1.
Indiana Historical Society
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The Indiana Historical Society is one of the United States oldest and largest historical societies and describes itself as Indianas Storyteller. The Indiana Historical Society is the oldest state historical society west of the Allegheny Mountains, since 1830, the Society has been Indianas Storyteller, connecting people to the past by collecting, preserving, interpreting, and disseminating the states history. A private, nonprofit organization, the IHS maintains the nations premier research library and archives on the history of Indiana. It also appoints and trains 92 county historians, the Indiana Historical Society opened a new 165, 000-square-foot headquarters in downtown Indianapolis in July 1999, built on the site of the prior Holy Trinity Greek Orthodox Church of Indianapolis. The Indiana Historical Society was started on December 11,1830, a collection of Indianapolis-area movers and shakers chose to start the society, and sought to obtain many objects relating to Indianas history. To this day, the headquarters of the Indiana Historical Society has stayed within Indianapolis, in 1831 the Society was granted a charter by the Indiana General Assembly, a charter for which the Society still exists. In the few years afterwards, two of the Societys prevalent backers died, and between its founding in 1830 and 1886, only twelve annual meetings were held to promote it and its collections were located in the old Indiana State Bank and old Indiana State Capitol. The Society of those days was described by a historian to be a private club for publishing local history. In 1886 the Society was reorganized under the direction of Jacob Piatt Dunn, with trusted associates, Jacob Dunn started the policy of annual meetings of the Society that continues to this day. Dunn was able to enthuse Hoosiers of several occupations to gather resources for the Society, focusing on editors, professional historians, lawyers, librarians and writers. However, Jacob Dunns attempt to allow women to join the Society failed in 1888, it would not be until 1906 that a woman, editor Eliza Browning, thanks to Dunn, the Indiana Historical Society had an office at the state capitol building from 1888 to 1914. The Indiana Historical Society would continue to affect and be affected by the happenings of the Indiana Historical Bureau, the Indiana State Museum, the Societys executive secretaries would also act as directors of the Historical Bureau for over fifty years, from 1924 to 1976. This connection allowed the Indiana History Bulletin, controlled by the Historical Bureau, during the 1940s Howard Henry Peckham was the director of the Society and while there had established many professional standards in the field of Historical society work. Beginning in the 1950s, the Indiana Historical Society started publishing works related to the history of Indiana, the most important of these works was the 1966 multi-volume set concerning the history of Indiana, in celebration of the sesquicentennial anniversary of Indianas statehood. Other notable works included the Pulitzer Prize-winning The Old Northwest in 1950, in 2009, the IHS is celebrating the 20th anniversary of its award-winning quarterly, popular history magazine, Traces of Indiana and Midwestern History. It also publishes the family history magazine The Hoosier Genealogist, Connections twice a year, by 1970 the membership of the Indiana Historical Society reached 5,000 members. The most noted of these was Eli Lilly, a longtime trustee, lillys bequest allowed the IHS to achieve its own identity with its offices and library occupying a floor in the addition. Also at this time, the IHS/Indiana Historical Bureau leadership was separated with the creation of the title of Executive Secretary being retained for the IHS leadership, lillys bequest helps the general financial welfare of the society to this day
2.
Harry Von Tilzer
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Harry Von Tilzer was a very popular United States songwriter. Von Tilzer was born in Detroit, Michigan under the name Harry Gumm and his parents, Sarah and Jacob Gumbinsky, were Polish Jewish immigrants. Harry ran away and joined a circus at age 14. So impressive seemed the transformation that eventually all his brothers changed their last name to match his, Harry soon proved successful playing piano and calliope and writing new tunes and incidental music for shows. He continued doing this for Burlesque and Vaudeville shows for some years, in 1898 he sold his song My Old New Hampshire Home to a publisher for $15, and watched it become a national hit, selling over two million copies of the sheet music. This prompted him to become a professional songwriter and he was made a partner of the Shapiro Bernstein Publishing Company. His 1900 number A Bird in a Gilded Cage became one of the biggest hits of the time, Von Tilzer became one of the best-known Tin Pan Alley songwriters. In 1902 Von Tilzer formed his own publishing company, where he was joined by his younger brother Albert Von Tilzer. Harry Von Tilzers hits included A Bird in a Gilded Cage, The Cubanola Glide, Wait Til The Sun Shines Nellie, Old King Tut, All Alone, Mariutch, The Ragtime Goblin Man, I Love My Wife, But Oh You Kid. They Always Pick On Me, I Want A Girl, And The Green Grass Grew All Around, On the Old Fall River Line, Under the Anheuser Bush and he died in New York City on January 10,1946. Free scores by Harry Von Tilzer at the International Music Score Library Project
3.
Indianapolis
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Indianapolis, is the capital and largest city of the U. S. state of Indiana and the seat of Marion County. It is in the East North Central region of the Midwestern United States, with an estimated population of 853,173 in 2015, Indianapolis is the second most populous city in the Midwest, after Chicago, and 14th largest in the U. S. The city is the economic and cultural center of the Indianapolis metropolitan area, home to 2 million people and its combined statistical area ranks 26th, with 2.4 million inhabitants. Indianapolis covers 372 square miles, making it the 16th largest city by area in the U. S. The city grew beyond the Mile Square, as completion of the National Road and advent of the railroad solidified the position as a manufacturing. Indianapolis is within a single-day drive of 70 percent of the nations population, Indianapolis has developed niche markets in amateur sports and auto racing. The city is perhaps best known for hosting the worlds largest single-day sporting event. The city is notable as headquarters for the American Legion and home to a significant collection of monuments dedicated to veterans and war dead, the most in the U. S. outside of Washington, D. C. Since the 1970 city-county consolidation, known as Unigov, local government administration has operated under the direction of an elected 25-member city-county council, Indianapolis is considered a high sufficiency global city. In 1816, the year Indiana gained statehood, the U. S. Congress donated four sections of land to establish a permanent seat of state government. Two years later, under the Treaty of St. Marys and this tract of land, which was called the New Purchase, included the site selected for the new state capital in 1820. The availability of new lands for purchase in central Indiana attracted settlers. Although many of these first European and American setters were Protestants, few African Americans lived in central Indiana before 1840. The first European Americans to permanently settle in the area that became Indianapolis were either the McCormick or Pogue families, on January 11,1820, the Indiana General Assembly authorized a committee to select a site in central Indiana for the new state capital. The state legislature approved the site, adopting the name Indianapolis on January 6,1821, in April, Alexander Ralston and Elias Pym Fordham were appointed to survey and design a town plan for the new settlement. Indianapolis became a seat of county government on December 31,1821, a combined county and town government continued until 1832, when Indianapolis incorporated as a town. Indianapolis became an incorporated city effective March 30,1847, Samuel Henderson, the citys first mayor, led the new city government, which included a seven-member city council. In 1853, voters approved a new city charter provided for an elected mayor
4.
Tin Pan Alley
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The start of Tin Pan Alley is usually dated to about 1885, when a number of music publishers set up shop in the same district of Manhattan. The end of Tin Pan Alley is less clear cut, the origins of the name Tin Pan Alley are unclear. One account claims that it was a reference to the sound of many pianos. Others claim it arose from songwriters modifying their pianos to produce a percussive sound. After many years, the term came to refer to the U. S. music industry in general, various explanations have been advanced to account for the origins of the term Tin Pan Alley. This article has not been found, simon Napier-Bell quotes an account of the origin of the name which was published in a 1930 book about the music business. In this version, popular songwriter Harry von Tilzer was being interviewed about the area around 28th Street and Fifth Avenue, von Tilzer had modified his expensive Kindler & Collins piano by placing strips of paper down the strings to give the instrument a more percussive sound. The journalist told von Tilzer, Your Kindler & Collins sounds exactly like a tin can, ill call the article Tin Pan Alley. With time, this nickname was popularly embraced and came to describe the American music publishing industry in general, the term then spread to the United Kingdom, where Tin Pan Alley is also used to describe Denmark Street in Londons West End. In the 1920s the street known as Britains Tin Pan Alley because of its large number of music shops. In the mid-19th century, copyright control of melodies was not as strict, with stronger copyright protection laws late in the century, songwriters, composers, lyricists, and publishers started working together for their mutual financial benefit. Songwriters would literally bang on doors of Tin Pan Alley to get new material, the two most enterprising New York publishers were Willis Woodard and T. B. Harms, the first companies to specialize in popular songs rather than hymns or classical music. Naturally, these firms were located in the entertainment district, which, Witmark was the first publishing house to move to West 28th Street as the entertainment district gradually shifted uptown, and by the late 1890s most publishers had followed their lead. When a tune became a significant local hit, rights to it were purchased from the local publisher by one of the big New York firms. The song publishers who created Tin Pan Alley frequently had backgrounds as salesmen, the background of Isadore Witmark was selling water filters. Leo Feist had sold corsets, and Joe Stern and Edward B, marks had sold neckties and buttons respectively. The music houses in lower Manhattan were lively places, with a stream of songwriters, vaudeville and Broadway performers, musicians. Aspiring songwriters came to demonstrate tunes they hoped to sell, when tunes were purchased from unknowns with no previous hits, the name of someone with the firm was often added as co-composer, or all rights to the song were purchased outright for a flat fee
5.
Popular music
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Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training and it stands in contrast to both art music and traditional or folk music. Art music was historically disseminated through the performances of music, although since the beginning of the recording industry. Traditional music forms such as blues songs or hymns were passed along orally, or to smaller. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States, although popular music sometimes is known as pop music, the two terms are not interchangeable. Popular music songs and pieces typically have easily singable melodies, in the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have an appeal within the culture of their origin. Through the mixture of genres, new popular music forms are created to reflect the ideals of a global culture. The examples of Africa, Indonesia and the Middle East show how Western pop music styles can blend with local traditions to create new hybrid styles. Sales of recordings or sheet music are one measure, middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Manuel states that one criticism of music is that it is produced by large media conglomerates and passively consumed by the public. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, moreover, understandings of popular music have changed with time. A societys popular music reflects the ideals that are prevalent at the time it is performed or published, david Riesman states that the youth audiences of popular music fit into either a majority group or a subculture. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values and this allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. Form in popular music is most often sectional, the most common sections being verse, chorus or refrain, other common forms include thirty-two-bar form, chorus form *, and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics, the verse and chorus are considered the primary elements. Each verse usually has the melody, but the lyrics change for most verses. The chorus usually has a phrase and a key lyrical line which is repeated
6.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements
7.
Oh By Jingo!
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Oh By Jingo. is a 1919 novelty song by Albert Von Tilzer with lyrics by Lew Brown. The song was featured in the Broadway show Linger Longer Letty, while the song lyrics say it is set in the land of San Domingo, no geographic nor anthropological accuracy is found nor intended in the silly lyrics, set in a generic exotic and primitive location. The song was much imitated over the next decade, the song was performed by Betty Hutton in the film Incendiary Blonde, sung in the I Love Lucy TV show, and sung by Hugh Laurie in P. G. Wodehouses Jeeves and Wooster. In the land of San Domingo, Lived a girl called Oh, by Jiminy youre the one for me. Dick Jacobs & Harriet Jacobs, published by Writers Digest Books,1993
8.
Houp La!
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Houp La. is an Edwardian musical comedy extravaganza with music by Nat D. Ayer and Howard Talbot, lyrics by Percy Greenbank and Hugh E. Wright, and a book by Fred Thompson and Hugh E. Wright. The story combines the financial troubles of a circus owner with a love triangle. The original production of the show was mounted by Charles B, Cochran at Londons new St Martins Theatre, opening on 23 November 1916 and starring Gertie Millar, George Graves, Nat Ayer and Ida Adams. It was the first production at the St Martins, which was leased by Cochran, although the critics found the music innovative, and the cast included stars of the day, the show ran for only three months in London. Act I The owner of a circus, Marmaduke Bunn, has severe money troubles. In desperation, he has a bet on all the horse-races of the day. A French girl, Liane de Rose, tries to teach Bunn some of the complications of her language, act II Tillie makes good use of Adas cloak and thus catches out her wandering lover. Sadly for Marmaduke Bunn, he finds he has made a mistake about the name of the horse in the days last race, so he has won nothing. Tillie sings the title song Houp La. as well as Pretty Baby and The Fool of the Family, Liane de Rose has the comic song LAmour est Bon. At least four songs from the show were recorded, how She Could Yacki Hacki Wicki Wacki Woo, an interpolated Hawaiian number by Albert von Tilzer, was sung in the 1916–1917 London production by Ida Adams. The play was received and shared an issue of The Play Pictorial with Potash & Perlmutter in Society. It had its 100th performance in February 1917 and closed a week later, Cochran later presented it in Manchester. Reviewing the premiere, the critic of The Observer wrote, There is any amount of promise about it, Miss Gertie Millar seemed to wake up to give us a delicious piece of nonsense, the very comic song and dance called The Fool of the Family. Next to Miss Millars Fool of the Family, the most successful thing was Mlle, madeleine Choiseuilles song, LAmour est Bon, which went splendidly. Almost sixty years later, in 1975, a noted that Houp La. did a lot towards elevating the chorus girl to something more than a grinning background to the stars. In 1977, a member of the 1916 cast recalled in The Listener and they used to keep some staff on at the bank every night, so that she could put all her jewellery back after the show. The opening cast included, Ida Adams sings Oh, how She Could Yacki Hacki Wicki Wacki Woo,11 January 1917 Nat D. Ayer sings I Like a Place Where the Peaches Grow from Houp La
9.
Au Revoir But Not Good Bye, Soldier Boy
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Au Revoir, but not Good Bye, Soldier Boy is a 1917 song composed by Albert von Tilzer, with lyrics written by Lew Brown. It was performed by The Peerless Quartet, based on estimates of sales, the song reached #8 on the top 100 US songs of the time from the Quartets debut of the piece on April 27,1918. The sheet music for this song had a cover by E. E. Walton and it was also reprinted three times. The song is arranged for piano and vocals, and is set to a slow tempo, the lyrics are told from the point of view of a soldiers sweetheart who says farewell to him as he departs for the war. She is anxious about her lovers safety, but tells him to never fear, the speaker tells him she will think of him while he is far away fighting for liberty. Listen to the MP3 and see the music here
10.
Beverly Hills, California
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Beverly Hills is a city in Los Angeles County, California, United States, surrounded by the cities of Los Angeles and West Hollywood. By 2013, its population had grown to 34,658, sometimes referred to as 90210, one of its primary ZIP codes, it was home to many actors and celebrities throughout the 20th century. The city includes the Rodeo Drive shopping district and the Beverly Hills Oil Field, gaspar de Portolá arrived in the area that would later become Beverly Hills on August 3,1769, travelling along native trails which followed the present-day route of Wilshire Boulevard. The area was settled by Maria Rita Quinteros de Valdez and her husband in 1828 and they called their 4,500 acres of property the Rancho Rodeo de las Aguas. in 1854, she sold the ranch to Benjamin Davis Wilson and Henry Hancock. By the 1880s, the ranch had been subdivided into parcels of 75 acres and was being bought up by anglos from Los Angeles. Henry Hammel and Andrew H. Denker acquired most of it, at this point, the area was known as the Hammel and Denker Ranch. By 1888, Denker and Hammel were planning to build a town called Morocco on their holdings and they did not find enough to exploit commercially by the standards of the time, though. In 1906, therefore, they reorganized as the Rodeo Land and Water Company, renamed the property Beverly Hills, subdivided it, the development was named Beverly Hills after Beverly Farms in Beverly, Massachusetts and because of the hills in the area. The first house in the subdivision was built in 1907, although sales remained slow, Beverly Hills was one of many all-white planned communities started in the Los Angeles area around this time. Restrictive covenants prohibited non-whites from owning or renting property unless they were employed as servants by white residents and it was also forbidden to sell or rent property to Jews in Beverly Hills. Burton Green began construction on The Beverly Hills Hotel in 1911, the hotel was finished in 1912. The visitors drawn by the hotel were inclined to purchase land in Beverly Hills and that same year, the Rodeo Land and Water Company decided to separate its water business from its real estate business. The Beverly Hills Utility Commission was split off from the company and incorporated in September 1914, buying all of the utilities-related assets from the Rodeo Land. In 1919, Douglas Fairbanks and Mary Pickford bought land on Summit Drive and built a mansion, finished in 1921, the glamor associated with Fairbanks and Pickford as well as other movie stars who built mansions in the city contributed to its growing appeal. By the early 1920s the population of Beverly Hills had grown enough to make the water supply a political issue, in 1923 the usual solution, annexation to the city of Los Angeles, was proposed. There was considerable opposition to annexation among such famous residents as Pickford, Fairbanks, Will Rogers, the Beverly Hills Utility Commission, opposed to annexation as well, managed to force the city into a special election and the plan was defeated 337 to 507. In 1925, Beverly Hills approved an issue to buy 385 acres for a new campus for UCLA. The cities of Los Angeles, Santa Monica and Venice also issued bonds to pay for the new campus
11.
Los Angeles
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Los Angeles, officially the City of Los Angeles and often known by its initials L. A. is the cultural, financial, and commercial center of Southern California. With a census-estimated 2015 population of 3,971,883, it is the second-most populous city in the United States, Los Angeles is also the seat of Los Angeles County, the most populated county in the United States. The citys inhabitants are referred to as Angelenos, historically home to the Chumash and Tongva, Los Angeles was claimed by Juan Rodríguez Cabrillo for Spain in 1542 along with the rest of what would become Alta California. The city was founded on September 4,1781, by Spanish governor Felipe de Neve. It became a part of Mexico in 1821 following the Mexican War of Independence, in 1848, at the end of the Mexican–American War, Los Angeles and the rest of California were purchased as part of the Treaty of Guadalupe Hidalgo, thereby becoming part of the United States. Los Angeles was incorporated as a municipality on April 4,1850, the discovery of oil in the 1890s brought rapid growth to the city. The completion of the Los Angeles Aqueduct in 1913, delivering water from Eastern California, nicknamed the City of Angels, Los Angeles is known for its Mediterranean climate, ethnic diversity, and sprawling metropolis. Los Angeles also has an economy in culture, media, fashion, science, sports, technology, education, medicine. A global city, it has been ranked 6th in the Global Cities Index, the city is home to renowned institutions covering a broad range of professional and cultural fields, and is one of the most substantial economic engines within the United States. The Los Angeles combined statistical area has a gross metropolitan product of $831 billion, making it the third-largest in the world, after the Greater Tokyo and New York metropolitan areas. The city has hosted the Summer Olympic Games in 1932 and 1984 and is bidding to host the 2024 Summer Olympics and thus become the second city after London to have hosted the Games three times. The Los Angeles area also hosted the 1994 FIFA mens World Cup final match as well as the 1999 FIFA womens World Cup final match, the mens event was watched on television by over 700 million people worldwide. The Los Angeles coastal area was first settled by the Tongva, a Gabrielino settlement in the area was called iyáangẚ, meaning poison oak place. Gaspar de Portolà and Franciscan missionary Juan Crespí, reached the present site of Los Angeles on August 2,1769, in 1771, Franciscan friar Junípero Serra directed the building of the Mission San Gabriel Arcángel, the first mission in the area. The Queen of the Angels is an honorific of the Virgin Mary, two-thirds of the settlers were mestizo or mulatto with a mixture of African, indigenous and European ancestry. The settlement remained a small town for decades, but by 1820. Today, the pueblo is commemorated in the district of Los Angeles Pueblo Plaza and Olvera Street. New Spain achieved its independence from the Spanish Empire in 1821, during Mexican rule, Governor Pío Pico made Los Angeles Alta Californias regional capital
12.
California
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California is the most populous state in the United States and the third most extensive by area. Located on the western coast of the U. S, California is bordered by the other U. S. states of Oregon, Nevada, and Arizona and shares an international border with the Mexican state of Baja California. Los Angeles is Californias most populous city, and the second largest after New York City. The Los Angeles Area and the San Francisco Bay Area are the nations second- and fifth-most populous urban regions, California also has the nations most populous county, Los Angeles County, and its largest county by area, San Bernardino County. The Central Valley, an agricultural area, dominates the states center. What is now California was first settled by various Native American tribes before being explored by a number of European expeditions during the 16th and 17th centuries, the Spanish Empire then claimed it as part of Alta California in their New Spain colony. The area became a part of Mexico in 1821 following its war for independence. The western portion of Alta California then was organized as the State of California, the California Gold Rush starting in 1848 led to dramatic social and demographic changes, with large-scale emigration from the east and abroad with an accompanying economic boom. If it were a country, California would be the 6th largest economy in the world, fifty-eight percent of the states economy is centered on finance, government, real estate services, technology, and professional, scientific and technical business services. Although it accounts for only 1.5 percent of the states economy, the story of Calafia is recorded in a 1510 work The Adventures of Esplandián, written as a sequel to Amadis de Gaula by Spanish adventure writer Garci Rodríguez de Montalvo. The kingdom of Queen Calafia, according to Montalvo, was said to be a land inhabited by griffins and other strange beasts. This conventional wisdom that California was an island, with maps drawn to reflect this belief, shortened forms of the states name include CA, Cal. Calif. and US-CA. Settled by successive waves of arrivals during the last 10,000 years, various estimates of the native population range from 100,000 to 300,000. The Indigenous peoples of California included more than 70 distinct groups of Native Americans, ranging from large, settled populations living on the coast to groups in the interior. California groups also were diverse in their organization with bands, tribes, villages. Trade, intermarriage and military alliances fostered many social and economic relationships among the diverse groups, the first European effort to explore the coast as far north as the Russian River was a Spanish sailing expedition, led by Portuguese captain Juan Rodríguez Cabrillo, in 1542. Some 37 years later English explorer Francis Drake also explored and claimed a portion of the California coast in 1579. Spanish traders made unintended visits with the Manila galleons on their trips from the Philippines beginning in 1565
13.
Jack Norworth
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Jack Norworth was a U. S. songwriter, singer and vaudeville performer. Norworth is credited as co-writer of a number of Tin Pan Alley hits and he wrote the lyrics to Take Me Out to the Ball Game in 1908, his most long lasting hit. It wasnt until 1940 that he witnessed a Major League Baseball game and his Shine On, Harvest Moon was a bigger hit at the time. There is some disagreement about his involvement in its creation, another possibility for the music could lie with George Gershwin, who was also a piano player for this vaudeville troup. Albert Koch, of Wisconsin, also a songwriter, claims to have written the song himself. Turn Off Your Light, Mr. Moon Man is a sequel to Shine on, born John Godfrey Knauff in Philadelphia, Pennsylvania to Theodore Christian Knauff and Louise H. Knauff, he changed his name to Jack Norworth when he went into show business. His father was a builder and also a choir director at St. The theater was not a career in that time especially coming from a religious family. Following a few years at sea, he landed in New York City at age 20 to embark on a business career. In 1908 he married Nora Bayes, with whom he performed in vaudeville, following the Ziegfeld Follies, Norworth appeared in a number of Broadway theater productions and was heard on early radio, such as his March 1928 guest appearance on Acousticon Hour. After Bayes, he was married to actress Louise Dresser and he appeared in early sound films with his third wife, Dorothy Adelphi. He was portrayed by Dennis Morgan in the 1944 musical film Shine On, Harvest Moon and by Ron Husmann in the 1978 Ziegfeld biopic Ziegfeld and he is a member of the Songwriters Hall of Fame. Jack Norworth died of an attack in Laguna Beach, California and is interred at Melrose Abbey Memorial Park in Anaheim, California. On July 11,2010, a 3-foot-tall black granite monument, paid for by concerned fans, was installed about 100 feet from Jacks actual headstone
14.
Edison Records
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Edison Records was one of the earliest record labels which pioneered sound recording and reproduction and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edisons foundation of the Edison Phonograph Company in the same year, until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, Edison invented the phonograph, the first device for recording and playing back sound, in 1877. The earliest phonograph was something of a curiosity, although it was one that fascinated much of the public. Early machines were sold to entrepreneurs who made an out of traveling around the country giving phonograph concerts. Talking dolls and Talking clocks were manufactured as expensive novelties using the early phonograph, in 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company debuted the Perfected Phonograph, Edison introduced wax cylinders approximately 4 1⁄4 inches long and 2 1⁄4 inches in external diameter, which became the industry standard. Several experimental wax cylinder recordings of music and speech made in 1888 still exist, the wax entertainment cylinder made its commercial debut in 1889. At first, the customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons. At that time, a phonograph cost the equivalent of several months wages for the worker and was driven by an electric motor powered by hazardous. When relatively affordable spring-motor-driven phonographs designed for home use appeared in the mid-1890s, blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings, one important early use, in line with the original term for a phonograph as a talking machine, was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation, the business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison Records brand of business phonograph was called The Ediphone, see Phonograph cylinder, Edison also holds the achievement of being one of the first companies to record the first African-American quartet to record, the Unique Quartet. A notable technological triumph of the Edison Laboratories was devising a method to mass-produce pre-recorded phonograph cylinders in molds and this was done by using very slightly tapered cylinders and molding in a material that contracted as it set. To Edisons disappointment the commercial potential of this process was not realized for some years, most of the regional Edison distributors were able to fill the small early market for recordings by mechanical duplication of a few dozen cylinders at a time. Molded cylinders did not become a significant force in the marketplace until the end of the 1890s, before using metal cylinders though Edison used paraffin paper. In 1902, Edisons National Phonograph Company introduced Edison Gold Moulded Records, cylinder records of improved hard black wax, capable of being played hundreds of times before wearing out
15.
Ziegfeld Follies
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The Ziegfeld Follies was a series of elaborate theatrical revue productions on Broadway in New York City from 1907 through 1931, with renewals in 1934 and 1936. They became a program in 1932 and 1936 as The Ziegfeld Follies of the Air. Inspired by the Folies Bergère of Paris, the Ziegfeld Follies were conceived and mounted by Florenz Ziegfeld, reportedly at the suggestion of his then-wife, the shows producers were turn-of-the-twentieth-century producing titans Klaw & Erlanger. The Follies were a series of revues, something between later Broadway shows and the more elaborate high class Vaudeville variety show. The first Follies was produced in 1907 at the roof theatre Jardin de Paris, during the Follies era, many of the top entertainers, including W. C. They usually wore elaborate costumes by designers such as Erté, Lady Duff Gordon, the Tableau vivants were designed by Ben Ali Haggin from 1917 to 1925. Joseph Urban was the designer for the Follies shows starting in 1915. After Ziegfelds death his widow, Billie Burke, authorized use of his name for Ziegfeld Follies in 1934 and 1936 to Jake Shubert, who then produced the Follies. The name was used by other promoters in New York City, Philadelphia. Featuring numbers by Ray Bolger, Dennis Morgan, Virginia Bruce, and Harriet Hoctor, the MGM blockbusters show-stopper was the Irving Berlin-composed, A Pretty Girl Is Like a Melody, which, by itself, cost more to produce than one of Ziegfelds entire stage shows. In 1941 MGM released Ziegfeld Girl, starring Lana Turner, Judy Garland, Hedy Lamarr, James Stewart, celebrated numbers from Ziegfeld Revues were recreated, including the famed Wedding Cake set which had been used for Metros earlier film, The Great Ziegfeld. According to modern sources, Turners character was modeled after Ziegfeld Girl Lillian Lorraine, Brice appeared in the Follies for more than ten years. The 1964 musical, Funny Girl, starring Barbra Streisand as Fanny Brice, the 1968 Columbia film of the musical also starred Barbra Streisand as Brice and Walter Pidgeon as Florenz Ziegfeld. Esthers Follies The Fabulous Palm Springs Follies Alfred Cheney Johnston The Passing Show Joseph Urban Ziegfeld Theatre Ziegfeld on Musicals101. com Ziegfeld Follies at Internet Broadway Database
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Revue
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A revue is a type of multi-act popular theatrical entertainment that combines music, dance and sketches. The revue has its roots in 19th century popular entertainment and melodrama, though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the art form brings together music, dance. In contrast to these, however, revue does not have an overarching storyline, rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. George Lederers The Passing Show is usually held to be the first successful American review, the English spelling was used until 1907 when Florenz Ziegfeld popularized the French spelling. Follies is now employed as an analog for revue, though the term was proprietary to Ziegfeld until his death in 1932. Other popular proprietary revue names included George Whites Scandals and Earl Carrolls Vanities, Revues are most properly understood as having amalgamated several theatrical traditions within the corpus of a single entertainment. Minstrelsys olio section provided a map of popular variety presentation. Theatrical extravaganzas, in particular, moving panoramas, demonstrated a vocabulary of the spectacular, burlesque, itself a bawdy hybrid of various theatrical forms, lent to classic revue an open interest in female sexuality and the masculine gaze. Revues enjoyed great success on Broadway from the World War I years until the Great Depression, the high ticket prices of many revues helped ensure audiences distinct from other live popular entertainments during their height of popularity. In 1914, the Follies charged $5.00 for an opening night ticket, at time, many cinema houses charged from $0.10 to 0.25. Among the many producers of revues, Florenz Ziegfeld played the greatest role in developing the classical revue through his glorification of a new theatrical type. Revues took advantage of their revenue stream to lure away performers from other media. Performers such as Eddie Cantor, Anna Held, W. C, fields, Bert Williams, the Marx Brothers and the Fairbanks Twins found great success on the revue stage. One of Cole Porters early shows was Raymond Hitchcocks revue Hitchy-Koo, composers or lyricists such as Richard Rodgers, Lorenz Hart, Irving Berlin, and George M. Cohan also enjoyed a tremendous reception on the part of audiences. Sometimes, an appearance in a revue provided a key early entry into entertainment, largely due to their centralization in New York City and adroit use of publicity, revues proved particularly adept at introducing new talents to the American theatre. Rodgers and Hart, one of the great composer/lyricist teams of the American musical theatre, comedian Fanny Brice, following a brief period in burlesque and amateur variety, bowed to revue audiences in Ziegfelds Follies of 1910. Specialist writers and composers of revues have included Sandy Wilson, Noël Coward, John Stromberg, George Gershwin, Earl Carroll, in Britain predominantly, Tom Arnold also specialised in promoting series of revues and his acts extended to the European continent and South Africa
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Diamonds (musical)
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Diamonds is a musical revue about baseball. The book and music were created by writers, composers. Among them were Ellen Fitzhugh, Roy Blount, Jr. and John Weidman, and Larry Grossman, Comden and Green, Howard Ashman, and Cy Coleman, music. The musical ran Off Broadway at the Circle in the Square Downtown theater, beginning on December 16,1984 and closing on March 31,1985, the production was directed by Broadway veteran Harold Prince. The cast included Loni Ackerman, Susan Bigelow, Jackée Harry, Scott Holmes, Dick Latessa, Dwayne Markee, Wade Raley, Larry Riley, Nestor Serrano, Gordon Stanley, the musical won the Outer Critics Circle Award for Best Set Design, by Tony Straiges. Frank Rich of the New York Times didnt particularly think so, clive Barnes of the New York Post definitely thought not, A fiasco of the smallest, dullest kind. But the Daily News Doug Watt thought the show had some cute ideas and his final verdict, Call Diamonds a Little League homer and let it go at that
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International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
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Internet Broadway Database
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The Internet Broadway Database is an online database of Broadway theatre productions and their personnel. It was conceived and created by Karen Hauser in 1996 and is operated by the Research Department of The Broadway League, the website also has a corresponding app for both the IOS and Android. This comprehensive history of Broadway provides records of productions from the beginnings of New York theatre in the 18th century up to today, details include cast and creative lists for opening night and current day, song lists, awards and other interesting facts about every Broadway production. Other features of IBDB include an archive of photos from past and present Broadway productions, headshots, links to cast recordings on iTunes or Amazon, gross. Its mission was to be an interactive, user-friendly, searchable database for League members, journalists, researchers, the League recently added Broadway Touring shows to the database for ease of tracking shows that play in theatres across the country. It is managed by Karen Hauser, Michael Abourizk, and Mark Smith of the Broadway League, Internet Theatre Database – ITDb Internet Movie Database – IMDb Internet Book Database – IBookDb Lortel Archives – IOBDb The Broadway League Official website Broadway League website
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Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
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Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
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Bibsys
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BIBSYS is an administrative agency set up and organized by the Ministry of Education and Research in Norway. They are a provider, focusing on the exchange, storage and retrieval of data pertaining to research. BIBSYS are collaborating with all Norwegian universities and university colleges as well as research institutions, Bibsys is formally organized as a unit at the Norwegian University of Science and Technology, located in Trondheim, Norway. The board of directors is appointed by Norwegian Ministry of Education, BIBSYS offer researchers, students and others an easy access to library resources by providing the unified search service Oria. no and other library services. They also deliver integrated products for the operation for research. As a DataCite member BIBSYS act as a national DataCite representative in Norway and thereby allow all of Norways higher education, all their products and services are developed in cooperation with their member institutions. The purpose of the project was to automate internal library routines, since 1972 Bibsys has evolved from a library system supplier for two libraries in Trondheim, to developing and operating a national library system for Norwegian research and special libraries. The target group has expanded to include the customers of research and special libraries. BIBSYS is an administrative agency answerable to the Ministry of Education and Research. In addition to BIBSYS Library System, the product consists of BISBYS Ask, BIBSYS Brage, BIBSYS Galleri. All operation of applications and databases is performed centrally by BIBSYS, BIBSYS also offer a range of services, both in connection with their products and separate services independent of the products they supply
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MusicBrainz
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MusicBrainz is a project that aims to create an open data music database that is similar to the freedb project. MusicBrainz was founded in response to the placed on the Compact Disc Database. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become an open online database for music. MusicBrainz captures information about artists, their works, and the relationships between them. Recorded works entries capture at a minimum the album title, track titles, and these entries are maintained by volunteer editors who follow community written style guidelines. Recorded works can also store information about the date and country. As of 26 July 2016, MusicBrainz contained information about roughly 1.1 million artists,1.6 million releases, end-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as MP3, Ogg Vorbis or AAC. As with other contributions, the MusicBrainz community is in charge for maintaining and reviewing the data, besides collecting metadata about music, MusicBrainz also allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this, in 2000, MusicBrainz started using Relatables patented TRM for acoustic fingerprint matching. This feature attracted many users and allowed the database to grow quickly, however, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions. This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, tRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND, some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free service was uncertain, a replacement for it was sought. The Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský, while AcoustID and Chromaprint are not officially MusicBrainz projects, they are closely tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second, additional post-processing is then applied to compress this fingerprint while retaining patterns. The AcoustID search server then searches from the database of fingerprints by similarity, since 2003, MusicBrainzs core data are in the public domain, and additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL, the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, in December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye
