Alison Saar is a Los Angeles, California based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents for her exposure to these metaphysical and spiritual practices. Her mother, Betye Saar, is a collagist and assemblage artist and her father, Richard Saar, is a painter and art conservator. Saar followed in her parents footsteps along with her sisters, Lesley Saar, who is also an artist, despite wanting to get out of her parents shadow. She finds more gratification in making art than writing about it, as she found out after finishing a dual major in fine arts and art history.
Betye Saar, Alison's mother.
Snake Man, color woodcut and lithograph by Saar, 1994, Honolulu Museum of Art
Alison Saar, Swing Low: A Memorial to Harriet Tubman, 2007.
Undone (2012), National Museum of Women in the Arts, Washington, D.C.
Betye Irene Saar is an African American artist known for her work in the medium of assemblage. Saar is a visual storyteller and an accomplished printmaker. Saar was a part of the Black Arts Movement in the 1970s, which engaged myths and stereotypes about race and femininity. Her work is considered highly political, as she challenged negative ideas about African Americans throughout her career; Saar is best known for her artwork that critiques American racism toward Black people.
Bettye Saar with fellow UCLA Bruin Kareem Abdul-Jabbar receiving The W.E.B. Du Bois Medal from Henry Louis Gates at Harvard on October 6, 2022.