1.
Bugs Bunny
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Bugs Bunny is an animated cartoon character, created in 1940 by Leon Schlesinger Productions and voiced originally by the legendary vocal artist, Mel Blanc. Bugs is best known for his roles in the Looney Tunes and Merrie Melodies series of animated short films. His popularity during this era led to his becoming an American cultural icon, Bugs is an anthropomorphic gray hare or rabbit who is famous for his flippant, insouciant personality, a Brooklyn accent, his portrayal as a trickster, and his catch phrase Eh. Whats up, doc. usually spoken while chewing a carrot, since his debut, Bugs has appeared in various short films, feature films, compilations, TV series, music records, comic books, video games, award shows, amusement park rides, and commercials. He has also appeared in more films than any other character, is the ninth most-portrayed film personality in the world. In those days, the stories were often the work of a group who suggested various gags, bounced them around and finalized them in a joint story conference. A rabbit with some of the personality of Bugs, though looking very different, was featured in the film Porkys Hare Hunt. It was co-directed by Ben Bugs Hardaway and an uncredited Cal Dalton and this cartoon has an almost identical plot to Averys Porkys Duck Hunt, which had introduced Daffy Duck. Porky Pig is again cast as a hunter tracking a silly prey who is interested in driving his pursuer insane. Hare Hunt replaces the black duck with a small white rabbit. The rabbit introduces himself with the odd expression Jiggers, fellers, Hare Hunt also gives its rabbit the famous Groucho Marx line, Of course you realize, this means war. The rabbit character was popular enough with audiences that the Termite Terrace staff decided to use it again, according to Friz Freleng, Hardaway and Dalton had decided to dress the duck in a rabbit suit. The white rabbit had a head and a shapeless body. In characterization, he was a rural buffoon and he was loud, zany with a goofy, guttural laugh. Blanc provided him with a hayseed voice, the rabbit comes back in Prest-O Change-O, directed by Chuck Jones, where he is the pet rabbit of unseen character Sham-Fu the Magician. Two dogs, fleeing the local dogcatcher, enter his absent masters house, the rabbit harasses them but is ultimately bested by the bigger of the two dogs. This version of the rabbit was cool, graceful, and controlled and he retained the guttural laugh but was otherwise silent. The rabbits third appearance comes in Hare-um Scare-um, directed again by Dalton and this cartoon—the first in which he is depicted as a gray bunny instead of a white one—is also notable as the rabbits first singing role
2.
Warner Bros.
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Entertainment Inc. – colloquially known as Warner Bros. or Warner Bros. It is one of the Big Six major American film studios, Warner Bros. is a member of the Motion Picture Association of America. The companys name originated from the four founding Warner brothers, Harry, Albert, Sam, Jack, the youngest, was born in London, Ontario. The three elder brothers began in the theater business, having acquired a movie projector with which they showed films in the mining towns of Pennsylvania. In the beginning, Sam and Albert Warner invested $150 to present Life of an American Fireman and they opened their first theater, the Cascade, in New Castle, Pennsylvania, in 1903. When the original building was in danger of being demolished, the modern Warner Bros. called the current building owners, the owners noted people across the country had asked them to protect it for its historical significance. In 1904, the Warners founded the Pittsburgh-based Duquesne Amusement & Supply Company, in 1912, Harry Warner hired an auditor named Paul Ashley Chase. By the time of World War I they had begun producing films, in 1918 they opened the first Warner Bros. studio on Sunset Boulevard in Hollywood. Sam and Jack produced the pictures, while Harry and Albert, along with their auditor and now controller Chase, handled finance and distribution in New York City. During World War I their first nationally syndicated film, My Four Years in Germany, on April 4,1923, with help from money loaned to Harry by his banker Motley Flint, they formally incorporated as Warner Brothers Pictures, Incorporated. The first important deal was the acquisition of the rights to Avery Hopwoods 1919 Broadway play, The Gold Diggers, however, Rin Tin Tin, a dog brought from France after World War I by an American soldier, established their reputation. Rin Tin Tin debuted in the feature Where the North Begins, the movie was so successful that Jack signed the dog to star in more films for $1,000 per week. Rin Tin Tin became the top star. Jack nicknamed him The Mortgage Lifter and the success boosted Darryl F. Zanucks career, Zanuck eventually became a top producer and between 1928 and 1933 served as Jacks right-hand man and executive producer, with responsibilities including day-to-day film production. More success came after Ernst Lubitsch was hired as head director, lubitschs film The Marriage Circle was the studios most successful film of 1924, and was on The New York Times best list for that year. Despite the success of Rin Tin Tin and Lubitsch, Warners remained a lesser studio, Sam and Jack decided to offer Broadway actor John Barrymore the lead role in Beau Brummel. The film was so successful that Harry signed Barrymore to a contract, like The Marriage Circle. By the end of 1924, Warner Bros. was arguably Hollywoods most successful independent studio, as the studio prospered, it gained backing from Wall Street, and in 1924 Goldman Sachs arranged a major loan
3.
Technicolor
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Technicolor is the name applied to a series of color motion picture processes, the first version dating from 1916, and followed by improved versions over several decades. It was the major color process, after Britains Kinemacolor. As the technology matured it was used for less spectacular dramas. Occasionally, even a film noir—such as Leave Her to Heaven or Niagara —was filmed in Technicolor, Technicolor is the trademark for a series of color motion picture processes pioneered by Technicolor Motion Picture Corporation, now a division of the French company Technicolor SA. The Technicolor Motion Picture Corporation was founded in Boston in 1914 by Herbert Kalmus, Daniel Frost Comstock, the Tech in the companys name was inspired by the Massachusetts Institute of Technology, where both Kalmus and Comstock received their undergraduate degrees and were later instructors. Technicolor, Inc. was chartered in Delaware in 1921, most of Technicolors early patents were taken out by Comstock and Wescott, while Kalmus served primarily as the companys president and chief executive officer. The term Technicolor historically has been used to describe at least five concepts, Technicolor, Technicolor process or format, several custom image origination systems used in film production, culminating in the three-strip process in 1932. Technicolor IB printing, a process for making color motion picture prints that allows the use of dyes which are more stable, originally used for printing from color separation negatives photographed on black-and-white film in a special Technicolor camera. This meaning of the name applies to nearly all Wikipedia articles about films made from 1954 onward in which Technicolor is named in the credits, Technicolor originally existed in a two-color system. Because two frames were being exposed at the time, the film had to be photographed and projected at twice the normal speed. Exhibition required a special projector with two apertures, two lenses, and a prism that aligned the two images on the screen. The results were first demonstrated to members of the American Institute of Mining Engineers in New York on February 21,1917, the near-constant need for a technician to adjust the projection alignment doomed this additive color process. Only a few frames of The Gulf Between, showing star Grace Darmond, are known to exist today, convinced that there was no future in additive color processes, Comstock, Wescott, and Kalmus focused their attention on subtractive color processes. This culminated in what would eventually be known as Process 2, the difference was that the two-component negative was now used to produce a subtractive color print. Because the colors were present in the print, no special projection equipment was required. The frames exposed behind the filter were printed on one strip of black-and-white film. After development, each print was toned to a color nearly complementary to that of the filter, orange-red for the green-filtered images, the two prints, made on film stock half the thickness of regular film, were then cemented together back to back to create a projection print. The Toll of the Sea, which debuted on November 26,1922, the second all-color feature in Process 2 Technicolor, Wanderer of the Wasteland, was released in 1924
4.
Black people
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As such, the meaning of the expression varies widely both between and within societies, and depends significantly on context. For many other individuals, communities and countries, black is also perceived as a derogatory, outdated, reductive or otherwise unrepresentative label, different societies apply differing criteria regarding who is classified as black, and these social constructs have also changed over time. In a number of countries, societal variables affect classification as much as skin color, in the United Kingdom, black was historically equivalent with person of color, a general term for non-European peoples. In South Africa and Latin America, mixed-race people are not classified as black. In other regions such as Australasia, settlers applied the term black or it was used by local populations with different histories and ancestral backgrounds. The Romans interacted with and later conquered parts of Mauretania, a state that covered modern Morocco, western Algeria. The people of the region were noted in Classical literature as Mauri, numerous communities of dark-skinned peoples are present in North Africa, some dating from prehistoric communities. In the 18th century, the Moroccan Sultan Moulay Ismail the Bloodthirsty raised a corps of 150,000 black slaves, called his Black Guard and he claims that black-looking Arabs, much like black-looking Latin Americans, consider themselves white because they have some distant white ancestry. Egyptian President Anwar Sadat had a mother who was a dark-skinned Nubian Sudanese woman, in response to an advertisement for an acting position, as a young man he said, I am not white but I am not exactly black either. My blackness is tending to reddish, due to the patriarchal nature of Arab society, Arab men, including during the slave trade in North Africa, enslaved more black women than men. They used more black female slaves in domestic service and agriculture than males, the men interpreted the Quran to permit sexual relations between a male master and his female slave outside of marriage, leading to many mixed-race children. When an enslaved woman became pregnant with her Arab masters child, she was considered as umm walad or mother of a child, the child was given rights of inheritance to the fathers property, so mixed-race children could share in any wealth of the father. Because the society was patrilineal, the children took their fathers social status at birth and were born free, some succeeded their fathers as rulers, such as Sultan Ahmad al-Mansur, who ruled Morocco from 1578 to 1608. He was not technically considered as a child of a slave, his mother was Fulani. Such tolerance for black persons, even when technically free, was not so common in Morocco, the long association of sub-Saharan peoples as slaves is shown in the term abd, it is still frequently used in the Arabic-speaking world as a term for black people. In early 1991, non-Arabs of the Zaghawa tribe of Sudan attested that they were victims of an intensifying Arab apartheid campaign, Sudanese Arabs, who controlled the government, were widely referred to as practicing apartheid against Sudans non-Arab citizens. The government was accused of deftly manipulat Arab solidarity to carry out policies of apartheid, American University economist George Ayittey accused the Arab government of Sudan of practicing acts of racism against black citizens. The Arabs monopolized power and excluded blacks – Arab apartheid, many African commentators joined Ayittey in accusing Sudan of practising Arab apartheid
5.
Shotgun shell
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A shotgun shell is a self-contained cartridge typically loaded with multiple metallic shot, which are small, generally spherical projectiles. Traditionally lead was used, but increasingly steel, tungsten or bismuth shot has replaced lead, due to laws designed to protect the environment. An old non-lethal shotgun load consisted of a shell loaded with rock salt, which could inflict very painful, but rarely deadly, wounds. Most shotgun shells are designed to be fired from a smoothbore barrel, a rifled barrel will increase the accuracy of slugs, but makes it unsuitable for firing shot, as it imparts a spin to the shot cup, causing a centrifugal force that makes the shot cluster disperse. Specialty shotgun ammunition includes non-lethal rounds available in the form of slugs made of low-density material, early shotgun shells used brass cases, not unlike rifle and pistol cartridge cases of the same era. These brass shotgun hulls or cases closely resembled rifle cartridges, in terms of both the head and primer portions of the shell, as well as in their dimensions. Card wads, made of felt, leather, and cork, waterglass was commonly used to cement the top overshot wad into these brass shell casings. No roll crimp or fold crimp was used on these early brass cases, the primers on these early shotgun shells were identical to pistol primers of the same diameter. Starting in about 1877, paper hulls started to replace brass shotgun shells, paper hulls remained popular for nearly a century, until the late 1960s. These shotgun shells using paper hulls were nearly always roll crimped, although fold crimping also eventually became popular. Card wads, made of felt and cork, as well as paperboard, were all used at times, gradually giving way to plastic over powder wads, with card wads. Starting in the 1960s, plastic cases started to replace paper hulls for shotgun shells, by the 1980s, plastic cases had largely replaced nearly all paper hulls for shotgun shells. Today, modern shotgun shells typically consist of a plastic case, as noted previously, paper shells used to be common, and are still made, as are solid brass shells. Some companies have produced what appear to be all-plastic shells, although in these there is a metal ring cast into the rim of the shell to provide strength. Often the more powerful loads will use high brass shells, with the extended up further along the sides of the shell. The brass does not actually provide a significant amount of strength, the base of the shotshell is fairly thick to hold the large shotgun primer, which is longer than primers used for rifle and pistol ammunition. After the powder comes the wadding or wad, the primary purpose of a wad is to prevent the shot and powder from mixing, and to provide a seal that prevents gas from blowing through the shot rather than propelling it. The wad design may encompass a shock absorber and a cup that holds the shot together until it is out the barrel
6.
Dice
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Dice are small throwable objects with multiple resting positions, used for generating random numbers. Dice are suitable as gambling devices for games like craps and are used in non-gambling tabletop games. A traditional die is a cube, with each of its six faces showing a different number of dots from 1 to 6. When thrown or rolled, the die comes to rest showing on its surface a random integer from one to six. A variety of devices are also described as dice, such specialized dice may have polyhedral or irregular shapes. They may be used to produce other than one through six. Loaded and crooked dice are designed to favor some results over others for purposes of cheating or amusement. A dice tray, a used to contain thrown dice, is sometimes used for gambling or board games. Dice have been used since before recorded history, and it is uncertain where they originated, the oldest known dice were excavated as part of a backgammon-like game set at the Burnt City, an archeological site in south-eastern Iran, estimated to be from between 2800–2500 BCE. Other excavations from ancient tombs in the Indus Valley civilization indicate a South Asian origin, the Egyptian game of Senet was played with dice. Senet was played before 3000 BC and up to the 2nd century AD and it was likely a racing game, but there is no scholarly consensus on the rules of Senet. Dicing is mentioned as an Indian game in the Rigveda, Atharvaveda, there are several biblical references to casting lots, as in Psalm 22, indicating that dicing was commonplace when the psalm was composed. Knucklebones was a game of skill played by women and children, although gambling was illegal, many Romans were passionate gamblers who enjoyed dicing, which was known as aleam ludere. Dicing was even a popular pastime of emperors, letters by Augustus to Tacitus and his daughter recount his hobby of dicing. There were two sizes of Roman dice, tali were large dice inscribed with one, three, four, and six on four sides. Tesserae were smaller dice with sides numbered one to six. Twenty-sided dice date back to the 2nd century AD and from Ptolemaic Egypt as early as the 2nd century BC, dominoes and playing cards originated in China as developments from dice. The transition from dice to playing cards occurred in China around the Tang dynasty, in Japan, dice were used to play a popular game called sugoroku
7.
Adam
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Adam is a figure from the Book of Genesis who is also mentioned in the New Testament, the deuterocanonical books, the Quran, the Book of Mormon, and the Book of Iqan. According to the myth of the Abrahamic religions, he was the first human. In the Genesis creation narratives, he was created by God, Christian churches differ on how they view Adams subsequent behavior of disobeying God, and to the consequences that those actions had on the rest of humanity. Christian and Jewish teachings sometimes hold Adam and Eve to a different level of responsibility for the Fall, in addition, Islam holds that Adam was eventually forgiven, while Christianity holds that redemption occurred only later through the sacrifice of Jesus. The Baháí Faith, Islam and some Christian denominations consider Adam to be the first prophet, Adam as a proper name, predates its generic use in Semitic languages. Its earliest known use as a name in historicity is Adamu. Its use as a word in the Hebrew language is ׳āḏām. Coupled with the article, it becomes the human. Its root is not attributed to the Semitic root for man --sh, rather, ׳āḏām is linked to its triliteral root אָדָם, meaning red, fair, handsome. As a masculine noun, adam means man, mankind usually in a context as in humankind. The noun adam is also the form of the word adamah which means ground or earth. It is related to the words, adom, admoni, according to a number of observers, the word Adam derives from Sanskrit word Adima, meaning progenitor, first, primitive in Sanskrit. In the Book of Genesis, the Hebrew word ׳āḏām is often rendered mankind in the most generic sense, the use of mankind in Genesis, gives the reflection that Adam was the ancestor of all men. Kabbalistic works indicate that Adam also comes from the Hebrew word Adame, in the first five chapters of Genesis the word אָדָם is used in all of its senses, collectively, individually, gender nonspecific, and male. According to the Jewish Encyclopedia, its use in Genesis 1 is generic, while in Genesis 2 and Genesis 3 the generic and personal usages are mixed. In Genesis 1,27 adam is used in the sense, whereby not only the individual Adam. Genesis 2,7 is the first verse where Adam takes on the sense of an individual man, the gender distinction of adam is then reiterated in Genesis 5, 1–2 by defining male and female. A recurring literary motif that occurs, is the bond between Adam and the earth, Gods cursing of Adam also results in the ground being cursed, causing him to have to labour for food, and Adam returns to the earth from which he was taken
8.
Blitzkrieg
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During the Invasion of Poland, Western journalists adopted the term blitzkrieg to describe this form of armoured warfare. The term had appeared in 1935, in a German military periodical Deutsche Wehr, German manoeuvre operations were successful in the campaigns of 1939–1941 and by 1940 the term blitzkrieg was extensively used in Western media. Blitzkrieg operations capitalized on surprise penetrations, general enemy unreadiness and their inability to match the pace of the German attack, during the Battle of France, the French made attempts to re-form defensive lines along rivers but were frustrated when German forces arrived first and pressed on. Despite being common in German and English-language journalism during World War II, some senior officers, including Kurt Student, Franz Halder and Johann Adolf von Kielmansegg, even disputed the idea that it was a military concept. Kielmansegg asserted that many regarded as blitzkrieg was nothing more than ad hoc solutions that simply popped out of the prevailing situation. Student described it as ideas that emerged from the existing circumstances as a response to operational challenges. The Wehrmacht never officially adopted it as a concept or doctrine, modern historians use the term casually as a generic description for the style of manoeuvre warfare practised by Germany during the early part of World War II, rather than as an explanation. According to Frieser, in the context of the thinking of Heinz Guderian on mobile combined arms formations, blitzkrieg can be used as a synonym for modern manoeuvre warfare on the operational level. The traditional meaning of blitzkrieg is that of German tactical and operational methodology in the first half of the Second World War, that is often hailed as a new method of warfare. The word, meaning lightning war, in its strategic sense describes a series of quick, the devices were largely removed when the enemy became used to the noise after the Battle of France in 1940 and instead bombs sometimes had whistles attached. It is also common for historians and writers to include psychological warfare by using Fifth columnists to spread rumours, the origin of the term blitzkrieg is obscure. It was never used in the title of a doctrine or handbook of the German army or air force. Both used the term to mean a swift strategic knock-out, rather than a new military doctrine or approach to war. The first article deals primarily with supplies of food and materiel in wartime, the term blitzkrieg is used with reference to German efforts to win a quick victory in the First World War but is not associated with the use of armoured, mechanised or air forces. It argued that Germany must develop self-sufficiency in food, because it might again prove impossible to deal a swift knock-out to its enemies, the author vaguely suggests that a massive strategic air attack might hold out better prospects but the topic is not explored in detail. Sternberg wrote that Germany was not prepared economically for a long war and he did not go into detail about tactics or suggest that the German armed forces had evolved a radically new operational method. His book offers scant clues as to how German lightning victories might be won, in English and other languages, the term had been used since the 1920s. It was later applied to the bombing of Britain, particularly London, the German popular press followed suit nine months later, after the fall of France in 1940, hence although the word had been used in German, it was first popularized by British journalism
9.
Metro-Goldwyn-Mayer
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Metro-Goldwyn-Mayer Studios Inc. is an American media company, involved primarily in the production and distribution of feature films and television programs. Its headquarters are in Beverly Hills, California and it is one of the worlds oldest film studios. In 1971, it was announced that MGM would merge with 20th Century Fox, over the next thirty-nine years, the studio was bought and sold at various points in its history until, on November 3,2010, MGM filed for Chapter 11 bankruptcy. MGM Resorts International, a Las Vegas-based hotel and casino company listed on the New York Stock Exchange under the symbol MGM, is not currently affiliated with Metro-Goldwyn-Mayer. In 1966, MGM was sold to Canadian investor Edgar Bronfman Sr. whose son Edgar Jr. would later buy Universal Studios, the studio continued to produce five to six films a year that were released through other studios, mostly United Artists. Kerkorian did, however, commit to increased production and a film library when he bought United Artists in 1981. MGM ramped up production, as well as keeping production going at UA. It also incurred significant amounts of debt to increase production, the studio took on additional debt as a series of owners took charge in the 1980s and early 1990s. In 1986, Ted Turner bought MGM, but a few later, sold the company back to Kerkorian to recoup massive debt. The series of deals left MGM even more heavily in debt, MGM was bought by Pathé Communications in 1990, but Parretti lost control of Pathé and defaulted on the loans used to purchase the studio. The French banking conglomerate Crédit Lyonnais, the major creditor. Even more deeply in debt, MGM was purchased by a joint venture between Kerkorian, producer Frank Mancuso, and Australias Seven Network in 1996, the debt load from these and subsequent business deals negatively affected MGMs ability to survive as an independent motion picture studio. In 1924, movie theater magnate Marcus Loew had a problem and he had bought Metro Pictures Corporation in 1919 for a steady supply of films for his large Loews Theatres chain. With Loews lackluster assortment of Metro films, Loew purchased Goldwyn Pictures in 1924 to improve the quality, however, these purchases created a need for someone to oversee his new Hollywood operations, since longtime assistant Nicholas Schenck was needed in New York headquarters to oversee the 150 theaters. Mayer, Loew addressed the situation by buying Louis B. Mayer Pictures on April 17,1924, Mayer became head of the renamed Metro-Goldwyn-Mayer, with Irving Thalberg as head of production. MGM produced more than 100 feature films in its first two years, in 1925, MGM released the extravagant and successful Ben-Hur, taking a $4.7 million profit that year, its first full year. Marcus Loew died in 1927, and control of Loews passed to Nicholas Schenck, in 1929, William Fox of Fox Film Corporation bought the Loew familys holdings with Schencks assent. Mayer and Thalberg disagreed with the decision, Mayer was active in the California Republican Party and used his political connections to persuade the Justice Department to delay final approval of the deal on antitrust grounds
10.
Parody
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A parody is a work created to imitate, make fun of, or comment on an original work—its subject, author, style, or some other target—by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, parody … is imitation, another critic, Simon Dentith, defines parody as any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice. Parody may be found in art or culture, including literature, music, animation, gaming, the writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche and burlesque. According to Aristotle, Hegemon of Thasos was the inventor of a kind of parody, in ancient Greek literature, a parodia was a narrative poem imitating the style and prosody of epics but treating light, satirical or mock-heroic subjects. Indeed, the components of the Greek word are παρά para beside, counter, against, Thus, the original Greek word παρῳδία parodia has sometimes been taken to mean counter-song, an imitation that is set against the original. The Oxford English Dictionary, for example, defines parody as imitation turned as to produce a ridiculous effect, because par- also has the non-antagonistic meaning of beside, there is nothing in parodia to necessitate the inclusion of a concept of ridicule. Old Comedy contained parody, even the gods could be made fun of, the Frogs portrays the hero-turned-god Heracles as a Glutton and the God of Drama Dionysus as cowardly and unintelligent. The traditional trip to the Underworld story is parodied as Dionysus dresses as Heracles to go to the Underworld, roman writers explained parody as an imitation of one poet by another for humorous effect. In French Neoclassical literature, parody was also a type of poem where one work imitates the style of another to produce a humorous effect, the Ancient Greeks created satyr plays which parodied tragic plays, often with performers dressed like satyrs. In classical music, as a term, parody refers to a reworking of one kind of composition into another. The term is sometimes applied to procedures common in the Baroque period. The musicological definition of the parody has now generally been supplanted by a more general meaning of the word. In its more contemporary usage, musical parody usually has humorous, even satirical intent, in which familiar musical ideas or lyrics are lifted into a different, often incongruous, context. Musical parodies may imitate or refer to the style of a composer or artist. For example, The Ritz Roll and Rock, a song and dance performed by Fred Astaire in the movie Silk Stockings, parodies the Rock. Conversely, while the work of Weird Al Yankovic is based on particular popular songs. The first usage of the parody in English cited in the Oxford English Dictionary is in Ben Jonson, in Every Man in His Humour in 1598, A Parodie. The next citation comes from John Dryden in 1693, who also appended an explanation, suggesting that the word was in common use, in the 20th century, parody has been heightened as the central and most representative artistic device, the catalysing agent of artistic creation and innovation
11.
Bette Davis
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Ruth Elizabeth Bette Davis was an American actress of film, television, and theater. After appearing in Broadway plays, Davis moved to Hollywood in 1930, however, her early films for Universal Studios were unsuccessful. She joined Warner Bros. in 1932 and established her career with several critically acclaimed performances, in 1937, she attempted to free herself from her contract. Although she lost the legal case against the studio, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinemas most celebrated leading ladies, known for her forceful, Davis gained a reputation as a perfectionist who could be highly combative and confrontational. She clashed with executives and film directors as well as many of her co-stars. Her forthright manner, idiosyncratic speech and ubiquitous cigarette contributed to a public persona, Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts and Sciences. Her career went through periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was widowed and three times divorced, and raised her children as a single parent. In 1999, Davis was placed second behind Katharine Hepburn on the American Film Institutes list of the greatest female stars of classic Hollywood cinema. Bettys younger sister, Barbara Harriet Bobby, was born October 25,1909, at 55 Ward Street in Somerville, Massachusetts, in 1915, Daviss parents separated and Betty and Bobby attended a Spartan boarding school called Crestalban in Lanesborough, which is located in the Berkshires. In 1921, Ruth Davis moved to New York City with her daughters, Betty changed the spelling of her name to Bette after Honoré de Balzacs La Cousine Bette. Davis attended Cushing Academy, a school in Ashburnham, Massachusetts. In 1926, she saw a production of Henrik Ibsens The Wild Duck with Blanche Yurka and Peg Entwistle, Davis later recalled for Al Cohn of Newsday, The reason I wanted to go into theater was because of an actress named Peg Entwistle. She auditioned for admission to Eva LeGalliennes Manhattan Civic Repertory, but was rejected by LeGallienne who described her attitude as insincere, upon graduating from Cushing Academy, Bette enrolled in John Murray Andersons Dramatic School. In 1929, Davis was chosen by Blanche Yurka to play Hedwig, after performing in Philadelphia, Washington and Boston, she made her Broadway debut in 1929 in Broken Dishes, and followed it with Solid South. In 1930, Davis moved to Hollywood to screen test for Universal Studios, Davis and her mother traveled by train to Hollywood and arrived on December 13,1930. She would later recount her surprise that nobody from the studio was there to meet her at the train, in fact, a studio employee had waited for her, but left because he saw nobody who looked like an actress
12.
African Americans
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African Americans are an ethnic group of Americans with total or partial ancestry from any of the Black racial groups of Africa. The term may also be used to only those individuals who are descended from enslaved Africans. As a compound adjective the term is usually hyphenated as African-American, Black and African Americans constitute the third largest racial and ethnic group in the United States. Most African Americans are of West and Central African descent and are descendants of enslaved peoples within the boundaries of the present United States. On average, African Americans are of 73. 2–80. 9% West African, 18–24% European, according to US Census Bureau data, African immigrants generally do not self-identify as African American. The overwhelming majority of African immigrants identify instead with their own respective ethnicities, immigrants from some Caribbean, Central American and South American nations and their descendants may or may not also self-identify with the term. After the founding of the United States, black people continued to be enslaved, believed to be inferior to white people, they were treated as second-class citizens. The Naturalization Act of 1790 limited U. S. citizenship to whites only, in 2008, Barack Obama became the first African American to be elected President of the United States. The first African slaves arrived via Santo Domingo to the San Miguel de Gualdape colony, the ill-fated colony was almost immediately disrupted by a fight over leadership, during which the slaves revolted and fled the colony to seek refuge among local Native Americans. De Ayllón and many of the colonists died shortly afterwards of an epidemic, the settlers and the slaves who had not escaped returned to Haiti, whence they had come. The first recorded Africans in British North America were 20 and odd negroes who came to Jamestown, as English settlers died from harsh conditions, more and more Africans were brought to work as laborers. Typically, young men or women would sign a contract of indenture in exchange for transportation to the New World, the landowner received 50 acres of land from the state for each servant purchased from a ships captain. An indentured servant would work for years without wages. The status of indentured servants in early Virginia and Maryland was similar to slavery, servants could be bought, sold, or leased and they could be physically beaten for disobedience or running away. Africans could legally raise crops and cattle to purchase their freedom and they raised families, married other Africans and sometimes intermarried with Native Americans or English settlers. By the 1640s and 1650s, several African families owned farms around Jamestown and some became wealthy by colonial standards and purchased indentured servants of their own. In 1640, the Virginia General Court recorded the earliest documentation of slavery when they sentenced John Punch. One of Dutch African arrivals, Anthony Johnson, would own one of the first black slaves, John Casor
