1.
History of ancient Egypt
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The history of ancient Egypt spans the period from the early prehistoric settlements of the northern Nile valley to the Roman conquest, in 30 BC. The Pharaonic Period is dated from the 32nd century BC, when Upper and Lower Egypt were unified, until the country fell under Macedonian rule, note For alternative revisions to the chronology of Egypt, see Egyptian chronology. Egypts history is split into different periods according to the ruling dynasty of each pharaoh. The dating of events is still a subject of research, the conservative dates are not supported by any reliable absolute date for a span of about three millennia. The following is the list according to conventional Egyptian chronology, traces of these early people appear in the form of artifacts and rock carvings along the terraces of the Nile and in the oases. To the Egyptians the Nile meant life and the desert meant death, evidence also indicates human habitation and cattle herding in the southwestern corner of Egypt near the Sudan border before the 8th millennium BC. Despite this, the idea of an independent bovine domestication event in Africa must be abandoned because subsequent evidence gathered over a period of thirty years has failed to corroborate this, the oldest-known domesticated cattle remains in Africa are from the Faiyum c.4400 BC. Continued desiccation forced the early ancestors of the Egyptians to settle around the Nile more permanently, however, the period from 9th to the 6th millennium BC has left very little in the way of archaeological evidence. The Nile valley of Egypt was basically uninhabitable until the work of clearing and irrigating the land along the banks was started, however it appears that this clearance and irrigation was largely under way by the 6th millennium. By that time, Nile society was already engaged in organized agriculture, at this time, Egyptians in the southwestern corner of Egypt were herding cattle and also constructing large buildings. Mortar was in use by the 4th millennium, the people of the valley and the Nile Delta were self-sufficient and were raising barley and emmer, an early variety of wheat, and stored it in pits lined with reed mats. They raised cattle, goats and pigs and they wove linen, prehistory continues through this time, variously held to begin with the Amratian culture. Between 5500 BC and the 31st century BC, small settlements flourished along the Nile, the Tasian culture was the next to appear, it existed in Upper Egypt starting about 4500 BC. This group is named for the burials found at Deir Tasa, the Tasian culture is notable for producing the earliest blacktop-ware, a type of red and brown pottery painted black on its top and interior. The Badari culture, named for the Badari site near Deir Tasa, followed the Tasian, however, the Badari culture continued to produce the kind of pottery called blacktop-ware, and was assigned the sequence dating numbers between 21 and 29. The Amratian culture is named after the site of el-Amreh, about 120 kilometres south of Badari, el-Amreh was the first site where this culture was found unmingled with the later Gerzeh culture. However, this period is attested at Nagada, and so is also referred to as the Naqada I culture. The Amratian period falls between S. D.30 and 39, newly excavated objects indicate that trade between Upper and Lower Egypt existed at this time
2.
Eighteenth Dynasty of Egypt
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The eighteenth dynasty of ancient Egypt is the best known ancient Egyptian dynasty. It boasts several of Egypts most famous pharaohs, including Tutankhamun, the dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmosis. Famous pharaohs of Dynasty XVIII include Hatshepsut, longest-reigning woman-pharaoh of a dynasty, and Akhenaten. Dynasty XVIII is the first of the three dynasties of the Egyptian New Kingdom, the period in which ancient Egypt reached the peak of its power, radiocarbon dating suggests that Dynasty XVIII may have started a few years earlier than the conventional date of 1550 BC. The radiocarbon date range for its beginning is 1570–1544 BC, the point of which is 1557 BC. The pharaohs of Dynasty XVIII ruled for two hundred and fifty years. The dates and names in the table are taken from Dodson and Hilton, many of the pharaohs were buried in the Valley of the Kings in Thebes. More information can be found on the Theban Mapping Project website, several diplomatic marriages are known for the New Kingdom. These daughters of kings are often only mentioned in cuneiform texts and are not known from other sources. The marriages were likely a way to confirm good relations between these states, Dynasty XVIII was founded by Ahmose I, the brother or son of Kamose, the last ruler of the Dynasty XVII. Ahmose finished the campaign to expel the Hyksos rulers and his reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful, Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign the borders of Egypts empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates, Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut. Thutmose III who later became known as the greatest military pharaoh ever and he had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, the reign of Amenhotep III is seen as a high point in this dynasty. Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV, there is much debate about this proposed co-regency. Some experts believe there was a lengthy co-regency, while others prefer to see a short one, there are also many experts who believe no such co-regency existed at all
3.
Aten
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Aten is the disk of the sun in ancient Egyptian mythology, and originally an aspect of the god Ra. The deified Aten is the focus of the religion of Atenism established by Amenhotep IV, in his poem Great Hymn to the Aten, Akhenaten praises Aten as the creator, giver of life, and nurturing spirit of the world. Aten does not have a Creation Myth or family, but is mentioned in the Book of the Dead, the worship of Aten was eradicated by Horemheb. By analogy, the term silver aten was sometimes used to refer to the moon, the solar Aten was extensively worshipped as a god in the reign of Amenhotep III, when it was depicted as a falcon-headed man much like Ra. The full title of Akhenatens god was Ra-Horakhty who rejoices in the horizon, the god is also considered to be both masculine and feminine simultaneously. All creation was thought to emanate from the god and to exist within the god, in particular, the god was not depicted in anthropomorphic form, but as rays of light extending from the suns disk. Furthermore, the name came to be written within a cartouche, along with the titles normally given to a Pharaoh. Ra-Horus, more usually referred to as Ra-Horakhty, is a synthesis of two gods, both of which are attested from very early on. During the Amarna period, this synthesis was seen as the source of energy of the sun god, of which the visible manifestation was the Aten. Thus Ra-Horus-Aten was a development of old ideas which came gradually, the real change, as some see it, was the apparent abandonment of all other gods, especially Amun-Ra, prohibition of idolatry, and the debatable introduction of quasi-monotheism by Akhenaten. The syncretism is readily apparent in the Great Hymn to the Aten in which Re-Herakhty, Shu, others see Akhenaten as a practitioner of an Aten monolatry, as he did not actively deny the existence of other gods, he simply refrained from worshipping any but the Aten. Other scholars call the religion henotheistic, principles of Atens religion were recorded on the rock tomb walls of Akhetaten. In the religion of Aten, night is a time to fear, work is done best when the sun, Aten, is present. Aten cares for every creature, and created a Nile river in the sky for the Syrians, Aten created all countries and people. The rays of the sun disk only holds out life to the family, everyone else receives life from Akhenaten. When a good person dies, he/she continues to live in the City of Light for the dead in Akhetaten, the conditions are the same after death. Akhenaten judged whether someone should be granted an afterlife, and operated the scale of justice, the explanation as to why Aten could not be fully represented was that the god has gone beyond creation. The cult centre of Aten was at the new city Akhetaten, some other cities include Thebes
4.
Akhenaten
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Akhenaten known before the fifth year of his reign as Amenhotep IV, was an Ancient Egyptian pharaoh of the 18th Dynasty who ruled for 17 years and died perhaps in 1336 BC or 1334 BC. An early inscription likens the Aten to the sun as compared to stars, Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted. After his death, his monuments were dismantled and hidden, his statues were terminated and he was all but lost from history until the discovery during the 19th century of the site of Akhetaten, the city he built and designed for the worship of Aten, at Amarna. DNA analysis has determined that the man buried in KV55 is the father of King Tutankhamun, the future Akhenaten was a younger son of Amenhotep III and Chief Queen Tiye. The eldest son Crown Prince Thutmose was recognized as the heir of Amenhotep III but he died relatively young, there is much controversy around whether Amenhotep IV succeeded to the throne on the death of his father Amenhotep III or whether there was a coregency. Other literature by Donald Redford, William Murnane, Alan Gardiner, in February 2014, the Egyptian Ministry for Antiquities announced what it called conclusive evidence that Akhenaten shared power with his father for at least 8 years. The evidence came from the found in the Luxor tomb of Vizier Amenhotep-Huy. A team of Spanish archeologists have been working at this tomb, Amenhotep IV was crowned in Thebes and there he started a building program. He decorated the entrance to the precincts of the temple of Amun-Re with scenes of his worshiping Re-Harakhti. He soon decreed the construction of a dedicated to the Aten in Eastern Karnak. This Temple of Amenhotep IV was called the Gempaaten, the Gempaaten consisted of a series of buildings, including a palace and a structure called the Hwt Benben which was dedicated to Queen Nefertiti. Other Aten temples constructed at Karnak during this time include the Rud-menu, during this time he did not repress the worship of Amun, and the High Priest of Amun was still active in the fourth year of his reign. The king appears as Amenhotep IV in the tombs of some of the nobles in Thebes, Kheruef, Ramose, in the tomb of Ramose, Amenhotep IV appears on the west wall in the traditional style, seated on a throne with Ramose appearing before the king. On the other side of the doorway, Amenhotep IV and Nefertiti are shown in the window of appearance with the Aten depicted as the sun disc. In the Theban tomb of Parennefer, Amenhotep IV and Nefertiti are seated on a throne with the sun disk depicted over the king, among the latter-known documents referring to Amenhotep IV are two copies of a letter from the Steward Of Memphis Apy to the pharaoh. The documents were found in Gurob and are dated to regnal year 5, third month of the Growing Season, on day 13, Month 8, in the fifth year of his reign, the king arrived at the site of the new city Akhetaten. A month before that Amenhotep IV had officially changed his name to Akhenaten, Amenhotep IV changed most of his 5 fold titulary in year 5 of his reign. The only name he kept was his prenomen or throne name of Neferkheperure, some recent debate has focused on the extent to which Akhenaten forced his religious reforms on his people
5.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
6.
Tutankhamun
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Tutankhamun was an Egyptian pharaoh of the 18th dynasty, during the period of Egyptian history known as the New Kingdom or sometimes the New Empire Period. He has, since his discovery, been referred to as King Tut. His original name, Tutankhaten, means Living Image of Aten, in hieroglyphs, the name Tutankhamun was typically written Amen-tut-ankh, because of a scribal custom that placed a divine name at the beginning of a phrase to show appropriate reverence. The 1922 discovery by Howard Carter and Lord Carnarvon of Tutankhamuns nearly intact tomb received worldwide press coverage and it sparked a renewed public interest in ancient Egypt, for which Tutankhamuns mask, now in the Egyptian Museum, remains the popular symbol. Exhibits of artifacts from his tomb have toured the world, in February 2010, the results of DNA tests confirmed that he was the son of Akhenaten. His mother was Akhenatens sister and wife, whose name is unknown, the mysterious deaths of a few of those who excavated Tutankhamuns tomb has been popularly attributed to the curse of the pharaohs. Tutankhamun was the son of Akhenaten and one of Akhenatens sisters, as a prince, he was known as Tutankhaten. He ascended to the throne in 1333 BC, at the age of nine or ten and his wet nurse was a woman called Maia, known from her tomb at Saqqara. His teacher was most likely Sennedjem, when he became king, he married his half-sister, Ankhesenpaaten, who later changed her name to Ankhesenamun. They had two daughters, both stillborn, computed tomography studies released in 2011 revealed that one daughter died at 5–6 months of pregnancy and the other at 9 months of pregnancy. No evidence was found in either mummy of congenital anomalies or an apparent cause of death, given his age, the king probably had very powerful advisers, presumably including General Horemheb and Grand Vizier Ay. Horemheb records that the king appointed him lord of the land as hereditary prince to maintain law and he also noted his ability to calm the young king when his temper flared. In his third year, under the influence of his advisors. He ended the worship of the god Aten and restored the god Amun to supremacy, the ban on the cult of Amun was lifted and traditional privileges were restored to its priesthood. The capital was moved back to Thebes and the city of Akhetaten abandoned and this is when he changed his name to Tutankhamun, Living image of Amun, reinforcing the restoration of Amun. As part of his restoration, the king initiated building projects, in particular at Karnak in Thebes, many monuments were erected, and an inscription on his tomb door declares the king had spent his life in fashioning the images of the gods. The traditional festivals were now celebrated again, including those related to the Apis Bull, Horemakhet and his restoration stela says, The temples of the gods and goddesses. Their shrines were deserted and overgrown and their sanctuaries were as non-existent and their courts were used as roads
7.
Damnatio memoriae
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Damnatio memoriae is the Latin phrase literally meaning condemnation of memory, meaning that a person must not be remembered. It was a form of dishonor that could be passed by the Roman Senate on traitors or others who brought discredit to the Roman State, the intent was to erase the malefactor from history, a task somewhat easier in ancient times, when documentation was limited. Damnatio Memoriae was originally created by the Romans, who viewed it as a punishment worse than death itself, felons would literally be erased from history for the crimes they had committed. In a city that stressed social appearance, respectability, and the pride of being a true Roman as a requirement of the citizen. In Latin, the term damnatio memoriae was not used by the ancient Romans, the first appearance of the phrase is in a dissertation written in Germany in 1689. The term is used in scholarship to cover a wide array of official and unofficial sanctions whereby the physical remnants of a deceased individual were destroyed to differing degrees. In ancient Rome, the practice of damnatio memoriae was the condemnation of Roman elites, if the senate or a later emperor did not like the acts of an individual, they could have his property seized, his name erased and his statues reworked. Historians sometimes use the de facto damnatio memoriae when the condemnation is not official. Among those few who suffered damnatio memoriae were Sejanus, who had conspired against emperor Tiberius in 31 CE, and later Livilla. Elagabalus, a Third Century C. E. emperor who was deposed, is another. It was difficult, however, to implement the practice completely, for instance, the senate wanted to condemn the memory of Caligula, but Claudius prevented this. Nero was declared an enemy of the state by the senate, while statues of some emperors were destroyed or reworked after their death, others were erected. Also, historians often wrote about the deposed emperors, finally, many coins with the images of the discredited person continued to circulate. A particularly large number exist with Getas image, according to the biblical story, when the ancient Israelites entered the land of Canaan, they were ordered to destroy several pagan tribes and their property. The tribe of Amalek was specifically singled out for destruction, yahweh would completely blot out the name of Amalek from under heaven. To this day, the Hebrew Bible is the ancient source that attests the existence of the Amalekites. In ancient Greece, Herostratus set fire to the Temple of Artemis in Ephesus to become famous, to discourage such acts, Ephesus leaders decided that his name should never be repeated again, under penalty of death. This attempt was unsuccessful, however, as illustrated by the fact that his name is still known today
8.
Egyptology
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A practitioner of the discipline is an Egyptologist. In Europe, particularly on the Continent, Egyptology is primarily regarded as being a philological discipline, the first explorers were the ancient Egyptians themselves. Thutmose IV restored the Sphinx and had the dream that inspired his restoration carved on the famous Dream Stele, less than two centuries later, Prince Khaemweset, fourth son of Ramesses II, is famed for identifying and restoring historic buildings, tombs and temples including the pyramid. The Ptolemies were much interested in the work of the ancient Egyptians, the Romans too carried out restoration work in this most ancient of lands. A number of their accounts have survived and offer insights as to conditions in their time periods. Abdul Latif al-Baghdadi, a teacher at Cairos Al-Azhar University in the 13th century, similarly, the 15th-century Egyptian historian al-Maqrizi wrote detailed accounts of Egyptian antiquities. In the early 17th century, John Greaves measured the pyramids, having inspected the broken Obelisk of Domitian in Rome, then destined for the Earl of Arundels collection in London. In the late 18th century, with Napoleons scholars recording of Egyptian flora, fauna and history, the British captured Egypt from the French and gained the Rosetta Stone. Modern Egyptology is generally perceived as beginning about 1822, egyptologys modern history begins with the invasion of Egypt by Napoleon Bonaparte. The subsequent publication of Description de lÉgypte between 1809 and 1829 made numerous ancient Egyptian source materials available to Europeans for the first time, jean-François Champollion, Thomas Young and Ippolito Rosellini were some of the first Egyptologists of wide acclaim. The German Karl Richard Lepsius was a participant in the investigations of Egypt, mapping, excavating. Champollion announced his general decipherment of the system of Egyptian hieroglyphics for the first time, the Stones decipherment was a very important development of Egyptology. Egyptology became more professional via work of William Matthew Flinders Petrie, Petrie introduced techniques of field preservation, recording, and excavating. Howard Carters expedition brought much acclaim to the field of Egyptology, a tradition of collecting objets-orientales Egyptologists Electronic Forum, version 64. List shows Egyptology societies and Institutes Egyptology at DMOZ Egyptology Books, the University of Memphis Institute of Egyptian Art and Archaeology. Hawass, Zahi, Brock, Lyla Pinch, eds, Egyptology at the Dawn of the Twenty-First Century Proceedings of the Eighth International Congress of Egyptologists. Rare Books and Special Collections Digital Library Underwood & Underwood Egypt Stereoviews Collection, czech Institute of Egyptology, Faculty of Arts, Charles University in Prague
9.
Nefertiti
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Neferneferuaten Nefertiti was an Egyptian queen and the Great Royal Wife of Akhenaten, an Egyptian Pharaoh. Nefertiti and her husband were known for a revolution, in which they worshiped one god only, Aten. Together Akhenaten and Nefertiti were responsible for the creation of a new monotheistic religion which changed the ways of religion within Egypt. With her husband, she reigned at what was arguably the wealthiest period of Ancient Egyptian history, some scholars believe that Nefertiti ruled briefly as Neferneferuaten after her husbands death and before the accession of Tutankhamun, although this identification is a matter of ongoing debate. She was made famous by her bust, now in Berlins Neues Museum, the bust is one of the most copied works of ancient Egypt. It was attributed to the sculptor Thutmose, and it was found in his workshop, the bust is notable for exemplifying the understanding Ancient Egyptians had regarding realistic facial proportions. Nefertiti, Egyptian Nfr. t-jy. tj, original pronunciation approximately Nafteta, Nefertitis parentage is not known with certainty, but one often cited theory is that she was the daughter of Ay, later to be pharaoh. Nefertitis Scenes in the tombs of the nobles in Amarna mention the queens sister who is named Mutbenret, another theory that gained some support identified Nefertiti with the Mitanni princess Tadukhipa. The exact dates when Nefertiti married Akhenaten and became the great royal wife of Egypt are uncertain. Their six known daughters were, Meritaten, No later than year 1, ankhesenpaaten, also known as Ankhesenamen, later queen of Tutankhamun Neferneferuaten Tasherit, Year 8, possibly later became Pharaoh Neferneferuaten. Nefertiti first appears in scenes in Thebes, in the damaged tomb of the royal butler Parennefer, the new king Amenhotep IV is accompanied by a royal woman, and this lady is thought to be an early depiction of Nefertiti. The king and queen are shown worshiping the Aten, in the tomb of the vizier Ramose, Nefertiti is shown standing behind Amenhotep IV in the Window of Appearance during the reward ceremony for the vizier. During the early years in Thebes, Akhenaten had several temples erected at Karnak, one of the structures, the Mansion of the Benben, was dedicated to Nefertiti. She is depicted with her daughter Meritaten and in some scenes the princess Meketaten participates as well, in scenes found on the talatat, Nefertiti appears almost twice as often as her husband. She is shown smiting the enemy, and captive enemies decorate her throne, in the fourth year of his reign, Amenhotep IV decided to move the capital to Akhetaten. In his fifth year, Amenhotep IV officially changed his name to Akhenaten, the name change was a sign of the ever-increasing importance of the cult of the Aten. It changed Egypts religion from a religion to a religion which may have been better described as a monolatry or henotheism. The boundary stelae of years 4 and 5 mark the boundaries of the new city, the new city contained several large open-air temples dedicated to the Aten
10.
Amarna art
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Amarna art, or the Amarna style, is a style which was adopted in the Amarna Period, that is to say during and just after the reign of Akhenaten in the late Eighteenth Dynasty in the New Kingdom. It is characterized by a sense of movement and activity in images, with figures having raised heads, many figures overlapping and many scenes busy, the human body is portrayed differently, figures, always shown in profile on reliefs, are slender, swaying, with exaggerated extremities. In particular depictions of Akhenatens body give him distinctly feminine qualities such as hips, prominent breasts. Other pieces, such as the most famous of all Amarna works, Amenhotep IV was one of the first to practice monotheism, the belief in just one god. Shortly after claiming the throne, he declared the god Aten, to pay homage to his chosen god, Amenhotep IV changed his name to Akenaten. Throughout his rule, Akenaten tried to change aspects of Egyptian culture to celebrate or praise his god, especially the style. The illustration of figures hands and feet are apparently important, fingers and toes are depicted as long and slender and are carefully detailed to show nails. Artists also showed subjects with elongated facial structures accompanied by folds within the skin as well as lowered eyelids, the figure was also illustrated with a more elongated body than the previous representation. In the new form, the subject had more fat in the stomach, thigh, and breast region, while the torso, arm. The skin color of male and female is generally dark brown. This could merely be convention, or it may depict the ‘life’ blood, figures in this style are shown with both a left and a right foot, contrasting the traditional style of being shown with either two left or two right feet. Akenaten moved the capital to the city now known as Amarna. After his death, conservative forces led by the temple priests reimposed the old religion, the new capital was abandoned, and traces of his monuments elsewhere defaced. These were only rediscovered in recent decades and it is now also thought that several of the objects in the tomb of Akenatens son Tutankhamun were originally made for his father, for example, the relief on his throne. The decoration of the tombs of non-royals is quite different from previous eras and these tombs do not feature any funerary or agricultural scenes, nor do they include the tomb occupant unless he or she is depicted with a member of the royal family. There is an absence of gods and goddesses, apart from the Aten, however, the Aten does not shine its rays on the tomb owner, only on members of the royal family. There is neither a mention of Osiris nor other funerary figures, there is also no mention of a journey through the underworld. Instead, excerpts from the Hymn to the Aten are generally present, sculptures from the Amarna period are set apart from other periods of Egyptian art
11.
Smenkhkare
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Ankhkheperure Smenkhkare Djeser Kheperu was a short-lived pharaoh in the late 18th dynasty. His names translate as Living are the Forms of Re and Vigorous is the Soul of Re – Holy of Forms and his reign was during the Amarna Period, a time when Akhenaten sought to impose new religious views. He is to be distinguished from his predecessor, the female ruler Ankhkheperure Neferneferuaten. Unlike Neferneferuaten, Smenkhkare did not use epithets in his name or cartouche. Very little is known of Smenkhkare for certain because later kings, beginning with Horemheb, for the complete historiography regarding the names, see Neferneferuaten Smenkhkare was known as far back as 1845 from the tomb of Meryre II. There he and Meritaten, bearing the title Great Royal Wife, are shown rewarding the tombs owner, the names of the king have since been cut out but had been recorded by Lepsius circa 1850. Later, a different set of names emerged using the throne name. This led to a deal of confusion since throne names tended to be unique. For the better part of a century, the repetition of names was taken to mean that Smenkhare changed his name to Neferneferuaten at some point. Indeed, Petrie makes exactly that distinction in his notes of 1894. By the 1970s, feminine traces in some versions of the name, among them, that Nefertiti was masquerading as Smenkhkare before changing her name again to Neferneferuaten. When considered with various stela depicting Akhenaten with another king in familiar, if not intimate poses, in 1978, it was proposed that there were 2 individuals using the same name, a male king Smenkhkare and a female Neferneferuaten. Ten years later, James Allen pointed out the name Ankhkheperure nearly always included an epithet referring to Akhenaten such as desired of Wa en Re when coupled with Neferneferuaten. Smenkhkare, as son in law, might be desired of Akhenaten, by the start of the 21st Century, a fair degree of consensus emerged that Neferneferuaten was a female king and Smenkhkare a separate male king, particularly among specialists of the period. Almost as important, when presented with just the name Ankhkheperure, aside from the Meryre tomb depiction already mentioned there are several pieces of evidence which establish Smenkhkare as king. A calcite globular vase from the tomb of Tutankhamun bears the double cartouche of Akhenaten alongside the full double cartouche of Smenkhkare. This is the object to carry both names side by side. A single wine docket, Year 1, wine of the house of Smenkhkare, line drawings of a block depicting the nearly complete names of King Smenkhkare and Meritaten as Great Royal Wife were recorded before the block was lost
12.
Egyptian Museum of Berlin
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The Egyptian Museum of Berlin is home to one of the worlds most important collections of Ancient Egyptian artifacts, including the iconic Nefertiti Bust. Since October 2009, the collection is part of the reopened Neues Museum on Berlins Museum Island, the museum originated in the 18th century from the royal art collection of the Hohenzollern kings of Prussia. Alexander von Humboldt had recommended that an Egyptian section be created, initially housed in Monbijou Palace, the department was headed by the Trieste merchant Giuseppe Passalacqua, whose extensive collections formed the basis. A Prussian expedition to Egypt and Nubia led by Karl Richard Lepsius in 1842–45 brought additional pieces to Berlin, in 1850, the collections moved to its present-day home in the Neues Museum, built according to plans designed by Friedrich August Stüler. The Nefertiti Bust, discovered during the excavations by Ludwig Borchardt in Amarna, was donated to the museum by the entrepreneur Henri James Simon in 1920, it quickly became its best-known exhibit. After World War II, during which the Neues Museum was heavily damaged by strategic bombing, the main part remained in East Berlin and was displayed at the Bode Museum, while those artifacts evacuated to West Germany, including the Nefetiti Bust, returned to West Berlin. From 1967 to 2005, these items were housed vis-à-vis Charlottenburg Palace, the whole collection was reunited again after the Reunification of Germany, when it returned to Museum Island. The collection contains artefacts dating from between 4000BC to the period of Roman rule, though most date from the rule of Akhenaten, the most famous piece on display is the exceptionally well preserved and vividly coloured bust of Queen Nefertiti. The collection was moved from Charlottenburg to the Altes Museum in 2005 and was rehoused within the newly reconstructed Neues Museum on Berlins Museum Island in October 2009
