Akbar Padamsee was an Indian artist and painter, considered one of the pioneers in modern Indian painting along with S.H. Raza, F.N. Souza and M.F. Husain. Over the years he also worked with various mediums from oil painting, plastic emulsion, water colour, sculpture, printmaking, to computer graphics, and photography. In addition, he worked as a film maker, sculptor, photographer, engraver, and lithographer. Today his paintings are among the most valued by modern Indian artists. His painting Reclining Nude was sold for US$1,426,500 at Sotheby's in New York on 25 March 2011.
Akbar Padamsee
Akbar Padamsee in Paris 1950s
F. N. Souza with S. H. Raza and Akbar Padamsee in 1952
The modern Indian art movement in Indian painting is considered to have begun in Calcutta in the late nineteenth century. The old traditions of painting had more or less died out in Bengal and new schools of art were started by the British. Initially, protagonists of Indian art such as Raja Ravi Varma drew on Western traditions and techniques including oil paint and easel painting. A reaction to the Western influence led to a revival in primitivism, called as the Bengal school of art, which drew from the rich cultural heritage of India. It was succeeded by the Santiniketan school, led by Rabindranath Tagore's harking back to idyllic rural folk and rural life. Despite its country-wide influence in the early years, the importance of the school declined by the 'forties' and now it is as good as dead.
Ravi Varma's work, such as Ameya and Nimeya (pictured), considered to be that of the finest painter till then, was later criticised for being trivial.
Bharat Mata by Abanindranath Tagore (1871–1951), a nephew of the poet Rabindranath Tagore, and a pioneer of the movement.
Art historian R. Siva Kumar.
Pseudorealistic Indian painting. Couple, Kids and Confusion. by Devajyoti Ray.