1.
Indiana Historical Society
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The Indiana Historical Society is one of the United States oldest and largest historical societies and describes itself as Indianas Storyteller. The Indiana Historical Society is the oldest state historical society west of the Allegheny Mountains, since 1830, the Society has been Indianas Storyteller, connecting people to the past by collecting, preserving, interpreting, and disseminating the states history. A private, nonprofit organization, the IHS maintains the nations premier research library and archives on the history of Indiana. It also appoints and trains 92 county historians, the Indiana Historical Society opened a new 165, 000-square-foot headquarters in downtown Indianapolis in July 1999, built on the site of the prior Holy Trinity Greek Orthodox Church of Indianapolis. The Indiana Historical Society was started on December 11,1830, a collection of Indianapolis-area movers and shakers chose to start the society, and sought to obtain many objects relating to Indianas history. To this day, the headquarters of the Indiana Historical Society has stayed within Indianapolis, in 1831 the Society was granted a charter by the Indiana General Assembly, a charter for which the Society still exists. In the few years afterwards, two of the Societys prevalent backers died, and between its founding in 1830 and 1886, only twelve annual meetings were held to promote it and its collections were located in the old Indiana State Bank and old Indiana State Capitol. The Society of those days was described by a historian to be a private club for publishing local history. In 1886 the Society was reorganized under the direction of Jacob Piatt Dunn, with trusted associates, Jacob Dunn started the policy of annual meetings of the Society that continues to this day. Dunn was able to enthuse Hoosiers of several occupations to gather resources for the Society, focusing on editors, professional historians, lawyers, librarians and writers. However, Jacob Dunns attempt to allow women to join the Society failed in 1888, it would not be until 1906 that a woman, editor Eliza Browning, thanks to Dunn, the Indiana Historical Society had an office at the state capitol building from 1888 to 1914. The Indiana Historical Society would continue to affect and be affected by the happenings of the Indiana Historical Bureau, the Indiana State Museum, the Societys executive secretaries would also act as directors of the Historical Bureau for over fifty years, from 1924 to 1976. This connection allowed the Indiana History Bulletin, controlled by the Historical Bureau, during the 1940s Howard Henry Peckham was the director of the Society and while there had established many professional standards in the field of Historical society work. Beginning in the 1950s, the Indiana Historical Society started publishing works related to the history of Indiana, the most important of these works was the 1966 multi-volume set concerning the history of Indiana, in celebration of the sesquicentennial anniversary of Indianas statehood. Other notable works included the Pulitzer Prize-winning The Old Northwest in 1950, in 2009, the IHS is celebrating the 20th anniversary of its award-winning quarterly, popular history magazine, Traces of Indiana and Midwestern History. It also publishes the family history magazine The Hoosier Genealogist, Connections twice a year, by 1970 the membership of the Indiana Historical Society reached 5,000 members. The most noted of these was Eli Lilly, a longtime trustee, lillys bequest allowed the IHS to achieve its own identity with its offices and library occupying a floor in the addition. Also at this time, the IHS/Indiana Historical Bureau leadership was separated with the creation of the title of Executive Secretary being retained for the IHS leadership, lillys bequest helps the general financial welfare of the society to this day
2.
Harry Von Tilzer
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Harry Von Tilzer was a very popular United States songwriter. Von Tilzer was born in Detroit, Michigan under the name Harry Gumm and his parents, Sarah and Jacob Gumbinsky, were Polish Jewish immigrants. Harry ran away and joined a circus at age 14. So impressive seemed the transformation that eventually all his brothers changed their last name to match his, Harry soon proved successful playing piano and calliope and writing new tunes and incidental music for shows. He continued doing this for Burlesque and Vaudeville shows for some years, in 1898 he sold his song My Old New Hampshire Home to a publisher for $15, and watched it become a national hit, selling over two million copies of the sheet music. This prompted him to become a professional songwriter and he was made a partner of the Shapiro Bernstein Publishing Company. His 1900 number A Bird in a Gilded Cage became one of the biggest hits of the time, Von Tilzer became one of the best-known Tin Pan Alley songwriters. In 1902 Von Tilzer formed his own publishing company, where he was joined by his younger brother Albert Von Tilzer. Harry Von Tilzers hits included A Bird in a Gilded Cage, The Cubanola Glide, Wait Til The Sun Shines Nellie, Old King Tut, All Alone, Mariutch, The Ragtime Goblin Man, I Love My Wife, But Oh You Kid. They Always Pick On Me, I Want A Girl, And The Green Grass Grew All Around, On the Old Fall River Line, Under the Anheuser Bush and he died in New York City on January 10,1946. Free scores by Harry Von Tilzer at the International Music Score Library Project
3.
Indianapolis
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Indianapolis, is the capital and largest city of the U. S. state of Indiana and the seat of Marion County. It is in the East North Central region of the Midwestern United States, with an estimated population of 853,173 in 2015, Indianapolis is the second most populous city in the Midwest, after Chicago, and 14th largest in the U. S. The city is the economic and cultural center of the Indianapolis metropolitan area, home to 2 million people and its combined statistical area ranks 26th, with 2.4 million inhabitants. Indianapolis covers 372 square miles, making it the 16th largest city by area in the U. S. The city grew beyond the Mile Square, as completion of the National Road and advent of the railroad solidified the position as a manufacturing. Indianapolis is within a single-day drive of 70 percent of the nations population, Indianapolis has developed niche markets in amateur sports and auto racing. The city is perhaps best known for hosting the worlds largest single-day sporting event. The city is notable as headquarters for the American Legion and home to a significant collection of monuments dedicated to veterans and war dead, the most in the U. S. outside of Washington, D. C. Since the 1970 city-county consolidation, known as Unigov, local government administration has operated under the direction of an elected 25-member city-county council, Indianapolis is considered a high sufficiency global city. In 1816, the year Indiana gained statehood, the U. S. Congress donated four sections of land to establish a permanent seat of state government. Two years later, under the Treaty of St. Marys and this tract of land, which was called the New Purchase, included the site selected for the new state capital in 1820. The availability of new lands for purchase in central Indiana attracted settlers. Although many of these first European and American setters were Protestants, few African Americans lived in central Indiana before 1840. The first European Americans to permanently settle in the area that became Indianapolis were either the McCormick or Pogue families, on January 11,1820, the Indiana General Assembly authorized a committee to select a site in central Indiana for the new state capital. The state legislature approved the site, adopting the name Indianapolis on January 6,1821, in April, Alexander Ralston and Elias Pym Fordham were appointed to survey and design a town plan for the new settlement. Indianapolis became a seat of county government on December 31,1821, a combined county and town government continued until 1832, when Indianapolis incorporated as a town. Indianapolis became an incorporated city effective March 30,1847, Samuel Henderson, the citys first mayor, led the new city government, which included a seven-member city council. In 1853, voters approved a new city charter provided for an elected mayor
4.
Tin Pan Alley
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The start of Tin Pan Alley is usually dated to about 1885, when a number of music publishers set up shop in the same district of Manhattan. The end of Tin Pan Alley is less clear cut, the origins of the name Tin Pan Alley are unclear. One account claims that it was a reference to the sound of many pianos. Others claim it arose from songwriters modifying their pianos to produce a percussive sound. After many years, the term came to refer to the U. S. music industry in general, various explanations have been advanced to account for the origins of the term Tin Pan Alley. This article has not been found, simon Napier-Bell quotes an account of the origin of the name which was published in a 1930 book about the music business. In this version, popular songwriter Harry von Tilzer was being interviewed about the area around 28th Street and Fifth Avenue, von Tilzer had modified his expensive Kindler & Collins piano by placing strips of paper down the strings to give the instrument a more percussive sound. The journalist told von Tilzer, Your Kindler & Collins sounds exactly like a tin can, ill call the article Tin Pan Alley. With time, this nickname was popularly embraced and came to describe the American music publishing industry in general, the term then spread to the United Kingdom, where Tin Pan Alley is also used to describe Denmark Street in Londons West End. In the 1920s the street known as Britains Tin Pan Alley because of its large number of music shops. In the mid-19th century, copyright control of melodies was not as strict, with stronger copyright protection laws late in the century, songwriters, composers, lyricists, and publishers started working together for their mutual financial benefit. Songwriters would literally bang on doors of Tin Pan Alley to get new material, the two most enterprising New York publishers were Willis Woodard and T. B. Harms, the first companies to specialize in popular songs rather than hymns or classical music. Naturally, these firms were located in the entertainment district, which, Witmark was the first publishing house to move to West 28th Street as the entertainment district gradually shifted uptown, and by the late 1890s most publishers had followed their lead. When a tune became a significant local hit, rights to it were purchased from the local publisher by one of the big New York firms. The song publishers who created Tin Pan Alley frequently had backgrounds as salesmen, the background of Isadore Witmark was selling water filters. Leo Feist had sold corsets, and Joe Stern and Edward B, marks had sold neckties and buttons respectively. The music houses in lower Manhattan were lively places, with a stream of songwriters, vaudeville and Broadway performers, musicians. Aspiring songwriters came to demonstrate tunes they hoped to sell, when tunes were purchased from unknowns with no previous hits, the name of someone with the firm was often added as co-composer, or all rights to the song were purchased outright for a flat fee
5.
Popular music
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Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training and it stands in contrast to both art music and traditional or folk music. Art music was historically disseminated through the performances of music, although since the beginning of the recording industry. Traditional music forms such as blues songs or hymns were passed along orally, or to smaller. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States, although popular music sometimes is known as pop music, the two terms are not interchangeable. Popular music songs and pieces typically have easily singable melodies, in the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have an appeal within the culture of their origin. Through the mixture of genres, new popular music forms are created to reflect the ideals of a global culture. The examples of Africa, Indonesia and the Middle East show how Western pop music styles can blend with local traditions to create new hybrid styles. Sales of recordings or sheet music are one measure, middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Manuel states that one criticism of music is that it is produced by large media conglomerates and passively consumed by the public. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, moreover, understandings of popular music have changed with time. A societys popular music reflects the ideals that are prevalent at the time it is performed or published, david Riesman states that the youth audiences of popular music fit into either a majority group or a subculture. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values and this allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. Form in popular music is most often sectional, the most common sections being verse, chorus or refrain, other common forms include thirty-two-bar form, chorus form *, and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics, the verse and chorus are considered the primary elements. Each verse usually has the melody, but the lyrics change for most verses. The chorus usually has a phrase and a key lyrical line which is repeated
6.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements
