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16th-century portrait of Ali-Shir Nava'i by Mahmud Muzahhib, now located in the Museum of the Astan Quds Razavi in Mashhad, Iran
16th-century portrait of Ali-Shir Nava'i by Mahmud Muzahhib, now located in the Museum of the Astan Quds Razavi in Mashhad, Iran
Mystics in a garden, an illustration to Sadd-i Iskandari by Qasim Ali. Herat, c. 1485. Bodleian Library
Mystics in a garden, an illustration to Sadd-i Iskandari by Qasim Ali. Herat, c. 1485. Bodleian Library
A page from Nava'i's diwan. From the library of Suleiman the Magnificent.
A page from Nava'i's diwan. From the library of Suleiman the Magnificent.
The top exterior of Nava'i's Khamsa (Five Poems) on display at the Walters Art Museum. This copy dates to the 16th century.
The top exterior of Nava'i's Khamsa (Five Poems) on display at the Walters Art Museum. This copy dates to the 16th century.
Lizheng Gate at the Chengde Mountain Resort. The second column from the left is the Chagatai language written in Perso-Arabic Nastaliq script which re
Lizheng Gate at the Chengde Mountain Resort. The second column from the left is the Chagatai language written in Perso-Arabic Nastaliq script which reads Rawshan Otturādaqi Darwāza.
Late 15th century Chagatai Turkic text in Nastaliq script
Late 15th century Chagatai Turkic text in Nastaliq script
A 1553 manuscript copy of Ali-Shir Nava'i’s Chagatai verse translation of the story Shaykh Sanan and the Christian Maiden, which forms part of his mat
A 1553 manuscript copy of Ali-Shir Nava'i’s Chagatai verse translation of the story Shaykh Sanan and the Christian Maiden, which forms part of his mathnawi Lisan al-Tayr, a Turkic adaptation of Mantiq al-Tayr by Attar of Nishapur.