Albanian paganism comprises the pre-Christian customs, beliefs, rituals, myths and legends of the Albanian people. The oldest stratum of Albanian mythology is of ancient Paleo-Balkanic origin. Ancient
Albanian warrior dance in circle around fire (zjarri), drawing from the book Childe Harold's Pilgrimage written by Lord Byron in the early 19th century. Practiced for several hours with very short intervals, the dance gets new vigour from the words of the accompanying song that starts with a battle cry invoking war drums, and which is of a piece with the movement and usually changed only once or twice during the whole performance. The ritual purifying fire is traditionally used by Albanians, in particular singing and dancing around it, to gain
The cult practiced by the Albanians on Mount Tomorr in central Albania is considered as a continuation of the ancient sky-god worship.
Men of Theth (Shala) practicing the gjâmë – the Albanian lamentation of the dead – in the funeral of Ujk Vuksani, 1937.
View of Mount Tomorr from the Tunja village.
The kulshedra or kuçedra is a water, storm, fire and chthonic demon in Albanian mythology and folklore, usually described as a huge multi-headed female serpentine dragon. She is the archetype of darkn
Albanian paganism
…the dualistic struggle between good and evil, light and darkness, the most famous representation of which is the constant battle between drangue and kulshedra, a conflict that symbolises the cyclic return in the watery and chthonian world of death, accomplishing the cosmic renewal of rebirth. The weavers of…
When the weather turns foul, black clouds gather and heavy storms break, kulshedra is believed to be in the vicinity. A drangue can counter her destructive power driving the storms away.
18th-century icon of Saint George and the Dragon by Çetiri brothers, from Ardenica Monastery, now in the National Museum of Medieval Art in Tirana.