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First inauguration of Lyndon B. Johnson

The first inauguration of Lyndon B. Johnson as the 36th President of the United States was held on Friday, November 22, 1963, aboard Air Force One at Love Field, following the assassination of President John F. Kennedy earlier that day; the inauguration marked the commencement of the first term of Lyndon B. Johnson as President; this was the eighth non-scheduled, extraordinary inauguration to take place since the presidency was established in 1789. At 12:30 pm Central Standard Time on November 22, Kennedy was shot in Dallas while riding with his wife, Jacqueline, in the presidential motorcade. Vice President Johnson was riding in a car behind the president with his wife, Lady Bird Johnson, Texas Senator Ralph Yarborough. After shots were fired, Johnson was thrown down and sat on by Secret Service agent Rufus Youngblood, the President's and Vice President's cars sped to Parkland Memorial Hospital. There were initial reports that Johnson might have been shot wounded in the arm or that he had suffered another heart attack.

Mrs. Johnson confirmed to reporters that he was fine and did not suffer any injury or illness other than being shaken at what he'd seen. In the hospital, Johnson was surrounded by Secret Service agents, who encouraged him to return to Washington in case he too was targeted for assassination. Johnson wished to wait. At this point arrangements were made to provide Secret Service protection of the two Johnson daughters, it was decided that the new president would leave on the presidential aircraft because it had better communications equipment. Johnson was driven by an unmarked police car to Love Field, kept below the car's window level throughout the journey; the President waited for Jacqueline Kennedy, who in turn would not leave Dallas without her husband's body, to arrive aboard Air Force One. Kennedy's casket was brought to the aircraft, but takeoff was delayed until Johnson took the oath of office. There was concern that since the Secret Service had taken the body of Kennedy from Parkland Hospital against the wishes of the Dallas medical examiner, Earl Rose, who had insisted an autopsy was required, the Dallas Police Department would seek to prevent Air Force One taking off.

Assassination of the President was not yet a federal crime. President Johnson chose federal district Judge Sarah T. Hughes, a long-standing friend, to swear him in, he had sought her appointment to a federal judgeship, which Robert Kennedy rejected on advice from the Justice Department on account of her age. When the Justice Department reversed its decision a few weeks and appointed Hughes, Johnson was outraged at having not been consulted. For the inauguration twenty-seven people squeezed into the sixteen-foot square stateroom of Air Force One for the proceedings. Adding to the discomfort was the lack of air conditioning as the aircraft had been disconnected from the external power supply, in order to take off promptly; as the inauguration proceeded the four jet engines of Air Force One were being powered up. The Warren Commission's report detailed the inauguration: From the Presidential airplane, the new President telephoned Attorney General Robert F. Kennedy, who advised that Mr. Johnson take the Presidential oath of office before the plane left Dallas.

Federal Judge Sarah T. Hughes hastened to the plane to administer the oath. Members of the Presidential and Vice-Presidential parties filled the central compartment of the plane to witness the swearing in. At 2:38 p.m. CST, Lyndon Baines Johnson took the oath of office as the 36th President of the United States. Mrs. Kennedy and Mrs. Johnson stood at the side of the new President. Nine minutes the Presidential airplane departed for Washington, D. C; the swearing-in ceremony administered by Judge Hughes in an Air Force One conference room represented the first time that a woman administered the presidential oath of office as well as the only time it was conducted on an airplane. Instead of the usual Bible, Johnson was sworn in upon a missal found on a side table in Kennedy's Air Force One bedroom. After the oath had been taken, Johnson kissed his wife on the forehead. Mrs. Johnson took Jackie Kennedy's hand and told her, "The whole nation mourns your husband." At exactly the same time as the ceremony, CBS anchor Walter Cronkite read aloud on the air wire copy from the Associated Press confirming Kennedy's death, subsequently adding that Johnson would be sworn in as president.

According to the Museum of Broadcast Communications's Encyclopedia of Television, during their frantic afternoon coverage of the unfolding events, American broadcasters made a "determined effort" to refer to him as "President Johnson". The famous photograph of the inauguration was taken by Cecil Stoughton, John F. Kennedy's official photographer. On Stoughton's suggestion Johnson was flanked by his wife and Jacqueline Kennedy, facing away from the camera so that blood stains on her pink Chanel suit would not be visible; the photograph was taken using a Hasselblad camera. The inauguration was sound recorded by White House press secretary Malcolm Kilduff using Air Force One's dictaphone. During the flight back to Andrews Air Force Base, Johnson made several phone calls on the radio telephone, including to Rose Kennedy and Nellie Connally. In addition, he made the decision to request all cabinet members to stay in their posts and asked to meet both parties' leaders in Congress soon. Johnson asked J

John Strangfeld

John R. Strangfeld is an American businessman, he is the former chairman, chief executive officer, president of Prudential Financial. Strangfeld has been with Prudential since July 1977, serving in various management positions, including the executive in charge of Prudential's Global Asset Management Group since 1996, senior managing director of The Private Asset Management Group from 1995 to 1996, chairman at PRICOA Capital Group Europe from 1989 to 1995. Strangfeld was appointed CEO of Prudential Financial in 2008. Strangfeld is a member of the Raven Society, the oldest and most prestigious honorary society at the University of Virginia, he holds the Chartered Financial Analyst designation. Strangfeld was on the board of trustees at Susquehanna University from 1999 until February 2017 when he became an emeritus board member. Strangfeld received a B. S. in business administration from Susquehanna University and an M. B. A. from the Darden School of Business at the University of Virginia. He was the keynote speaker at the 2017 Susquehanna University commencement ceremony, in which he received an honorary Doctor of Humane Letters degree alongside two other speakers.

While CEO of Prudential Financial in 2008, John Strangfeld earned a total compensation of $16,302,184, which included a base salary of $970,769, a cash bonus of $3,300,000, stocks granted of $7,207,765, options granted of $4,678,905. Profile for John R. Strangfeld from Forbes.com Profile for John R. Strangfeld from Businessweek.com

Mayor of Simpleton

"Mayor of Simpleton" is a song written by Andy Partridge of the English band XTC, released as the first single from their 1989 album Oranges & Lemons. The single reached No. 72 on the Billboard Hot 100 singles chart, No. 1 on its Modern Rock chart, No. 15 on its Mainstream Rock chart, becoming the band's best-performing single in the United States. The song went through numerous different versions. Partridge settled on its final arrangement after discovering a C major to D major picking pattern that he thought resembled Blue Öyster Cult's " The Reaper". Unlike many other XTC songs, he instructed a specific bass part to Colin Moulding: "Colin had to work hard to get that bass line. It's precise, it took me a long time to work it out, because I wanted to get into the J. S. Bach mode of each note being the perfect counterpoint to where the chords are and where the melody is; the bass is the third part in the puzzle." Its lyrics are sometimes criticised for its similarity to Sam Cooke's "Wonderful World", but Partridge denied copying the song intentionally.

Lyrically, the song describes a man, looked down upon by his girlfriend's peers for being uneducated and non-intellectual, stating that despite this, he is devoted to her. List of Billboard number-one alternative singles of the 1980s "Mayor of Simpleton" on Chalkhills

Dada

Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centers in Zürich, Switzerland, at the Cabaret Voltaire. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic and aestheticism of modern capitalist society, instead expressing nonsense and anti-bourgeois protest in their works; the art of the movement spanned visual and sound media, including collage, sound poetry, cut-up writing, sculpture. Dadaist artists expressed their discontent with violence and nationalism, maintained political affinities with the radical far-left. There is no consensus on the origin of the movement's name. Others note that it suggests the first words of a child, evoking a childishness and absurdity that appealed to the group. Still others speculate that the word might have been chosen to evoke a similar meaning in any language, reflecting the movement's internationalism; the roots of Dada lie in pre-war avant-garde. The term anti-art, a precursor to Dada, was coined by Marcel Duchamp around 1913 to characterize works which challenge accepted definitions of art.

Cubism and the development of collage and abstract art would inform the movement's detachment from the constraints of reality and convention. The work of French poets, Italian Futurists and the German Expressionists would influence Dada's rejection of the tight correlation between words and meaning. Works such as Ubu Roi by Alfred Jarry, the ballet Parade by Erik Satie would be characterized as proto-Dadaist works; the Dada movement's principles were first collected in Hugo Ball's Dada Manifesto in 1916. The Dadaist movement included public gatherings and publication of art/literary journals. Key figures in the movement included Hugo Ball, Marcel Duchamp, Emmy Hennings, Hans Arp, Sophie Taeuber-Arp, Raoul Hausmann, Hannah Höch, Johannes Baader, Tristan Tzara, Francis Picabia, George Grosz, John Heartfield, Man Ray, Beatrice Wood, Kurt Schwitters, Hans Richter, Max Ernst, Elsa von Freytag-Loringhoven among others; the movement influenced styles like the avant-garde and downtown music movements, groups including Surrealism, nouveau réalisme, pop art and Fluxus.

Dada was an informal international movement, with participants in North America. The beginnings of Dada correspond to the outbreak of World War I. For many participants, the movement was a protest against the bourgeois nationalist and colonialist interests, which many Dadaists believed were the root cause of the war, against the cultural and intellectual conformity—in art and more broadly in society—that corresponded to the war. Avant-garde circles outside France knew of pre-war Parisian developments, they had seen Cubist exhibitions held at Galeries Dalmau, Galerie Der Sturm in Berlin, the Armory Show in New York, SVU Mánes in Prague, several Jack of Diamonds exhibitions in Moscow and at De Moderne Kunstkring, Amsterdam. Futurism developed in response to the work of various artists. Dada subsequently combined these approaches. Many Dadaists believed that the'reason' and'logic' of bourgeois capitalist society had led people into war, they expressed their rejection of that ideology in artistic expression that appeared to reject logic and embrace chaos and irrationality.

For example, George Grosz recalled that his Dadaist art was intended as a protest "against this world of mutual destruction."According to Hans Richter Dada was not art: it was "anti-art." Dada represented the opposite of everything. Where art was concerned with traditional aesthetics, Dada ignored aesthetics. If art was to appeal to sensibilities, Dada was intended to offend; as Hugo Ball expressed it, "For us, art is not an end in itself... but it is an opportunity for the true perception and criticism of the times we live in."A reviewer from the American Art News stated at the time that "Dada philosophy is the sickest, most paralyzing and most destructive thing that has originated from the brain of man." Art historians have described Dada as being, in large part, a "reaction to what many of these artists saw as nothing more than an insane spectacle of collective homicide."Years Dada artists described the movement as "a phenomenon bursting forth in the midst of the postwar economic and moral crisis, a savior, a monster, which would lay waste to everything in its path... a systematic work of destruction and demoralization...

In the end it became nothing but an act of sacrilege." To quote Dona Budd's The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of the First World War. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zürich. Dada rejected reason and logic, prizing nonsense and intuition; the origin of the name Dada is unclear. Others maintain that it originates from the Romanian artists Tristan Tzara's and Marcel Janco's frequent use of the words "da, da," meaning "yes, yes" in the Romanian language. Another theory says that the name "Dada" came during a meeting of the group when a paper knife stuck into a French–German dictionary happened to point to'dada', a French word for'hobbyhorse'; the movement involved v

The Wrong Side of the Sky

The Wrong Side of the Sky is the debut novel by English author Gavin Lyall, first published in 1961. It is written in the first person narrative. Jack Clay, an ex-Royal Air Force military transport makes a threadbare living flying charter cargo flights of dubious legitimacy around the Mediterranean and other parts of Europe in an old Douglas DC-3, his dreams of having his own aeroplane and own charter company are fading due to age and lack of money, but at least he is flying. While in Athens, Greece he has a chance encounter with an old wartime friend and rival pilot, Ken Kitson, when the latter lands in a luxurious private Piaggio P.166. Kitson is personal pilot to the immensely wealthy former-Nawab of Tungabhadra in Pakistan, searching the world for his family's heirloom jewels, stolen by a British charter pilot during the Partition of India. However, the Nawab is not the only one looking for the missing jewels, is not the only one who would cheat, steal or murder to find them first. Although Lyall's debut novel, it was an immediate success.

G. Wodehouse singled it out for special praise:“Terrific: when better novels of suspense are written, lead me to them.”