The Amasis Painter was an ancient Greek vase painter who worked in the black-figure technique. He owes his name to the signature of the potter Amasis, who signed twelve works painted by the same hand.
Heracles entering Mount Olympus, olpe by the Amasis Painter, dated to within 550–530 BC. Inscription: AMASIS MEΠOIESEN, Amasis m'epoiesen, "Amasis made (me)". Located in the Louvre Museum, Paris.
Dionysus and two Maenads, one holding a hare. Side B from an Ancient Greek Attic black-figure neck-amphora, ca. 550–530 BC, from Vulci. Inscription: ΔΙΟΝVSOS ("Dionysos"), AMASIS MEΠOIESEN (Amasis mepoiesen, "Amasis made me"). Cabinet des médailles de la Bibliothèque nationale de France, Paris.
Signature of Amasis on an olpe with trefoil mouth, Louvre F 30
Lekythos attributed to the Amasis Painter showing a wedding procession. Gift of Walter C. Baker, 1956, 56.11.1, Metropolitan Museum of Art.
Black-figure pottery painting is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd cen
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.
Athena wearing the aegis, Attic black-figured hydria by the potter Pamphaios (signed) and the Euphiletos Painter, c. 540 BC. Found in Tuscania, now in the Cabinet des Médailles, BNF, Paris
Scene from a black-figure amphora from Athens, 6th century BC, now in the Louvre, Paris
Hercules drives Cerberus ahead of him. The beast turns one of its heads back in a threatening manner and raises its snake tail. Faultily fired Attic neck amphora by the Bucci Painter, c. 540 BC, found in Vulci, now in the Munich State Collection of Antiquities