Analog Science Fiction and Fact

Analog Science Fiction and Fact is an American science fiction magazine published under various titles since 1930. Titled Astounding Stories of Super-Science, the first issue was dated January 1930, published by William Clayton, edited by Harry Bates. Clayton went bankrupt in 1933 and the magazine was sold to Street & Smith; the new editor was F. Orlin Tremaine, who soon made Astounding the leading magazine in the nascent pulp science fiction field, publishing well-regarded stories such as Jack Williamson's Legion of Space and John W. Campbell's "Twilight". At the end of 1937, Campbell took over editorial duties under Tremaine's supervision, the following year Tremaine was let go, giving Campbell more independence. Over the next few years Campbell published many stories that became classics in the field, including Isaac Asimov's Foundation series, A. E. van Vogt's Slan, several novels and stories by Robert A. Heinlein; the period beginning with Campbell's editorship is referred to as the Golden Age of Science Fiction.

By 1950, new competition had appeared from Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. Campbell's interest in some pseudo-science topics, such as Dianetics, alienated some of his regular writers, Astounding was no longer regarded as the leader of the field, though it did continue to publish popular and influential stories: Hal Clement's novel Mission of Gravity appeared in 1953, Tom Godwin's "The Cold Equations" appeared the following year. In 1960, Campbell changed the title of the magazine to Analog Science Fact. At about the same time Street & Smith sold the magazine to Condé Nast. Campbell remained as editor until his death in 1971. Ben Bova took over from 1972 to 1978, the character of the magazine changed noticeably, since Bova was willing to publish fiction that included sexual content and profanity. Bova published stories such as Frederik Pohl's "The Gold at the Starbow's End", nominated for both a Hugo and Nebula Award, Joe Haldeman's "Hero", the first story in the Hugo and Nebula Award–winning "Forever War" sequence.

Bova won five consecutive Hugo Awards for his editing of Analog. Bova was followed by Stanley Schmidt, who continued to publish many of the same authors, contributing for years; the title was sold to Davis Publications in 1980 to Dell Magazines in 1992. Crosstown Publications remains the publisher. Schmidt continued to edit the magazine until 2012. In 1926, Hugo Gernsback launched the first science fiction magazine. Gernsback had been printing scientific fiction stories for some time in his hobbyist magazines, such as Modern Electrics and Electrical Experimenter, but decided that interest in the genre was sufficient to justify a monthly magazine. Amazing was successful reaching a circulation over 100,000. William Clayton, a successful and well-respected publisher of several pulp magazines, considered starting a competitive title in 1928. Clayton was unconvinced, but the following year decided to launch a new magazine because the sheet on which the color covers of his magazines were printed had a space for one more cover.

He suggested to Harry Bates, a newly hired editor, that they start a magazine of historical adventure stories. Bates proposed instead a science fiction pulp, to be titled Astounding Stories of Super Science, Clayton agreed. Astounding was published by Publisher's Fiscal Corporation, a subsidiary of Clayton Magazines; the first issue appeared with Bates as editor. Bates aimed for straightforward action-adventure stories, with scientific elements only present to provide minimal plausibility. Clayton paid much better rates than Amazing and Wonder Stories—two cents a word on acceptance, rather than half a cent a word, on publication —and Astounding attracted some of the better-known pulp writers, such as Murray Leinster, Victor Rousseau, Jack Williamson. In February 1931, the original name Astounding Stories of Super-Science was shortened to Astounding Stories; the magazine was profitable. A publisher would pay a printer three months in arrears, but when a credit squeeze began in May 1931, it led to pressure to reduce this delay.

The financial difficulties led Clayton to start alternating the publication of his magazines, he switched Astounding to a bimonthly schedule with the June 1932 issue. Some printers bought the magazines which were indebted to them: Clayton decided to buy his printer to prevent this from happening; this proved a disastrous move. Clayton did not have the money to complete the transaction, in October 1932, Clayton decided to cease publication of Astounding, with the expectation that the January 1933 issue would be the last one; as it turned out, enough stories were in inventory, enough paper was available, to publish one further issue, so the last Clayton Astounding was dated March 1933. In April, Clayton went bankrupt, sold his magazine titles to T. R. Foley for $100. Science fiction was not a departure for Street & Smith

Vitorino Antunes

Vitorino Gabriel Pacheco Antunes is a Portuguese professional footballer who plays for Spanish club Getafe CF as a left back. He spent most of his career abroad, winning several items of silverware with Dynamo Kyiv in Ukraine, making over 100 La Liga appearances for Málaga and Getafe. Antunes earned 38 caps for Portugal at youth level, was used sparingly as a senior international for over a decade. Born in Freamunde, Antunes joined Primeira Liga club F. C. Paços de Ferreira for the 2006–07 season for an undisclosed fee from third division side S. C. Freamunde, where he began his professional career. At Paços, he was instrumental in the team's first qualification to the UEFA Cup scoring in a 1–1 home draw against FC Porto. After a season of excellent displays, Antunes was linked with moves to Porto, S. L. Benfica, Sporting Clube de Portugal, Atlético Madrid, AJ Auxerre, Aston Villa and R. S. C. Anderlecht. On 29 August 2007, just two days before the close of the transfer window, Italian club A. S. Roma obtained the player on a loan deal for €0.3 million, with the option to buy him permanently open until 15 April 2008.

He signed a 1+3-year-contract for €0.195 million in the first season – in gross, bonus excluded – increased to €0.321 million in the last year. Antunes made his official Roma debut on 12 December 2007, during the campaign's UEFA Champions League game against Manchester United, he was chosen as Man of the match in a poll conducted by the former's official website. On 20 January 2008, Antunes played his first Serie A match, coming on as a 77th-minute substitute in a 2–0 home win over Calcio Catania, he started against the same opponent in the semi-finals of the Coppa Italia in April, which ended with another success at the Stadio Olimpico, but was, however absent in the league, being barred by Italian internationals Marco Cassetti and Max Tonetto and totalling only 65 minutes of action. On 2 April 2008, Roma exercised their right to full ownership, paying Paços de Ferreira the sum of €1.2 million whilst the player signed a five-year contract. He was loaned to newly promoted U. S. Lecce in a season-long move, for €200,000.

After appearing for Lecce and not at all for Roma from August to December 2009, Antunes returned to Portugal the following month, being loaned to struggling Leixões S. C. until the end of the campaign, which ended in top flight relegation. On 5 February 2010, the FIFA Dispute Resolution Chamber ruled Freamunde eligible to receive €45,000 for Solidarity Contribution. On 31 January 2011, Antunes was signed by A. S. Livorno Calcio along with teammate Marco D'Alessandro on loan, with Roma paying the player an incentive of €270,000 in order to compensate the wage difference between the two clubs. On 28 June 2012, after spending five months loaned to Panionios F. C. in Greece, Antunes was released by Roma and signed a three-year contract with former side Paços de Ferreira, replacing Benfica-bound Luisinho. Late into the following winter transfer window, however, he was loaned to Málaga CF as a replacement for Arsenal-bound Nacho Monreal, he made his La Liga debut on 9 February, playing the full 90 minutes in a 2–1 away win against Levante UD, participated in 15 official games during the season, including four in the Champions League.

On 11 June 2013, Antunes signed a four-year deal with Málaga for a fee of €1.25 million. On 2 February 2015, Antunes made a deadline day move to Ukrainian Premier League club FC Dynamo Kyiv for a reported fee of around €6 million, signing a four-and-a-half-year contract, he made his debut on the 19th, playing the full 90 minutes in a 1–2 away loss to En Avant de Guingamp for the Europa League where his new team played with nine men for 45 minutes, scored his first goal on 15 March, helping to a 5–0 home victory over FC Illichivets Mariupol. On 21 July 2017, Antunes was loaned to Getafe CF for one year with a buyout clause. At the end of the season, it was activated and the player signed a two-year contract. On 21 May 2019, Antunes was voted into the La Liga Team of the Season; the previous month, however, he had suffered an anterior cruciate ligament injury to his right knee which would sideline him for a lengthy period of time. Antunes represented Portugal at the 2007 FIFA U-20 World Cup in Canada, playing all the games in an eventual round-of-16 exit and scoring in a 1–2 group stage loss against Mexico.

On 5 June 2007, aged 20, he earned his first cap for the senior team, appearing in a 1–1 draw away against Kuwait after replacing Paulo Ferreira for the last half-hour of the match. Antunes passed five years and four days between his third cap and his next, in September 2013. On 10 October 2017, he played 22 minutes in the decisive 2–0 home win over Switzerland for the 2018 FIFA World Cup qualifiers to help the nation top its group, he scored his first goal on 14 November of that year in a 1–1 friendly draw with the United States; as of 3 July 2018 As of 14 November 2017 As of 14 November 2017 Roma Coppa Italia: 2007–08Dynamo Kyiv Ukrainian Premier League: 2014–15, 2015–16 Ukrainian Cup: 2014–15 Ukrainian Super Cup: 2016 Vitorino Antunes at ForaDeJogo Vitorino Antunes at BDFutbol National team data Vitorino Antunes at Vitorino Antunes – FIFA competition record

Gottfried Bernhard Göz

Gottfried Bernhard Göz Goez, Goetz or Götz was a German Rococo painter and engraver. His father was a locksmith at the Cistercian monastery in Welehrad. In 1718, he was enrolled at the Jesuit school in Ungarisch-Hradisch, where he was rhetoric and grammar. After completing his course, he obtained a painting apprenticeship with Franz Gregor Ignaz Eckstein, restoring the monastery church. After four years, he became a wandering journeyman and settled in Augsburg around 1730; that city was a center for printing and publishing, as well as business and finance, so it is most that he learned engraving there to gain employment. He apparently learned etching from Johann Georg Bergmüller, he was married shortly after. His wife died young and he married again in 1736. For many years, he was employed by the music publisher Johann Christian Leopold. From 1739, he painted frescoes, including the chapel of the New Palace in Meersburg, the Dominican convent in Ostrach and the Provost deanery in Konstanz. In 1737, he went into the engraving business with the Klauber family.

Five years he founded his own publishing and engraving business, inventing a typographical device that enabled him to provide colored copper engravings with painting-like shades. Two years he received the honorary title of Imperial Court Painter from Charles VII, he was appointed a Company Commander in the Civil Guard. In 1749, he began decorating a new sanctuary in Birnau, St. Cassian's church in Regensburg, his last frescoes were done from 1762 to 1766 in the parish church of Solothurn. A series of large oil paintings for the library hall at Admont Abbey were nearly destroyed, but several sculptures by Josef Stammel from drawings by Göz have been preserved. Eduard Isphording: Gottfried Bernhard Göz 1708-1774. Ölgemälde und Zeichnungen. 2 Bde. Weißenhorn: Konrad 1984. ISBN 3-87437-155-7 und ISBN 3-87437-092-5 Eduard Isphording: Gottfried Bernhard Göz 1708-1774. Ein Augsburger Historienmaler des Rokoko und seine Fresken. Weißenhorn: Konrad 1997. ISBN 3-87437-334-7 ArtNet: More works by Göz Augsburger Gedenktage: Timeline of Göz's life.

Peter Stoll: Gottfried Bernhard Göz und die Seitenaltarbilder der Pfarrkirche von Tapfheim. Universitätsbibliothek, Augsburg 2008 Peter Stoll: Gottfried Bernhard Göz, Franz Anton Zeiller und die Rosenkranzspende von Scheer. Universitätsbibliothek, Augsburg 2011 Peter Stoll: Die Apostelfürsten von Gottfried Bernhard Göz in der Jesuitenkirche Hl. Kreuz in Landsberg am Lech. Universitätsbibliothek, Augsburg 2014