1.
Bucharest
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Bucharest is the capital and largest city of Romania, as well as its cultural, industrial, and financial centre. It is located in the southeast of the country, at 44°25′57″N 26°06′14″E, on the banks of the Dâmbovița River, less than 60 km north of the Danube River, Bucharest was first mentioned in documents in 1459. It became the capital of Romania in 1862 and is the centre of Romanian media, culture and its architecture is a mix of historical, interbellum, communist-era and modern. In the period between the two World Wars, the citys elegant architecture and the sophistication of its elite earned Bucharest the nickname of Little Paris. Although buildings and districts in the city centre were heavily damaged or destroyed by war, earthquakes. In recent years, the city has been experiencing an economic, in 2016, the historical city centre was listed as endangered by the World Monuments Watch. According to the 2011 census,1,883,425 inhabitants live within the city limits, the urban area extends beyond the limits of Bucharest proper and has a population of about 1.9 million people. Adding the satellite towns around the area, the proposed metropolitan area of Bucharest would have a population of 2.27 million people. According to Eurostat, Bucharest has an urban zone of 2,183,091 residents. According to unofficial data, the population is more than 3 million, Bucharest is the sixth-largest city in the European Union by population within city limits, after London, Berlin, Madrid, Rome, and Paris. Economically, Bucharest is the most prosperous city in Romania and is one of the industrial centres. The city has big convention facilities, educational institutes, cultural venues, traditional shopping arcades, the Romanian name București has an uncertain origin. Tradition connects the founding of Bucharest with the name of Bucur, who was a prince, an outlaw, a fisherman, in Romanian, the word stem bucurie means joy, and it is believed to be of Dacian origin. Other etymologies are given by scholars, including the one of an Ottoman traveler, Evliya Çelebi. A native or resident of Bucharest is called a Bucharester, Bucharests history alternated periods of development and decline from the early settlements in antiquity until its consolidation as the national capital of Romania late in the 19th century. First mentioned as the Citadel of București in 1459, it became the residence of the famous Wallachian prince Vlad III the Impaler, the Ottomans appointed Greek administrators to run the town from the 18th century. A short-lived revolt initiated by Tudor Vladimirescu in 1821 led to the end of the rule of Constantinople Greeks in Bucharest, the Old Princely Court was erected by Mircea Ciobanul in the mid-16th century. Under subsequent rulers, Bucharest was established as the residence of the royal court
2.
Romania
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Romania is a sovereign state located in Southeastern Europe. It borders the Black Sea, Bulgaria, Ukraine, Hungary, Serbia and it has an area of 238,391 square kilometres and a temperate-continental climate. With over 19 million inhabitants, the country is the member state of the European Union. Its capital and largest city, Bucharest, is the sixth-largest city in the EU, the River Danube, Europes second-longest river, rises in Germany and flows in a general southeast direction for 2,857 km, coursing through ten countries before emptying into Romanias Danube Delta. The Carpathian Mountains, which cross Romania from the north to the southwest are marked by one of their tallest peaks, Moldoveanu, modern Romania was formed in 1859 through a personal union of the Danubian Principalities of Moldavia and Wallachia. The new state, officially named Romania since 1866, gained independence from the Ottoman Empire in 1877, at the end of World War I, Transylvania, Bukovina and Bessarabia united with the sovereign Kingdom of Romania. Romania lost several territories, of which Northern Transylvania was regained after the war, following the war, Romania became a socialist republic and member of the Warsaw Pact. After the 1989 Revolution, Romania began a transition back towards democracy and it has been a member of NATO since 2004, and part of the European Union since 2007. A strong majority of the population identify themselves as Eastern Orthodox Christians and are speakers of Romanian. The cultural history of Romania is often referred to when dealing with artists, musicians, inventors. For similar reasons, Romania has been the subject of notable tourist attractions, Romania derives from the Latin romanus, meaning citizen of Rome. The first known use of the appellation was attested in the 16th century by Italian humanists travelling in Transylvania, Moldavia, after the abolition of serfdom in 1746, the word rumân gradually fell out of use and the spelling stabilised to the form român. Tudor Vladimirescu, a leader of the early 19th century. The use of the name Romania to refer to the homeland of all Romanians—its modern-day meaning—was first documented in the early 19th century. The name has been officially in use since 11 December 1861, in English, the name of the country was formerly spelt Rumania or Roumania. Romania became the predominant spelling around 1975, Romania is also the official English-language spelling used by the Romanian government. The Neolithic-Age Cucuteni area in northeastern Romania was the region of the earliest European civilization. Evidence from this and other sites indicates that the Cucuteni-Trypillian culture extracted salt from salt-laden spring water through the process of briquetage
3.
House music
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House music is a genre of electronic music created by club DJs and music producers in Chicago in the early 1980s. Early house music was characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals. While house displayed several characteristics similar to music, it was more electronic and minimalistic. House music became popular in Chicago clubs in 1984 and it was pioneered by figures such as Frankie Knuckles, Phuture, Kym Mazelle, and Mr. Fingers, and was associated with African-American and gay subcultures. House music quickly spread to other American cities such as Detroit, New York City, Baltimore, in the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia. Since the early to mid-1990s, house music has been infused in mainstream pop, in the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a successful genre and a more mainstream pop-based variation grew increasingly popular. House music has also fused with other genres creating fusion subgenres, such as euro house, tech house, electro house. After enjoying significant success in the early to mid-90s, house music grew even larger during the wave of progressive house. The genre has remained popular and fused into other subgenres, for example, ghetto house, deep house. As of 2016, house music popular in both clubs and in the mainstream pop scene while retaining a foothold on underground scenes across the globe. The song structure of music songs typically involves an intro, a chorus, various verse sections, a midsection. Some songs do not have a verse, taking a part from the chorus. The drum beat is one of the important elements within the genre and is almost always provided by an electronic drum machine rather than by a human drummer playing drumkit. The drum beats of house are four on the floor, with bass drums played on every beat, House music is often based on bass-heavy loops or basslines produced by a synthesizer and/or from samples of disco or funk songs. The tempo of most house songs is between 118 and 135 beats per minute, soul music and disco influenced house music. These artists produced longer, more repetitive, and percussive arrangements of existing disco recordings, early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. Rachel Cain, co-founder of an influential Trax Records, was involved in the burgeoning punk scene and cites industrial
4.
Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions
5.
Dubstep
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Dubstep is a genre of electronic dance music that originated in South London, England. It emerged in the late 1990s as a development within a lineage of related styles such as 2-step garage, dub, techno, drum and bass, broken beat, jungle, and reggae. In the United Kingdom the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s, the music generally features sparse, syncopated drum and percussion patterns with bass lines that contain prominent sub bass frequencies. The earliest dubstep releases date back to 1998, and were featured as B-sides of 2-step garage single releases. These tracks were darker, more experimental remixes with less emphasis on vocals, a very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards. In 2004, the last year of his show, his listeners voted Distance, Digital Mystikz, simultaneously, the genre was receiving extensive coverage in music magazines such as The Wire and online publications such as Pitchfork, with a regular feature entitled The Month In, Grime/Dubstep. Interest in dubstep grew significantly after BBC Radio 1 DJ Mary Anne Hobbs started championing the genre, towards the end of the 2000s and into the early 2010s, the genre started to become more commercially successful in the UK, with more singles and remixes entering the music charts. Music journalists and critics noticed a dubstep influence in several pop artists work. The music website Allmusic has described Dubsteps overall sound as tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals. According to Simon Reynolds, Dubsteps constituents originally came from different points in the 1989—99 UK lineage, bleep n bass, jungle, techstep, Photek-style neurofunk, speed garage,2 step. Reynolds comments that the traces of pre-existing styles worked through their intrinsic sonic effects but also as signifiers, Dubsteps early roots are in the more experimental releases of UK garage producers, seeking to incorporate elements of drum and bass into the South London-based 2-step garage sound. These experiments often ended up on the B-side of a label or commercial garage release. Similar to a vocal garage hybrid – grime – the genres feel is commonly dark, tracks frequently use a minor key, other distinguishing features often found are the use of samples, a propulsive, sparse rhythm, and an almost omnipresent sub-bass. Some dubstep artists have incorporated a variety of outside influences. Dubstep rhythms are usually syncopated, and often shuffled or incorporating tuplets, the tempo is nearly always in the range of 138–142 beats per minute, with a clap or snare usually inserted every third beat in a bar. In its early stages, dubstep was often more percussive, with influences from 2‑step drum patterns. A lot of producers were experimenting with tribal drum samples, such as Loefahs early release Truly Dread. One characteristic of certain strands of dubstep is the bass, often referred to as the wub
6.
Electronic music
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In general, a distinction can be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, purely electronic sound production can be achieved using devices such as the theremin, sound synthesizer, and computer. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for instruments were composed. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds, Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was created in Japan and the United States beginning in the 1950s. An important new development was the advent of computers for the purpose of composing music, algorithmic composition was first demonstrated in Australia in 1951. In America and Europe, live electronics were pioneered in the early 1960s, during the 1970s to early 1980s, the monophonic Minimoog became once the most widely used synthesizer at that time in both popular and electronic art music. In the 1980s, electronic music became dominant in popular music, with a greater reliance on synthesizers, and the adoption of programmable drum machines. Electronically produced music became prevalent in the domain by the 1990s. Contemporary electronic music includes many varieties and ranges from art music to popular forms such as electronic dance music. Today, pop music is most recognizable in its 4/4 form. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments and these initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for the instruments, while some were considered novelties and produced simple tones, the Telharmonium accurately synthesized the sound of orchestral instruments. It achieved viable public interest and made progress into streaming music through telephone networks. Critics of musical conventions at the time saw promise in these developments, ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music, futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery. They predicted expansions in timbre allowed for by electronics in the influential manifesto The Art of Noises, developments of the vacuum tube led to electronic instruments that were smaller, amplified, and more practical for performance. In particular, the theremin, ondes Martenot and trautonium were commercially produced by the early 1930s, from the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger to adopt them
7.
Reggae fusion
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Reggae fusion is a fusion genre of reggae that mixes reggae or dancehall with other genres, such as pop, rock, R&B, jazz & drum and bass. Although artists have been mixing reggae with other genres from as early as the early 1970s, artists such as UB40 were described using terms that joined the various genres they performed. It was not until the late 1990s when the term was coined, the subgenre predominantly evolved from late 1980s and early 1990s dancehall music which instrumentals or riddims contained elements from the R&B and hip hop genres. Due to this, some consider dancehall artists such as Mad Cobra, Shabba Ranks, Super Cat, Buju Banton, for some of these artists, such as Buju Banton, reggae fusion became a staple throughout their careers. Therefore, Third World can be seen as arguably the original pioneers of reggae fusion leading the way for such as UB40. This led dancehall artists who were trying to break into the U. S, traditional dancehall acts, such as Shaggy and Beenie Man experienced commercial success in the American markets with the release of their albums in 2000. The early 2000s also saw Sean Paul achieve tremendous success internationally with singles such as Baby Boy, Breathe, Like Glue and Make It Clap, among many others. His albums Dutty Rock & The Trinity altogether spawned five top 10 Billboard Hot 100 hits between 2002 and 2006, including number one hits, Get Busy & Temperature. In the early 90s, the evolution of reggae fusion reached another musical style in Europe with the worldwide #1 hits All That She Wants, The Sign, other Eurodance artists such as Dr. Alban, E-Rotic and the Vengaboys regularly fused their style with Reggae as well. The first reggae fusion-influenced riddim was produced in 2005 by Cordell Skatta Burrell, Reggae fusion is now a regular staple on Jamaican radio stations, especially Zip 103 FM, in the form of singles, mixes and remixes. This has led to more reggae fusion hits being produced as well as making waves on the Dancehall charts in Jamaica. One such single, Ramping Shop by Vybz Kartel and Spice, was one of the biggest reggae fusion hits in 2008, not to one of the top singles in Jamaica of that year. Holiday was also nominated and won for the Best Collaboration, in 2011, Shaggy established a reggae fusion record label called Ranch Entertainment. It is intended to be launched in the summer of 2012 and its growth locally, however, has not come without its criticisms as some feel that the subgenre only serves to dilute the raw sound of reggae and their musical culture. While On A Mission was recognized as the official song and was applauded by some. A popular dancehall artist, Mr. Vegas spoke out against the use of the song being quoted as saying It doesnt represent Jamaica 50, it doesnt reflect our culture or where our music is coming from. Stephens believed that due to ska not being at the forefront of Jamaican music for many years, combining it with something fresh could bring it back into the spotlight. Through other Caribbean-born artists such as Sean Paul, Damian Marley, Sean Kingston, Nicki Minaj and Rihanna who emerged during the mid-2000s, later in 2014, Canadian reggae fusion band, Magic
8.
Singing
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Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist, Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists, Singers may perform as soloists, or accompanied by anything from a single instrument up to a symphony orchestra or big band. Singing can be formal or informal, arranged or improvised and it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual, as part of music education, or as a profession. Excellence in singing requires time, dedication, instruction, and regular practice, if practice is done on a regular basis then the sounds can become more clear and strong. Professional singers usually build their careers around one specific genre, such as classical or rock. They typically take voice training provided by teachers or vocal coaches throughout their careers. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort, exhalation may be aided by the abdominal, internal intercostal and lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals, scalenes and sternocleidomastoid muscles, the pitch is altered with the vocal cords. With the lips closed, this is called humming, humans have vocal folds which can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body and an individuals size, Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation, another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds. These different kinds of function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singers Formant and it has also been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa. The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds, Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a series of tones, produced in the same vibratory pattern of the vocal folds
9.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
10.
Model (person)
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A model is a person with a role either to promote, display, or advertise commercial products or to serve as a visual aide for people who are creating works of art or to pose for photography. Modelling is considered to be different from other types of public performance, although the difference between modelling and performing is not always clear, appearing in a film or a play is not generally considered to be modelling. Types of modelling include, fashion, glamour, fitness, bikini, fine art, body-part, Models are featured in a variety of media formats including, books, magazines, films, newspapers, internet and TV. Fashion models are featured in films, reality TV shows. Celebrities, including actors, singers, sports personalities and reality TV stars, modelling as a profession was first established in 1853 by Charles Frederick Worth, the father of haute couture, when he asked his wife, Marie Vernet Worth, to model the clothes he designed. The term house model was coined to describe this type of work, eventually, this became common practice for Parisian fashion houses. There were no standard physical measurement requirements for a model, with the development of fashion photography, the modelling profession expanded to photo modelling. Models remained fairly anonymous, and relatively poorly paid, until the late 1950s, one of the first well-known models was Lisa Fonssagrives, who was very popular in the 1930s. Fonssagrives appeared on over 200 Vogue covers, and her name recognition led to the importance of Vogue in shaping the careers of fashion models. In 1946, Ford Models was established by Eileen and Gerard Ford in New York, one of the most popular models during the 1940s was Jinx Falkenburg who was paid $25 per hour, a large sum at the time. During the 1940s and 1950s, Wilhelmina Cooper, Jean Patchett, Dovima, Dorian Leigh, Suzy Parker, Evelyn Tripp, Carmen DellOrefice, dorothea Church was among the first black models in the industry to gain notoriety in Paris. However, these models were unknown outside the fashion community, compared to todays models, the models of the 1950s were more voluptuous. Wilhelmina Coopers measurements were 38-24-36 whereas Chanel Imans measurements are 32-23-33, in the 1960s, the modelling world began to establish modelling agencies. Throughout Europe, secretarial services acted as models agents charging them weekly rates for their messages, for the most part, models were responsible for their own billing. In Germany, agents were not allowed to work for a percentage of a persons earnings, with the exception of a few models travelling to Paris or New York, travelling was relatively unheard of for a model. Most models only worked in one market due to different labor laws governing modelling in various countries, in the 1960s, Italy had many fashion houses and fashion magazines but was in dire need of models. Italian agencies would often coerce models to return to Italy without work visas by withholding their pay and they would also pay their models in cash, which models would have to hide from customs agents. It was not uncommon for models staying in such as La Louisiana in Paris or the Arena in Milan to have their hotel rooms raided by the police looking for their work visas
11.
Roton (label)
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Roton is an independent Romanian record label established in 1994. The company has around 100 employees, having offices in Bucharest, Iași, Cluj, the turnover in 2007 was 4 million €. In 2011, Roton Records entered into a deal with Warner Music Group for some of its most popular artists. In October 2015, Warner Music and Roton extended their deal to include Latin America. Roton represents several well-known Romanian artists, such as Iris, Holograf, Proconsul, Akcent, Inna, Mihai Trăistariu, the Roton Record Company is composed by 5 labels, ROTON dance arena NRG. A R. U. L
12.
R.A.C.L.A.
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R. A. C. L. A. is a Romanian hip hop group, founded in 1993 in Bucharest. Initially consisting of brothers Călin Rimaru Ionescu and Daniel Clonatu Ionescu, the released the first Romanian hip hop album in 1995 on Kromm Studio. Originally known among its fans as a hardcore and political rap group, in the mid and late 1990s, R. A. C. L. A. Also gained notoriety for their involvement in a violent conflict with gangsta rap group B. U. G, mafia and some of their affiliates at the time, such as La Familia and Il-Egal. The dispute initially produced a number of tracks from both sides and would later lead to physical altercations between members of the groups. A. C. L. A
13.
Connect-R
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Early in his career and the successful solo career that followed his leaving of the group. He has been noted as having a singing voice and his eclectic musical style. Mihalache was born in mid-1982 in Bucharest and, by the age of 8, was a dancer as a member of the dance group Primăvara. By the age of 15, he had become involved with hip hop music and in 1997 recorded Observ, dacă dragostea dispare From Nothing to Something Dragostit
14.
My Love on You
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My Love on You, also referred to as Love On You, is a song recorded by Romanian recording artist Anda Adam for her studio album, Amo. It was released for download on 26 November 2009, while a digital remix EP containing remixes of the songs from DJs from different countries was also made available for purchase. The track reached commercial success, eventually peaking at one in Turkey. According to the Romanian Year-End Chart from 2010, My Love on You was broadcast overall at least 6.000 times in Romania that year, the critical reception for the song was mostly positive, with music critics praising Adams voice performance and the tracks instrumentation. The official music video for My Love on You was shot on January 15,2010 at the Atlantis Studios in Bucharest, the clip opens with Adam lying in a dark room and a light reflecting on her. Following this, she is seen in a transparent box. Cut scenes for that scene portray her sitting on a motocycle, subsequently, Adam is seen again inside the steamy box from the beginning, where she is sweating and trying to escape. Upon her escape, the video ends with the opening scene
15.
Discogs
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Discogs, short for discographies, is a website and crowdsourced database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. The Discogs servers, currently hosted under the domain name discogs. com, are owned by Zink Media, Inc. and are located in Portland, Oregon, US. While the site lists releases in all genres and on all formats, it is known as the largest online database of electronic music releases. Discogs currently contains over 8 million releases, by nearly 4 and he was inspired by the success of community-built sites such as Slashdot, eBay, and Open Directory Project, and decided to use this model for a music discography database. The sites original goal was to build the most comprehensive database of music, organized around the artists, labels. In 2003 the Discogs system was rewritten, and in January 2004 it began to support other genres. Since then, it has expanded to include rock and jazz in January 2005 and funk/soul, Latin, in January 2006 blues and non-music were added. On 30 June 2004, Discogs published a report, which included information about the number of its contributors and this report claimed that Discogs had 15,788 contributors and 260,789 releases. On 20 July 2007 a new system for sellers was introduced on the site called Market Price History. However, at the beginning of 2008, the Market Price History was also free of charge for all users. In late 2014, the company released two new beta websites, gearogs lets users add and track music equipment like synths, drum machines, and other electronic music making equipment. At the start of 2015, the company began another beta project — Bibliogs, users can submit information about their books, physical or electronic, different versions and editions, and also connect different credits to these books. 21,000 books were submitted by the end of 2016, the project remains in its beta phase. The license has since changed to a public domain one. Prior to the advent of this license and API, Discogs data was only accessible via the Discogs web sites HTML interface and was intended to be viewed only using web browsers, the HTML interface remains the only authorized way to modify Discogs data. On 7 June 2011 version 2 of the API was released, notable in this release was that a license key was no longer required, the default response was changed from XML to JSON, and the 5000 queries per day limit was removed. On 1 November 2011 a major update to version 2 of the API was released and this new release dropped support for XML, data is always returned in JSON format, however the monthly data dumps of new data are only provided in XML format. Additionally the Premium API service was dropped, on 24 June 2014 Discogs deprecated their XML API in lieu of a JSON-formatted API
16.
MusicBrainz
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MusicBrainz is a project that aims to create an open data music database that is similar to the freedb project. MusicBrainz was founded in response to the placed on the Compact Disc Database. MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become an open online database for music. MusicBrainz captures information about artists, their works, and the relationships between them. Recorded works entries capture at a minimum the album title, track titles, and these entries are maintained by volunteer editors who follow community written style guidelines. Recorded works can also store information about the date and country. As of 26 July 2016, MusicBrainz contained information about roughly 1.1 million artists,1.6 million releases, end-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as MP3, Ogg Vorbis or AAC. As with other contributions, the MusicBrainz community is in charge for maintaining and reviewing the data, besides collecting metadata about music, MusicBrainz also allows looking up recordings by their acoustic fingerprint. A separate application, such as MusicBrainz Picard, must be used for this, in 2000, MusicBrainz started using Relatables patented TRM for acoustic fingerprint matching. This feature attracted many users and allowed the database to grow quickly, however, by 2005 TRM was showing scalability issues as the number of tracks in the database had reached into the millions. This issue was resolved in May 2006 when MusicBrainz partnered with MusicIP, tRMs were phased out and replaced by MusicDNS in November 2008. In October 2009 MusicIP was acquired by AmpliFIND, some time after the acquisition, the MusicDNS service began having intermittent problems. Since the future of the free service was uncertain, a replacement for it was sought. The Chromaprint acoustic fingerprinting algorithm, the basis for AcoustID identification service, was started in February 2010 by a long-time MusicBrainz contributor Lukáš Lalinský, while AcoustID and Chromaprint are not officially MusicBrainz projects, they are closely tied with each other and both are open source. Chromaprint works by analyzing the first two minutes of a track, detecting the strength in each of 12 pitch classes, storing these 8 times per second, additional post-processing is then applied to compress this fingerprint while retaining patterns. The AcoustID search server then searches from the database of fingerprints by similarity, since 2003, MusicBrainzs core data are in the public domain, and additional content, including moderation data, is placed under the Creative Commons CC-BY-NC-SA-2.0 license. The relational database management system is PostgreSQL, the server software is covered by the GNU General Public License. The MusicBrainz client software library, libmusicbrainz, is licensed under the GNU Lesser General Public License, in December 2004, the MusicBrainz project was turned over to the MetaBrainz Foundation, a non-profit group, by its creator Robert Kaye
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