1.
Alexander Rozhenko
–
This is a list of characters from the science fiction television series Star Trek, The Next Generation. Characters are ordered alphabetically by name, and only characters who played a significant recurring role in the series are listed. Lieutenant Commander Jack R. Crusher was portrayed by actor Doug Wert, dead before the series beginning, Crusher is the late husband to Beverly Crusher and father of Wesley Crusher, and former second officer aboard the USS Stargazer, Jean-Luc Picards first command. He was killed in action at the age of 32 Earth years, Crusher assured Picard she had signed on the Enterprise-D voluntarily and not due to Picards influence. Jack Crusher once made a recording of himself in which he explained his life. Crusher intended this to be the first in a series of messages, one couple of years. By the time Wesley first got to view the recording, Jack was already long dead and she also appears in the TNG films Star Trek Generations and Star Trek, Nemesis but is uncredited in both. The character first appears in the opening episode The Child. She is said to have the closest relationship with Jean-Luc Picard, Goldberg hoped to play the new ships doctor after Gates McFadden was fired, but the producers did not see her as suitable for the role. They did not think a suitable role could be created, until Goldberg said that she did not care how big or small the role was, even if she just swept the floor in the background. It was from this they decided to give her the role of a bartender and her people, the El-Aurians, are sometimes called the listeners. As a refugee aboard the El-Aurian vessel Lakul, she is rescued from the Nexus by the USS Enterprise-B in the film Star Trek Generations, in Q Who, Guinan states that when the Borg destroyed her homeworld her people were scattered throughout the galaxy. The subsequent diaspora and reintegration of her people, and even their traditional clothing and her species is long-lived, and she is somewhere between 500 and 700 years old when she joins the Enterprise-D. Times Arrow, Part I reveals that she visited Earth in 1891, Guinan reveals in Star Trek, Nemesis that she has been married 23 times. She states in Evolution that she has children, including a son who went through a phase when he wouldnt listen to anybody – something unusual in a species of listeners. Her wise counsel occasionally proves to be valuable to the crew. In one episode, for example, she tries to show Troi that she has other abilities she can use when Trois confidence is shaken because her telepathic powers stop working temporarily. In particular, she and Picard are especially close, to where they trust one another implicitly and she does indicate that Picard stood by her at a time when she was in serious trouble and that their relationship is beyond friendship, beyond family
Alexander Rozhenko
–
Guinan
Alexander Rozhenko
–
Tony Todd portrays Kurn
Alexander Rozhenko
–
Brent Spiner portrays Data and his evil twin brother, Lore
2.
St. Petersburg
–
Saint Petersburg is Russias second-largest city after Moscow, with five million inhabitants in 2012, and an important Russian port on the Baltic Sea. It is politically incorporated as a federal subject, situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, it was founded by Tsar Peter the Great on May 271703. In 1914, the name was changed from Saint Petersburg to Petrograd, in 1924 to Leningrad, between 1713 and 1728 and 1732–1918, Saint Petersburg was the capital of imperial Russia. In 1918, the government bodies moved to Moscow. Saint Petersburg is one of the cities of Russia, as well as its cultural capital. The Historic Centre of Saint Petersburg and Related Groups of Monuments constitute a UNESCO World Heritage Site, Saint Petersburg is home to The Hermitage, one of the largest art museums in the world. A large number of consulates, international corporations, banks. Swedish colonists built Nyenskans, a fortress, at the mouth of the Neva River in 1611, in a then called Ingermanland. A small town called Nyen grew up around it, Peter the Great was interested in seafaring and maritime affairs, and he intended to have Russia gain a seaport in order to be able to trade with other maritime nations. He needed a better seaport than Arkhangelsk, which was on the White Sea to the north, on May 1703121703, during the Great Northern War, Peter the Great captured Nyenskans, and soon replaced the fortress. On May 271703, closer to the estuary 5 km inland from the gulf), on Zayachy Island, he laid down the Peter and Paul Fortress, which became the first brick and stone building of the new city. The city was built by conscripted peasants from all over Russia, tens of thousands of serfs died building the city. Later, the city became the centre of the Saint Petersburg Governorate, Peter moved the capital from Moscow to Saint Petersburg in 1712,9 years before the Treaty of Nystad of 1721 ended the war, he referred to Saint Petersburg as the capital as early as 1704. During its first few years, the city developed around Trinity Square on the bank of the Neva, near the Peter. However, Saint Petersburg soon started to be built out according to a plan, by 1716 the Swiss Italian Domenico Trezzini had elaborated a project whereby the city centre would be located on Vasilyevsky Island and shaped by a rectangular grid of canals. The project was not completed, but is evident in the layout of the streets, in 1716, Peter the Great appointed French Jean-Baptiste Alexandre Le Blond as the chief architect of Saint Petersburg. In 1724 the Academy of Sciences, University and Academic Gymnasium were established in Saint Petersburg by Peter the Great, in 1725, Peter died at the age of fifty-two. His endeavours to modernize Russia had met opposition from the Russian nobility—resulting in several attempts on his life
St. Petersburg
–
Top left to bottom right:
Peter and Paul Fortress on
Zayachy Island,
Smolny Cathedral,
Moyka river with the
General Staff Building,
Trinity Cathedral,
Bronze Horseman on
Senate Square, and the
Winter Palace.
St. Petersburg
–
The
Bronze Horseman, monument to Peter the Great
St. Petersburg
–
Palace Square backed by the General Staff arch and building, as the main square of the Russian Empire it was the setting of many events of historic significance
St. Petersburg
–
Map of Saint Petersburg, 1903
3.
Moscow
–
Moscow is the capital and most populous city of Russia, with 13.2 million residents within the city limits and 17.8 million within the urban area. Moscow has the status of a Russian federal city, Moscow is a major political, economic, cultural, and scientific center of Russia and Eastern Europe, as well as the largest city entirely on the European continent. Moscow is the northernmost and coldest megacity and metropolis on Earth and it is home to the Ostankino Tower, the tallest free standing structure in Europe, the Federation Tower, the tallest skyscraper in Europe, and the Moscow International Business Center. Moscow is situated on the Moskva River in the Central Federal District of European Russia, the city is well known for its architecture, particularly its historic buildings such as Saint Basils Cathedral with its brightly colored domes. Moscow is the seat of power of the Government of Russia, being the site of the Moscow Kremlin, the Moscow Kremlin and Red Square are also one of several World Heritage Sites in the city. Both chambers of the Russian parliament also sit in the city and it is recognized as one of the citys landmarks due to the rich architecture of its 200 stations. In old Russian the word also meant a church administrative district. The demonym for a Moscow resident is москвич for male or москвичка for female, the name of the city is thought to be derived from the name of the Moskva River. There have been proposed several theories of the origin of the name of the river and its cognates include Russian, музга, muzga pool, puddle, Lithuanian, mazgoti and Latvian, mazgāt to wash, Sanskrit, majjati to drown, Latin, mergō to dip, immerse. There exist as well similar place names in Poland like Mozgawa, the original Old Russian form of the name is reconstructed as *Москы, *Mosky, hence it was one of a few Slavic ū-stem nouns. From the latter forms came the modern Russian name Москва, Moskva, in a similar manner the Latin name Moscovia has been formed, later it became a colloquial name for Russia used in Western Europe in the 16th–17th centuries. From it as well came English Muscovy, various other theories, having little or no scientific ground, are now largely rejected by contemporary linguists. The surface similarity of the name Russia with Rosh, an obscure biblical tribe or country, the oldest evidence of humans on the territory of Moscow dates from the Neolithic. Within the modern bounds of the city other late evidence was discovered, on the territory of the Kremlin, Sparrow Hills, Setun River and Kuntsevskiy forest park, etc. The earliest East Slavic tribes recorded as having expanded to the upper Volga in the 9th to 10th centuries are the Vyatichi and Krivichi, the Moskva River was incorporated as part of Rostov-Suzdal into the Kievan Rus in the 11th century. By AD1100, a settlement had appeared on the mouth of the Neglinnaya River. The first known reference to Moscow dates from 1147 as a place of Yuri Dolgoruky. At the time it was a town on the western border of Vladimir-Suzdal Principality
Moscow
–
Left to right, top to bottom:
Moscow State University,
Spasskaya Clocktower,
Cathedral of Christ the Saviour;
Bolshoi Theatre,
Moscow International Business Center;
Red Square
Moscow
–
Tatar raid upon Moscow
Moscow
–
Map of Moscow, 1784
Moscow
–
Red Square, painting by
Fedor Alekseev, 1801
4.
Russian Empire
–
The Russian Empire was a state that existed from 1721 until it was overthrown by the short-lived February Revolution in 1917. One of the largest empires in history, stretching over three continents, the Russian Empire was surpassed in landmass only by the British and Mongol empires. The rise of the Russian Empire happened in association with the decline of neighboring powers, the Swedish Empire, the Polish–Lithuanian Commonwealth, Persia. It played a role in 1812–14 in defeating Napoleons ambitions to control Europe. The House of Romanov ruled the Russian Empire from 1721 until 1762, and its German-descended cadet branch, with 125.6 million subjects registered by the 1897 census, it had the third-largest population in the world at the time, after Qing China and India. Like all empires, it included a large disparity in terms of economics, ethnicity, there were numerous dissident elements, who launched numerous rebellions and assassination attempts, they were closely watched by the secret police, with thousands exiled to Siberia. Economically, the empire had an agricultural base, with low productivity on large estates worked by serfs. The economy slowly industrialized with the help of foreign investments in railways, the land was ruled by a nobility from the 10th through the 17th centuries, and subsequently by an emperor. Tsar Ivan III laid the groundwork for the empire that later emerged and he tripled the territory of his state, ended the dominance of the Golden Horde, renovated the Moscow Kremlin, and laid the foundations of the Russian state. Tsar Peter the Great fought numerous wars and expanded an already huge empire into a major European power, Catherine the Great presided over a golden age. She expanded the state by conquest, colonization and diplomacy, continuing Peter the Greats policy of modernisation along West European lines, Tsar Alexander II promoted numerous reforms, most dramatically the emancipation of all 23 million serfs in 1861. His policy in Eastern Europe involved protecting the Orthodox Christians under the rule of the Ottoman Empire and that connection by 1914 led to Russias entry into the First World War on the side of France, Britain, and Serbia, against the German, Austrian and Ottoman empires. The Russian Empire functioned as a monarchy until the Revolution of 1905. The empire collapsed during the February Revolution of 1917, largely as a result of failures in its participation in the First World War. Perhaps the latter was done to make Europe recognize Russia as more of a European country, Poland was divided in the 1790-1815 era, with much of the land and population going to Russia. Most of the 19th century growth came from adding territory in Asia, Peter I the Great introduced autocracy in Russia and played a major role in introducing his country to the European state system. However, this vast land had a population of 14 million, grain yields trailed behind those of agriculture in the West, compelling nearly the entire population to farm. Only a small percentage lived in towns, the class of kholops, close to the one of slavery, remained a major institution in Russia until 1723, when Peter I converted household kholops into house serfs, thus including them in poll taxation
Russian Empire
–
Peter the Great officially renamed the Tsardom of Russia the Russian Empire in 1721, and himself its first emperor. He instituted the
sweeping reforms and oversaw the transformation of Russia into a major European power.
Russian Empire
–
Flag
Russian Empire
–
Empress
Catherine the Great, who reigned from 1762 to 1796, continued the empire's expansion and modernization. Considering herself an
enlightened absolutist, she played a key role in the
Russian Enlightenment.
Russian Empire
–
Catherine II Sestroretsk Rouble (1771) is made of solid copper measuring 77 millimetres (3 3 ⁄ 100 in) (diameter), 26 millimetres (1 1 ⁄ 50 in) (thickness), and weighs 1.022 kg (2.25 lb). It is the largest copper coin ever issued.
5.
Russian language
–
Russian is an East Slavic language and an official language in Russia, Belarus, Kazakhstan, Kyrgyzstan and many minor or unrecognised territories. Russian belongs to the family of Indo-European languages and is one of the four living members of the East Slavic languages, written examples of Old East Slavonic are attested from the 10th century and beyond. It is the most geographically widespread language of Eurasia and the most widely spoken of the Slavic languages and it is also the largest native language in Europe, with 144 million native speakers in Russia, Ukraine and Belarus. Russian is the eighth most spoken language in the world by number of native speakers, the language is one of the six official languages of the United Nations. Russian is also the second most widespread language on the Internet after English, Russian distinguishes between consonant phonemes with palatal secondary articulation and those without, the so-called soft and hard sounds. This distinction is found between pairs of almost all consonants and is one of the most distinguishing features of the language, another important aspect is the reduction of unstressed vowels. Russian is a Slavic language of the Indo-European family and it is a lineal descendant of the language used in Kievan Rus. From the point of view of the language, its closest relatives are Ukrainian, Belarusian, and Rusyn. An East Slavic Old Novgorod dialect, although vanished during the 15th or 16th century, is considered to have played a significant role in the formation of modern Russian. In the 19th century, the language was often called Great Russian to distinguish it from Belarusian, then called White Russian and Ukrainian, however, the East Slavic forms have tended to be used exclusively in the various dialects that are experiencing a rapid decline. In some cases, both the East Slavic and the Church Slavonic forms are in use, with different meanings. For details, see Russian phonology and History of the Russian language and it is also regarded by the United States Intelligence Community as a hard target language, due to both its difficulty to master for English speakers and its critical role in American world policy. The standard form of Russian is generally regarded as the modern Russian literary language, mikhail Lomonosov first compiled a normalizing grammar book in 1755, in 1783 the Russian Academys first explanatory Russian dictionary appeared. By the mid-20th century, such dialects were forced out with the introduction of the education system that was established by the Soviet government. Despite the formalization of Standard Russian, some nonstandard dialectal features are observed in colloquial speech. Thus, the Russian language is the 6th largest in the world by number of speakers, after English, Mandarin, Hindi/Urdu, Spanish, Russian is one of the six official languages of the United Nations. Education in Russian is still a choice for both Russian as a second language and native speakers in Russia as well as many of the former Soviet republics. Russian is still seen as an important language for children to learn in most of the former Soviet republics, samuel P. Huntington wrote in the Clash of Civilizations, During the heyday of the Soviet Union, Russian was the lingua franca from Prague to Hanoi
Russian language
–
Russian language street sign in
Russia.
Russian language
–
Russian minimarket in
Limassol, Cyprus; translation: "Teremok market. Russian goods. Phone number: 96 74 19 63"
Russian language
–
This page from an "ABC" book printed in Moscow in 1694 shows the letter
П.
Russian language
–
The
Ostromir Gospels of 1056 is the second oldest
East Slavic book known, one of many medieval
illuminated manuscripts preserved in the
Russian National Library.
6.
Artist
–
An artist is a person engaged in one or more of any of a broad spectrum of activities related to creating art, practicing the arts or demonstrating an art. The common usage in everyday speech and academic discourse is a practitioner in the visual arts only. The term is used in the entertainment business, especially in a business context, for musicians. Artiste is a variant used in English only in this context, use of the term to describe writers, for example, is valid, but less common, and mostly restricted to contexts like criticism. Wiktionary defines the noun artist as follows, A person who creates art, a person who makes and creates art as an occupation. A person who is skilled at some activity, a person whose trade or profession requires a knowledge of design, drawing, painting, etc. The adjectival Latin form of the word, technicus, became the source of the English words technique, technology, in ancient Greece sculptors and painters were held in low regard, somewhere between freemen and slaves, their work regarded as mere manual labour. The word art derives from the Latin ars, which, although literally defined, means skill method or technique, and conveys a connotation of beauty. During the Middle Ages the word artist already existed in countries such as Italy. An artist was able to do a work better than others, so the skilled excellency was underlined. In this period some artisanal products were more precious and expensive than paintings or sculptures. With the Academies in Europe the gap between fine and applied arts was definitely set, Artist is a descriptive term applied to a person who engages in an activity deemed to be an art. An artist also may be defined unofficially as a person who expresses him- or herself through a medium, the word is also used in a qualitative sense of, a person creative in, innovative in, or adept at, an artistic practice. Art historians and critics define artists as those who produce art within a recognized or recognizable discipline, contrasting terms for highly skilled workers in media in the applied arts or decorative arts include artisan, craftsman, and specialized terms such as potter, goldsmith or glassblower. The term may also be used loosely or metaphorically to denote highly skilled people in any activities, as well— law, medicine, mechanics, or mathematics. Often, discussions on the focus on the differences among artist and technician, entertainer and artisan, fine art and applied art, or what constitutes art. The French word artiste has been imported into the English language where it means a performer, use of the word artiste can also be a pejorative term. The English word artiste has thus a range of meaning than the word artiste in French
Artist
–
Johann Wolfgang von Goethe, German artist known for his works of poetry, drama, prose, philosophy, visual arts, and science.
7.
Sculpture
–
Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
Sculpture
–
The Dying Gaul, or The Capitoline Gaul a Roman marble copy of a
Hellenistic work of the late 3rd century BCE
Capitoline Museums, Rome
Sculpture
Sculpture
–
Michelangelo 's
Moses, (c. 1513–1515), housed in the church of
San Pietro in Vincoli in
Rome. The sculpture was commissioned in 1505 by
Pope Julius II for his
tomb.
Sculpture
–
Assyrian
lamassu gate guardian from
Khorsabad, c. 721–800 BCE
8.
Photographer
–
A photographer is a person who makes photographs. As in other arts, the definitions of amateur and professional are not entirely categorical, a professional photographer is likely to take photographs to make money, by salary or through the display, sale or use of those photographs. An amateur photographer may take photographs for pleasure and to record an event, emotion, place, as a person without a monetary motivation. A professional photographer may be an employee, for example of a newspaper, or may contract to cover a planned event such as a wedding or graduation. Others, including paparazzi and fine art photographers, are freelancers, first making a picture, some workers, such as crime scene detectives, estate agents, journalists and scientists, make photographs as part of other work. Photographers who produce moving rather than still pictures are often called cinematographers, videographers or camera operators, an amateur may make considerable sums entering work in contests for prize money or through occasional inclusion of their work in magazines or the archive of a photo agency. The term professional may also imply preparation, for example, by academic study, Photographers are also categorized based on the subjects they photograph. Some photographers explore subjects typical of such as landscape, still life. The exclusive right of photographers to copy and use their products is protected by copyright, countless industries purchase photographs for use in publications and on products. This is usually referred to as usage fee and is used to distinguish from production fees, an additional contract and royalty would apply for each additional use of the photograph. The contract may be for one year, or other duration. The photographer usually charges a royalty as well as a one-time fee, the contract may be for non-exclusive use of the photograph or for exclusive use of the photograph. The contract can also stipulate that the photographer is entitled to audit the company for determination of royalty payments. A royalty is also based on the size at which the photo will be used in a magazine or book. Photos taken by a photographer working on assignment are often work for hire belonging to the company or publication unless stipulated otherwise by contract. There are major companies who have maintained catalogues of stock photography and images for decades, such as Getty Images, commercial photographers may also promote their work to advertising and editorial art buyers via printed and online marketing vehicles. Many people upload their photographs to social networking websites and other websites and those interested in legal precision may explicitly release them to the public domain or under a free content license. Some sites, including Wikimedia Commons, are punctilious about licenses, the dictionary definition of photographer at Wiktionary Media related to Photographers at Wikimedia Commons
Photographer
–
2012 IAAF World Indoor Championships photographer stand.
Photographer
–
A group of photographers taking photographs of retired footballer
Franz Beckenbauer.
Photographer
–
Nature photographer Urmas Tartes working on an outdoor environment.
Photographer
–
A photographer (
Douglas Osheroff) setting up a shot with the aid of a
tripod.
9.
Graphic Design
–
Graphic design is the process of visual communication and problem-solving using one or more of typography, photography and illustration. The field is considered a subset of visual communication and communication design, Graphic designers create and combine symbols, images and text to form visual representations of ideas and messages. They use typography, visual arts and page layout techniques to create visual compositions, common uses of graphic design include corporate design, editorial design, wayfinding or environmental design, advertising, web design, communication design, product packaging and signage. The term graphic design was coined by William Addison Dwiggins in 1922, however, graphic design-like activities span human existence, from the caves of Lascaux, to Romes Trajans Column to the illuminated manuscripts of the Middle Ages, to the neon lights of Ginza, Tokyo. In Babylon, artisans pressed cuneiform inscriptions into clay bricks or tablets which were used for construction, the bricks gave information such as the name of the reigning monarch, the builder, or some other dignitary. This was the first known road sign announcing the name of the governor of a state or mayor of the city, the Egyptians developed communication by hieroglyphics that used picture symbols dating as far back as 136 B. C. found on the Rosetta Stone. During the Dark Ages, from 500 AD to 1450 AD, monks created elaborate and they share many elements, theories, principles, practices, languages and sometimes the same benefactor or client. In advertising, the objective is the sale of goods. In graphic design, the essence is to order to information, form to ideas, expression. Graphic design in the United States began with Benjamin Franklin who used his newspaper The Pennsylvania Gazette, to master the art of publicity to promote his own books and his invention is still sold today and is known as the Franklin stove. American advertising initially imitated British newspapers and magazines, advertisements were printed in scrambled type and uneven lines that made it difficult to read. Franklin better organized this by adding 14-point type for the first line of the advertisement, although later shortened and centered it, Franklin added illustrations, something that London printers had not attempted. Franklin was the first to utilize logos, which were early symbols that announced such services as opticians by displaying golden spectacles, Franklin taught advertisers that the use of detail was important in marketing their products. Some advertisements ran for 10-20 lines, including color, names, varieties, during the Tang Dynasty wood blocks were cut to print on textiles and later to reproduce Buddhist texts. A Buddhist scripture printed in 868 is the earliest known printed book, beginning in the 11th century, longer scrolls and books were produced using movable type printing, making books widely available during the Song dynasty. During the 17th-18th century movable type was used for handbills or trade cards which were printed from wood or copper engravings and these documents announced a business and its location. English painter William Hogarth used his skill in engraving was one of the first to design for business trade, in Mainz Germany, in 1448, Johann Gutenberg introduced movable type using a new metal alloy for use in a printing press and opened a new era of commerce. Previously, most advertising was word of mouth, in France and England, for example, criers announced products for sale just as ancient Romans had done
Graphic Design
–
A Boeing 747 aircraft with
livery designating it as
Air Force One. The cyan forms, the
US flag,
presidential seal and the
Caslon lettering were all designed at different times, by different designers, for different purposes, and combined by designer
Raymond Loewy in this one single aircraft exterior design.
Graphic Design
–
Graphic symbols are often
functionalist and anonymous, as these
pictographs from the US
National Park Service illustrate.
Graphic Design
–
Color
Graphic Design
–
The
pencil is one of the most basic graphic design tools.
10.
Constructivism (art)
–
Constructivism was an artistic and architectural philosophy that originated in Russia beginning in 1913 by Vladimir Tatlin. This was a rejection of the idea of autonomous art, the movement was in favour of art as a practice for social purposes. Constructivism had an effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus. Its influence was pervasive, with effects upon architecture, graphic design, industrial design, theatre, film, dance, fashion. The term Construction Art was first used as a term by Kazimir Malevich to describe the work of Alexander Rodchenko in 1917. Constructivism first appears as a term in Naum Gabos Realistic Manifesto of 1920. Aleksei Gan used the word as the title of his book Constructivism, Constructivism was a post-World War I development of Russian Futurism, and particularly of the counter reliefs of Vladimir Tatlin, which had been exhibited in 1915. Constructivism as theory and practice was derived largely from a series of debates at INKhUK in Moscow, later the definition would be extended to designs for two-dimensional works such as books or posters, with montage and factography becoming important concepts. As much as involving itself in designs for industry, the Constructivists worked on public festivals, perhaps the most famous of these was in Vitebsk, where Malevichs UNOVIS Group painted propaganda plaques and buildings. Inspired by Vladimir Mayakovskys declaration the streets our brushes, the squares our palettes, artists, in addition some Constructivists were heavily involved in the ROSTA Windows, a Bolshevik public information campaign of around 1920. Some of the most famous of these were by the poet-painter Vladimir Mayakovsky, the constructivists tried to create works that would make the viewer an active viewer of the artwork. These theories were tested in theatre, particularly with the work of Vsevolod Meyerhold, Meyerhold developed a biomechanical acting style, which was influenced both by the circus and by the scientific management theories of Frederick Winslow Taylor. Meanwhile, the sets by the likes of Vesnin, Popova and Stepanova tested Constructivist spatial ideas in a public form. A more populist version of this was developed by Alexander Tairov, with sets by Aleksandra Ekster. These ideas would influence German directors like Bertolt Brecht and Erwin Piscator, Gabo publicly criticized Tatlins design saying, Either create functional houses and bridges or create pure art, not both. This had already caused a controversy in the Moscow group in 1920 when Gabo. This was opposed to the utilitarian and adaptable version of Constructivism held by Tatlin, the tower was never built, however, due to a lack of money following the revolution. A Constructivist international was formed, which met with Dadaists and De Stijl artists in Germany in 1922, participants in this short-lived international included Lissitzky, Hans Richter, and László Moholy-Nagy
Constructivism (art)
–
Zuev Workers' Club, 1928.
Constructivism (art)
–
Photograph of the first Constructivist Exhibition, 1921.
Constructivism (art)
–
Agitprop poster by Mayakovsky.
Constructivism (art)
–
Constructivist Martian set in
Aelita (1924)
11.
Design
–
Design is the creation of a plan or convention for the construction of an object, system or measurable human interaction. Design has different connotations in different fields, in some cases, the direct construction of an object is also considered to use design thinking. Designing often necessitates considering the aesthetic, functional, economic, and it may involve considerable research, thought, modeling, interactive adjustment, and re-design. Meanwhile, diverse kinds of objects may be designed, including clothing, graphical user interfaces, skyscrapers, corporate identities, business processes, and even methods or processes of designing. Thus design may be a substantive referring to an abstraction of a created thing or things. It is an act of creativity and innovation, here, a specification can be manifested as either a plan or a finished product, and primitives are the elements from which the design object is composed. With such a broad denotation, there is no language or unifying institution for designers of all disciplines. This allows for many differing philosophies and approaches toward the subject, the person designing is called a designer, which is also a term used for people who work professionally in one of the various design areas usually specifying which area is being dealt with. A designers sequence of activities is called a process while the scientific study of design is called design science. Another definition of design is planning to manufacture an object, system, thus the word design can be used as a noun or a verb. In a broader sense, the design is an applied art, while the definition of design is fairly broad, design has a myriad of specifications that professionals utilize in their fields. Substantial disagreement exists concerning how designers in many fields, whether amateur or professional, alone or in teams, the prevailing view has been called The Rational Model, Technical Problem Solving and The Reason-Centric Perspective. The alternative view has been called Reflection-in-Action, Evolutionary Design, co-evolution, the Rational Model was independently developed by Herbert A. Simon, an American scientist, and Gerhard Pahl and Wolfgang Beitz, two German engineering design theorists. The Rational Model is based on a rationalist philosophy and underlies the waterfall model, systems development life cycle, according to the rationalist philosophy, design is informed by research and knowledge in a predictable and controlled manner. Technical rationality is at the center of the process, each stage has many associated best practices. Unrealistic assumptions – goals are often unknown when a design project begins, the Action-Centric Perspective is a label given to a collection of interrelated concepts, which are antithetical to The Rational Model. Substantial empirical evidence supports the veracity of this perspective in describing the actions of real designers, like the Rational Model, the Action-Centric model sees design as informed by research and knowledge. Designers context-dependent experience and professional judgment take center stage more than technical rationality, at least two views of design activity are consistent with the Action-Centric Perspective
Design
–
The new terminal at
Barajas airport in
Madrid,
Spain
Design
–
A drawing for a booster engine for
steam locomotives. Engineering is applied to design, with emphasis on function and the utilization of mathematics and science.
Design
–
An example of a business workflow process using
Business Process Modeling Notation.
12.
Varvara Stepanova
–
Varvara Fyodorovna Stepanova was a Russian artist associated with the Constructivist movement. Varvara Stepanova came from peasant origins but was able to get an education at Kazan Art School, there she met her husband and collaborator Alexander Rodchenko. In the years before the Russian Revolution of 1917 they leased an apartment in Moscow and these artists became some of the main figures in the Russian avant-garde. The new abstract art in Russia which began around 1915 was a culmination of influences from Cubism, Italian Futurism, in the years following the revolution, Stepanova involved herself in poetry, philosophy, painting, graphic art, stage scenery construction, and textile and clothing designs. She contributed work to the Fifth State Exhibition and the Tenth State Exhibition, also in 1921, Stepanova declared in her text for the exhibition 5x5=25, held in Moscow, Composition is the contemplative approach of the artist. Technique and Industry have confronted art with the problem of construction as an active process, the sanctity of a work as a single entity is destroyed. The museum which was the treasury of art is now transformed into an archive, the term Constructivist was by then being used by the artists themselves to describe the direction their work was taking. The theatre was another area where artists were able to communicate new artistic, Stepanova designed the sets for The Death of Tarelkin in 1922. In 1921, Stepanova moved almost exclusively into the realm of production, Russian Constructivist clothing represented the destabilization of the oppressive, elite aesthetics of the past and, instead, reflected utilitarian functionality and production. Gender and class distinctions gave way to functional, geometric clothing, in line with this objective, Stepanova sought to free the body in her designs, emphasizing clothing’s functional rather than decorative qualities. Stepanova deeply believed clothing must be looked at in action, in addition, she sought to develop expedient means of clothing production through simple designs and strategic, economic use of fabrics. Stepanova, thus, identified clothing as occupying two groups, prodezodezhda and sportodezhda, within these categories, she attended to logical, efficient production and construction of the garments. However, war-induced poverty placed economic restrictions on the Russian Constructivists’ industrial fervor, thus, most of her designs were not mass-produced and circulated. The first, prodezodezhda, or production/working clothing in basic styles, within this category, Stepanova began designing spetsodezhda, or clothing specialized for a specific occupation. Regardless of the context, her working clothing carried a distinctive geometric and linear edge, rendering the body into a graphic composition and boxy. Stepanova even rendered the team’s emblem into a graphic design, the sports arena offered a context for Stepanova to realize an idealized bodily neutralization, and her uniforms were often unisex with pants and a belted tunic that obscured the human form. As a constructivist, Stepanova not only transposed bold graphic designs onto her fabrics, Stepanova only worked a little over a year at The First Textile Printing Factory, but she designed more than 150 fabric designs in 1924. Although she was inspired to new types of fabric, the current technology restricted her to printed patterns on monotone surfaces
Varvara Stepanova
–
1920s. Rodchenko and Stepanova.
Varvara Stepanova
–
Varvara Stepanova,
Henri Le Fauconnier and
Jean Metzinger, Paris 1921.
13.
Russian Revolution of 1917
–
The Russian Revolution was a pair of revolutions in Russia in 1917, which dismantled the Tsarist autocracy and led to the eventual rise of the Soviet Union. The Russian Empire collapsed with the abdication of Emperor Nicholas II, in the second revolution that October, the Provisional Government was removed and replaced with a communist state. The February Revolution was a revolution focused around Petrograd, then capital of Russia, in the chaos, members of the Imperial parliament assumed control of the country, forming the Russian Provisional Government. The army leadership felt they did not have the means to suppress the revolution, the February Revolution took place in the context of heavy military setbacks during the First World War, which left much of the Russian Army in a state of mutiny. During this chaotic period there were frequent mutinies, protests and many strikes, when the Provisional Government chose to continue fighting the war with Germany, the Bolsheviks and other socialist factions campaigned for stopping the conflict. The Bolsheviks turned workers militias under their control into the Red Guards over which they exerted substantial control, the Bolsheviks appointed themselves as leaders of various government ministries and seized control of the countryside, establishing the Cheka to quash dissent. To end Russia’s participation in the First World War, the Bolshevik leaders signed the Treaty of Brest-Litovsk with Germany in March 1918, soon after, civil war erupted among the Reds, the Whites, the independence movements and the non-Bolshevik socialists. It continued for years, during which the Bolsheviks defeated both the Whites and all rival socialists. In this way, the Revolution paved the way for the creation of the Union of Soviet Socialist Republics in 1922, the Russian Revolution of 1905 was said to be a major factor to the February Revolutions of 1917. The events of Bloody Sunday triggered a line of protests, a council of workers called the St. Petersburg Soviet was created in all this chaos, and the beginning of a communist political protest had begun. World War I prompted a Russian outcry directed at Tsar Nicholas II and it was another major factor contributing to the retaliation of the Russian Communists against their royal opponents. However, the problems were merely administrative, and not industrial as Germany was producing great amounts of munitions whilst constantly fighting on two major battlefronts, the war also developed a weariness in the city, owing to a lack of food in response to the disruption of agriculture. Food scarcity had become a problem in Russia, but the cause of this did not lie in any failure of the harvests. As a result, they tended to hoard their grain and to revert to subsistence farming, thus the cities were constantly short of food. At the same time rising prices led to demands for wages in the factories. The outcome of all this, however, was a criticism of the government rather than any war-weariness. The original fever of excitement, which had caused the name of St. Heavy losses during the war also strengthened thoughts that Tsar Nicholas II was unfit to rule, the Liberals were now better placed to voice their complaints, since they were participating more fully through a variety of voluntary organizations
Russian Revolution of 1917
–
Bolshevik forces marching on
Red Square
Russian Revolution of 1917
–
Soldiers blocking
Narva Gate on
Bloody Sunday
Russian Revolution of 1917
–
Russian soldiers marching in Petrograd in February 1917
Russian Revolution of 1917
–
The Petrograd Soviet Assembly meeting in 1917
14.
Graphic designer
–
A graphic designer is a professional within the graphic design and graphic arts industry who assembles together images, typography, or motion graphics to create a piece of design. A graphic designer creates the graphics primarily for published, printed or electronic media, such as brochures and they are also sometimes responsible for typesetting, illustration, user interfaces, and web design. A core responsibility of the job is to present information in a way that is both accessible and memorable. A degree or certificate from a trade school is usually considered essential for a graphic design position. After a career history has been established, though, the designers experience. A portfolio, which is the method for demonstrating these qualifications, is usually required to be shown at job interviews. One can obtain an AAS, BA, BFA, BCA, degree programs available vary depending upon the institution, although typical U. S. graphic design jobs require at least some form of degree. Current graphic designer jobs demand proficiency in one or more graphic design software programs, a common software package used in the graphic design industry is Adobe Creative Cloud. This software package contains the three main programs used by designers, which are Photoshop, Illustrator and InDesign. Photoshop, InDesign, and Illustrator are the standard applications for many graphic design positions. Another example of a software package is CorelDraw Graphics Suite. Outside the graphic design industry, many people use Microsoft Word or Microsoft Publisher to create a layout or design, however, depending on the job at hand, most designers create the layout in either InDesign, CorelDRAW or QuarkXPress. Specifically, the designer will type or import the text in the program, also importing the graphics. There are a couple of reasons a designer builds a layout in this fashion, as a result, the file size can become very large, depending upon the photos and graphics used in it. By using a program and linking these graphics and images. When the designer is ready to go to press, s/he will either create a press-ready PDF, or use the Package function in InDesign, InDesign, CorelDRAW, or QuarkXPress make it possible to work with large multiple page layouts, such as catalogs and booklets. A web designer should understand how to work with XML, HTML, a print designer should understand the processes involved in printing to be able to produce press-ready artwork. Designers should be able to solve visual communication problems or challenges, in doing so, the designer must identify the communications issue, gather and analyze information related to the issue, and generate potential approaches aimed at solving the problem
Graphic designer
–
Graphic designers
Gabriel and Maxim Shamir
15.
Photomontage
–
Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting image is photographed so that a final image may appear as a seamless photographic print. A similar method, although one that does not use film, is realized today through image-editing software and this latter technique is referred to by professionals as compositing, and in casual usage is often called photoshopping. A composite of related photographs to extend a view of a scene or subject would not be labeled as a montage. Such environments as dioramas were made of composited images, the first and most famous mid-Victorian photomontage was The Two Ways of Life by Oscar Rejlander, followed shortly thereafter by the images of photographer Henry Peach Robinson such as Fading Away. These works actively set out to challenge the then-dominant painting and theatrical tableau vivants, fantasy photomontage postcards were popular in the Victorian and Edwardian periods. The preeminent producer in this period was the Bamforh Company, in Holmfirth, West Yorkshire, many of the early examples of fine-art photomontage consist of photographed elements superimposed on watercolours, a combination returned to by George Grosz in about 1915. In 1916, John Heartfield and George Grosz experimented with pasting pictures together, as so often happens in life, we had stumbled across a vein of gold without knowing it. ”John Heartfield and George Grosz were members of Berlin Club Dada. The German Dadists were instrumental in making montage into a modern art-form, the term photomontage” became widely known at the end of World War I, around 1918 or 1919. Heartfield used photomontage extensively in his innovative book dust jackets for the Berlin publishing house Malik-Verlag and he revolutionized the look of these book covers. Heartfield was the first to use photomontage to tell a “story” from the front cover of the book to the back cover and he also employed groundbreaking typography to enhance the effect. From 1930-1938, John Heartfield used photomontage to create 240 “Photomontages of The Nazi Period” to use art as a weapon against fascism, continuing to produce anti-fascist art in Czechoslovakia until 1938, Heartfield’s political photomontages earned him the number five position on the Gestapo’s Most Wanted List. Other major artists who were members of Berlin Club Dada and major exponents of photomontage were Hannah Höch, Kurt Schwitters, Raoul Hausmann, Photomontage survived Dada and was a technique inherited and used by European Surrealists such as Salvador Dalí. Its influence also spread to Japan where avant-garde painter Harue Koga produced photomontage-style paintings based on images culled from magazines, the worlds first retrospective show of photomontage was held in Germany in 1931. A later term coined in Europe was, photocollage, which referred to large and ambitious works that added typography, brushwork. In the education sphere, media arts director Rene Acevedo and Adrian Brannan have left their mark on art classrooms the world over and his contemporary, Lola Alvarez Bravo, experimented with photomontage on life and social issues in Mexican cities. In Argentina during the late 1940s, the German exile, Grete Stern, began to contribute work on the theme of Sueños, as part of a regular psychoanalytical article in the magazine. The pioneering techniques of early photomontage artists were co-opted by the industry from the late 1920s onward
Photomontage
–
Photomontage of 16 photographs that have been
manipulated digitally in
Photoshop to create the illusion of a nonexistent landscape
Photomontage
–
A 1950 photomontage by
Grete Stern
Photomontage
–
Original background image
Photomontage
–
Photomontage of kiwis and lemons using
GIMP
16.
Saint Petersburg
–
Saint Petersburg is Russias second-largest city after Moscow, with five million inhabitants in 2012, and an important Russian port on the Baltic Sea. It is politically incorporated as a federal subject, situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, it was founded by Tsar Peter the Great on May 271703. In 1914, the name was changed from Saint Petersburg to Petrograd, in 1924 to Leningrad, between 1713 and 1728 and 1732–1918, Saint Petersburg was the capital of imperial Russia. In 1918, the government bodies moved to Moscow. Saint Petersburg is one of the cities of Russia, as well as its cultural capital. The Historic Centre of Saint Petersburg and Related Groups of Monuments constitute a UNESCO World Heritage Site, Saint Petersburg is home to The Hermitage, one of the largest art museums in the world. A large number of consulates, international corporations, banks. Swedish colonists built Nyenskans, a fortress, at the mouth of the Neva River in 1611, in a then called Ingermanland. A small town called Nyen grew up around it, Peter the Great was interested in seafaring and maritime affairs, and he intended to have Russia gain a seaport in order to be able to trade with other maritime nations. He needed a better seaport than Arkhangelsk, which was on the White Sea to the north, on May 1703121703, during the Great Northern War, Peter the Great captured Nyenskans, and soon replaced the fortress. On May 271703, closer to the estuary 5 km inland from the gulf), on Zayachy Island, he laid down the Peter and Paul Fortress, which became the first brick and stone building of the new city. The city was built by conscripted peasants from all over Russia, tens of thousands of serfs died building the city. Later, the city became the centre of the Saint Petersburg Governorate, Peter moved the capital from Moscow to Saint Petersburg in 1712,9 years before the Treaty of Nystad of 1721 ended the war, he referred to Saint Petersburg as the capital as early as 1704. During its first few years, the city developed around Trinity Square on the bank of the Neva, near the Peter. However, Saint Petersburg soon started to be built out according to a plan, by 1716 the Swiss Italian Domenico Trezzini had elaborated a project whereby the city centre would be located on Vasilyevsky Island and shaped by a rectangular grid of canals. The project was not completed, but is evident in the layout of the streets, in 1716, Peter the Great appointed French Jean-Baptiste Alexandre Le Blond as the chief architect of Saint Petersburg. In 1724 the Academy of Sciences, University and Academic Gymnasium were established in Saint Petersburg by Peter the Great, in 1725, Peter died at the age of fifty-two. His endeavours to modernize Russia had met opposition from the Russian nobility—resulting in several attempts on his life
Saint Petersburg
–
Top left to bottom right:
Peter and Paul Fortress on
Zayachy Island,
Smolny Cathedral,
Moyka river with the
General Staff Building,
Trinity Cathedral,
Bronze Horseman on
Senate Square, and the
Winter Palace.
Saint Petersburg
–
The
Bronze Horseman, monument to Peter the Great
Saint Petersburg
–
Palace Square backed by the General Staff arch and building, as the main square of the Russian Empire it was the setting of many events of historic significance
Saint Petersburg
–
Map of Saint Petersburg, 1903
17.
Kazan
–
Kazan is the capital and largest city of the Republic of Tatarstan, Russia. With a population of 1,143,535, it is the eighth most populous city in Russia, Kazan lies at the confluence of the Volga and Kazanka Rivers in European Russia. The Kazan Kremlin is a World Heritage Site, in April 2009, the Russian Patent Office granted Kazan the right to brand itself as the Third Capital of Russia. In 2009 it was chosen as the Sports capital of Russia, in 2015, Kazan was visited by 2.1 million tourists, which is a 20% increase in comparison with 2014. The Kazan Kremlin was visited by 1.5 million tourists in 2015 and hotel, the origin of the name Kazan is uncertain. The most accepted legends derive it from the Bulgar word qazan, one legend claims that the city was named after the river Kazanka, which was named after the son of a Bulgar governor dropped a copper cauldron into it. Other local legends, including research by the Tatar scholar Shigabetdin Marjani, if there was a Bulgar city on the site, estimates of the date of its foundation range from the early 11th century to the late 13th century. It was a border post between Volga Bulgaria and two Finnic tribes, the Mari and the Udmurt, another vexatious question is where the citadel was built originally. The oldest of these seems to be the Kremlin, if Kazan existed in the 11th and 12th centuries, it could have been a stop on a Volga trade route from Scandinavia to Baghdad. It was a center, and possibly a major city for Bulgar settlers in the Kazan region. Kazan became a center of a duchy which was a dependency of the Golden Horde, two centuries later, in the 1430s, Kipchak descendants of Genghis Khan, such as Ghiasetdin of Kazan, usurped power from its Bolghar dynasty. Some Tatars also went to Lithuania, brought by Vytautas the Great, in 1438, after the destruction of the Golden Horde, Kazan became the capital of the powerful Khanate of Kazan. The city bazaar, Taş Ayaq became the most important trade center in the region, craft-based manufacturing also thrived, as the city gained a reputation for its leather and gold goods, as well as for the opulence of its palaces and mosques. The citadel and Bolaq channel were reconstructed, giving the city a strong defensive capacity, the Russians managed to occupy the city briefly several times. Kazan Khanate was making constant plundering raids on Russia, slavery in Kazan Khanate was legal. The number of slaves was up to 10% of the population, most of the slaves were Russian people who were captured during raids. All captured men were forced to turn Mohammedan, otherwise they could be killed or sold into slavery to other Muslim countries, as a result of the Siege of Kazan in 1552, Russia under Ivan the Terrible conquered the city and massacred the majority of the population. Also as a result of the Siege of Kazan 8,000 slaves were set free, in spite of the fact that under the treaty of 1551 all Russian slaves must be released Kazan Khanate still kept a lot of Russian slaves
Kazan
–
Left to right, top to bottom: Spasskaya Tower,
Söyembikä Tower,
Qol Sharif Mosque; Palace of farmers, Epiphany Cathedral; View of Kazan
Kazan
–
Annunciation Cathedral of Kazan Kremlin, 1561–1562
Kazan
–
Kazan city map from the 19th century, Russian edition
Kazan
–
Dmitry Medvedev visits Kazan
18.
Nicolai Fechin
–
Nicolai Ivanovich Fechin was a Russian-American painter known for his portraits and works featuring Native Americans. After graduating with the highest marks from the Imperial Academy of Arts and traveling in Europe under a Prix de Rome, he returned to his native Kazan and he exhibited his first work in the United States in 1910 in an international exhibition in Pittsburgh, Pennsylvania. After immigrating with his family to New York in 1923 and working there for a few years, Fechin developed tuberculosis and he and his family settled in Taos, New Mexico, where he became fascinated by Native Americans and the landscape. His best work while in the United States was of these elements, the adobe house which he renovated in Taos is listed on the National Register of Historic Places and is used as the Taos Art Museum. After leaving Taos in 1933, Fechin eventually settled in southern California, Nicolai Fechin was born in 1881 in Kazan, Russia. As a child, he almost died from meningitis and his father was a woodcarver and gilder, and the boy learned carving from him. By age eleven, the boy was drawing designs for his father to use in the construction of altars, at the age of 13, he enrolled in the newly established Kazan Art School, a branch of the Imperial Academy of Arts in the capital of St. Petersburg. Based on his work, Fechin was admitted for study to the Imperial Academy of Arts in Saint-Petersburg. During the summer of 1904 he had a trip to Siberia. When he returned to Kazan, he traveled outside the city to capture the rural people. In 1909 Fechin graduated with the highest grade possible, and his final competitive canvas won him the Prix de Rome, the traveling scholarship allowed him to visit and study in the artistic capitals of Europe in 1909. The following year he won a medal at the annual International Exhibition in Munich. Fechin was invited to show his work at an exhibition at the Carnegie Institute in Pittsburgh. He began to sell his work in the United States that year through W. S. Stimmel, when Fechin returned from traveling, he resumed teaching at Kazan, where he taught for ten years. He had a less demanding style of lessons that than the exercises he had been forced to complete at the Imperial Academy. Among his students was Konstantin Chebotaryov, in 1910 Fechin was among the founders of the Commune of Artists. He exhibited with the Itinerants from 1912 to 1922 and with the Association of Artists of Revolutionary Russia from 1922 to 1926, in addition, he designed sets and other scenic elements for the theatre from 1920 to 1922. In 1913, with his position at the school secure, Fechin married Alexandra Belkovitch, in 1933 they divorced and Eya lived with her father most of the time
Nicolai Fechin
–
Nicolai Fechin - Self Portrait
Nicolai Fechin
–
Portrait of Varya Adoratskaya (1914), State Art Museum of Tatarstan,
Kazan
19.
Kazan Art School
–
The Kazan Art School is a state autonomous education institution in Kazan, Republic of Tatarstan. Its one of the oldest art schools in Russia, with a history of more than 100 years. The school was founded in 1895 as a branch of the Imperial Academy of Arts, in its early years, it had four departments, painting, engraving, architecture, and sculpture. Benkov and Nicolai Fechin, for whom the school is now named, architect Carl Myufke headed the architecture department, designed the grand school building completed in 1904, and served as director until 1908. In 1918 the Kazan Art School was transformed into Kazan Free Art Studios, then in 1921 because officially known as the Kazan Art, the school remained open through the war years, and continues to provide high-level arts education and training
Kazan Art School
–
Kazan Art School building
20.
Stroganov Institute
–
Moscow State Stroganov Academy of Industrial and Applied Arts informally named Stroganovka is one of the oldest Russian schools for the industrial, monumental and decorative art and design. The University is named after its founder, baron Sergei Grigoriyevich Stroganov, the school was founded in 1825 by Baron Sergey Stroganov. It specialised on the applied and decorative art, in 1843 the school became state-owned. In 1860 it was renamed Stroganov School for Technical Drawing, after the October Revolution the school was reorganized and became a part of the State Free Art Shops, Vkhutemas and Vkhutein. Since 1930 it is Moscow Institute for the Decorative and Applied Arts, in 1945, after the end of the World War II the school was restored as an applied art educational establishment. Since 1996 the school was named Moscow State Stroganov University of Industrial, in 2009 the school got its present name Moscow State Stroganov Academy of Industrial and Applied Arts. Currently it is one of the most diverse schools in Russia. It has three departments and thirteen chairs preparing students of six major and sixteen minor specializations
Stroganov Institute
–
Baron
Sergei Grigoriyevich Stroganov, the founder of the school
21.
Suprematism
–
Suprematism is an art movement, focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors. The term suprematism refers to an art based upon the supremacy of pure artistic feeling rather than on visual depiction of objects. In Suprematism, Malevich clearly stated the concept of Suprematism. He created a suprematist grammar based on geometric forms, in particular, the square. In the 0.10 Exhibition in 1915, Malevich exhibited his early experiments in suprematist painting, the centerpiece of his show was the Black Square, placed in what is called the red/beautiful corner in Russian Orthodox tradition, the place of the main icon in a house. Black Square was painted in 1915 and was presented as a breakthrough in his career, Malevich also painted White on White which was also heralded as a milestone. White on White marked a shift from polychrome to monochrome Suprematism, Malevichs Suprematism is fundamentally opposed to the postrevolutionary positions of Constructivism and materialism. Constructivism, with its cult of the object, is concerned with utilitarian strategies of adapting art to the principles of functional organization, under Constructivism, the traditional easel painter is transformed into the artist-as-engineer in charge of organizing life in all of its aspects. Suprematism, in sharp contrast to Constructivism, embodies a profoundly anti-materialist, Suprematism does not embrace a humanist philosophy which places man at the center of the universe. Malevich also credited the birth of suprematism to Victory Over the Sun, Kruchenykhs Futurist opera production for which he designed the sets, the aim of the artists involved was to break with the usual theater of the past and to use a clear, pure, logical Russian language. Malevich put this to practice by creating costumes from simple materials, flashing headlights illuminated the figures in such a way that alternating hands, legs or heads disappeared into the darkness. The stage curtain was a black square, one of the drawings for the backcloth shows a black square divided diagonally into a black and a white triangle. Because of the simplicity of basic forms they were able to signify a new beginning. These give some indications towards an understanding of the Suprematic compositions produced between 1915 and 1918, Malevich conceived of the journal as the contextual foundation in which he could base his art, and originally planned to call the journal Nul. In a letter to a colleague, he explained, We are planning to put out a journal and have begun to discuss the how, since in it we intend to reduce everything to zero, we have decided to call it Nul. Afterward we ourselves will go beyond zero, Malevich conceived of the journal as a space for experimentation that would test his theory of nonobjective art. However, despite a year spent planning and writing articles for the journal, the most important artist who took the art form and ideas developed by Malevich and popularized them abroad was the painter El Lissitzky. Lissitzky worked intensively with Suprematism particularly in the years 1919 to 1923 and he was deeply impressed by Malevichs Suprematist works as he saw it as the theoretical and visual equivalent of the social upheavals taking place in Russia at the time
Suprematism
–
Kazimir Malevich,
Black Square, 1915, oil on linen, 79.5 x 79.5 cm,
Tretyakov Gallery, Moscow
Suprematism
–
Kazimir Malevich,
Black Circle, 1915, oil on canvas, 106.4 × 106.4 cm,
State Russian Museum, St. Petersburg
Suprematism
–
Kazimir Malevich, Suprematist Composition- White on White, 1918,
Museum of Modern Art, New York
Suprematism
–
Kazimir Malevich, Suprematism, 1916-17,
Krasnodar Museum of Art
22.
Kazimir Malevich
–
Kazimir Severinovich Malevich was a Russian painter and art theoretician. He was a pioneer of abstract art and the originator of the avant-garde Suprematist movement. He was a devout Christian mystic who believed the central task of an artist was that of rendering spiritual feeling, Kazimir Malevich was born Kazimierz Malewicz to a Polish family, who settled near Kiev in Kiev Governorate of the Russian Empire during the partitions of Poland. His parents, Ludwika and Seweryn Malewicz, were Roman Catholic like most ethnic Poles and they both had fled from the former eastern territories of the Commonwealth to Kiev in the aftermath of the failed Polish January Uprising of 1863 against the tsarist army. His native language was Polish though he spoke Ukrainian in public, subsequently, Malevich even wrote a series of articles about art in Ukrainian. Kazimirs father managed a sugar factory, Kazimir was the first of fourteen children, only nine of whom survived into adulthood. His family moved often and he spent most of his childhood in the villages of Ukraine, amidst sugar-beet plantations, until age twelve he knew nothing of professional artists, although art had surrounded him in childhood. He delighted in peasant embroidery, and in decorated walls and stoves and he was able to paint in the peasant style. He studied drawing in Kiev from 1895 to 1896, from 1896 to 1904 Kazimir Malevich lived in Kursk. In 1904, after the death of his father, he moved to Moscow and he studied at the Moscow School of Painting, Sculpture, and Architecture from 1904 to 1910 and in the studio of Fedor Rerberg in Moscow. In the same year he participated in an exhibition by the collective, by that time his works were influenced by Natalia Goncharova and Mikhail Larionov, Russian avant-garde painters, who were particularly interested in Russian folk art called lubok. Malevich described himself as painting in a Cubo-Futuristic style in 1912, in March 1913 a major exhibition of Aristarkh Lentulovs paintings opened in Moscow. Already in the year the Cubo-Futurist opera, Victory Over the Sun, with Malevichs stage-set. In 1914 Malevich exhibited his works in the Salon des Indépendants in Paris together with Alexander Archipenko, Sonia Delaunay, Aleksandra Ekster, Malevich also co-illustrated, with Pavel Filonov, Selected Poems with Postscript, 1907–1914 by Velimir Khlebnikov and another work by Khlebnikov in 1914 titled Roar. In 1915, Malevich laid down the foundations of Suprematism when he published his manifesto, in 1915–1916 he worked with other Suprematist artists in a peasant/artisan co-operative in Skoptsi and Verbovka village. In 1916–1917 he participated in exhibitions of the Jack of Diamonds group in Moscow together with Nathan Altman, David Burliuk, Aleksandra Ekster, famous examples of his Suprematist works include Black Square and White On White. Malevich exhibited his first Black Square, now at the Tretyakov Gallery in Moscow, a black square placed against the sun appeared for the first time in the 1913 scenery designs for the Futurist opera Victory over the Sun. The second Black Square was painted around 1923, some believe that the third Black Square was painted in 1929 for Malevichs solo exhibition, because of the poor condition of the 1915 square
Kazimir Malevich
–
Self-portrait, 1912
Kazimir Malevich
–
Black Square, 1915, oil on linen, 79.5 x 79.5 cm,
Tretyakov Gallery,
Moscow
Kazimir Malevich
–
Suprematist Composition:
White on White, 1918,
Museum of Modern Art, New York
Kazimir Malevich
–
A section of Suprematist works by Kazimir Malevich exhibited at the
0.10 Exhibition, Petrograd, 1915
23.
Vladimir Tatlin
–
Vladimir Yevgraphovich Tatlin was a Soviet painter and architect. With Kazimir Malevich he was one of the two most important figures in the Soviet avant-garde art movement of the 1920s, and he became an important artist in the Constructivist movement. He is most famous for his design for The Monument to the Third International, more known as Tatlins Tower. Tatlin was born in Kharkiv, the son of a railway engineer and he worked as a merchant sea cadet and spent some time abroad. He began his art career as a painter in Moscow. He also sang in Ukrainian and was a professional musician-bandurist, Tatlin became familiar with the work of Pablo Picasso during a trip to Paris in 1913. Tatlin achieved fame as the architect who designed the huge Monument to the Third International, planned from 1919, the monument was to be a tall tower in iron, glass and steel which would have dwarfed the Eiffel Tower in Paris. Inside the iron-and-steel structure of twin spirals, the design envisaged three building blocks, covered with windows, which would rotate at different speeds. For financial and practical reasons, however, the tower was never built, Tatlin conceived these sculptures in order to question the traditional ideas of art, though he did not regard himself as a Constructivist and objected to many of the movements ideas. Later prominent constructivists included Varvara Stepanova, Alexander Rodchenko, Manuel Rendón Seminario, Joaquín Torres García, László Moholy-Nagy, Antoine Pevsner and this led Malevich to develop his ideas further in the city of Vitebsk, where he found a school called UNOVIS. Tatlin also dedicated himself to the study of clothes, objects, at the end of his life he started to research bird flight, in order to pursue one of the great dreams of humanity, to fly. In the year of 1930 he taught in Kiev where one of his students was Joseph Karakis, Tatlin was buried at the Novodevichy Cemetery in Moscow. Media related to Vladimir Tatlin at Wikimedia Commons Tatlin Playing The Bandura, special Project of the Library of Ukrainian Art. Exhibition of Russian-Soviet artist Vladimir Tatlin in Basel — Tatlin’s “new art for a new world”
Vladimir Tatlin
–
Vladimir Tatlin
24.
Cubism
–
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential art movement of the 20th century, the term is broadly used in association with a wide variety of art produced in Paris during the 1910s and extending through the 1920s. The movement was pioneered by Georges Braque and Pablo Picasso, joined by Andre Lhote, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Fernand Léger and Juan Gris. A primary influence that led to Cubism was the representation of form in the late works of Paul Cézanne. The impact of Cubism was far-reaching and wide-ranging, Cubism spread rapidly across the globe and in doing so evolved to a greater or lesser extent. In essence, Cubism was the origin of a process that produced diversity. In France, offshoots of Cubism developed, including Orphism, Abstract art, in other countries Futurism, Suprematism, Dada, Constructivism, De Stijl and Art Deco developed in response to Cubism. Other common threads between these movements include the faceting or simplification of geometric forms, and the association of mechanization. Cubism began between 1907 and 1911, Pablo Picassos 1907 painting Les Demoiselles dAvignon has often been considered a proto-Cubist work. Georges Braques 1908 Houses at L’Estaque prompted the critic Louis Vauxcelles to refer to bizarreries cubiques, Gertrude Stein referred to landscapes made by Picasso in 1909, such as Reservoir at Horta de Ebro, as the first Cubist paintings. A second phase, Synthetic Cubism, remained vital until around 1919, english art historian Douglas Cooper proposed another scheme, describing three phases of Cubism in his book, The Cubist Epoch. Douglas Coopers restrictive use of terms to distinguish the work of Braque, Picasso, Gris. Alternative interpretations of Cubism have therefore developed, wider views of Cubism include artists who were later associated with the Salle 41 artists, e. g. John Berger identifies the essence of Cubism with the mechanical diagram. The metaphorical model of Cubism is the diagram, The diagram being a symbolic representation of invisible processes, forces, structures. A diagram need not eschew certain aspects of appearance but these too will be treated as not as imitations or recreations. During the late 19th and early 20th centuries, Europeans were discovering African, Polynesian, Micronesian, artists such as Paul Gauguin, Henri Matisse, and Pablo Picasso were intrigued and inspired by the stark power and simplicity of styles of those foreign cultures. Around 1906, Picasso met Matisse through Gertrude Stein, at a time when artists had recently acquired an interest in primitivism, Iberian sculpture, African art and African tribal masks. Picassos paintings of 1907 have been characterized as Protocubism, as seen in Les Demoiselles dAvignon
Cubism
–
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 x 73.6 cm,
Museum of Modern Art, New York
Cubism
–
Pablo Picasso,
Les Demoiselles d'Avignon, 1907, considered to be a major step towards the founding of the Cubist movement
Cubism
–
Pablo Picasso, 1909-10, Figure dans un Fauteuil (Seated Nude, Femme nue assise), oil on canvas, 92.1 x 73 cm,
Tate Modern, London
Cubism
–
Paul Cézanne, Quarry Bibémus, 1898-1900,
Museum Folkwang,
Essen,
Germany
25.
Futurism
–
Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized speed, technology, youth, and violence, and objects such as the car, the aeroplane, although it was largely an Italian phenomenon, there were parallel movements in Russia, England, Belgium and elsewhere. It glorified modernity and aimed to liberate Italy from the weight of its past, Cubism contributed to the formation of Italian Futurisms artistic style. Important Futurist works included Marinettis Manifesto of Futurism, Boccionis sculpture Unique Forms of Continuity in Space, to some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, Dada, and to a greater degree Precisionism, Rayonism, and Vorticism. Futurism is a movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti. He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini, Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. We want no part of it, the past, he wrote, publishing manifestos was a feature of Futurism, and the Futurists wrote them on many topics, including painting, architecture, religion, clothing and cooking. The founding manifesto did not contain an artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting. This committed them to a universal dynamism, which was to be represented in painting. The motor bus rushes into the houses which it passes, the Futurist painters were slow to develop a distinctive style and subject matter. In 1910 and 1911 they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, which had been originally created by Giovanni Segantini and others. Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant-garde art. Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists, Cubism offered them a means of analysing energy in paintings and expressing dynamism. They often painted modern urban scenes, carràs Funeral of the Anarchist Galli is a large canvas representing events that the artist had himself been involved in, in 1904. The action of an attack and riot is rendered energetically with diagonals. His Leaving the Theatre uses a Divisionist technique to render isolated, Boccionis The City Rises represents scenes of construction and manual labour with a huge, rearing red horse in the centre foreground, which workmen struggle to control. The Futurists aimed through their art thus to enable the viewer to apprehend the inner being of what they depicted, Boccioni developed these ideas at length in his book, Pittura scultura Futuriste, Dinamismo plastico. Ballas Dynamism of a Dog on a Leash exemplifies the Futurists insistence that the world is in constant movement
Futurism
–
Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 x 156.2 cm (63.6 x 61.5 in.),
Museum of Modern Art, New York
Futurism
–
Futurists
Luigi Russolo,
Carlo Carrà,
Filippo Tommaso Marinetti,
Umberto Boccioni and
Gino Severini in front of Le Figaro, Paris, February 9, 1912
Futurism
–
Giacomo Balla, Abstract Speed + Sound, 1913–1914
Futurism
–
Umberto Boccioni, sketch of
The City Rises (1910)
26.
Bolshevik
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The RSDLP was a revolutionary socialist political party formed in 1898 in Minsk in Belarus to unite the various revolutionary organisations of the Russian Empire into one party. In the Second Party Congress vote, the Bolsheviks won on the majority of important issues and they ultimately became the Communist Party of the Soviet Union. The Bolsheviks or Reds came to power in Russia during the October Revolution phase of the Russian Revolution of 1917, with the Reds defeating the Whites, and others during the Russian Civil War of 1917–1922, the RSFSR became the chief constituent of the Soviet Union in December 1922. Their beliefs and practices were often referred to as Bolshevism, in the 2nd Congress of the Russian Social Democratic Labour Party, held in Brussels and London during August 1903, Lenin and Julius Martov disagreed over the membership rules. Lenin wanted members who recognise the Party Programme and support it by material means, Julius Martov suggested by regular personal assistance under the direction of one of the partys organisations. Lenin advocated limiting party membership to a core of active members. A main source of the factions could be attributed to Lenin’s steadfast opinion. It was obvious at early stages in Lenin’s revolutionary practices that he would not be willing to concede on any party policy that conflicted with his own predetermined ideas and it was the loyalty that he had to his own self-envisioned utopia that caused the party split. He was seen even by fellow party members as being so narrow minded that he believed there were only two types of people, Friend and enemy—those who followed him, and all the rest. Leon Trotsky, one of Lenins fellow revolutionaries, compared Lenin in 1904 to the French revolutionary Robespierre, Lenins view of politics as verbal and ideological warfare and his inability to accept criticism even if it came from his own dedicated followers was the reason behind this accusation. The root of the split was a book titled What is to be Done. that Lenin wrote while serving a sentence of exile, in Germany, the book was published in 1902, in Russia, strict censorship outlawed its publication and distribution. One of the points of Lenin’s writing was that a revolution can only be achieved by the strong leadership of one person over the masses. After the proposed revolution had overthrown the government, this individual leader must release power. Lenin also wrote that revolutionary leaders must dedicate their lives to the cause in order for it to be successful. Lenins view of a socialist intelligentsia showed that he was not a supporter of Marxist theory. For example, Lenin agreed with the Marxist idea of eliminating social classes, most party members considered unequal treatment of workers immoral, and were loyal to the idea of a completely classless society, so Lenin’s variations caused the party internal dissonance. Although the party split of Bolsheviks and Mensheviks would not become official until 1903, as discussed in What is to be Done. Lenin firmly believed that a political structure was needed to effectively initiate a formal revolution
Bolshevik
–
Bolshevik Party meeting. Sitting (from left):
Avel Enukidze,
Mikhail Kalinin,
Nikolai Bukharin,
Mikhail Tomsky,
Mikhail Lashevich,
Lev Kamenev,
Yevgeni Preobrazhensky,
Leonid Serebryakov,
Vladimir Lenin and
Alexei Rykov.
Bolshevik
–
Boris Kustodiev ’s 1920 painting " Bolshevik "
Bolshevik
–
Left to right:
Leon Trotsky,
Vladimir Lenin, and
Lev Kamenev
Bolshevik
–
"Down with Bolshevism. Bolshevism brings war and destruction, hunger and death", anti-Bolshevik propaganda, Germany, 1919.
27.
VKhUTEMAS
–
Vkhutemas was the Russian state art and technical school founded in 1920 in Moscow, replacing the Moscow Svomas. The school had 100 faculty members and an enrollment of 2,500 students, Vkhutemas was formed by a merger of two previous schools, the Moscow School of Painting, Sculpture and Architecture and the Stroganov School of Applied Arts. It was a center for three movements in avant garde art and architecture, constructivism, rationalism, and suprematism. In the workshops, the faculty and students transformed attitudes to art and reality with the use of geometry with an emphasis on space. In 1926, the school was reorganized under a new rector and its name was changed from Studios to Institute and it was dissolved in 1930, following political and internal pressures throughout its ten-year existence. The schools faculty, students, and legacy were dispersed into as many as six other schools, a preliminary basic course was an important part of the new teaching method that was developed at Vkhutemas, and was made compulsory for all students, regardless of their future specialization. This was based on a combination of scientific and artistic disciplines, during the basic course, students had to learn the language of plastic forms, and chromatics. Drawing was considered a foundation of the arts, and students investigated relationships between color and form, and the principles of spatial composition. Akin to the Bauhauss basic course, which all students were required to attend. While constructivism was ostensibly developed as an art form in graphics and sculpture, it had architecture, the artistic education at Vkhutemas tended to be multidisciplinary, which stemmed from its origins as a merger of a fine arts college and a craft school. A further contributor to this was the generality of the basic course, Vkhutemas cultivated polymath masters in the Renaissance mold, many with achievements in graphics, sculpture, product design, and architecture. Painters and sculptors often made projects related to architecture, examples include Tatlins Tower, Malevichs Architektons, artists moved from department to department, such as Rodchenko from painting to metalworking. Gustav Klutsis, who was head of a workshop on colour theory, also moved from painting and sculptural works to exhibition stands, El Lissitzky, who had trained as an architect, also worked in a broad cross section of media such as graphics, print and exhibition design. The industrial department at Vkhutemas endeavored to create products of viability in the economy, class-based political requirements steered artists toward crafts, and the designing of household or industrial goods. This push for design economy resulted in a tendency towards working, tables designed by Rodchenko were equipped with mechanical moving parts, and were standardised and multi-functional. Furniture pieces constructed at Vkhutemas explored the possibilities of new materials such as plywood. There were many successes for the departments, and they were to influence future design thinking, one focus of criticism was the nakedness of the structure, in comparison to other luxurious pavilions such as that by Émile-Jacques Ruhlmann. Alexander Rodchenko designed a club, and the furniture that the Wood
VKhUTEMAS
–
Tubular steel chair designed in
Tatlin 's atelier at Vkhutein, 1927
VKhUTEMAS
–
Model of the Lenin Institute of Librarianship by
Ivan Leonidov, 1927
28.
Aleksei Gan
–
Aleksei Gan was a Russian anarchist avant-garde artist, art theorist and graphic designer. Gan was a key figure in the development of Constructivism after the Russian Revolution, Gan was the first to write on art in the anarchist newspaper Anarkhiia when it introduced an art section in early 1918. In March 1921, Gan was one of the seven artists, including Alexander Rodchenko and his wife Varvara Stepanova, the group rejected fine art in favour of graphic design, photography, posters, and political propaganda. Gan collaborated with Aleksandr Rodchenko and Varvara Stepanova on a Constructivist manifesto in 1922 and he also founded the first Soviet film journal, Kino-Fot, in 1922. In 1928 he was one of the founders of the October Group, Gan is believed to have died in a Russian labour camp. The Island of the Young Pioneers,1924, sources of a radical mission in the early Soviet profession, Alexei Gan and the Moscow anarchists. Architecture and Revolution, Contemporary Perspectives on Central and Eastern Europe
Aleksei Gan
–
The cover of Konstruktivizm by Aleksei Gan, 1922.
29.
Dziga Vertov
–
Dziga Vertov was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, in the 2012 Sight & Sound poll, critics voted Vertovs Man with a Movie Camera the 8th best film ever made. Vertovs brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Vertov was born David Abelevich Kaufman into a family of Jewish lineage in Białystok, Poland, then a part of the Russian Empire. He Russified his Jewish name David and patronymic Abelevich to Denis Arkadievich at some point after 1918, Vertov studied music at Białystok Conservatory until his family fled from the invading German Army to Moscow in 1915. The Kaufmans soon settled in Petrograd, where Vertov began writing poetry, science fiction, in 1916-1917 Vertov was studying medicine at the Psychoneurological Institute in Saint Petersburg and experimenting with sound collages in his free time. He eventually adopted the name Dziga Vertov, which translates loosely from Ukrainian as spinning top. Vertov is known for early writings, mainly while still in school, that focus on the individual versus the perceptive nature of the camera lens. Vertov is also known for quotes on perception, and its ineffability, after the Bolshevik Revolution of 1917, at the age of 22, Vertov began editing for Kino-Nedelya, which first came out in June 1918. While working for Kino-Nedelya he met his wife, the film director and editor, Elizaveta Svilova. She began collaborating with Vertov, beginning as his editor but becoming assistant and co-director in subsequent films, such as Man with a Movie Camera, and Three Songs About Lenin. Some of the cars on the agit-trains were equipped with actors for live performances or printing presses, Vertovs had equipment to shoot, develop, edit, and project film. The trains went to battlefronts on agitation-propaganda missions intended primarily to bolster the morale of the troops, in 1919, Vertov compiled newsreel footage for his documentary Anniversary of the Revolution, in 1921 he compiled History of the Civil War. Vertovs interest in machinery led to a curiosity about the basis of cinema. In 1922, the year that Nanook of the North was released, the series took its title from the official government newspaper Pravda. The Kino-Pravda group began its work in a basement in the centre of Moscow Vertov explained and he called it damp and dark. There was a floor and holes one stumbled into at every turn. Dziga said, This dampness prevented our reels of lovingly edited film from sticking together properly, rusted our scissors, before dawn- damp, cold, teeth chattering- I wrap comrade Svilova in a third jacket. The episodes of Kino-Pravda usually did not include reenactments or stagings, the cinematography is simple, functional, unelaborate—perhaps a result of Vertovs disinterest in both beauty and the grandeur of fiction
Dziga Vertov
–
Dziga Abelevich Kaufman
Dziga Vertov
–
Poster for Kino-Glaz, designed by
Alexander Rodchenko (1924)
30.
Dadaist
–
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centers in Zürich, Switzerland at the Cabaret Voltaire, in New York, and after 1920, in Paris. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, Dadaist artists expressed their discontent with violence, war, and nationalism, and maintained political affinities with the radical left. Others note that it suggests the first words of a child, evoking a childishness, still others speculate that the word might have been chosen to evoke a similar meaning in any language, reflecting the movements internationalism. The roots of Dada lay in pre-war avant-garde, the term anti-art, a precursor to Dada, was coined by Marcel Duchamp around 1913 to characterize works which challenge accepted definitions of art. Cubism and the development of collage and abstract art would inform the movements detachment from the constraints of reality, the work of French poets, Italian Futurists and the German Expressionists would influence Dadas rejection of the tight correlation between words and meaning. Works such as Ubu Roi by Alfred Jarry, and the ballet Parade by Erik Satie would also be characterized as proto-Dadaist works, the Dada movements principles were first collected in Hugo Balls Dada Manifesto in 1916. The movement influenced later styles like the avant-garde and downtown music movements, Dada was an informal international movement, with participants in Europe and North America. The beginnings of Dada correspond to the outbreak of World War I, avant-garde circles outside France knew of pre-war Parisian developments. Futurism developed in response to the work of various artists, many Dadaists believed that the reason and logic of bourgeois capitalist society had led people into war. They expressed their rejection of that ideology in artistic expression that appeared to reject logic and embrace chaos, for example, George Grosz later recalled that his Dadaist art was intended as a protest against this world of mutual destruction. According to Hans Richter Dada was not art, it was anti-art, Dada represented the opposite of everything which art stood for. Where art was concerned with aesthetics, Dada ignored aesthetics. If art was to appeal to sensibilities, Dada was intended to offend, as Hugo Ball expressed it, For us, art is not an end in itself. But it is an opportunity for the perception and criticism of the times we live in. A reviewer from the American Art News stated at the time that Dada philosophy is the sickest, most paralyzing and most destructive thing that has ever originated from the brain of man. Art historians have described Dada as being, in large part, a systematic work of destruction and demoralization. In the end it became nothing but an act of sacrilege, to quote Dona Budds The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of the First World War. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zürich, Dada rejected reason and logic, prizing nonsense, irrationality and intuition
Dadaist
–
Cover of the first edition of the publication Dada by
Tristan Tzara;
Zürich, 1917
Dadaist
–
Francis Picabia, Dame! Illustration for the cover of the periodical Dadaphone, n. 7, Paris, March 1920
Dadaist
–
Francis Picabia, (left) Le saint des saints c'est de moi qu'il s'agit dans ce portrait, 1 July 1915; (center) Portrait d'une jeune fille americaine dans l'état de nudité, 5 July 1915: (right) J'ai vu et c'est de toi qu'il s'agit, De Zayas! De Zayas! Je suis venu sur les rivages du Pont-Euxin, New York, 1915.
Dadaist
–
Hannah Höch, Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919, collage of pasted papers, 90×144 cm,
Nationalgalerie, Staatliche Museen zu Berlin
