, for a time, according to Servius, schoolmates considered Virgil extremely shy and reserved, and he was nicknamed Parthenias or maiden because of his social aloofness. Virgil also seems to have suffered bad health throughout his life, according to the Catalepton, he began to write poetry while in the Epicurean school of Siro the Epicurean at Naples. A group of works attributed to the youthful Virgil by the commentators survive collected under the title Appendix Vergiliana. One, the Catalepton, consists of fourteen poems, some of which may be Virgils, and another. The biographical tradition asserts that Virgil began the hexameter Eclogues in 42 BC and it is thought that the collection was published around 39–38 BC, the Eclogues are a group of ten poems roughly modeled on the bucolic hexameter poetry of the Hellenistic poet Theocritus. The loss of his farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgils motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues, the ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside,2 and 3 are pastoral and erotic, discussing both homosexual love and attraction toward people of any gender. Eclogue 4, addressed to Asinius Pollio, the so-called Messianic Eclogue uses the imagery of the age in connection with the birth of a child. Virgil came to many of the other leading literary figures of the time, including Horace, in whose poetry he is often mentioned, and Varius Rufus. At Maecenas insistence Virgil spent the years on the long didactic hexameter poem called the Georgics which he dedicated to Maecenas
Virgil
–
Depiction of Virgil, 3rd century AD ("Monnus-Mosaic",
Rheinisches Landesmuseum,
Trier)
Virgil
–
A
bust of Virgil in
Naples
Virgil
–
Page from the Eclogues in the 5th-century Vergilius Romanus
Virgil
–
Late 17th-century illustration of a passage from the Georgics by
Jerzy Siemiginowski-Eleuter
12.
Aeneid
–
The Aeneid is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter, the hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad. The Aeneid is widely regarded as Virgils masterpiece and one of the greatest works of Latin literature, the Aeneid can be divided into two halves based on the disparate subject matter of Books 1–6 and Books 7–12. These two halves are commonly regarded as reflecting Virgils ambition to rival Homer by treating both the Odysseys wandering theme and the Iliads warfare themes and this is, however, a rough correspondence, the limitations of which should be borne in mind. Virgil begins his poem with a statement of his theme and an invocation to the Muse and he then explains the reason for the principal conflict in the story, the resentment held by the goddess Juno against the Trojan people. This is consistent with her throughout the Homeric epics. Also in the manner of Homer, the story begins in medias res, with the Trojan fleet in the eastern Mediterranean. The fleet, led by Aeneas, is on a voyage to find a second home and it has been foretold that in Italy, he will give rise to a race both noble and courageous, a race which will become known to all nations. Juno is wrathful, because she had not been chosen in the judgment of Paris, also, Ganymede, a Trojan prince, was chosen to be the cup bearer to her husband, Jupiter—replacing Junos daughter, Hebe. Juno proceeds to Aeolus, King of the Winds, and asks that he release the winds to stir up a storm in exchange for a bribe, Aeolus does not accept the bribe, but agrees to carry out Junos orders, the storm then devastates the fleet. The fleet takes shelter on the coast of Africa, where Aeneas rouses the spirits of his men, There, Aeneass mother, Venus, in the form of a hunting woman very similar to the goddess Diana, encourages him and recounts to him the history of Carthage. At a banquet given in honour of the Trojans, Aeneas sadly recounts the events that occasioned the Trojans arrival. He begins the tale shortly after the war described in the Iliad, Cunning Ulysses devised a way for Greek warriors to gain entry into the walled city of Troy by hiding in a large wooden horse. The Greeks pretended to sail away, leaving a warrior, Sinon, to inform the Trojans that the horse was an offering and that if it were taken into the city, the Trojans would be able to conquer Greece. The Trojan priest Laocoön saw through the Greek plot and urged the horses destruction, then, in what would be seen by the Trojans as punishment from the gods, two serpents emerged from the sea and devoured Laocoön, along with his two sons. The Trojans then took the horse inside the walls, and after nightfall the armed Greeks emerged from it. In a dream, Hector, the fallen Trojan prince, advised Aeneas to flee with his family, Aeneas awoke and saw with horror what was happening to his beloved city. At first he tried to fight the enemy, but soon he lost his comrades and was alone to fend off the Greeks
Aeneid
–
Aeneas Flees Burning Troy,
Federico Barocci, 1598
Galleria Borghese, Rome
Aeneid
–
Paul Cézanne, Aneas Meeting Dido at Carthage, ca. 1875,
Princeton University Art Museum
Aeneid
–
The suicide of
Queen Dido (book 4), sculpture by Claude-Augustin Cayot (fr) (1667–1722)
Aeneid
–
Boxing scene from the Aeneid (book 5), mosaic floor from a Gallo-Roman villa in
Villelaure (France), ca. 175 AD,
Getty Villa (71.AH.106)
13.
Euripides
–
Euripides was a tragedian of classical Athens. He is one of the few plays have survived, with the others being Aeschylus, Sophocles. Some ancient scholars attributed 95 plays to him but according to the Suda it was 92 at most, of these,18 or 19 have survived more or less complete and there are also fragments, some substantial, of most of the other plays. This new approach led him to pioneer developments that later writers adapted to comedy, yet he also became the most tragic of poets, focusing on the inner lives and motives of his characters in a way previously unknown. He was also unique among the writers of ancient Athens for the sympathy he demonstrated towards all victims of society and his contemporaries associated him with Socrates as a leader of a decadent intellectualism, both of them being frequently lampooned by comic poets such as Aristophanes. Whereas Socrates was eventually put on trial and executed as an influence, Euripides chose a voluntary exile in old age. Recent scholarship casts doubt on ancient biographies of Euripides, for example, it is possible that he never visited Macedonia at all, or, if he did, he might have been drawn there by King Archelaus with incentives that were also offered to other artists. Upon the receipt of a saying that his son was fated to win crowns of victory. In fact the boy was destined for a career on the stage and he served for a short time as both dancer and torch-bearer at the rites of Apollo Zosterius. His education was not confined to athletics, he studied painting and philosophy under the masters Prodicus. He had two marriages and both his wives—Melite and Choerine —were unfaithful. He became a recluse, making a home for himself in a cave on Salamis, there he built an impressive library and pursued daily communion with the sea and sky. Eventually he retired to the court of King Archelaus in Macedonia. However, as mentioned in the introduction, biographical details such as these should be regarded with scepticism and this biography is divided into three sections corresponding to the three kinds of sources. The apocryphal account that he composed his works in a cave on Salamis island was a late tradition, much of his life and his whole career coincided with the struggle between Athens and Sparta for hegemony in Greece but he didnt live to see the final defeat of his city. In an account by Plutarch, the failure of the Sicilian expedition led Athenians to trade renditions of Euripides lyrics to their enemies in return for food. Tragic poets were often mocked by comic poets during the dramatic festivals Dionysia and Lenaia, Aristophanes scripted him as a character in at least three plays, The Acharnians, Thesmophoriazusae and The Frogs. Yet Aristophanes borrowed rather than just satirized some of the methods, he was once ridiculed by a colleague, Cratinus, as a hair-splitting master of niceties
Euripides
–
Bust of Euripides: Roman marble copy of a 4th-century BC Greek original (
Museo Pio-Clementino, Rome)
Euripides
–
A statue of Euripides,
Louvre,
Paris.
14.
The Trojan Women
–
The Trojan Women, also known as Troades, is a tragedy by the Greek playwright Euripides. 415 BC was also the year of the desecration of the hermai. The Trojan Women was the tragedy of a trilogy dealing with the Trojan War. The first tragedy, Alexandros, was about the recognition of the Trojan prince Paris who had abandoned in infancy by his parents. The second tragedy, Palamedes, dealt with Greek mistreatment of their fellow Greek Palamedes and this trilogy was presented at the Dionysia along with the comedic satyr play Sisyphos. The plots of this trilogy were not connected in the way that Aeschylus Oresteia was connected, Euripides did not favor such connected trilogies. Euripides won second prize at the City Dionysia for his effort, the four Trojan women of the play are the same that appear in the final book of the Iliad lamenting over the corpse of Hector. Taking place near the time is Hecuba, another play by Euripides. Euripidess play follows the fates of the women of Troy after their city has been sacked, their husbands killed, what follows shows how much the Trojan women have suffered as their grief is compounded when the Greeks dole out additional deaths and divide their shares of women. The Greek herald Talthybius arrives to tell the dethroned queen Hecuba what will befall her and her children, Hecuba will be taken away with the Greek general Odysseus, and Cassandra is destined to become the conquering general Agamemnons concubine. Cassandra, who can see the future, is delighted by this news, she sees that when they arrive in Argos. However, Cassandra is also cursed so that her visions of the future are never believed, the widowed princess Andromache arrives and Hecuba learns from her that her youngest daughter, Polyxena, has been killed as a sacrifice at the tomb of the Greek warrior Achilles. The Greek leaders are afraid that the boy grow up to avenge his father Hector. Helen, though not one of the Trojan women, is supposed to suffer greatly as well, Helen begs and tries to seduce her husband into sparing her life. Menelaus remains resolved to kill her, but the audience watching the play knows that he let her live. In the end, Talthybius returns, carrying with him the body of little Astyanax on Hectors shield, andromaches wish had been to bury her child herself, performing the proper rituals according to Trojan ways, but her ship had already departed. Talthybius gives the corpse to Hecuba, who prepares the body of her grandson for burial before they are taken off with Odysseus. Throughout the play, many of the Trojan women lament the loss of the land that reared them, the Israeli playwright Hanoch Levin also wrote his own version of the play, adding more disturbing scenes and scatological details
The Trojan Women
–
An engraving of the death of
Astyanax
The Trojan Women
–
Karen Tiegren (Cassandra) in The Trojan Women, directed by
Brad Mays at the
ARK Theatre Company in
Los Angeles, 2003
The Trojan Women
–
Aomawa Baker (Andromache) in The Trojan Women, directed by Brad Mays at the ARK Theatre Company in Los Angeles, 2003
The Trojan Women
–
Shelley DeLane (Helen) and Pab Schwendimann (Menelaus) in The Trojan Women, directed by Brad Mays at the ARK Theatre Company in Los Angeles, 2003
15.
Etruscan mythology
–
Etruscan religion and mythology were partly incorporated into classical Roman culture, including the Roman pantheon. However, in the last years of the Roman Republic the religion began to fall out of favor and was satirized by such public figures as Marcus Tullius Cicero. The Julio-Claudians, especially Claudius, who claimed a remote Etruscan descent, maintained a knowledge of the language and religion for a time longer. A number of works in the Etruscan language survived until the middle of the first millennium AD, but were destroyed by the ravages of time, decree of the Roman Senate. Around the mun or muni, or tombs, were the man or mani, in iconography after the 5th century BC, the deceased are shown traveling to the underworld. In several instances of Etruscan art, such as in the François Tomb in Vulci, a god was called an ais, which in the plural is aisar. The abode of a god was a fanu or luth, a place, such as a favi. There, one would need to make a fler, or offering, three layers of deities are portrayed in Etruscan art. Ruling over them were higher deities that seem to reflect the Indo-European system, Tin or Tinia, the sky, Uni his wife, and Cel, as a third layer, the Greek gods were adopted by the Etruscan system during the Etruscan Orientalizing Period of 750/700-600 BC. Examples are Aritimi, Menrva, and Pacha, and over time the primary trinity became Tinia, Uni, the Etruscans believed in intimate contact with divinity. They did nothing without proper consultation with the gods and signs from them and these practices were taken over in total by the Romans. The Etruscan scriptures were a corpus of texts termed the Etrusca Disciplina and this name appears in Valerius Maximus, and Marcus Tullius Cicero refers to a disciplina in his writings on the subject. These works did not present prophecies or scriptures in the ordinary sense, the Etruscans appear to have had no systematic ethics or religion and no great visions. The Etruscans accepted the inscrutability of their gods wills and they did not attempt to rationalize or explain divine actions or formulate any doctrines of the gods intentions. These revelations may not be understandable and may not be pleasant or easy. He then quipped, regarding divination from the singing of frogs, and yet they do have by nature some faculty of premonition, clear enough of itself, but too dark for human comprehension. Divinatory inquiries according to discipline were conducted by priests whom the Romans called haruspices or sacerdotes, the Etruscans, as evidenced by the inscriptions, used several words, capen, maru, eisnev, hatrencu. They called the art of haruspicy zich nethsrac, a special magistrate, the cechase, looked after the cecha or rath, sacred things
Etruscan mythology
–
Etruscan mural of
Typhon, from
Tarquinia
Etruscan mythology
–
Reconstruction of an Etruscan temple, Museo di Villa Giulia, Rome, which is heavily influenced by studies of the Temple of Apollo at
Portonaccio (Veio)
Etruscan mythology
–
Rare Etruscan fanu located at
Orvieto.
Etruscan mythology
–
Funerary home at
Banditaccia with couches
16.
Strabo
–
Strabo was a Greek geographer, philosopher, and historian who lived in Asia Minor during the transitional period of the Roman Republic into the Roman Empire. Strabo was born to an affluent family from Amaseia in Pontus, Strabos life was characterized by extensive travels. He journeyed to Egypt and Kush, as far west as coastal Tuscany and as far south as Ethiopia in addition to his travels in Asia Minor and the time he spent in Rome. Travel throughout the Mediterranean and Near East, especially for scholarly purposes, was popular during this era and was facilitated by the relative peace enjoyed throughout the reign of Augustus. He moved to Rome in 44 BC, and stayed there, studying and writing, in 29 BC, on his way to Corinth, he visited the island of Gyaros in the Aegean Sea. Around 25 BC, he sailed up the Nile until reaching Philae and it is not known precisely when Strabos Geography was written, though comments within the work itself place the finished version within the reign of Emperor Tiberius. Some place its first drafts around 7 BC, others around 17 or 18 AD, the latest passage to which a date can be assigned is his reference to the death in AD23 of Juba II, king of Maurousia, who is said to have died just recently. He probably worked on the Geography for many years and revised it steadily, on the presumption that recently means within a year, Strabo stopped writing that year or the next, when he died. The first of Strabos major works, Historical Sketches, written while he was in Rome, is completely lost. Strabo studied under several prominent teachers of various specialties throughout his life at different stops along his Mediterranean travels. His first chapter of education took place in Nysa under the master of rhetoric Aristodemus, Strabo was an admirer of Homers poetry, perhaps a consequence of his time spent in Nysa with Aristodemus. At around the age of 21, Strabo moved to Rome, where he studied philosophy with the Peripatetic Xenarchus, despite Xenarchuss Aristotelian leanings, Strabo later gives evidence to have formed his own Stoic inclinations. In Rome, he learned grammar under the rich and famous scholar Tyrannion of Amisus. Although Tyrannion was also a Peripatetic, he was more relevantly a respected authority on geography, the final noteworthy mentor to Strabo was Athenodorus Cananites, a philosopher who had spent his life since 44 BC in Rome forging relationships with the Roman elite. Athenodorus endowed to Strabo three important items, his philosophy, his knowledge, and his contacts, moreover, from his own first-hand experience, Athenodorus provided Strabo with information about regions of the empire which he would not otherwise have known. Strabo is most notable for his work Geographica, which presented a history of people. Although the Geographica was rarely utilized in its antiquity, a multitude of copies survived throughout the Byzantine Empire. It first appeared in Western Europe in Rome as a Latin translation issued around 1469, the first Greek edition was published in 1516 in Venice
Strabo
–
Strabo as depicted in a 16th-century engraving
Strabo
–
Title page from
Isaac Casaubon 's 1620 edition of
Geographica.
Strabo
–
Statue of Strabo in his hometown (modern-day
Amasya, Turkey), beside the
Iris (Yeşilırmak) River.
Strabo
–
Map of Europe according to Strabo.
17.
Ovid
–
Publius Ovidius Naso, known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists and he enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, a poem and a mistake and his poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology, Ovid talks more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, other sources include Seneca the Elder and Quintilian. Ovid was born in Sulmo, in an Apennine valley east of Rome, to an important equestrian family and that was a significant year in Roman politics. He was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro with his brother who excelled at oratory and his father wanted him to study rhetoric toward the practice of law. According to Seneca the Elder, Ovid tended to the emotional, after the death of his brother at 20 years of age, Ovid renounced law and began travelling to Athens, Asia Minor, and Sicily. Ovids first recitation has been dated to around 25 BC, when he was eighteen and he was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. 4.10. 41–54, Ovid mentions friendships with Macer, Propertius, Horace, Ovid was very popular at the time of his early works, but was later exiled by Augustus in AD8. He married three times and divorced twice by the time he was thirty years old and he had one daughter, who eventually bore him grandchildren. His last wife was connected in some way to the influential gens Fabia, the first 25 years of Ovids literary career were spent primarily writing poetry in elegiac meter with erotic themes. The chronology of early works is not secure, tentative dates. 2.18. 19–26 that seems to describe the collection as a published work. The authenticity of some of these poems has been challenged, between the publications of the two editions of the Amores can be dated the premiere of his tragedy Medea, which was admired in antiquity but is no longer extant. Ovid may identify this work in his poetry as the carmen, or song. The Ars Amatoria was followed by the Remedia Amoris in the same year and this corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member
Ovid
–
Statue (1887) by
Ettore Ferrari commemorating Ovid's exile in Tomis (present-day
Constanța, Romania)
Ovid
–
A second statue of Ovid by
Ettore Ferrari in the Piazza XX Settembre,
Sulmona, Italy.
Ovid
–
Ovid Banished from Rome (1838) by
J.M.W. Turner.
Ovid
–
Medea in a fresco from
Herculaneum.
18.
Troy
–
The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, a new capital called Ilium was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually in the Byzantine era and these excavations revealed several cities built in succession. Troy VII has been identified with the city that the Hittites called Wilusa, the origin of the Greek Ἴλιον. Today, the hill at Hisarlık has given its name to a village near the ruins. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, the map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Troy was added to the UNESCO World Heritage list in 1998, Ancient Greek historians variously placed the Trojan War in the 12th, 13th, or 14th centuries BC, Eratosthenes to 1184 BC, Herodotus to 1250 BC, Duris of Samos to 1334 BC. Modern archaeologists associate Homeric Troy with archaeological Troy VII, in the Iliad, the Achaeans set up their camp near the mouth of the River Scamander, where they had beached their ships. The city of Troy itself stood on a hill, across the plain of Scamander, recent geological findings have permitted the identification of the ancient Trojan coastline, and the results largely confirm the accuracy of the Homeric geography of Troy. In November 2001, the geologist John C, kraft from the University of Delaware and the classicist John V. Luce from Trinity College, Dublin, presented the results of investigations, begun in 1977, into the geology of the region. Besides the Iliad, there are references to Troy in the major work attributed to Homer. The Homeric legend of Troy was elaborated by the Roman poet Virgil in his Aeneid, the Greeks and Romans took for a fact the historicity of the Trojan War and the identity of Homeric Troy with the site in Anatolia. Alexander the Great, for example, visited the site in 334 BC and there made sacrifices at tombs associated with the Homeric heroes Achilles and Patroclus. After the 1995 find of a Luwian biconvex seal at Troy VII, with the rise of critical history, Troy and the Trojan War were, for a long time, consigned to the realms of legend. However, the location of ancient Troy had from classical times remained the subject of interest. The Troad peninsula was anticipated to be the location, leChavaliers location, published in his Voyage de la Troade, was the most commonly accepted theory for almost a century. In 1822, the Scottish journalist Charles Maclaren was the first to identify with confidence the position of the city as it is now known, the hill, near the city of Çanakkale, was known as Hisarlık. In 1868, Heinrich Schliemann visited Calvert and secured permission to excavate Hisarlık, in 1871–73 and 1878–79, he excavated the hill and discovered the ruins of a series of ancient cities dating from the Bronze Age to the Roman period
Troy
–
The walls of the
acropolis belong to Troy VII, which is identified as the site of the
Trojan War (c. 1200 BC).
Troy
–
Silver
tetradrachm from Troy with head of
Athena, c. 165–150 BC
Troy
–
The
odeon dates to the
Roman Troy IX and was renovated by
Hadrian in 124 AD.
Troy
–
The view from
Hisarlık across the plain of Ilium to the
Aegean Sea.
19.
Linen
–
Linen /ˈlɪnᵻn/ is a textile made from the fibers of the flax plant. Linen is laborious to manufacture, but the fiber is very absorbent, many products are made of linen, aprons, bags, towels, napkins, bed linens, tablecloths, runners, chair covers, and mens and womens wear. The word linen is of West Germanic origin and cognate to the Latin name for the plant, linum. This word history has given rise to a number of terms in English, most notably line. Textiles in a linen weave texture, even made of cotton, hemp. Such fabrics generally also have their own names, for example fine cotton yarn in a linen-style weave is called Madapolam. The collective term linens is still used generically to describe a class of woven or knitted bed, bath, table. The inner layer of fine composite cloth garments was traditionally made of linen, Linen textiles appear to be some of the oldest in the world, their history goes back many thousands of years. Fragments of straw, seeds, fibers, yarns, and various types of dating to about 8000 BC have been found in Swiss lake dwellings. Dyed flax fibers found in a cave in Georgia suggest the use of woven linen fabrics from wild flax may date back even earlier to 36,000 BP. Linen was sometimes used as currency in ancient Egypt, egyptian mummies were wrapped in linen as a symbol of light and purity, and as a display of wealth. Some of these fabrics, woven from hand-spun yarns, were fine for their day. In 1923 the German city Bielefeld issued banknotes printed on linen, today, linen is usually an expensive textile produced in relatively small quantities. It has a long staple relative to cotton and other natural fibers, the word linen is derived from the Latin for the flax plant, which is linum, and the earlier Greek λίνον. The discovery of dyed flax fibers in a cave in Georgia dated to thirty-six thousand years ago suggests that ancient people used wild flax fibers to create linen-like fabrics from an early date, in ancient Mesopotamia, flax was domesticated and linen was first produced. It was used mainly by the class of the society. The Sumerian poem of the courtship of Inanna and Dumuzi, translated by Samuel Noah Kramer and Diane Wolkstein and published in 1983, mentions flax and linen. It opens with briefly listing the steps of preparing linen from flax, in a form of questions, in ancient Egypt, linen was used for mummification and for burial shrouds
Linen
–
A linen
handkerchief with
drawn thread work around the edges
Linen
–
Linen cloth recovered from
Qumran Cave 1 near the
Dead Sea
Linen
–
Diocletian 's 4th century maximum prices edict showing prices for 3 grades of linen across the
Roman Empire
Linen
–
Details of the flax plant, from which linen fibers are derived
20.
Cuirass
–
A cuirass is a piece of armour, formed of a single or multiple pieces of metal or other rigid material which covers the front of the torso. In a suit of armour, the cuirass was generally connected to a back piece, cuirass could also refer to the complete torso-protecting armour. As parts of the military equipment of classic antiquity, cuirasses and corsets of bronze, iron. Secondary protection for the breast was worn in earlier times by men-at-arms in addition to mail hauberks and it was not until the 14th century that the plate armour became an established part of medieval armour. The Roman emperor Galba donned a cuirass just before he went to his death. Suetonius records in 12 Caesars that, As was offering sacrifice on the morning before he was killed and he did however put on a linen cuirass, though he openly declared that it would afford little protection against so many swords. The cuirass was almost universally worn throughout its lifespan as a form of armour, the cuirass was always made long enough to rest on the hips. If it had been suspended by the shoulders, its weight would have exhausted its wearer. In the second half of the 15th century, the cuirass was occasionally superseded by the brigandine jacket, in essence, the brigandine jacket was constructed of metal plates sewn into a fabric jacket. About 1550, the breast-piece of the cuirass was characterized by a central ridge, called the tapul. Somewhat later, the tapul was moved lower on the breast, eventually, the profile of the plate began to resemble a pea pod and, as such, was referred to as the peascod cuirass. Corslets provided with both breast and back pieces were worn by foot-soldiers in the 17th century, while their comrades were equipped in heavier and stronger cuirasses. These defenses continued in use longer than any single piece of armour. Both the French and German heavy cavalry wore cuirasses in parade leading up to World War I, in the early part of that conflict, they painted their cuirasses black and wore canvas protection covers over the neo-Roman style helmets. Some years after Waterloo, certain historical cuirasses were taken from their repose in the Tower of London and adapted for service by the Life Guards, for parade purposes, the Prussian Gardes du Corps and other corps wore cuirasses of richly decorated leather. During the Heian period, Japanese armourers started to use leather as a material, by the end of the Heian period, the Japanese cuirass had arrived at the shape recognized as part of iconic samurai armor. Scales of iron and leather, bound together by silk lace, were used to construct samurai armours, the introduction of firearms to Japan in 1543 resulted in the development of a cuirass constructed of solid iron plates. The use of the samurai cuirass lasted until the 1860s when an army using conventional uniforms was established
Cuirass
–
Cuirass worn by a
Carabiniers-à-Cheval.
Cuirass
–
Indian steel cuirass, 17th to 18th century
Cuirass
–
An 1854 cuirass worn by the French
Cuirassiers
Cuirass
–
German helmet and frontal armoured plate for trench warfare, 1916
21.
Achilles
–
In Greek mythology, Achilles was a Greek hero of the Trojan War and the central character and greatest warrior of Homers Iliad. His mother was the immortal nymph Thetis, and his father, Achilles’ most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, later legends state that Achilles was invulnerable in all of his body except for his heel. Alluding to these legends, the term Achilles heel has come to mean a point of weakness, Achilles name can be analyzed as a combination of ἄχος grief and λαός a people, tribe, nation. In other words, Achilles is an embodiment of the grief of the people, Achilles role as the hero of grief forms an ironic juxtaposition with the conventional view of Achilles as the hero of κλέος kleos. Laos has been construed by Gregory Nagy, following Leonard Palmer, to mean a corps of soldiers, a muster. With this derivation, the name would have a meaning in the poem, when the hero is functioning rightly, his men bring grief to the enemy. The poem is in part about the misdirection of anger on the part of leadership, R. S. P. Beekes has suggested a Pre-Greek origin of the name. The name Achilleus was a common and attested name among the Greeks soon after the 7th century BC. It was also turned into the female form Ἀχιλλεία attested in Attica in the 4th century BC and, in the form Achillia, Achilles was the son of the Nereid Thetis and Peleus, the king of the Myrmidons. Zeus and Poseidon had been rivals for the hand of Thetis until Prometheus, for this reason, the two gods withdrew their pursuit, and had her wed Peleus. Thetis, although a daughter of the sea-god Nereus, was brought up by Hera. According to the Achilleid, written by Statius in the 1st century AD, and to no surviving previous sources, however, he was left vulnerable at the part of the body by which she held him, his heel. It is not clear if this version of events was known earlier, in another version of this story, Thetis anointed the boy in ambrosia and put him on top of a fire, to burn away the mortal parts of his body. She was interrupted by Peleus and abandoned both father and son in a rage, however, none of the sources before Statius makes any reference to this general invulnerability. To the contrary, in the Iliad Homer mentions Achilles being wounded, in Book 21 the Paeonian hero Asteropaeus, son of Pelagon and he cast two spears at once, one grazed Achilles elbow, drawing a spurt of blood. Peleus entrusted Achilles to Chiron the Centaur, on Mt. Pelion, Achilles consuming rage is at times wavering, but at other times he cannot be cooled. Thetis foretold that her sons fate was either to gain glory and die young, or to live a long, Achilles chose the former, and decided to take part in the Trojan war
Achilles
–
Achilles and the
Nereid Cymothoe: Attic red-figure
kantharos from
Volci (
Cabinet des Médailles, Bibliothèque nationale, Paris)
Achilles
–
Head of Achilles depicted on a 4th-century BC coin from
Kremaste,
Phthia. Reverse:
Thetis, wearing
chiton and holding shield of Achilles with his AX monogram.
Achilles
–
Greek Mythology
Achilles
–
Thetis Dipping the Infant Achilles into the River Styx (ca. 1625),
Peter Paul Rubens
22.
Pyre
–
A pyre, also known as a funeral pyre, is a structure, usually made of wood, for burning a body as part of a funeral rite or execution. As a form of cremation, a body is placed upon or under the pyre, the composition of a pyre may be determined through use of charcoal analysis. Charcoal analysis helps to predict composition of the fuel and local forestry of the charcoal being studied, in Templenoe, pyres typically consisted of oak and fruit wood compositions. Polish pyres consisted of primarily pine trees, as pines were dense in local woodlands. All parts of the tree were used including the trunk, branches, twigs, worked antler and bone objects, along with flint and flake tools, and copper-alloys are most commonly found in pyre cremation remains. The copper-alloys leave a stain and are typically fused to the ribs, arms. Bones without blood vessels, spongy bone, will circularly fissure and shrink while bones with blood vessels, compact bone, will still fissure and distort but shrink less. The more movement, which depending on the crematorium, the hot bone goes through the more likely it is that breakage will occur. Sometimes even movement of the bone after it has cooled down can cause breakage, Pyre cremations create the same kind of heat and thus yield the same bone conditions as the cremation process. A study was done on the fragments of cremations to show that not only will movement of the bone fragments cause breakage. It was concluded that if cremated bone is placed in an urn berfor burial the original bone fragment size will be preserved, traditionally, pyres are used for the cremation of the dead in the Hindu and Sikh religions, a practice which dates back several thousands of years. Funeral pyres were used in Viking and Roman culture. Pyres and bonfires are used in celebrations and remembrance in services, examples of these are Guy Fawkes Night in the United Kingdom and some Commonwealth countries, where the Guy, either seen as an effigy of Guy Fawkes or the Pope, is burned. Funeral pyres were used by the Nazis to cremate the bodies of 1,500, 000+ prisoners in Belzec, Sobibor and Treblinka extermination camps, pyres have also been used to dispose of large quantities of livestock in agriculture, particularly those infected with disease. The heating of the atmosphere from carbonaceous aerosols resulting from human activities is a significant contributor to climate change in South Asia, in this region, fossil fuel use and residential biofuels have been documented to be the primary emitter of light-absorbing black carbon aerosols. The study determined the emitted organic carbon contributed 40% to smoke absorption of solar radiation. A second study examined the carbonaceous fractions associated with indoor PM2. 5/PM10 during Asian cultural and ritual burning practices and these high chemical levels were also found to correlate to higher aerosol fraction levels during winter months in both Muslim Holy Shrines and marriage places. Environmental Impacts in India A traditional Hindu funeral pyre takes six hours, every year fifty to sixty million trees are burned during cremations in India, which results in about eight million tonnes of carbon dioxide or greenhouse gas emissions
Pyre
–
An
Ubud cremation ceremony in 2005
Pyre
–
The funeral pyre of Chan Kusalo (the Buddhist high monk of Northern Thailand) at
Wat Chedi Luang, Chiang Mai, Thailand
23.
Patroclus
–
In Greek mythology, as recorded in Homers Iliad, Patroclus was the son of Menoetius, grandson of Actor, King of Opus, and Achilles beloved and brother-in-arms. According to Hyginus, Patroclus is the child of Menoetius and Philomela, Homer also references Menoetius as the individual who gave Patroclus to Peleus. Menoetius is the son of Actor, King of Opus in Locris by Aegina, Aegina was a daughter of Asopus and mother of Aeacus by Zeus. Aeacus was father of Peleus, Telamon and Phocus, Actor was a son of Deioneus, King of Phocis and Diomede. His paternal grandparents were Aeolus of Thessaly and Enarete and his maternal grandparents were Xuthus and Creusa, daughter of Erechtheus and Praxithea. During his childhood, Patroclus had killed another child in anger over a game, Menoetius gave Patroclus to Peleus, Achilles father, who named Patroclus one of Achilles henchmen as Patroclus and Achilles grew up together. Patroclus acted as a role model for Achilles, as he was both older than Achilles and wise regarding counsel. According to the Iliad, when the tide of war had turned against the Greeks, Achilles consented, giving Patroclus the armor Achilles had received from his father, in order for Patroclus to impersonate Achilles. Achilles then told Patroclus to return after beating the Trojans back from their ships, Patroclus defied Achilles order and pursued the Trojans back to the gates of Troy. Patroclus killed many Trojans, including a son of Zeus, Sarpedon, while battling, Patroclus wits were removed by Apollo, after which Patroclus was hit with the spear of Euphorbos. Hector then killed Patroclus by stabbing him in the stomach with a spear, Achilles retrieved the body, which had been stripped of armor by Hector and protected on the battlefield by Menelaus and Ajax. Achilles did not allow for the burial of Patroclus body until the ghost of Patroclus appeared and demanded burial in order to pass into Hades, Patroclus was then cremated on a funeral pyre, which was covered in the hair of his sorrowful companions. As the cutting of hair was a sign of grief while also acting as a sign of the separation of the living and the dead, the ashes of Achilles were said to have been buried in a golden urn along with those of Patroclus by the Hellespont. Although Homer does not mention it, there is whether or not Achilles. Morales and Mariscal continue stating, there is a tradition concerning the nature of the relationship between the two heroes. According to Grace Ledbetter, there is a train of thought that Patroclus could have been a representation of the side of Achilles. In fact, the first line of Homers Iliad mentions Achilles anger, Ledbetter does so by comparing how Thetis comforts the weeping Achilles in Book 1 of the Iliad to how Achilles comforts Patroclus as he weeps in Book 16. Achilles uses a simile containing a young girl looking at her mother to complete the comparison
Patroclus
–
A cup depicting
Achilles bandaging Patroklos' arm, by the Sosias Painter.
Patroclus
–
The body of Patroclus is lifted by
Menelaus and
Meriones while
Odysseus and others look on (Etruscan relief, 2nd century BC)
24.
Odysseus
–
Odysseus, also known by the Latin name Ulysses, was a legendary Greek king of Ithaca and the hero of Homers epic poem the Odyssey. Odysseus also plays a key role in Homers Iliad and other works in that same epic cycle. Husband of Penelope, father of Telemachus, and son of Laërtes and Anticlea, Odysseus is renowned for his brilliance, guile, and versatility and he is most famous for the Odyssey, ten eventful years he took to return home after the decade-long Trojan War. The name has several variants, in Greek the character was called Olysseus, Oulixeus, Oulixes, hence, there may originally have been two separate figures, one called something like Odysseus, the other something like Ulixes, who were combined into one complex personality. The etymology of the name is unknown, ancient authors linked the name to the Greek verbs odussomai to be wroth against, to hate, or to oduromai to lament, bewail. Homer in references and puns, relates it to various forms of this verb and it has also been suggested that the name is of non-Greek origin, probably not even Indo-European, with an unknown etymology, R. S. P. Beekes has suggested a Pre-Greek origin. In Book 19 of the Odyssey, where Odysseuss early childhood is recounted, Euryclea tries to guide him to naming the boy Polyaretos, for he has much been prayed for. Autolycus apparently in a sardonic mood, decided to give the child a name that would commemorate his own experience in life. Because I got odium upon myself before coming here, let the childs name be Odysseus to signify this. The pun was prophetic as well as commemorative, Odysseus often receives the patronymic epithet Laertiades, son of Laërtes. In the Iliad and Odyssey there are several epithets used to describe Odysseus and his name and stories were adopted into Etruscan religion under the name Uthuze. Hence, Odysseus was the great-grandson of the Olympian god Hermes, according to the Iliad and Odyssey, his father is Laertes and his mother Anticlea, although there was a non-Homeric tradition that Sisyphus was his true father. The rumor went that Laertes bought Odysseus from the conniving king, Odysseus is said to have a younger sister, Ctimene, who went to Same to be married and is mentioned by the swineherd Eumaeus, whom she grew up alongside, in Book 15 of the Odyssey. Homers Iliad and Odyssey portray Odysseus as a hero, but the Romans. In Virgils Aeneid, written between 29 and 19 BC, he is referred to as cruel Odysseus or deceitful Odysseus. Turnus, in Aeneid ix, reproaches the Trojan Ascanius with images of rugged, forthright Latin virtues, declaring, You shall not find the sons of Atreus here, nor need the frauds of sly Ulysses fear. While the Greeks admired his cunning and deceit, these qualities did not recommend themselves to the Romans, who possessed a rigid sense of honour. His attempts to avoid his sacred oath to defend Menelaus and Helen offended Roman notions of duty, the majority of sources for Odysseus pre-war exploits—principally the mythographers Pseudo-Apollodorus and Hyginus—postdate Homer by many centuries
Odysseus
–
Head of Odysseus from a
Roman period Hellenistic marble group representing Odysseus blinding
Polyphemus, found at the villa of
Tiberius at
Sperlonga
Odysseus
–
Head of Odysseus wearing
pileus depicted on a 3rd-century BC coin from
Ithaca
Odysseus
–
Greek Mythology
Odysseus
–
This is a painting of Odysseus's boat passing between the six-headed monster Scylla and the whirlpool Charybdis. Scylla has plucked six of Odysseus's men from the boat. The painting is an Italian fresco dating to 1560 C.E.
25.
Antilochus
–
In Greek mythology, Antilochus /ænˈtɪləkəs/ was the son of Nestor, king of Pylos, and was one of the Acheans in the Trojan War. One of the suitors of Helen of Troy, he accompanied his father and he was distinguished for his beauty, swiftness of foot, and skill as a charioteer. Though the youngest among the Greek princes, he commanded the Pylians in the war and he was a favorite of the gods and a friend of Achilles, to whom he was commissioned to announce the death of Patroclus. When his father Nestor was attacked by Memnon, Antilochus sacrificed himself to save him, thus fulfilling an oracle which had warned to beware of an Ethiopian. Antilochus death was avenged by Achilles, in the Odyssey, the three friends are represented as united in the underworld and walking together in the Asphodel Meadows. According to Pausanias, they together on the island of Leuke. Among the Trojans he killed were Melanippus, Ablerus, Atymnius, Phalces, at the funeral games of Patroclus, Antilochus finished second in the chariot race and third in the foot race. Antilochus left behind in Messenia a son Paeon, whose descendants were among the Neleidae expelled from Messenia, cambridge, MA, Harvard University Press, London, William Heinemann Ltd. This article incorporates text from a now in the public domain, Chisholm, Hugh
Antilochus
–
Antilochus on an
Attic red-figure amphora ca. 470 BC from the
Louvre
26.
Athena
–
Athena or Athene, often given the epithet Pallas, is the goddess of wisdom, craft, and war in ancient Greek religion and mythology. Minerva is the Roman goddess identified with Athena, Athena is known for her calm temperament, as she moves slowly to anger. She is noted to have fought for just reasons. Athena is portrayed as a companion of heroes and is the patron goddess of heroic endeavour. She is the patroness of Athens. The Athenians founded the Parthenon on the Acropolis of her city, Athens. Veneration of Athena was so persistent that archaic myths about her were recast to adapt to cultural changes, in her role as a protector of the city, many people throughout the Greek world worshipped Athena as Athena Polias. While the city of Athens and the goddess Athena essentially bear the same name, Athena is associated with Athens, a plural name, because it was the place where she presided over her sisterhood, the Athenai, in earliest times. Mycenae was the city where the Goddess was called Mykene, at Thebes she was called Thebe, and the city again a plural, Thebae. Similarly, at Athens she was called Athena, and the city Athenae, Athena had a special relationship with Athens, as is shown by the etymological connection of the names of the goddess and the city. According to mythical lore, she competed with Poseidon and she won by creating the olive tree, the Athenians would accept her gift and name the city after her. In history, the citizens of Athens built a statue of Athena as a temple to the goddess, which had piercing eyes, a helmet on her head, attired with an aegis or cuirass, and an extremely long spear. It also had a shield with the head of the Gorgon on it. A large snake accompanied her and she held Nike, the goddess of victory, therefore, Mylonas believes that Athena was a Mycenaean creation. On the other hand, Nilsson claims that she was the goddess of the palace who protected the king, a-ta-no-dju-wa-ja is also found in Linear A Minoan, the final part being regarded as the Linear A Minoan equivalent of the Linear B Mycenaean di-u-ja or di-wi-ja. Divine Athena also was a weaver and the deity of crafts, whether her name is attested in Eteocretan or not will have to wait for decipherment of Linear A. Perhaps, however, the name Theonoe may mean she who knows divine things better than others. Thus for Plato her name was to be derived from Greek Ἀθεονόα, Plato also noted that the citizens of Sais in Egypt worshipped a goddess whose Egyptian name was Neith, and which was identified with Athena. Neith was the war goddess and huntress deity of the Egyptians since the ancient Pre-Dynastic period, in addition, ancient Greek myths reported that Athena had visited many mythological places such as Libyas Triton River in North Africa and the Phlegraean plain
Athena
–
Mattei Athena at
Louvre. Roman copy from the 1st century BC/AD after a Greek original of the 4th century BC, attributed to Cephisodotos or Euphranor.
Athena
–
Athenian
tetradrachm representing the goddess Athena.
Athena
–
A new
peplos was woven for Athena and ceremonially brought to dress her
cult image (
British Museum).
Athena
–
Marble Greek copy signed “Antiokhos”, a 1st-century BC variant of
Phidias ’ 5th-century
Athena Promachos that stood on the
Acropolis.
27.
Poseidon
–
Poseidon was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the God of the Sea, additionally, he is referred to as Earth-Shaker due to his role in causing earthquakes, and has been called the tamer of horses. He is usually depicted as a male with curly hair. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology, both were sea gods analogous to Poseidon. According to some folklore, he was saved by his mother Rhea, who concealed him among a flock of lambs and pretended to have birth to a colt. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, according to the references from Plato in his dialogues Timaeus and Critias, the island of Atlantis was the chosen domain of Poseidon. The form Ποτειδάϝων appears in Corinth, the origins of the name Poseidon are unclear. Walter Burkert finds that the second element da- remains hopelessly ambiguous, another theory interprets the second element as related to the word *δᾶϝον dâwon, water, this would make *Posei-dawōn into the master of waters. There is also the possibility that the word has Pre-Greek origin, Plato in his dialogue Cratylus gives two alternative etymologies, either the sea restrained Poseidon when walking as a foot-bond, or he knew many things. If surviving Linear B clay tablets can be trusted, the name occurs with greater frequency than does di-u-ja. A feminine variant, po-se-de-ia, is found, indicating a lost consort goddess. Poseidon carries frequently the title wa-na-ka in Linear B inscriptions, as king of the underworld, the chthonic nature of Poseidon-Wanax is also indicated by his title E-ne-si-da-o-ne in Mycenean Knossos and Pylos, a powerful attribute. In the cave of Amnisos Enesidaon is related with the cult of Eileithyia and she was related with the annual birth of the divine child. During the Bronze Age, a goddess of nature, dominated both in Minoan and Mycenean cult, and Wanax was her companion in Mycenean cult. It is possible that Demeter appears as Da-ma-te in a Linear B inscription, in Linear B inscriptions found at Pylos, E-ne-si-da-o-ne is related with Poseidon, and Si-to Po-tini-ja is probably related with Demeter. Tablets from Pylos record sacrificial goods destined for the Two Queens, the Two Queens may be related with Demeter and Persephone, or their precursors, goddesses who were not associated with Poseidon in later periods. The violated Demeter was Demeter Erinys, in Arcadia, Demeters mare-form was worshiped into historical times. Her xoanon of Phigaleia shows how the local cult interpreted her, a Medusa type with a horses head with snaky hair, holding a dove and a dolphin, probably representing her power over air and water
Poseidon
–
Poseidon from
Milos, 2nd century BC (
National Archaeological Museum of Athens)
Poseidon
–
Poseidon, Paella Museum
Poseidon
–
Poseidon in
Kadriorg Palace,
Tallinn
Poseidon
–
Poseidon holding a
trident. Corinthian plaque, 550-525 BC. From Penteskouphia.
28.
Trident
–
A trident /ˈtraɪdənt/ is a three-pronged spear. It is used for fishing and historically as a polearm. The trident is the weapon of Poseidon, or Neptune, the god of the sea in classical mythology, in Hindu mythology it is the weapon of Shiva, known as trishula. The word trident comes from the French word trident, which in turn comes from the Latin word tridens or tridentis, sanskrit trishula is compound of tri त्रि three+ ṣūla शूल thorn. The Greek equivalent is τρίαινα, from Proto-Greek trianja, in Greek, Roman, and Hindu mythology, the trident is said to have the power of control over the ocean. Tridents for fishing usually have barbed tines which trap the fish firmly. In the Southern and Midwestern United States, gigging is used for harvesting suckers, bullfrogs, flounder, the trident, known as dangpa, is featured as a weapon in the 17th- to 18th-century systems of Korean martial arts. In Ancient Rome, in a parody of fishing, tridents were famously used by a type of gladiator called a retiarius or net fighter, the retiarius was traditionally pitted against a secutor, and cast a net to wrap his adversary and then used the trident to kill him. In Hindu legends and stories Shiva, a Hindu God who holds a trident in his hand, the trident is also said to represent three gunas mentioned in Indian vedic philosophy namely sāttvika, rājasika, and tāmasika. In Greek myth, Poseidon used his trident to create water sources in Greece, parallel to its fishing origins, the trident is associated with Poseidon, the god of the sea in Greek mythology, the Roman god Neptune. In Roman myth, Neptune also used a trident to create new bodies of water, a good example can be seen in Gian Berninis Neptune and Triton. In religious Taoism, the trident represents the Taoist Trinity, the Three Pure Ones, in Taoist rituals, a trident bell is used to invite the presence of deities and summon spirits, as the trident signifies the highest authority of Heaven. The trishula of the Hindu god Shiva, a weapon of South-East Asian depiction of Hanuman, a character of Ramayana. A fork Jewish priests used to take their portions of offerings, the glyph or sigil of the planet Neptune in astronomy and astrology. The Tryzub in the Coat of Arms of Ukraine, adopted 1918 The national emblem on the flag of Barbados, the forks of the peoples anger, adopted by the Russian anti-Soviet revolutionary organization, National Alliance of Russian Solidarists. Britannia, the personification of Great Britain, the symbol for Washington and Lee University. The symbol for the teams at the University of Missouri–St. Sparky the Sun Devil, the mascot of Arizona State University, the trident was used as the original cap insignia and original logo for the Seattle Mariners
Trident
–
Poseidon's trident
Trident
–
Mosaic, 4th century BC, showing a
retiarius or "net fighter", with a trident and cast net, fighting a
secutor.
Trident
–
Fountain of Neptune in Diafáni,
Karpathos island
Trident
–
A statue of Hindu God Shiva, holding a trishula, near
Indira Gandhi International Airport,
Delhi
29.
Nymph
–
A nymph in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. They are beloved by many and dwell in mountainous regions and forests by lakes, charybdis and Scylla were once nymphs. Other nymphs, always in the shape of young maidens, were part of the retinue of a god, such as Dionysus, Hermes, or Pan, or a goddess, nymphs were the frequent target of satyrs. The Greek word νύμφη has bride and veiled among its meanings, other readers refer the word to a root expressing the idea of swelling. The mythologies of classicizing Roman poets were unlikely to have affected the rites and cult of individual nymphs venerated by people in the springs. Among the Roman literate class, their sphere of influence was restricted, the ancient Greek belief in nymphs survived in many parts of the country into the early years of the twentieth century, when they were usually known as nereids. At that time, John Cuthbert Lawson wrote and they might appear in a whirlwind. Such encounters could be dangerous, bringing dumbness, besotted infatuation, when parents believed their child to be nereid-struck, they would pray to Saint Artemidos. Due to widespread use of the term among lay persons and stereotypes attached, professionals nowadays prefer the term hypersexuality, the word nymphet is used to identify a sexually precocious girl. The term was made famous in the novel Lolita by Vladimir Nabokov, the main character, Humbert Humbert, uses the term many times, usually in reference to the title character. Thus the classes of nymphs tend to overlap, which complicates the task of precise classification, rose mentions dryads and hamadryads as nymphs of trees generally, meliai as nymphs of ash trees, and naiads as nymphs of water, but no others specifically. She is the consort of Acheron, and the mother of Ascalaphus, leuce, lover of Hades Minthe, lover of Hades, rival of Persephone Melinoe Orphic nymph, daughter of Persephone and Zeus disguised as Pluto. Her name is an epithet of Hecate. Nymphs in such groupings could belong to any of the mentioned above. For lists of Naiads, Oceanids, Dryades etc and this motif supposedly came from an Italian report of a Roman sculpture of a nymph at a fountain above the River Danube
Nymph
–
In this 1896 painting by
John William Waterhouse,
Hylas is abducted by the
Naiads, i.e. fresh water nymphs
Nymph
–
Nymph with morning glory flowers
Nymph
–
Nymphe by Gaston Bussière
Nymph
–
Cave of the Storm Nymphs by
Sir Edward John Poynter
30.
Cassandra
–
Cassandra, also known as Alexandra or Kassandra, was a daughter of King Priam and of Queen Hecuba of Troy in Greek mythology. In modern usage her name is employed as a device to indicate someone whose accurate prophecies are not believed by those around them. In an alternative version, she fell asleep in a temple, Cassandra became a figure of epic tradition and of tragedy. Hjalmar Frisk notes unexplained etymology, citing various hypotheses found in Wilhelm Schulze, Edgar Howard Sturtevant, J. Davreux, R. S. P. Beekes cites García Ramóns derivation of the name from the Proto-Indo-European root *kend- raise. Cassandra was the daughter of King Priam and Queen Hecuba and the twin sister of Helenus. According to legend, Cassandra had dark curly hair and dark brown eyes and was both beautiful and clever, but considered insane. However, her perceived insanity is the result of being cursed by the god Apollo, many versions of the myth relate that she incurred the gods wrath by refusing him sex, sometimes after first promising herself in exchange for the power of prophecy. Hyginus says, In another version, Cassandra consented to have sex with Apollo in exchange for the gift of prophecy and her punishment was the curse of never being believed. In some versions of the myth, Apollo curses her by spitting into her mouth during a kiss, in Aeschylus Agamemnon, she foretells the betrayal of Clytemnestra. She also bemoans her relationship with Apollo, Cassandra had served as a priestess of Apollo and her cursed gift from Apollo became a source of endless pain and frustration to Cassandra. Cassandra was seen as a liar and a madwoman by her family, in some versions of the story, she was often locked up in a pyramidal building on the citadel on her father King Priam’s orders. She was accompanied there by the wardress who cared for her under orders to inform the King of all of his daughters prophetic utterances. She was driven insane by this in the versions where she was incarcerated, though in the versions where she was not. According to legend, Cassandra had instructed her twin brother Helenus in the power of prophecy so he could be a prophet, like her, Helenus was always correct whenever he had made his predictions, but unlike his sister, people believed him. Cassandra made many predictions, with all of her prophecies being disbelieved except for one and she was believed when she foresaw who Paris was and proclaimed that he was her abandoned brother. This took place after he had sought refuge in the altar of Zeus from their brothers’ wrath, Cassandra foresaw that Paris’ abduction of Helen for his wife would bring about the Trojan War and cause the destruction of Troy. She did warn Paris not to go to Sparta along with Helenus who echoed her prophecy, Cassandra saw Helen coming into Troy at Paris return home from Sparta. She furiously snatched away Helens golden veil and tore at her hair, for she had foreseen that Helens arrival would bring the calamities of the Trojan War, the Trojan people, however, welcomed Helen into their city
Cassandra
–
Cassandra by
Evelyn De Morgan (1898, London); Cassandra in front of the burning city of Troy at the peak of her insanity.
Cassandra
–
Woodcut illustration of Cassandra's prophecy of the fall of Troy (at left) and her death (at right), from an incunable German translation by
Heinrich Steinhöwel of
Giovanni Boccaccio 's
De mulieribus claris, printed by Johann Zainer (de) at Ulm ca. 1474.
Cassandra
–
Ajax and Cassandra by
Johann Heinrich Wilhelm Tischbein, 1806
Cassandra
–
Ajax taking Cassandra, tondo of a
red-figure kylix by the Kodros Painter (el), c. 440-430 BC,
Louvre
31.
Supplication
–
Supplication is a form of prayer, wherein one party humbly or earnestly asks another party to provide something, either for the party who is doing the supplicating or on behalf of someone else. Supplication is a theme of earliest antiquity, embodied in the Iliad as the prayers of Chryses for the return of his daughter, richard Martin notes repeated references to suppliants throughout the poem, including warriors begging to be spared by the Greeks on the battlefield. In Christianity, the prayer of supplication for health by and on behalf of the sick is referenced in early Christian writings in the New Testament, especially James 5, 13-16. One example of supplication is the Catholic ritual of novena wherein one repeatedly asks for the same favor over a period of nine days. This ritual began in Spain during the Middle Ages when a period of hymns and prayers led up to a Christmas feast. A contemporary Christian example of supplication is the practice of the Daily Prayer for Peace by the Community of Christ where a member prays for each day at a specified time. Philippians 4,6 says, Be anxious for nothing, but in everything by prayer and supplication, with thanksgiving, in Islam, the Arabic word duʻā is used to refer to supplications. Adʻiya may be made in any language, although there are many traditional Islamic supplications in Arabic, Persian, in Islam, duʻā tends to mean personal prayer. The supplications of Prophets are given in the Holy Quran, the word Ardâs is derived from the Persian word Arazdashat, meaning a request, a supplication, a prayer, a petition or an address to a superior authority. In Sikhism, these prayers are said before and after eating. The prayer is a plea to God to support and help the devotee with whatever he or she is about to undertake or has done, an explanation of supplication in the Sikh tradition
Supplication
–
A young
Muslim supplicating after
Salat at
Masjid al-Haram in
Makkah,
Saudi Arabia.
32.
Palladium (classical antiquity)
–
See also Palladium for post-classical usages. The Roman story is related in Virgils Aeneid and other works, such beliefs first become prominent in the Eastern church in the period after the reign of the Byzantine Emperor Justinian I, and later spread to the Western church. Palladia were carried in procession around the walls of besieged cities and sometimes carried into battle, the Trojan Palladium was said to be a wooden image of Pallas and to have fallen from heaven in answer to the prayer of Ilus, the founder of Troy. In Ilion, King Ilus was blinded for touching the image to preserve it from a burning temple, during the Trojan War, the importance of the Palladium to Troy was said to have been revealed to the Greeks by Helenus, the prophetic son of Priam. After Paris death, Helenus left the city but was captured by Odysseus, the Greeks somehow managed to persuade the warrior seer to reveal the weakness of Troy. The Greeks learned from Helenus, that Troy would not fall while the Palladium, image or statue of Athena, the difficult task of stealing this sacred statue again fell upon the shoulders of Odysseus and Diomedes. Since Troy could not be captured while it safeguarded this image, in this way the Greeks were then able to enter Troy and lay it waste using the deceit of the Trojan Horse. Odysseus, according to The Epic Cycle, in the chrestomathy summarizing the Little Iliad, went by night to Troy in disguise, there he was recognized by Helen, who told him where the Palladium was. After killing some of the Trojans, he returned to the ships and he and Diomedes then re-entered the city and stole the Palladium. Diomedes is sometimes regarded as the person who removed the Palladium. There are several statues and many ancient drawings of him with the Palladium, in the Narratives of the Augustan period mythographer Conon, summarised by Photius, on the way to the ships, Odysseus plotted to kill Diomedes and claim the Palladium for himself. He raised his sword to stab Diomedes in the back, Diomedes was alerted to the danger by glimpsing the gleam of the sword in the moonlight. He disarmed Odysseus, tied his hands, and drove him along in front, from this action was said to have arisen the Greek proverbial expression Diomedes necessity, applied to those who act under compulsion. Because Odysseus was essential for the destruction of Troy, Diomedes refrained from punishing him, Diomedes took the Palladium with him when he left Troy. According to some stories, he brought it to Italy, some say that it was stolen from him on the way. According to various versions of this legend the Trojan Palladium found its way to Athens, or Argos, or Sparta, to this last city it was either brought by Aeneas the exiled Trojan or surrendered by Diomedes himself. It was kept there in the Temple of Vesta in the Roman Forum for centuries and it was regarded as one of the pignora imperii, sacred tokens or pledges of Roman rule. Pliny the Elder said that Lucius Caecilius Metellus had been blinded by fire when he rescued the Palladium from the Temple of Vesta in 241 BC, an episode alluded to in Ovid and Valerius Maximus
Palladium (classical antiquity)
–
Nike (Victory) offers an egg to a snake entwined around a column surmounted by the Trojan Palladium. (Marble
bas relief, Roman copy of the late 1st century AD. After a neo-Attic original of the Hellenistic era.)
Palladium (classical antiquity)
–
Ajax the Lesser drags
Cassandra from the Palladium. Detail from a Roman fresco in the atrium of the Casa del Menandro (I 10, 4) in Pompeii.
Palladium (classical antiquity)
–
Odysseus and Diomedes steal the Palladium from Troy. (
Apulian red-figure
oinochoe of ca. 360–350 BC from
Reggio di Calabria.)
33.
Priam
–
In Greek mythology, Priam was the king of Troy during the Trojan War and youngest son of Laomedon. Modern scholars derive his name from the Luwian name Pariya-muwas, which meant “exceptionally courageous” and was attested as the name of a man from Zazlippa, a similar form is attested transcribed in Greek as Paramoas near Kaisareia in Cappadocia. Notable is also Piyama-Radu, a man whose name figures prominently in the Hittite archives. Priam was originally called Podarces and he kept himself from being killed by Heracles by giving him a golden veil embroidered by his sister, after this, Podarces changed his name to Priam. This is a folk etymology based on πριατός priatos, ransomed from πρίασθαι priasthai, in Iliad Book 3, Priam tells Helen of Troy that he once helped King Mygdon of Phrygia defend against the Amazons. When Hector is killed by Achilles, the Greek warrior treats the body with disrespect, Zeus sends the god Hermes to escort King Priam, Hector’s father and the ruler of Troy, into the Greek camp. Priam tearfully pleads with Achilles to take pity on a father bereft of his son and he invokes the memory of Achilles’ own father, Peleus. Priam begs Achilles to pity him, saying I have endured what no one on earth has ever done before — I put my lips to the hands of the man who killed my son, deeply moved, Achilles relents and returns Hector’s corpse to the Trojans. Both sides agree to a truce, and Achilles gives Priam leave to hold a proper funeral for Hector. He promises that no Greek will engage in combat for nine days, but on the day of peace. Priam is killed during the Sack of Troy by Achilles son Neoptolemus and his death is graphically related in Book II of Virgils Aeneid. In Virgils description, Neoptolemus first kills Priams son Polites in front of his father as he seeks sanctuary on the altar of Zeus, Priam rebukes Neoptolemus, throwing a spear at him, harmlessly hitting his shield. Neoptolemus then drags Priam to the altar and there kills him too and it has been suggested by Hittite sources, specifically the Manapa-Tarhunta letter, that there is historical basis for the archetype of King Priam. The letter describes one Piyama-Radu as a rebel who overthrew a Hittite client king. There is also mention of an Alaksandu, suggested to be Paris Alexander, in Apollodorus Library, Telamon was almost killed during the siege of Troy. Telamon was the first one to break through the Trojan wall, Hercules was about to cut him down with his sword when Telamon began to quickly assemble an altar out of nearby stones in honor of Hercules. Hercules was so pleased, after the sack of Troy he gave Telamon Hesione as a wife, Hesione requested that she be able to bring her brother Podarces with her. Hercules would not allow it unless Hesione bought Podarces as a slave, Hesione paid for her brother with a veil
Priam
–
Priam killed by
Neoptolemus, detail of an Attic black-figure amphora, ca. 520–510 BC
34.
Pompeii
–
Pompeii was an ancient Roman town-city near modern Naples, in the Campania region of Italy, in the territory of the comune of Pompei. Pompeii, along with Herculaneum and many villas in the area, was mostly destroyed and buried under 4 to 6 m of volcanic ash. Researchers believe that the town was founded in the seventh or sixth century BC by the Osci or Oscans. It came under the domination of Rome in the 4th century BC, by the time of its destruction,160 years later, its population was estimated at 11,000 people, and the city had a complex water system, an amphitheatre, gymnasium, and a port. The eruption destroyed the city, killing its inhabitants and burying it under tons of ash, the site was lost for about 1,500 years until its initial rediscovery in 1599 and broader rediscovery almost 150 years later by Spanish engineer Rocque Joaquin de Alcubierre in 1748. The objects that lay beneath the city have been preserved for centuries because of the lack of air and these artefacts provide an extraordinarily detailed insight into the life of a city during the Pax Romana. During the excavation, plaster was used to fill in the voids in the ash layers that once held human bodies and this allowed archaeologists to see the exact position the person was in when he or she died. Pompeii has been a tourist destination for over 250 years, today it has UNESCO World Heritage Site status and is one of the most popular tourist attractions in Italy, with approximately 2.5 million visitors every year. Pompeii in Latin is a second declension plural, the ruins of Pompeii are located near the modern suburban town of Pompei. It stands on a formed by a lava flow to the north of the mouth of the Sarno River. Today it is some distance inland, but in ancient times was nearer to the coast, Pompeii is about 8 km away from Mount Vesuvius. It covered a total of 64 to 67 hectares and was home to approximately 11,000 to 11,500 people on the basis of household counts and it was a major city in the region of Campania. Three sheets of sediment have been found on top of the lava that lies below the city and, mixed in with the sediment, archaeologists have found bits of bone, pottery shards. Carbon dating has placed the oldest of these layers from the 8th–6th centuries BC, the other two strata are separated either by well-developed soil layers or Roman pavement, and were laid in the 4th century BC and 2nd century BC. It is theorized that the layers of the sediment were created by large landslides. The town was founded around the 7th-6th century BC by the Osci or Oscans and it had already been used as a safe port by Greek and Phoenician sailors. According to Strabo, Pompeii was also captured by the Etruscans, and in recent excavations have shown the presence of Etruscan inscriptions. Pompeii was captured for the first time by the Greek colony of Cumae, allied with Syracuse, in the 5th century BC, the Samnites conquered it, the new rulers imposed their architecture and enlarged the town
Pompeii
–
View into a street of Pompeii
Pompeii
–
The Temple of Jupiter with
Vesuvius in the distance
Pompeii
–
Pompeii, Italy. Pompeii - Forum and Vesuvius. Brooklyn Museum Archives, Goodyear Archival Collection
Pompeii
–
Illustrated reconstruction, from a
CyArk /
University of Ferrara research partnership, of how the
Temple of Apollo may have looked before Mt. Vesuvius erupted
35.
Calchas
–
In Greek mythology, Calchas, son of Thestor, was an Argive seer, with a gift for interpreting the flight of birds that he received of Apollo, as an augur, Calchas had no rival in the camp. He also interpreted the entrails of the enemy during the tide of battle, the episode was related at length in the lost Cypria, of the Epic Cycle. He also states that Troy will be sacked on the year of the war. In Sophocles Ajax, Calchas delivers a prophecy to Teucer suggesting that the protagonist will die if he leaves his tent before the day is out, Calchas also plays a role in Quintus of Smyrnas Posthomerica. Calchas said that if they were brief, they could convince Achilles to fight and it is he rather than Helenus that predicts that Troy will only fall once the Argives are able to recruit Philoctetes. It is by his advice that they halt the battle, even though Neoptolemus is slaughtering the Trojans and he also tells the Argives that the city is more easily taken by strategy than by force. He endorses Odysseus suggestion that the Trojan Horse will effectively infiltrate the Trojans and he also foresees that Aeneas will survive the battle and found the city, and tells the Argives that they will not kill him. He did not join the Argives when they boarded the ships and it is also said that Calchas died of laughter when the day that was to be his death day arrived and the prediction didnt seem to materialize. In medieval and later versions of the myth, Calchas is portrayed as a Trojan defector and the father of Chryseis, now called Cressida
Calchas
–
Calchas presides at the sacrifice of
Iphigeneia in a
peristyle fresco from
Pompeii.
36.
Zeus
–
Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
Zeus
–
The Jupiter de Smyrne, discovered in
Smyrna in 1680
Zeus
–
The Chariot of Zeus, from an 1879 Stories from the Greek Tragedians by Alfred Church.
Zeus
–
Zeus, at the Getty Villa, A.D. 1 - 100 by unknown.
Zeus
–
"
Cave of Zeus ",
Mount Ida (Crete).
37.
Returns from Troy
–
The Returns from Troy are the stories of how the Greek leaders returned after their victory in the Trojan War. Many Achaean heroes did not return to their homes, but died or founded colonies outside the Greek mainland. The most famous returns are those of Odysseus, whose wanderings are narrated in the Odyssey, the Achaeans entered the city using the Trojan Horse and slew the slumbering population. Aeneas took his father on his back and fled and he was left alone because of his piety. The city was razed and the temples were destroyed, of the women of the royal family, Locrian Ajax violated Cassandra on Athenas altar while she was clinging to her statue, which since looks upward. Neoptolemus got Andromache, wife of Hector and Odysseus took Priams widow Hecuba, news of Troys fall quickly reached the Achaean kingdoms through a system of fire relays. But though the message was brought fast and with ease, the heroes were not to return this way, the Gods were very angry over the destruction of their temples and other sacrilegious acts by the Achaeans and decided that most would not return. A storm fell on the fleet off Tenos island. Also Nauplius, in revenge for the murder of his son Palamedes by Odysseus, set up false lights in Cape Caphereus, Agamemnon had made it back to his kingdom safely with Cassandra in his possession after some stormy weather. He and Cassandra were slain by Aegisthus or by Clytemnestra or by both of them, Electra and Orestes later avenged their father, but Orestes was the one who was chased by the Furies. Nestor, who had the best conduct in Troy and did not take part in the looting, was the hero who had a good, fast. Those of his army survived the war also reached home with him safely. Locrian Ajax, who had endured more than the others the wrath of the Gods and his ship was wrecked by a storm sent by Athena who borrowed one of Zeus thunderbolts and tore it to pieces. The crew managed to land in a rock but Poseidon smote it and he was buried by Thetis on Myconos or Delos. The archer Teucer stood trial by his father for his brothers death and he was acquitted of responsibility but found guilty of negligence because he did not return his dead body or his arms. He was disowned and wasnt allowed back on Salamis Island and he left with his army and was at sea near Phreattys in the Peiraeus where he later founded Salamis on Cyprus. The Athenians later created a myth that his son left his kingdom to Theseus sons. Neoptolemus, following Helenus advice traveled over land, always accompanied by Andromache and he met Odysseus and they buried Achilles teacher Phoenix on the land of the Ciconians
Returns from Troy
–
Achilles tending the wounded
Patroclus (
Attic red-figure kylix, c. 500 BC)
Returns from Troy
–
Ulysses and the Sirens (1909) by
Herbert James Draper
38.
Thetis
–
Thetis, is encountered in Greek mythology mostly as a sea nymph or known as the goddess of water, one of the 50 Nereids, daughters of the ancient sea god Nereus. When described as a Nereid in Classical myths, Thetis was the daughter of Nereus and Doris, often she seems to lead the Nereids as they attend to her tasks. Sometimes she also is identified with Metis, some sources argue that she was one of the earliest of deities worshipped in Archaic Greece, the oral traditions and records of which are lost. Only one written record, a fragment, exists attesting to her worship, worship of Thetis as the goddess is documented to have persisted in some regions by historical writers such as Pausanias. In the Trojan War cycle of myth, the wedding of Thetis, the pre-modern etymology of her name, from tithemi, to set up, establish, suggests a perception among Classical Greeks of an early political role. Walter Burkert considers her name a transformed doublet of Tethys and you, goddess, went and saved him from that indignity. You quickly summoned to high Olympus the monster of the hundred arms whom the gods call Briareus, but mankind Aegaeon and he squatted by the Son of Cronos with such a show of force that the blessed gods slunk off in terror, leaving Zeus free —E. V. M. Willcock, have understood the episode as an ad hoc invention of Homers to support Achilles request that his mother intervene with Zeus, thus, she is revealed as a figure of cosmic capacity, quite capable of unsettling the divine order. These accounts associate Thetis with a divine past—uninvolved with human events—with a level of divine invulnerability extraordinary by Olympian standards. In order to ensure a mortal father for her offspring, Zeus and his brother Poseidon made arrangements for her to marry a human, Peleus, son of Aeacus. Proteus, an early sea-god, advised Peleus to find the sea nymph when she was asleep and she did shift shapes, becoming flame, water, a raging lioness, and a serpent. Subdued, she consented to marry him. Thetis is the mother of Achilles by Peleus, who became king of the Myrmidons, apollo played the lyre and the Muses sang, Pindar claimed. At the wedding Chiron gave Peleus an ashen spear that had been polished by Athene and had a blade forged by Hephaestus, Poseidon gave him the immortal horses, Balius and Xanthus. Eris, the goddess of discord, had not been invited and she threw, in spite, a golden apple into the midst of the goddesses that was to be awarded only to the fairest. In most interpretations, the award was made during the Judgement of Paris, in the later classical myths Thetis worked her magic on the baby Achilles by night, burning away his mortality in the hall fire and anointing the child with ambrosia during the day, Apollonius tells. When Peleus caught her searing the baby, he let out a cry, in a variant of the myth, Thetis tried to make Achilles invulnerable by dipping him in the waters of the Styx. However, the heel by which she held him was not touched by the Styxs waters, in the story of Achilles in the Trojan War in the Iliad, Homer does not mention this weakness of Achilles heel
Thetis
–
Head of Thetis from an Attic red-figure pelike, c. 510–500 BC,
Louvre.
Thetis
–
Immortal Thetis with the mortal
Peleus in the foreground,
Boeotian black-figure dish, c. 500–475 BC -
Louvre.
Thetis
–
Thetis changing into a lioness as she is attacked by Peleus, Attic red-figured kylix by
Douris, c. 490 BC from Vulci, Etruria -
Bibliothèque Nationale de France in Paris.
Thetis
–
Thetis and attendants bring armor she had prepared for him to
Achilles, an Attic black-figure hydria, c. 575–550 BC,
Louvre.
39.
Leuce (island)
–
Snake Island, also known as Serpent Island, is an island located in the Black Sea, near the Danube Delta. A rural settlement of Bile was established in February 2007, the islet was part of border dispute between Romania and Ukraine in 2004–2009, during which Romania contested technical definition of the island and borders around it. The territorial limits of the shelf around Snake Island were delineated by the International Court of Justice in 2009. Snake Island is a rock formation located 35 km from the coast, east of the mouth of the Danube River. The islands coordinates are 45°15′18″N 30°12′15″E, the island is X-shaped,690 meters from S-W to N-E by 682 meters from N-W to S-E, covering an area of 0.205 km2. The highest area is 41 metres above sea level, the island does not have a prominently featured mountain, but rather a low-slope hill. The nearest coastal location to the island is Kubanskyi Island on the Ukrainian part of the Danube Delta, the closest Romanian coastal city, Sulina, is 45 km away. The closest Ukrainian city is Vylkove,50 km, however, for the end of 2011 in Zmiinyi Island coastal waters 58 fish species and six crab species were recorded. A presidential decree of 9 December 1998, Number 1341/98, declared the island, the total protected area covers 232 hectares. The island was one of last hauling-out sites in the basin for critically endangered Mediterranean monk seals until 1950s, about 100 inhabitants live on the island, mostly frontier guard servicemen with their families and technical personnel. In 2003, an initiative of the Odessa I. I, the island is currently demilitarized and under rapid development. Eventually the Romania-Ukraine international relationships soured when Romania tried to assert that the island is no more than a rock in the sea. In February 2007, the Verkhovna Rada approved establishing a settlement as part of Vylkove city which is located some distance away at the mouth of the Danube. However, the island had been populated even before although not officially. In addition to a platform, in 2002 a pier was built for ships with up to 8 meter draught. The island is supplied with equipment, including a 150-year-old lighthouse. Electric power is provided by a dual solar/diesel power station, most of building structures are located either in the middle of the island by a lighthouse or the northeastern peninsula of the island by its pier. The island lacks a water source
Leuce (island)
–
Summer 2007
Leuce (island)
–
Map of the island
Leuce (island)
–
The lighthouse on the background in 1896.
Leuce (island)
–
Ostriv Zmiinyi by
Carlo Bossoli
40.
Opuntian Locris
–
Opuntian Locris or Eastern Locris was an ancient Greek region inhabited by the eastern division of the Locrians, the so-called tribe of the Locri Epicnemidii or Locri Opuntii. Opuntian Locris consisted of a narrow slip upon the eastern coast of central Greece, the northern frontier town was Alpeni, which bordered upon the Malians, and the southern frontier town was Larymna, which at a later time belonged to Boeotia. The Locrians, however, did not inhabit this coast continuously, but were separated by a slip of Phocis, which extended to the Euboean sea. The Locrians north of Daphnus were called Epicnemidii, from Mount Cnemis, on the west, the Locrians were separated from Phocis and Boeotia by a range of mountains, extending from Mount Oeta and running parallel to the coast. In consequence of the proximity of the mountains to the coast there was no room for any considerable rivers. The largest, which, however, is only a mountain torrent, is the Boagrius, called also Manes by Strabo, rising in Mount Cnemis, and flowing into the sea between Scarpheia and Thronium. The Opuntian Gulf, at the head of which stood the town of Opus, is a considerable bay, in this bay, close to the coast, is the small island of Atalanta. Even Strabo, from whom the distinction is chiefly derived, in one place describes Opus as the metropolis of the Epicnemidii, in the Persian War the Opuntian Locrians fought with Leonidas at the Battle of Thermopylae, and also sent seven ships to the Greek fleet. The Locrians fought on the side of Sparta in the Peloponnesian War, the Locri Opuntii also minted coins in antiquity, some of which survive. The cities and towns of the Locri Epicnemidii, along the coast from north to south, were, Alpenus, Nicaea, Scarphe, Thronium, Cnemis, more inland, Tarphe later Pharygae, and Augeiae. The cities and towns of the Locri Opuntii, along the coast from north to south, were, Alope, Kynos, Opus, Halae, Larymna which later belonged to Boeotia, more inland, Calliarus, Naryx, and Corseia. Regions of ancient Greece Locris This article incorporates text from a now in the public domain, Smith, William. Dictionary of Greek and Roman Geography, on the geography of the Locrian tribes, see William Martin Leake, Northern Greece, vol. ii. pp.66, seq.170, seq.587, seq
Opuntian Locris
–
Opuntian Locris
Opuntian Locris
–
Reverse of a silver
stater of Opuntian Locris depicting
Ajax the Lesser.
41.
Ajax the lesser
–
Ajax was a Greek mythological hero, son of Oileus, the king of Locris. He was called the lesser or Locrian Ajax, to him from Ajax the Great. He was the leader of the Locrian contingent during the Trojan War and he is a significant figure in Homers Iliad and is also mentioned in the Odyssey, in Virgils Aeneid and in Euripides The Trojan Women. In Etruscan legend, he was known as Aivas Vilates, according to Strabo, he was born in Naryx in Locris, where Ovid calls him Narycius Heroes. According to the Iliad, he led his Locrians in forty ships against Troy and he is described as one of the great heroes among the Greeks. In battle, he wore a cuirass, was brave and intrepid, especially skilled in throwing the spear and, next to Achilles. On his return from Troy, his vessel was wrecked on the Whirling Rocks and he would have been saved in spite of Athena, but he said that he would escape the dangers of the sea in defiance of the immortals. In punishment for this presumption, Poseidon split the rock with his trident, in later traditions, this Ajax is called a son of Oileus and the nymph Rhene and is also mentioned among the suitors of Helen. After the taking of Troy, he rushed into the temple of Athena, where Cassandra had taken refuge, Ajax violently dragged her away to the other captives. According to some writers, he raped Cassandra inside the temple, odysseus, accused him of this crime and Ajax was to be stoned to death, but saved himself by establishing his innocence with an oath to Athena, clutching her statue in supplication. Since Ajax dragged a supplicant from her temple, Athena had cause to be indignant, despite this, Ajax managed to hide in the altar of a deity where the Greeks, fearing divine retribution should they kill him and destroy the altar, allowed him to live. When the Greeks left without killing Ajax, despite their sacrifices, when Ajax finally left Troy during the Returns from Troy, Athena hit his ship with a thunderbolt, but Ajax still survived with some of his men, managing to cling onto a rock. He boasted that even the gods could not kill him and Poseidon, upon hearing this, split the rock with his trident, thetis buried him when the corpse washed up on Myconos. Other versions depict a different death for Ajax, showing him dying when on his voyage home, after his death, his spirit dwelt in the island of Leuce. The story of Ajax was frequently made use of by ancient poets and artists, and the hero who appears on some Locrian coins with the helmet, shield, other accounts of his death are offered by Philostratus and the scholiast on Lycophron. The abduction of Cassandra by Ajax was frequently represented in Greek works of art, such as the chest of Cypselus described by Pausanias and this article incorporates text from a publication now in the public domain, Smith, William, ed. article name needed. Dictionary of Greek and Roman Biography and Mythology and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Ajax
Ajax the lesser
–
Ajax the Lesser raping Cassandra
Ajax the lesser
–
Ajax and
Cassandra by Solomon J. Solomon (1886). In the collection of the
Art Gallery of Ballarat in
Victoria, Australia
42.
Art Gallery of Ballarat
–
The Art Gallery of Ballarat is the oldest and largest regional art gallery in Australia. The gallery is notable as the home, since 1895, of the original Eureka Flag, the association then worked to secure land on the site of the Government Camp and to raise funds for a permanent home for its collection. Much of the energy and the came from a prominent Ballarat citizen. The current building is the oldest purpose built art gallery building in Australia, the new building was opened by Alfred Deakin on Friday 13 June 1890. The gallery is a company limited by guarantee, of which the City of Ballarat is the sole shareholder. It is administered by a board of directors, gordon Morrison has been director of the gallery from 2004. Membership of the association is open to members of the public and brings with it a range of benefits, including discounts at the shop and cafe. A2001 public appeal raised $2 million for expansion of the gallery, the $7 million extension by H. Troon and designed by Peddle Thorp was completed in 2001 to accommodate the expanding collection of contemporary works, temporary exhibits and gallery functions. In addition, cast iron street gazebos based on the original were reconstructed and reinstated, entry to the gallery is free, with entry fees applying only to selected special exhibitions. A $1.85 million exterior restoration began in 2009 and was completed in 2010. The renovation resulted in the reversal of unsympathetic 1950s renovations, including paint being removed from the facade, note that other notable works are in the collection but the following examples are ones in the public domain and for which pictures are available. Art Gallery of Ballarat website Culture Victoria
Art Gallery of Ballarat
–
Art Gallery of Ballarat
Art Gallery of Ballarat
–
Gallery interior in 2007
Art Gallery of Ballarat
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Louis Buvelot, One of the Falls of the Wannon, 1872
Art Gallery of Ballarat
–
Tom Roberts,
Wood splitters, 1886
43.
Victoria, Australia
–
Victoria is a state in southeast Australia. Victoria is Australias most densely populated state and its second-most populous state overall, most of its population is concentrated in the area surrounding Port Phillip Bay, which includes the metropolitan area of its state capital and largest city, Melbourne, Australias second-largest city. Prior to British European settlement, the area now constituting Victoria was inhabited by a number of Aboriginal peoples. With Great Britain having claimed the entire Australian continent east of the 135th meridian east in 1788, Victoria was included in the wider colony of New South Wales. The first settlement in the area occurred in 1803 at Sullivan Bay, and much of what is now Victoria was included in the Port Phillip District in 1836, Victoria was officially created as a separate colony in 1851, and achieved self-government in 1855. Politically, Victoria has 37 seats in the Australian House of Representatives and 12 seats in the Australian Senate, at state level, the Parliament of Victoria consists of the Legislative Assembly and the Legislative Council. Victoria is currently governed by the Labor Party, with Daniel Andrews the current Premier, the personal representative of the Queen of Australia in the state is the Governor of Victoria, currently Linda Dessau. Local government is concentrated in 79 municipal districts, including 33 cities, although a number of unincorporated areas still exist, Victorias total gross state product is ranked second in Australia, although Victoria is ranked fourth in terms of GSP per capita because of its limited mining activity. Culturally, Melbourne is home to a number of museums, art galleries and theatres and is described as the sporting capital of Australia. The Melbourne Cricket Ground is the largest stadium in Australia, and the host of the 1956 Summer Olympics, Victoria has eight public universities, with the oldest, the University of Melbourne, having been founded in 1853. Victoria, like Queensland, was named after Queen Victoria, who had been on the British throne for 14 years when the colony was established in 1851. The first British settlement in the later known as Victoria was established in October 1803 under Lieutenant-Governor David Collins at Sullivan Bay on Port Phillip. In the year 1826 Colonel Stewart, Captain S. Wright, fly and the brigs Dragon and Amity, took a number of convicts and a small force composed of detachments of the 3rd and 93rd regiments. Victorias next settlement was at Portland, on the south west coast of what is now Victoria, edward Henty settled Portland Bay in 1834. Melbourne was founded in 1835 by John Batman, who set up a base in Indented Head, from settlement the region around Melbourne was known as the Port Phillip District, a separately administered part of New South Wales. Shortly after the now known as Geelong was surveyed by Assistant Surveyor W. H. Smythe. And in 1838 Geelong was officially declared a town, despite earlier white settlements dating back to 1826, days later, still in 1851 gold was discovered near Ballarat, and subsequently at Bendigo. Later discoveries occurred at sites across Victoria
Victoria, Australia
–
Swearing Allegiance to the Southern Cross at the
Eureka Stockade on 1 December 1854 – watercolour by
Charles Doudiet
Victoria, Australia
–
Flag
Victoria, Australia
–
The Victorian
Parliament House, built in 1856, stands in
Spring Street, Melbourne. The building was intended to be finished with a
dome, but was not completed due to budget constraints.
Victoria, Australia
–
The
Legislative Council Chamber, as photographed in 1878
44.
Art in ancient Greece
–
The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be reconstructed due to the lack of original survivals of quality. The art of ancient Greece is usually divided stylistically into four periods, the Geometric, Archaic, Classical, and Hellenistic. The Geometric age is dated from about 1000 BC, although in reality little is known about art in Greece during the preceding 200 years. The 7th century BC witnessed the development of the Archaic style as exemplified by the black-figure style of vase painting. From some point in the 1st century BC onwards Greco-Roman is used, in reality, there was no sharp transition from one period to another. Forms of art developed at different speeds in different parts of the Greek world, strong local traditions, and the requirements of local cults, enable historians to locate the origins even of works of art found far from their place of origin. Greek art of various kinds was widely exported, the whole period saw a generally steady increase in prosperity and trading links within the Greek world and with neighbouring cultures. The survival rate of Greek art differs starkly between media and we have huge quantities of pottery and coins, much stone sculpture, though even more Roman copies, and a few large bronze sculptures. Almost entirely missing are painting, fine metal vessels, and anything in perishable materials including wood, the stone shell of a number of temples and theatres has survived, but little of their extensive decoration. By convention, finely painted vessels of all sorts are called vases, sculptural or architectural pottery, also very often painted, are referred to as terracottas, and also survive in large quantities. In much of the literature, pottery means only painted vessels, pottery was the main form of grave goods deposited in tombs, often as funerary urns containing the cremated ashes, and was widely exported. Other colours were limited, normally to small areas of white. Within the restrictions of these techniques and other conventions, vase-painters achieved remarkable results, combining refinement. White ground technique allowed more freedom in depiction, but did not wear well and was made for burial. Conventionally, the ancient Greeks are said to have made most pottery vessels for everyday use, not for display. Most surviving pottery consists of vessels for storing, serving or drinking liquids such as amphorae, kraters, hydria, libation bowls, oil and perfume bottles for the toilet, jugs, painted vessels for serving and eating food are much less common. Painted pottery was affordable even by people, and a piece decently decorated with about five or six figures cost about two or three days wages
Art in ancient Greece
–
Late Geometric
pyxis,
British Museum
Art in ancient Greece
–
7th-century BC plate with
sphinx from
Rhodes,
Louvre
Art in ancient Greece
–
Interior (
tondo) of a red figure
kylix, depicting
Herakles and
Athena, by Phoinix (potter) and
Douris (painter), c. 480-470 BC,
Antikensammlungen Munich
45.
Pausanias (geographer)
–
Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the time of Roman emperors Hadrian, Antoninus Pius and Marcus Aurelius. He is famous for his Description of Greece, a work that describes ancient Greece from his first-hand observations. This work provides crucial information for making links between classical literature and modern archaeology, andrew Stewart assesses him as, A careful, pedestrian writer. interested not only in the grandiose or the exquisite but in unusual sights and obscure ritual. He is occasionally careless, or makes unwarranted inferences, and his guides or even his own notes sometimes mislead him, yet his honesty is unquestionable, before visiting Greece, he had been to Antioch, Joppa and Jerusalem, and to the banks of the River Jordan. In Egypt, he had seen the pyramids, while at the temple of Ammon, in Macedonia, he appears to have seen the alleged tomb of Orpheus in Libethra. Crossing over to Italy, he had something of the cities of Campania. He was one of the first to write of seeing the ruins of Troy, Alexandria Troas, Pausanias Description of Greece is in ten books, each dedicated to some portion of Greece. He begins his tour in Attica, where the city of Athens, subsequent books describe Corinthia, Laconia, Messenia, Elis, Achaea, Arcadia, Boetia, Phocis and Ozolian Locris. He famously leaves out key portions of Greece such as Crete, the project is more than topographical, it is a cultural geography. Pausanias digresses from description of architectural and artistic objects to review the mythological and historical underpinnings of the society that produced them and his work bears the marks of his attempt to navigate that space and establish an identity for Roman Greece. He is not a naturalist by any means, though he does from time to comment on the physical realities of the Greek landscape. He notices the pine trees on the sandy coast of Elis, the deer and the boars in the oak woods of Phelloe. Pausanias is most at home in describing the art and architecture of Olympia. Yet, even in the most secluded regions of Greece, he is fascinated by all kinds of depictions of gods, holy relics, Pausanias has the instincts of an antiquary. Some magnificent and dominating structures, such as the Stoa of King Attalus in the Athenian Agora or the Exedra of Herodes Atticus at Olympia are not even mentioned. While he never doubts the existence of the gods and heroes, he criticizes the myths. His descriptions of monuments of art are plain and unadorned and they bear the impression of reality, and their accuracy is confirmed by the extant remains. He is perfectly frank in his confessions of ignorance, when he quotes a book at second hand he takes pains to say so
Pausanias (geographer)
–
Manuscript (1485), of Pausanias' Description of Greece at the
Laurentian Library
46.
Little, Brown and Company
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Early lists featured Little Women by Louisa May Alcott, Emily Dickinsons poetry, and Bartletts Familiar Quotations. As of 2016, Little, Brown & Company is a division of the Hachette Book Group, Little, Brown and Company had its roots in the book selling trade. It was founded in 1837 in Boston by Charles Little and James Brown and they formed the partnership for the purpose of Publishing, Importing, and Selling Books. It can trace its roots before that to 1784 to a bookshop owned by Ebenezer Batelle on Marlborough Street and they published works of Benjamin Franklin and George Washington and they were specialized in legal publishing and importing titles. Little, Brown and Company was the American publisher for Edward Gibbons the Decline, the firm was the original publisher of United States Statutes at Large beginning in 1845, under authority granted by a joint resolution of Congress. In 1874, Congress transferred the authority to publish the Statutes at Large to the Government Printing Office, in 1853, Little, Brown began publishing the works of British poets from Chaucer to Wordsworth. Ninety-six volumes were published in the series in five years, in 1859, John Bartlett became a partner in the firm. He held the rights to his Familiar Quotations, and Little, John Murray Brown, James Browns son, took over when Augustus Flagg retired in 1884. In the 1890s, Little, Brown expanded into publishing, including fiction. In 1896, it published Quo Vadis, in 1898, Little, Brown purchased a list of titles from the Roberts Brothers firm. 19th century employees included Charles Carroll Soule, John Murray Brown died in 1908 and James W. McIntyre became managing partner. When McIntyre died in 1913, Little, Brown incorporated, in 1925, Little, Brown entered into an agreement to publish all Atlantic Monthly books. Chips, Walter D. Edmondss Drums Along the Mohawk, William Least Heat-Moons Blue Highways, Tracy Kidders The Soul of a New Machine, salinger later terminated his contract with the publishing house sometime in the 1970s, though his novel was still published by Little, Brown. Little, Brown also published the photography of Ansel Adams, in 1996, Little, Browns legal and medical publishing division was purchased by Wolters Kluwer. In 2001, Michael Pietsch became Publisher of Little, Brown, the imprint was purchased by Time Inc. in 1968, and was made part of the Time Warner Book Group when Time merged with Warner Communications to form Time Warner in 1989. Little, Brown expanded into the UK in 1992 when TWBG bought MacDonald & Co from Maxwell Communications, taking on its Abacus and Orbit lists, feminist publisher Virago Press followed in 1996. Also in 1996, Wolters Kluwer acquired Little, Browns professional division, in 2006, the Time Warner Book Group was sold to French publisher Hachette Livre. Following this, the Little, Brown imprint is used by Hachette Livres U. S. publishing company, in 2011, Little, Brown launched an imprint devoted to suspense publishing, Mulholland Books
Little, Brown and Company
–
A Little, Brown and Co. insignia used in 1906.
47.
Metamorphoses
–
The Metamorphoses is a Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising fifteen books and over 250 myths, the chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework. Although meeting the criteria for an epic, the poem defies simple classification by its use of varying themes and tones. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, numerous episodes from the poem have been depicted in acclaimed works of sculpture, painting, and music. The work has been the subject of numerous translations into English, Ovids decision to make myth the dominant subject of the Metamorphoses was influenced by the predisposition of Alexandrian poetry. However, whereas it served in that tradition as the cause for reflection or insight, he made it instead the object of play. There are three examples of the Metamorphoses by later Hellenistic writers, but little is known of their contents, the Heteroioumena by Nicander of Colophon is better known, and clearly an influence on the poem —21 of the stories from this work were treated in the Metamorphoses. However, in a way that was typical for writers of the period, the Metamorphoses was longer than any previous collection of metamorphosis myths and positioned itself within a historical framework. Some of the Metamorphoses derives from literary and poetic treatment of the same myths. This material was of varying quality and comprehensiveness — while some of it was finely worked, scholars have found it difficult to place the Metamorphoses in a genre. However, the handles the themes and employs the tone of virtually every species of literature, ranging from epic and elegy to tragedy. Commenting on the debate, G. Karl Galinsky has opined that. It would be misguided to pin the label of any genre on the Metamorphoses and it begins with the ritual invocation of the muse, and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, the recurring theme, as with nearly all of Ovids work, is love—be it personal love or love personified in the figure of Amor. Apollo comes in for particular ridicule as Ovid shows how love can confound the god out of reason. The work as a whole inverts the order, elevating humans and human passions while making the gods and their desires. The Metamorphoses ends with an epilogue, one of two surviving Latin epics to do so. Book I – The Creation, the Ages of Mankind, the flood, Deucalion and Pyrrha, Apollo and Daphne, Io, Book II – Phaëton, Callisto, the raven and the crow, Ocyrhoe, Mercury and Battus, the envy of Aglauros, Jupiter and Europa
Metamorphoses
–
Title page of 1556 edition published by Joannes Gryphius (decorative border added subsequently). Hayden White Rare Book Collection, University of California, Santa Cruz.
Metamorphoses
–
A
woodcut from
Virgil Solis illustrating the
apotheosis of
Julius Caesar, the final event of the poem (XV.745–850).
Metamorphoses
–
A depiction of the story of
Pygmalion by
Jean Raoux (1717).
Metamorphoses
–
Apollo and Daphne by
Antonio Pollaiuolo, one tale of transformation in the Metamorphoses —he lusts after her and she escapes him by turning into a
bay laurel.
48.
Public domain
–
The term public domain has two senses of meaning. Anything published is out in the domain in the sense that it is available to the public. Once published, news and information in books is in the public domain, in the sense of intellectual property, works in the public domain are those whose exclusive intellectual property rights have expired, have been forfeited, or are inapplicable. Examples for works not covered by copyright which are therefore in the domain, are the formulae of Newtonian physics, cooking recipes. Examples for works actively dedicated into public domain by their authors are reference implementations of algorithms, NIHs ImageJ. The term is not normally applied to situations where the creator of a work retains residual rights, as rights are country-based and vary, a work may be subject to rights in one country and be in the public domain in another. Some rights depend on registrations on a basis, and the absence of registration in a particular country, if required. Although the term public domain did not come into use until the mid-18th century, the Romans had a large proprietary rights system where they defined many things that cannot be privately owned as res nullius, res communes, res publicae and res universitatis. The term res nullius was defined as not yet appropriated. The term res communes was defined as things that could be enjoyed by mankind, such as air, sunlight. The term res publicae referred to things that were shared by all citizens, when the first early copyright law was first established in Britain with the Statute of Anne in 1710, public domain did not appear. However, similar concepts were developed by British and French jurists in the eighteenth century, instead of public domain they used terms such as publici juris or propriété publique to describe works that were not covered by copyright law. The phrase fall in the domain can be traced to mid-nineteenth century France to describe the end of copyright term. In this historical context Paul Torremans describes copyright as a coral reef of private right jutting up from the ocean of the public domain. Because copyright law is different from country to country, Pamela Samuelson has described the public domain as being different sizes at different times in different countries. According to James Boyle this definition underlines common usage of the public domain and equates the public domain to public property. However, the usage of the public domain can be more granular. Such a definition regards work in copyright as private property subject to fair use rights, the materials that compose our cultural heritage must be free for all living to use no less than matter necessary for biological survival
Public domain
–
Newton's own copy of his
Principia, with hand-written corrections for the second edition
Public domain
–
L.H.O.O.Q. (1919). Derivative work by the
Dadaist Marcel Duchamp based on the
Mona Lisa.
49.
William Smith (lexicographer)
–
Sir William Smith was an English lexicographer. Smith was born in Enfield in 1813 of Nonconformist parents and he attended the Madras House school of John Allen in Hackney. Originally destined for a career, he instead was articled to a solicitor. In his spare time he taught classics, and when he entered University College London he carried off both the Greek and Latin prizes. He was entered at Grays Inn in 1830, but gave up his studies for a post at University College School. Smith next turned his attention to lexicography and his first attempt was A Dictionary of Greek and Roman Antiquities, which appeared in 1842, the greater part being written by him. Then followed the Dictionary of Greek and Roman Biography and Mythology in 1849, a parallel Dictionary of Greek and Roman Geography appeared in 1857, with some leading scholars of the day associated with the task. In 1867, he became editor of the Quarterly Review, a post he held until his death. Meanwhile, he published the first of several school dictionaries in 1850, and in 1853 he began the Principia series, then came the Students Manuals of History and Literature, of which the English literature volume went into 13 editions. He himself wrote the Greek history volume and he was joined in the venture by the publisher John Murray when the original publishing partner met difficulties. Murray was the publisher of the 1214-page Latin–English Dictionary based upon the works of Forcellini and this was periodically reissued over the next thirty-five years. It goes beyond classical Latin to include many entries not found in dictionaries of the period, including Lewis. Perhaps the most important of the books Smith edited were those that dealt with ecclesiastical subjects, the Atlas, on which Sir George Grove collaborated, appeared in 1875. From 1853 to 1869 Smith was classical examiner to the University of London and he sat on the Committee to inquire into questions of copyright, and was for several years registrar of the Royal Literary Fund. He edited Gibbon, with Guizots and Milmans notes, in 1854–1855, Dictionary of Greek and Roman biography and mythology Smith was created a DCL by Oxford and Dublin, and the honour of a knighthood was conferred on him in 1892. He died on 7 October 1893 in London and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. article name needed. Works by William Smith at Project Gutenberg Works by or about William Smith at Internet Archive Smith, a Short Biographical Dictionary of English Literature
William Smith (lexicographer)
–
Sir William Smith.
50.
Agamemnon
–
Mythical legends make him the king of Mycenae or Argos, thought to be different names for the same area. When Helen, the wife of Menelaus, was taken to Troy by Paris, upon Agamemnons return from Troy, he was murdered by Aegisthus, the lover of his wife, Clytemnestra. In some later versions Clytemnestra herself does the killing, or they act together as accomplices, Atreus, Agamemnons father, murdered the children of his twin brother Thyestes and fed them to Thyestes after discovering Thyestes adultery with his wife Aerope. Thyestes fathered Aegisthus with his own daughter, Pelopia, and this son vowed gruesome revenge on Atreus children, Aegisthus successfully murdered Atreus and restored his father to the throne. Aegisthus took possession of the throne of Mycenae and jointly ruled with Thyestes, during this period Agamemnon and his brother, Menelaus, took refuge with Tyndareus, King of Sparta. There they respectively married Tyndareus daughters Clytemnestra and Helen, Agamemnon and Clytemnestra had four children, one son, Orestes, and three daughters, Iphigenia, Electra and Chrysothemis. Menelaus succeeded Tyndareus in Sparta, while Agamemnon, with his brothers assistance, drove out Aegisthus and he extended his dominion by conquest and became the most powerful prince in Greece. Thus misfortune hounded successive generations of the House of Atreus, until atoned by Orestes in a court of justice held jointly by humans, Agamemnon gathered the reluctant Greek forces to sail for Troy. Preparing to depart from Aulis, which was a port in Boeotia, misfortunes, including a plague and a lack of wind, prevented the army from sailing. Finally, the prophet Calchas announced that the wrath of the goddess could only be propitiated by the sacrifice of Agamemnons daughter Iphigenia and her death appeased Artemis, and the Greek army set out for Troy. Several alternatives to the human sacrifice have been presented in Greek mythology, hesiod said she became the goddess Hecate. Agamemnon was the commander-in-chief of the Greeks during the Trojan War, during the fighting, Agamemnon killed Antiphus and fifteen other Trojan soldiers. The Iliad tells the story about the quarrel between Agamemnon and Achilles in the year of the war. Following one of the Achaean Armys raids, Chryseis, daughter of Chryses, Chryses pleaded with Agamemnon to free his daughter but was met with little success. Chryses then prayed to Apollo for the return of his daughter. After learning from the Prophet Calchas that the plague could be dispelled by returning Chryseis to her father, Agamemnon reluctantly agreed, however, as compensation for his lost prize, Agamemnon demanded a new prize. As a result, Agamemnon stole an attractive slave called Briseis, one of the spoils of war, Achilles, the greatest warrior of the age, withdrew from battle in response to Agamemnons supposedly evil deed and allegedly put the Greek armies at risk of losing the war. Although not the equal of Achilles in bravery, Agamemnon was a representative of kingly authority, as commander-in-chief, he summoned the princes to the council and led the army in battle
Agamemnon
–
The
Mask of Agamemnon which was discovered by
Heinrich Schliemann in 1876 at
Mycenae, now believed to pre-date the legendary Trojan War.
Agamemnon
–
Orestes slaying
Clytemnestra
This article incorporates text from a publication now in the public domain: Smith, William, ed. (1870). "article name needed". Dictionary of Greek and Roman Biography and Mythology.
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Ajax". Encyclopædia Britannica. 1 (11th ed.). Cambridge University Press. p. 452.
