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A 1798 portrait of Amelia Opie by her husband, John Opie
A 1798 portrait of Amelia Opie by her husband, John Opie
Amelia Opie by David d'Angers (1836)
Amelia Opie by David d'Angers (1836)
Earlham Hall - where Opie was a frequent guest and met her husband, John
Earlham Hall - where Opie was a frequent guest and met her husband, John
Illustration from the poetry book: The Black Man's Lament, Or, How to Make Sugar by Amelia Opie (London, 1826)
Illustration from the poetry book: The Black Man's Lament, Or, How to Make Sugar by Amelia Opie (London, 1826)
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Portraits in the Characters of the Muses in the Temple of Apollo, 1778, 130 cm × 150 cm (52 in × 61 in), by Richard Samuel. The sitters are: Anna Leti
Portraits in the Characters of the Muses in the Temple of Apollo, 1778, 130 cm × 150 cm (52 in × 61 in), by Richard Samuel. The sitters are: Anna Letitia Barbauld (1743–1825), poet and writer; Elizabeth Carter (1717–1806), scholar and writer; Elizabeth Griffith (1727–1793), playwright and novelist; Angelica Kauffmann (1741–1807), painter; Charlotte Lennox (1720–1804), writer; Catharine Macaulay (1731–1791), historian and political polemicist; Elizabeth Montagu (1718–1800);
The centre house, 16 Royal Crescent, Bath, was used as a residence and to host Blue Stockings Society events by Elizabeth Montagu
The centre house, 16 Royal Crescent, Bath, was used as a residence and to host Blue Stockings Society events by Elizabeth Montagu
Satiric drawing by Thomas Rowlandson (1756–1827), "Breaking Up of the Blue Stocking Club" (1815)
Satiric drawing by Thomas Rowlandson (1756–1827), "Breaking Up of the Blue Stocking Club" (1815)