1.
Jean-Baptiste Greuze
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Jean-Baptiste Greuze was a French painter of portraits, genre scenes, and history painting. Greuze was born at Tournus, a town in Burgundy. In 1755 Greuze exhibited his Aveugle trompé, upon which, presented by Pigalle the sculptor, towards the close of the same year he left France for Italy, in company with the Abbé Louis Gougenot. In 1759,1761 and 1763 Greuze exhibited with ever-increasing success, in 1765 he reached the zenith of his powers, Greuze wished to be received as a historical painter, and produced a work which he intended to vindicate his right to despise his qualifications as a genre artist. This unfortunate canvas was exhibited in 1769 side by side with Greuzes portrait of Jeaurat, Greuze, greatly incensed, quarrelled with his confreres, and ceased to exhibit until, in 1804, the Revolution had thrown open the doors of the Academy to all the world. In the following year, on 4 March 1805, he died in the Louvre in great poverty, around the stem was a paper inscribed, These flowers offered by the most grateful of his students are emblems of his glory. It was Mlle Mayer, later the friend of Prudhon and that return to nature which inspired Rousseaus attacks upon an artificial civilization demanded expression in art. La Jeune Fille à lagneau fetched, indeed, at the Pourtals sale in 1865, one of Greuzes pupils, Madame Le Doux, imitated with success the manner of her master, his daughter and granddaughter, Madame de Valory, also inherited some traditions of his talent. Were the real subject of the picture, in the sixteenth chapter of E. M. Chinese author Xiao Yi mentions Greuzes work The Broken Pitcher throughout the first half of her novel Blue Nails. The Broken Pitcher is also mentioned in the first scene of the Jean-Paul Sartre play, / We like Beardsley and Green Chartreuse. / Faded boys, jaded boys, come what may, / Art is our inspiration / And as we are the reason for the “Nineties” being gay, edgar Munhall organized the first major exhibition devoted to the artist, Jean-Baptiste Greuze, 1725-1805. The exhibition opened at the Wadsworth Atheneum in Hartford and then traveled to the California Legion of Honor in San Francisco, in 2002, the first exhibition of Greuzes drawings was held at The Frick Collection in New York. It was also organized by Munhall, who wrote the catalog, Jean-Baptiste Greuzes works Les Neuf Sœurs References Sources Normand, J. B. Emma Barker, Greuze and the Painting of Sentiment and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Greuze, Jean Baptiste. Works and literature at PubHist Europe in the age of enlightenment and revolution, a catalog from The Metropolitan Museum of Art Libraries, which contains material on Greuze
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Jacques Gabriel
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Jacques Gabriel was a French architect, the father of the famous Ange-Jacques Gabriel. The younger Jacques Gabriel was appointed one of the controlleurs généraux at the Bâtiments du Roi in 1688 and he was made a member of the Académie at Mansarts reorganization of that body in 1699. Gabriels work in Paris has been much remodelled, mariettes Architecture françoise offers plates illustrating several hôtels particuliers by Gabriel. He completed the Hôtel de Lassay nearby and he was responsible for the Hôtel Peyrenc de Moras, 1728-31. Period Rooms in the Metropolitan Museum of Art, a fully digitized text from The Metropolitan Museum of Art Libraries
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Louis XV of France
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Louis XV, known as Louis the Beloved, was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1 September 1715 until his death. He succeeded his great-grandfather Louis XIV at the age of five, Cardinal Fleury was his chief minister from 1726 until the Cardinals death in 1743, at which time the young king took sole control of the kingdom. During his reign, Louis returned the Austrian Netherlands, territory won at the Battle of Fontenoy of 1745, Louis also ceded New France in North America to Spain and Great Britain at the conclusion of the Seven Years War in 1763. He incorporated the territories of Lorraine and Corsica into the kingdom of France and he was succeeded by his grandson Louis XVI in 1774. French culture and influence were at their height in the first half of the eighteenth century, however, many scholars believe that Louis XVs decisions damaged the power of France, weakened the treasury, discredited the absolute monarchy, and made it more vulnerable to distrust and destruction. Evidence for this view is provided by the French Revolution, which broke out 15 years after his death, norman Davies characterized Louis XVs reign as one of debilitating stagnation, characterized by lost wars, endless clashes between the Court and Parliament, and religious feuds. A few scholars defend Louis, arguing that his negative reputation was based on propaganda meant to justify the French Revolution. Jerome Blum described him as a perpetual adolescent called to do a mans job, Louis XV was born in the Palace of Versailles on 15 February 1710 during the reign of Louis XIV. His grandfather, Louis Le Grand Dauphin, had three sons with his wife Marie Anne Victoire of Bavaria, Louis, Duke of Burgundy, Philippe, Duke of Anjou, and Charles, Duke of Berry. Louis XV was the son of the Duke of Burgundy and his wife Marie Adélaïde of Savoy, the eldest daughter of Victor Amadeus II, Duke of Savoy. At birth, Louis XV received a title for younger sons of the French royal family. In April 1711, Louis Le Grand Dauphin suddenly died, making Louis XVs father, the Duke of Burgundy, at that time, Burgundy had two living sons, Louis, Duke of Brittany and his youngest son, the future Louis XV. A year later, Marie Adélaïde, Duchess of Burgundy, contracted smallpox and her husband, said to be heartbroken by her death, died the same week, also having contracted smallpox. Within a week of his death, it was clear that the two children had also been infected. The elder son was treated by bloodletting in an unsuccessful effort to save him. Fearing that the Dauphin would die, the Court had both the Dauphin and the Duke of Anjou baptised, the Dauphin died the same day,8 March 1712. His younger brother, the Duke of Anjou, was treated by his governess, Madame de Ventadour. The two year old Dauphin survived the smallpox, on 1 September 1715, Louis XIV died of gangrene, having reigned for 72 years
4.
Place de la Concorde
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The Place de la Concorde is one of the major public squares in Paris, France. Measuring 8.64 hectares in area, it is the largest square in the French capital and it is located in the citys eighth arrondissement, at the eastern end of the Champs-Élysées. The place was designed by Ange-Jacques Gabriel in 1755 as a moat-skirted octagon between the Champs-Elysées to the west and the Tuileries Garden to the east, decorated with statues and fountains, the area was named Place Louis XV to honor the king at that time. At the north end, two magnificent identical stone buildings were constructed, separated by the rue Royale, these structures remain among the best examples of Louis Quinze style architecture. Initially, the building served as the French Naval Ministry. Shortly after its construction, the building became the opulent home of the Duc dAumont. It was later purchased by the Comte de Crillon, whose family resided there until 1907, the famous luxury Hôtel de Crillon, which currently occupies the building, took its name from its previous owners. During the French Revolution the statue of Louis XV of France was torn down, the new revolutionary government erected the guillotine in the square, and it was here that King Louis XVI was executed on 21 January 1793. In 1795, under the Directory, the square was renamed Place de la Concorde as a gesture of reconciliation after the turmoil of the French Revolution. After the Bourbon Restoration of 1814, the name was changed back to Place Louis XV, after the July Revolution of 1830 the name was returned to Place de la Concorde and has remained that way since. To the west of the Place is the famous Champs-Élysées, to the east of the Place are the Tuileries Gardens. The Galerie nationale du Jeu de Paume and the Musée de lOrangerie, the eastern one houses the French Naval Ministry, and the western one is the Hôtel de Crillon. The Rue Royale leads to the de la Madeleine. The center of the Place is occupied by a giant Egyptian obelisk decorated with hieroglyphics exalting the reign of the pharaoh Ramesses II and it is one of two the Egyptian government gave to the French in the 19th century. The other one stayed in Egypt, too difficult and heavy to move to France with the technology at that time, in the 1990s, President François Mitterrand gave the second obelisk back to the Egyptians. The obelisk once marked the entrance to the Luxor Temple, the self-declared Khedive of Egypt, Muhammad Ali Pasha, offered the 3, 300-year-old Luxor Obelisk to France in 1829. It arrived in Paris on 21 December 1833, three years later, on 25 October 1836, King Louis Philippe had it placed in the center of Place de la Concorde. The obelisk, a granite column, rises 23 metres high, including the base
5.
Petit Trianon
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Petit Trianon, built between 1762 and 1768 during the reign of Louis XV, is a small château located on the grounds of the Palace of Versailles in Versailles, France. The park of the Grand Trianon includes the Petit Trianon and it was designed by Ange-Jacques Gabriel by the order of Louis XV for his long-term mistress, Madame de Pompadour, and was constructed between 1762 and 1768. Madame de Pompadour died four years before its completion, and the Petit Trianon was subsequently occupied by her successor, Madame du Barry. Upon his accession to the throne in 1774, the 20-year-old Louis XVI gave the château and its park to his 19-year-old Queen Marie Antoinette for her exclusive use. Essentially an exercise on a cube, the Petit Trianon attracts interest by virtue of its four facades, overlooking the former botanical garden of the king, the remaining facade was left bare. The subtle use of steps compensates for the differences in level of the châteaus inclined location, Marie Antoinette would come to the Petit Trianon not only to escape the formality of court life, but also to shake off the burden of her royal responsibilities. At Versailles, she was under pressure and judgement from both her family and the court, and the Petit Trianon was her place of ease. Since all was de par la Reine, none were permitted to enter the property without the Queens express permission, such exclusivity alienated the court nobility, which she did very willingly, since only the queens inner circle were invited. A house of intimacy and of pleasure, the building was designed to require as little interaction between guests and servants as possible. To that end, the table in the salles à manger was conceived to be mobile, the tables were never built, but the delineation for the mechanical apparatus can still be seen from the foundation. Her bedroom, although simple, is elegant in accord with her general style, provided with furniture from Georges Jacob. The wallpaper was painted by Jean-Baptiste Pillement, on 5 October 1789, Marie Antoinette was in the gardens of the Petit Trianon when a page brought news of the imminent arrival of an armed crowd from Paris. With the enforced departure of the family the next day the Petit Trianon was almost abandoned except for the gardeners. Renovations that had been underway were interrupted, leaving large sums owed to builders, the former Queens gardener Antoine Richard was appointed as curator of the gardens and plant nursery in 1792 by the Minister of the Interior. The auction began on Sunday, August 25,1793 and continued until 11 August 1794, the properties sold were widely scattered. Silverware, lead and brass fixtures were requisitioned for use in the arsenals, the sculptor Amable Boichard was appointed in April 1794 to remove emblems of royalty and feudalism from the property. Under the new Republic the Petit Trianon underwent a number of changes, declared national property, the land was divided into ten lots. The City of Versailles proposed that a garden be established
6.
Palace of Versailles
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The Palace of Versailles, Château de Versailles, or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. Versailles is therefore not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime. First built by Louis XIII in 1623, as a lodge of brick and stone. The first phase of the expansion was designed and supervised by the architect Louis Le Vau and it culminated in the addition of three new wings of stone, which surrounded Louis XIIIs original building on the north, south, and west. After Le Vaus death in 1670, the work was taken over and completed by his assistant, charles Le Brun designed and supervised the elaborate interior decoration, and André Le Nôtre landscaped the extensive Gardens of Versailles. Le Brun and Le Nôtre collaborated on the fountains, and Le Brun supervised the design. During the second phase of expansion, two enormous wings north and south of the wings flanking the Cour Royale were added by the architect Jules Hardouin-Mansart. He also replaced Le Vaus large terrace, facing the garden on the west, with became the most famous room of the palace. The Royal Chapel of Versailles, located at the end of the north wing, was begun by Mansart in 1688. One of the most baffling aspects to the study of Versailles is the cost – how much Louis XIV, owing to the nature of the construction of Versailles and the evolution of the role of the palace, construction costs were essentially a private matter. Initially, Versailles was planned to be a residence for Louis XIV and was referred to as the kings house. Once Louis XIV embarked on his campaigns, expenses for Versailles became more of a matter for public record. To counter the costs of Versailles during the years of Louis XIVs personal reign. Accordingly, all materials that went into the construction and decoration of Versailles were manufactured in France, even the mirrors used in the decoration of the Hall of Mirrors were made in France. While Venice in the 17th century had the monopoly on the manufacture of mirrors, to meet the demands for decorating and furnishing Versailles, Colbert nationalised the tapestry factory owned by the Gobelin family, to become the Manufacture royale des Gobelins. In 1667, the name of the enterprise was changed to the Manufacture royale des Meubles de la Couronne, the Comptes meticulously list the expenditures on the silver furniture – disbursements to artists, final payments, delivery – as well as descriptions and weight of items purchased. Entries for 1681 and 1682 concerning the silver used in the salon de Mercure serve as an example. 5 In anticipation, For the silver balustrade for the bedroom,90,000 livres II
7.
French Baroque architecture
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French Baroque architecture is the name given to the French architecture during the reigns of Louis XIII, Louis XIV and Louis XV. French Baroque profoundly influenced 18th-century secular architecture throughout Europe, in particular, the Palace of Versailles and the jardin à la française were copied by other courts all over Europe. For the first time, the corps de logis was emphasized as the main part of the building, while the side wings were treated as hierarchically inferior. The medieval tower has been replaced by the central projection in the shape of a monumental three-storey gateway. De Brosses melding of traditional French elements with some italianate quotations came to characterize the Louis XIII style, probably the most accomplished formulator of the new manner was François Mansart, a tireless perfectionist credited with introducing the full Baroque to France. In his design for Château de Maisons, Mansart succeeded in reconciling academic and baroque approaches, maisons-Laffitte illustrates the ongoing transition from the post-medieval chateaux of the sixteenth century to the villa-like country houses of the eighteenth. The structure is symmetrical, with an order applied to each story. The frontispiece, crowned with a separate aggrandized roof, is infused with remarkable plasticity, mansarts structures are stripped of overblown decorative effects, so typical of contemporary Rome. Italian Baroque influence is muted and relegated to the field of decorative ornamentation, from the main cornice to a low plinth, the miniature palace is clothed in the so-called colossal order, which makes the structure look more impressive. The same three artists scaled this concept to monumental proportions in the hunting lodge and later main Palace of Versailles. On a far grander scale, the palace is a hypertrophied and it was both the most grandiose and the most imitated residential building of the 17th century. Mannheim, Nordkirchen and Drottningholm were among many foreign residences for which Versailles provided a model, Hardouin-Mansart profited from his uncles instruction and plans to instill the edifice with an imperial grandeur unprecedented in the countries north of Italy. The majestic hemispherical dome balances the vertical thrust of the orders. The style, which softened then dissolved architectural elements in interiors, was pioneered by Nicolas Pineau, sculpture, paintings, furniture, and porcelain tended to overshadow architectural divisions of the interior. French Baroque and Classicism Henry A. Millon, The Triumph of the Baroque, Architecture in Europe, frédérique Lemerle & Yves Pauwels, Baroque Architecture, Flammarion,2008
8.
Place de la Bourse
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Place de la Bourse is one of the most recognizable sights of Bordeaux. It was built from 1730 to 1775 In the original plan, however, the statue was destroyed during the French Revolution. After the destruction of the statue, a Corinthian column-fountain was built on the square, finally, in 1869 Three Graces was installed in the same location. Design of the buildings was finished by Ange-Jacques Gabriel in 1739. After his death, his son came in change and finished the construction of the buildings
9.
Madame de Pompadour
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She took charge of the king’s schedule and was a valued aide and advisor, despite her frail health and many political enemies. She secured titles of nobility for herself and her relatives, and built a network of clients and she was particularly careful not to alienate the Queen, Marie Leszczyńska. On February 8,1756, the Marquise de Pompadour was named as the lady in waiting to the queen, a position considered the most prestigious at the court. She was a patron of architecture and decorative arts, such as porcelain. She was a patron of the philosophes of the Enlightenment, including Voltaire, Jeanne Antoinette Poisson, otherwise known as Reinette to her friends, was born on 29 December 1721 in Paris to François Poisson and his wife Madeleine de La Motte. It is suspected that her father was either the rich financier Pâris de Montmartel or the tax collector Le Normant de Tournehem. Her younger brother was Abel-François Poisson de Vandières, who became the Marquis de Marigny. Poisson was intelligent, beautiful and refined and she spent her early childhood at the Ursuline convent in Poissy where she received a good education. At the age of 9 in 1730 she returned to Paris under the care of her mother Madame Poisson, the fortune teller told her then that she would one day be the mistress of King Louis XV. From then on Madame Poisson thought, her daughter was destined for greatness and she must provide the means and opportunities to help her achieve it. So her mother took charge of her education at home by hiring tutors who taught her to recite entire plays by heart, play the clavichord, dance, sing, paint. She became an actress and singer, and also attended Pariss Club de lEntresol. On 15 December 1740, Tournehem made his nephew his sole heir, disinheriting all his nephews and nieces. These included the estate at Étiolles, a gift from her guardian. With her husband, she had two children, a boy who died a year after his birth in 1741 and Alexandrine-Jeanne, born 10 August 1744 and died June 1754. Contemporary opinion supported by artwork from the considered the young Mme dÉtiolles to be beautiful, with her small mouth. Her young husband was soon infatuated with her and she was celebrated in the world of Paris. She founded her own salon, at Étiolles, and was joined by many philosophes, as Jeanne Antoinette became known in society, King Louis XV came to hear of her
10.
Tuileries Palace
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The Tuileries Palace was a royal and imperial palace in Paris which stood on the right bank of the River Seine. It was the usual Parisian residence of most French monarchs, from Henry IV to Napoleon III, built in 1564, it was gradually extended until it closed off the western end of the Louvre courtyard and displayed an immense façade of 266 metres. After the accidental death of Henry II of France in 1559 and she sold the medieval Hôtel des Tournelles, where her husband had died, and began building the palace of Tuileries in 1564, using architect Philibert de lOrme. The name derives from the tile kilns or tuileries which had occupied the site. The palace was formed by a range of long, narrow buildings. During the reign of Henry IV, the building was enlarged to the south, so it joined the long gallery, the Grande Galerie. During the reign of Louis XIV major changes were made to the Tuileries Palace, from 1659 to 1661 it was extended to the north by the addition of the Théâtre des Tuileries. From 1664 to 1666 the architect Louis Le Vau and his assistant François dOrbay made other significant changes, a new grand staircase was installed in the entrance of the north wing of the palace, and lavishly decorated royal apartments were constructed in the south wing. The kings rooms were on the floor, facing toward the Louvre. At the same time, Louis gardener, André Le Nôtre, the Court moved into the Tuileries Palace in November 1667, but left in 1672, and soon thereafter went to the Palace of Versailles. The Tuileries Palace was virtually abandoned and used only as a theatre, the boy-king Louis XV was moved from Versailles to the Tuileries Palace on 1 January 1716, four months after ascending to the throne. He moved back to Versailles on 15 June 1722, three months before his coronation, both moves were made at the behest of the Regent, the duc dOrléans. The king also resided at the Tuileries for short periods during the 1740s, on 6 October 1789, during the French Revolution, Louis XVI and his family were forced to leave Versailles and brought to the Tuileries where they were kept under surveillance. For the next two years the palace remained the residence of the king. The Tuileries covered riding ring, the Salle du Manège, home to the royal equestrian academy, the royal family tried to escape after dark, on 20 June 1791, but were captured at Varennes and brought back to the Tuileries. The Paris National Guard defended the King, but the daughter of King Louis XVI claimed that many of the guard were already in favor of the revolution, in November 1792, the Armoire de fer incident took place at the Tuileries palace. This was the discovery of a place at the royal apartments. The incident created a scandal that served to discredit the King
11.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
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French Revolution
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Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
13.
Louis IX of France
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Louis IX, commonly known as Saint Louis, was King of France from 1226 until his death. Louis was crowned in Reims at the age of 12, following the death of his father Louis VIII the Lion, although his mother, Blanche of Castile, ruled the kingdom until he reached maturity. During Louiss childhood, Blanche dealt with the opposition of rebellious vassals, as an adult, Louis IX faced recurring conflicts with some of the most powerful nobles, such as Hugh X of Lusignan and Peter of Dreux. Simultaneously, Henry III of England tried to restore his continental possessions and his reign saw the annexation of several provinces, notably Normandy, Maine and Provence. Louis IX was a reformer and developed French royal justice, in which the king is the judge to whom anyone is able to appeal to seek the amendment of a judgment. He banned trials by ordeal, tried to prevent the private wars that were plaguing the country, to enforce the correct application of this new legal system, Louis IX created provosts and bailiffs. According to his vow made after an illness, and confirmed after a miraculous cure. He was succeeded by his son Philip III, Louiss actions were inspired by Christian values and Catholic devotion. He decided to punish blasphemy, gambling, interest-bearing loans and prostitution and he also expanded the scope of the Inquisition and ordered the burning of Talmuds. He is the only canonized king of France, and there are many places named after him. Much of what is known of Louiss life comes from Jean de Joinvilles famous Life of Saint Louis, two other important biographies were written by the kings confessor, Geoffrey of Beaulieu, and his chaplain, William of Chartres. The fourth important source of information is William of Saint-Parthus biography, while several individuals wrote biographies in the decades following the kings death, only Jean of Joinville, Geoffrey of Beaulieu, and William of Chartres wrote from personal knowledge of the king. Louis was born on 25 April 1214 at Poissy, near Paris, the son of Prince Louis the Lion and Princess Blanche, and baptised in La Collégiale Notre-Dame church. His grandfather on his fathers side was Philip II, king of France, while his grandfather on his mothers side was Alfonso VIII, tutors of Blanches choosing taught him most of what a king must know—Latin, public speaking, writing, military arts, and government. He was 9 years old when his grandfather Philip II died, a member of the House of Capet, Louis was twelve years old when his father died on 8 November 1226. He was crowned king within the month at Reims cathedral, because of Louiss youth, his mother ruled France as regent during his minority. Louis mother trained him to be a leader and a good Christian. She used to say, I love you, my son, as much as a mother can love her child
14.
Seven Years' War
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The Seven Years War was a war fought between 1754 and 1763, the main conflict occurring in the seven-year period from 1756 to 1763. It involved every European great power of the time except the Ottoman Empire and spanned five continents, affecting Europe, the Americas, West Africa, India, and the Philippines. The conflict split Europe into two coalitions, led by the Kingdom of Great Britain on one side and the Kingdom of France on the other. Meanwhile, in India, the Mughal Empire, with the support of the French, faced with this sudden turn of events, Britain aligned herself with Prussia, in a series of political manoeuvres known as the Diplomatic Revolution. Conflict between Great Britain and France broke out in 1754–1756 when the British attacked disputed French positions in North America, meanwhile, rising power Prussia was struggling with Austria for dominance within and outside the Holy Roman Empire in central Europe. In 1756, the major powers switched partners, realizing that war was imminent, Prussia preemptively struck Saxony and quickly overran it. The result caused uproar across Europe, because of Austrias alliance with France to recapture Silesia, which had been lost in a previous war, Prussia formed an alliance with Britain. Reluctantly, by following the diet, most of the states of the empire joined Austrias cause. The Anglo-Prussian alliance was joined by smaller German states, Sweden, seeking to re-gain Pomerania joined the coalition, seeing its chance when virtually all of Europe opposed Prussia. Spain, bound by the Pacte de Famille, intervened on behalf of France, the Russian Empire was originally aligned with Austria, fearing Prussias ambition on the Polish–Lithuanian Commonwealth, but switched sides upon the succession of Tsar Peter III in 1762. Naples, Sicily, and Savoy, although sided with the Franco-Spanish alliance, like Sweden, Russia concluded a separate peace with Prussia. The war ended with the Treaty of Paris between France, Spain and Great Britain and the Treaty of Hubertusburg between Saxony, Austria and Prussia, in 1763. The Native American tribes were excluded from the settlement, a subsequent conflict, Prussia emerged as a new European great power. Although Austria failed to retrieve the territory of Silesia from Prussia its military prowess was noted by the other powers. The involvement of Portugal, Spain and Sweden did not return them to their status as great powers. France was deprived of many of its colonies and had saddled itself with heavy war debts that its inefficient financial system could barely handle. Spain lost Florida but gained French Louisiana and regained control of its colonies, e. g. Cuba and the Philippines, France and Spain avenged their defeat in 1778 when the American Revolutionary War broke out, with hopes of destroying Britains dominance once and for all. The Seven Years War was perhaps the first true world war, having taken place almost 160 years before World War I and it was characterized in Europe by sieges and the arson of towns as well as open battles with heavy losses
15.
Royal Opera of Versailles
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The Royal Opera of Versailles is the main theatre and opera house of the Palace of Versailles. Designed by Ange-Jacques Gabriel, it is known as the Théâtre Gabriel. The interior decoration by Augustin Pajou is constructed almost entirely of wood, the excellent acoustics of the opera house are at least partly due to its wooden interior. The house is located at the extremity of the north wing of the palace. General public access to the theater is gained through the two-story vestibule, some parts of the Opéra, such as the Kings Loge and the Kings Boudoir represent some of the earliest expressions of what would become known as Louis XVI style. On these occasions, the Opéra can accommodate 1,200, during the French Enlightenment, the theatre became a place where political and social ideas were considered myths and superstitions were tested. The nobility had a lot to do with the uprising of theatre during this time, the Opera, which was built for Louis XV, however, was not built until later. His mistress, Marie de Pompadour, patronized artists, actors, meanwhile, the aristocracy and church paid no taxes, and the bourgeoisie picked up the tab for the monarchys tastes and fun. Yet, it was not until after the death of Louis mistress that the construction of the Opera began, long before the Opera Royal was dreamed of, theatre was becoming an important part of French society. Richelieu wanted to create an image of the king that displayed well roundedness in all thing, a society who dabbled not only in politics or court and he envisioned a force to lead the way, culturally. Attending a theatrical performance was becoming a sign of stature. Little divertissements for the court, they also were at times used by royalty for their own reasons. Louis XIV’s performance during the Ballet de la nuit, for example, was a statement of his power, his coming of age, indeed, his performance as Apollo is what earned him the name Sun King. Interestingly enough, stage productions such as operas and ballets were important during the reigns of the Bourbon monarchs in France. Louis XIV in particular employed these and similar art forms extensively not only to entertain the noblemen in his court but also to promote his own self-image and the gloire of his country. During the early years of his reign of Louis XIV, theatres were often temporary structures, built for a particular event, the first such theater was constructed for the fête of the Plaisirs de l’Île enchantée, which was held in 1664. In the area west of what is now the Bassin d’Apollon, none of these theatres survived this fête. As with the Plaisirs de l’Île enchantée, this theater was destroyed shortly after the end of the fête
16.
Louis XVI of France
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Louis XVI, born Louis-Auguste, was the last King of France and Navarre before the French Revolution, during which he was also known as Louis Capet. In 1765, at the death of his father, Louis, Dauphin of France, son and heir apparent of Louis XV of France, Louis XVI was guillotined on 21 January 1793. The first part of his reign was marked by attempts to reform France in accordance with Enlightenment ideas and these included efforts to abolish serfdom, remove the taille, and increase tolerance toward non-Catholics. The French nobility reacted to the reforms with hostility. Louis implemented deregulation of the market, advocated by his liberal minister Turgot. In periods of bad harvests, it would lead to food scarcity which would prompt the masses to revolt, from 1776, Louis XVI actively supported the North American colonists, who were seeking their independence from Great Britain, which was realized in the 1783 Treaty of Paris. The ensuing debt and financial crisis contributed to the unpopularity of the Ancien Régime and this led to the convening of the Estates-General of 1789. In 1789, the storming of the Bastille during riots in Paris marked the beginning of the French Revolution. Louiss indecisiveness and conservatism led some elements of the people of France to view him as a symbol of the tyranny of the Ancien Régime. The credibility of the king was deeply undermined, and the abolition of the monarchy, Louis XVI was the only King of France ever to be executed, and his death brought an end to more than a thousand years of continuous French monarchy. Louis-Auguste de France, who was given the title Duc de Berry at birth, was born in the Palace of Versailles. Out of seven children, he was the son of Louis, the Dauphin of France. His mother was Marie-Josèphe of Saxony, the daughter of Frederick Augustus II of Saxony, Prince-Elector of Saxony and King of Poland. A strong and healthy boy, but very shy, Louis-Auguste excelled in his studies and had a taste for Latin, history, geography, and astronomy. He enjoyed physical activities such as hunting with his grandfather, and rough-playing with his brothers, Louis-Stanislas, comte de Provence. From an early age, Louis-Auguste had been encouraged in another of his hobbies, locksmithing, upon the death of his father, who died of tuberculosis on 20 December 1765, the eleven-year-old Louis-Auguste became the new Dauphin. His mother never recovered from the loss of her husband, and died on 13 March 1767, throughout his education, Louis-Auguste received a mixture of studies particular to religion, morality, and humanities. His instructors may have also had a hand in shaping Louis-Auguste into the indecisive king that he became
17.
Marie Antoinette
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Marie Antoinette (/ˈmæriˌæntwəˈnɛt/, /ˌɑ̃ːntwə-/, /ˌɑ̃ːtwə-/, US /məˈriː-/, French, born Maria Antonia Josepha Johanna, was the last Queen of France and Navarre before the French Revolution. She was born an Archduchess of Austria, and was the fifteenth and second youngest child of Empress Maria Theresa and Francis I, in April 1770, upon her marriage to Louis-Auguste, heir apparent to the French throne, she became Dauphine of France. After eight years of marriage, Marie Antoinette gave birth to a daughter, Marie-Thérèse Charlotte, the Diamond Necklace affair damaged her reputation further. On 10 August 1792, the attack on the Tuileries forced the family to take refuge at the Assembly. On 21 September 1792, the monarchy was abolished, after a two-day trial begun on 14 October 1793, Marie Antoinette was convicted by the Revolutionary Tribunal of high treason, and executed by guillotine on Place de la Révolution on 16 October 1793. Maria Antonia was born on 2 November 1755, at the Hofburg Palace and she was the youngest daughter of Empress Maria Theresa, ruler of the Habsburg Empire, and her husband Francis I, Holy Roman Emperor. Her godparents were Joseph I and Mariana Victoria, King and Queen of Portugal, Archduke Joseph, shortly after her birth, she was placed under the care of the Governess of the Imperial children, Countess von Brandeis. Maria Antonia was raised with her older sister Maria Carolina. As to her relationship with her mother, it was difficult, despite the private tutoring she received, results of her schooling were less than satisfactory. At the age of ten she could not write correctly in German or in any language used at court, such as French. Under the teaching of Christoph Willibald Gluck, Maria Antonia developed into a good musician and she learned to play the harp, the harpsichord and the flute. During the familys gatherings in the evenings, she would sing and she also excelled at dancing, had an exquisite poise, and loved dolls. Following the Seven Years War and the Diplomatic Revolution of 1756, Empress Maria Theresa decided to end hostilities with her longtime enemy, on 14 May she met her husband at the edge of the forest of Compiègne. Upon her arrival in France, she adopted the French version of her name, a further ceremonial wedding took place on 16 May 1770 in the Palace of Versailles and, after the festivities, the day ended with the ritual bedding. The lack of consummation of the marriage plagued the reputation of both Louis-Auguste and Marie Antoinette for the seven years. The initial reaction to the marriage between Marie Antoinette and Louis-Auguste was mixed, on the one hand, the Dauphine was beautiful, personable and well-liked by the common people. Her first official appearance in Paris on 8 June 1773 was a resounding success, on the other hand, those opposed to the alliance with Austria, and others, for personal reasons, had a difficult relationship with Marie Antoinette. Madame du Barry, for example, was Louis XVs mistress and had political influence over him
18.
Madame du Barry
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Jeanne Bécu, comtesse du Barry was the last Maîtresse-en-titre of Louis XV of France and one of the victims of the Reign of Terror during the French Revolution. Jeanne Bécu was born at Vaucouleurs, in the present-day Meuse department in Lorraine, France, as the daughter of Anne Bécu. Jeannes father was possibly Jean Baptiste Gormand de Vaubernier, a known as frère Ange. Little Jeanette was well liked by Dumonceauxs mistress Francesca, who pampered her in all luxury, dumonceaux funded Jeanettes education at the Couvent de Saint-Aure. At the age of fifteen, Jeanne left the convent, for she had come of age, for some reason – possibly due either to La Frédériques jealousy of the formers beauty or because Dumonceauxs passion for Anne revived – both mother and daughter were thrown out. They then moved into the small household of Annes husband. Jeanne had to some sort of income to help herself live. Later, Jeanne worked as a assistant in a haberdashery shop named À la Toilette, owned by Madame Labille. Labilles daughter, the famed painter Adélaïde Labille-Guiard, became a good friend of Jeanne. As reflected in art from the time, Jeanne was an attractive blonde woman with thick golden ringlets. Her beauty came to the attention of Jean-Baptiste du Barry, a high-class pimp/procurer nicknamed le roué, Du Barry owned a casino, and Jeanne came to his attention in 1763 when she was entertaining in Madame Quisnoys brothel-casino. She introduced herself as Jeanne Vaubernier, Du Barry installed her in his household and made her his mistress. As Mademoiselle Lange, Jeanne immediately became a sensation in Paris and she had many lovers from the kings ministers to his courtiers. The dashing yet old Maréchal de Richelieu became one of her recurring lovers, because of this, Jean du Barry saw her as a means of influence over Louis XV, who became aware of her in 1768 while she was on an errand at Versailles. The errand involved the duc de Choiseul, Minister of Foreign Affairs, in any case, Jeanne could not qualify as a maîtresse-en-titre unless she had a title, this was solved by her marriage on 1 September 1768 to du Barrys brother, Comte Guillaume du Barry. The marriage ceremony included a false birth certificate created by Jean du Barry himself, Jeanne was now installed above the Kings quarters in Lebels former rooms. She lived a life, unable to be seen with the King since no formal presentation had taken place as yet. Comte du Barry constantly pestered Jeanne and urged her to speak of presentation with the king, Louis XV, in turn, asked her to find a proper sponsor to be able to have one
19.
Augustin Pajou
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Augustin Pajou was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné, pajous portrait busts of Buffon and of Madame du Barry, and his statuette of Bossuet, are amongst his best works. When Bernard Poyet constructed the Fontaine des Innocents from the edifice of Pierre Lescot. Mention should also be made of his bust of Carlin Bertinazzi at the Comédie Française, Pajou was one of the main artists whose work was included in the collection of the Comédie-Française at the end of the 18th century. Others were Jean-Baptiste dHuez, Jean-Joseph Foucou, Simon-Louis Boizot and Pierre-François Berruer, Pajou was commissioned by Napoleon to make the copies of the Medici Lions now situated in the garden of the Villa Medici 1803. Pajou died in Paris on 8 May 1809, the Courtauld Institute of Art, the Frick Collection, Harvard University Art Museums, the Hermitage Museum, the Honolulu Museum of Art, the J. In 1795 she remarried to Pierre-Louis Martin, known as Saint-Martin who, after several careers, an amateur artist and collector, Saint-Martine produced several paintings of the city of Liège and had his portrait painted by Philippe-Auguste Hennequin. Flore divorced her husband in year 10 and died on 9 December 1841 at 30 rue de lOdéon in Paris. Attribution This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Pajou
20.
Rococo
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Rococo artists and architects used a more jocular, florid, and graceful approach to the Baroque. Their style was ornate and used light colours, asymmetrical designs, curves, unlike the political Baroque, the Rococo had playful and witty themes. By the end of the 18th century, Rococo was largely replaced by the Neoclassic style. In 1835 the Dictionary of the French Academy stated that the word Rococo usually covers the kind of ornament, style and design associated with Louis XVs reign and it includes therefore, all types of art from around the middle of the 18th century in France. The word is seen as a combination of the French rocaille and coquilles, the term may also be a combination of the Italian word barocco and the French rocaille and may describe the refined and fanciful style that became fashionable in parts of Europe in the 18th century. The Rococo love of shell-like curves and focus on decorative arts led some critics to say that the style was frivolous or merely modish, when the term was first used in English in about 1836, it was a colloquialism meaning old-fashioned. While there is some debate about the historical significance of the style to art in general. Italian architects of the late Baroque/early Rococo were wooed to Catholic Germany, Bohemia and Austria by local princes, an exotic but in some ways more formal type of Rococo appeared in France where Louis XIVs succession brought a change in the court artists and general artistic fashion. By the end of the long reign, rich Baroque designs were giving way to lighter elements with more curves. These elements are obvious in the designs of Nicolas Pineau. During the Régence, court life moved away from Versailles and this change became well established, first in the royal palace. The delicacy and playfulness of Rococo designs is seen as perfectly in tune with the excesses of Louis XVs reign. The 1730s represented the height of Rococo development in France, the style had spread beyond architecture and furniture to painting and sculpture, exemplified by the works of Antoine Watteau and François Boucher. The Rococo style was spread by French artists and engraved publications, william Hogarth helped develop a theoretical foundation for Rococo beauty. Though not intentionally referencing the movement, he argued in his Analysis of Beauty that the lines and S-curves prominent in Rococo were the basis for grace. The development of Rococo in Great Britain is considered to have connected with the revival of interest in Gothic architecture early in the 18th century. The beginning of the end for Rococo came in the early 1760s as figures like Voltaire and Jacques-François Blondel began to voice their criticism of the superficiality, Blondel decried the ridiculous jumble of shells, dragons, reeds, palm-trees and plants in contemporary interiors. By 1785, Rococo had passed out of fashion in France, replaced by the order, in Germany, late 18th century Rococo was ridiculed as Zopf und Perücke, and this phase is sometimes referred to as Zopfstil
21.
Baroque
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The style began around 1600 in Rome and Italy, and spread to most of Europe. The aristocracy viewed the dramatic style of Baroque art and architecture as a means of impressing visitors by projecting triumph, power, Baroque palaces are built around an entrance of courts, grand staircases, and reception rooms of sequentially increasing opulence. However, baroque has a resonance and application that extend beyond a reduction to either a style or period. It is also yields the Italian barocco and modern Spanish barroco, German Barock, Dutch Barok, others derive it from the mnemonic term Baroco, a supposedly laboured form of syllogism in logical Scholastica. The Latin root can be found in bis-roca, in informal usage, the word baroque can simply mean that something is elaborate, with many details, without reference to the Baroque styles of the 17th and 18th centuries. The word Baroque, like most periodic or stylistic designations, was invented by later critics rather than practitioners of the arts in the 17th, the term Baroque was initially used in a derogatory sense, to underline the excesses of its emphasis. In particular, the term was used to describe its eccentric redundancy and noisy abundance of details, although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music. Another hypothesis says that the word comes from precursors of the style, Giacomo Barozzi da Vignola and he did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Long despised, Baroque art and architecture became fashionable between the two World Wars, and has remained in critical favour. In painting the gradual rise in popular esteem of Caravaggio has been the best barometer of modern taste, William Watson describes a late phase of Shang-dynasty Chinese ritual bronzes of the 11th century BC as baroque. The term Baroque may still be used, usually pejoratively, describing works of art, craft, the appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th-century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, germinal ideas of the Baroque can also be found in the work of Michelangelo. Even more generalised parallels perceived by some experts in philosophy, prose style, see the Neapolitan palace of Caserta, a Baroque palace whose construction began in 1752. In paintings Baroque gestures are broader than Mannerist gestures, less ambiguous, less arcane and mysterious, more like the stage gestures of opera, Baroque poses depend on contrapposto, the tension within the figures that move the planes of shoulders and hips in counterdirections. Baroque is a style of unity imposed upon rich, heavy detail, Baroque style featured exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism. There were highly diverse strands of Italian baroque painting, from Caravaggio to Cortona, the most prominent Spanish painter of the Baroque was Diego Velázquez. The later Baroque style gradually gave way to a more decorative Rococo, while the Baroque nature of Rembrandts art is clear, the label is less often used for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while continuing to produce the traditional categories
22.
Bordeaux
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Bordeaux is a port city on the Garonne River in the Gironde department in southwestern France. The municipality of Bordeaux proper has a population of 243,626, together with its suburbs and satellite towns, Bordeaux is the centre of the Bordeaux Métropole. With 749,595 inhabitants and 1,178,335 in the area, it is the fifth largest in France, after Paris, Lyon, Marseille and Lille. It is the capital of the Nouvelle-Aquitaine region, as well as the prefecture of the Gironde department and its inhabitants are called Bordelais or Bordelaises. The term Bordelais may also refer to the city and its surrounding region, Bordeaux is the worlds major wine industry capital. It is home to the main wine fair, Vinexpo. Bordeaux wine has been produced in the region since the 8th century, the historic part of the city is on the UNESCO World Heritage List as an outstanding urban and architectural ensemble of the 18th century. After Paris, Bordeaux has the highest number of preserved buildings of any city in France. In historical times, around 300 BC it was the settlement of a Celtic tribe, the Bituriges Vivisci, the name Bourde is still the name of a river south of the city. In 107 BC, the Battle of Burdigala was fought by the Romans who were defending the Allobroges, a Gallic tribe allied to Rome, the Romans were defeated and their commander, the consul Lucius Cassius Longinus, was killed in the action. The city fell under Roman rule around 60 BC, its importance lying in the commerce of tin, later it became capital of Roman Aquitaine, flourishing especially during the Severan dynasty. In 276 it was sacked by the Vandals, further ravage was brought by the same Vandals in 409, the Visigoths in 414 and the Franks in 498, beginning a period of obscurity for the city. In the late 6th century, the city re-emerged as the seat of a county and an archdiocese within the Merovingian kingdom of the Franks, the city started to play a regional role as a major urban center on the fringes of the newly founded Frankish Duchy of Vasconia. Around 585, a certain Gallactorius is cited as count of Bordeaux, the city was plundered by the troops of Abd er Rahman in 732 after storming the fortified city and overwhelming the Aquitanian garrison. After Duke Eudess defeat, the Aquitanian duke could still save part of its troops, the following year, the Frankish commander descended again over Aquitaine, but clashed in battle with the Aquitanians and left to take on hostile Burgundian authorities and magnates. In 745, Aquitaine faced yet another expedition by Charles sons Pepin and Carloman against Hunald, Hunald was defeated, and his son Waifer replaced him, who in turn confirmed Bordeaux as the capital city. During the last stage of the war against Aquitaine, it was one of Waifers last important strongholds to fall to King Pepin the Shorts troops. Next to Bordeaux, Charlemagne built the fortress of Fronsac on a hill across the border with the Basques, in 778, Seguin was appointed count of Bordeaux, probably undermining the power of the Duke Lupo, and possibly leading to the Battle of Roncevaux Pass that very year
23.
Pavillon du Butard
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The Pavilion du Butard is a hunting lodge in the Forêt de Fausses-Reposes in the territory of La Celle-Saint-Cloud in Yvelines, France. Part of the gardens of Versailles, it was designed by Ange-Jacques Gabriel for Louis XV and it was made state property on 27 June 1794 by François-Nicolas Périgon, notary at Paris, during the French Revolution. It was later also enjoyed by Charles X of France and emperor Napoleon III of France and it was occupied by the Prussians during the Franco-Prussian War. Still state property, it was made a monument historique on 29 August 1927, detailed history of the Pavillon du Butard by Ed Christen - on Gallica Philippe Loiseleur des Longchamps Deville, La Celle Saint-Cloud, cellule dhistoire, Pontoise, Graphédis,1979
24.
La Celle-Saint-Cloud
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La Celle-Saint-Cloud is a commune in the Yvelines department in the Île-de-France region in north-central France. It is located in the suburbs of Paris 15.6 km from the center. La Celle-Saint-Cloud is served by two stations on the Transilien Paris – Saint-Lazare suburban rail line, La Celle-Saint-Cloud and Bougival, château de la Celle, now property of the French minister for foreign affairs. It was also the home of English actress Harriet Howard following her affair with Napoleon III of France and she owned the château de Beauregard. The castle was owned by Maurice de Hirsch. Lucien-Rene Duchesne, mayor of la Celle-Saint-Cloud from 1959 to 1981, French actress and model Ludivine Sagnier is also a native of La Celle-Saint-Cloud. Since September 2014, Marine Le Pen currently resides in the town Communes of the Yvelines department INSEE Official website
25.
Loir-et-Cher
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Loir-et-Cher is a department in the Centre-Val de Loire region, France. Its name is originated from two rivers which cross it, the Loir on the North and the Cher on the South, the INSEE and La Poste gave it the number 41. The department of Loir-et-Cher covers a territory which had a population during the prehistoric period. However, politically, the region remains quartered between the earldoms and the duchies neighbouring, in 1397, the House of Orleans becomes the possession of the Comté of Blois. In 1497, Louis d’Orleans was crowned with the name of Louis XII, it’s the beginning of the importance of Blois and of the Blaisois in the politic life of the French, impressive especially under the last Valois. After that, there were religion’s wars which were extremely ferocious under Charles IXs reign, in 1576 and 1588, the General Estates get together in Blois. L’Orléanais, le Berry, la Touraine, le Perche et le Maine occupied le Loir-et-Cher, the Loir-et-Cher’s birth as a department was very difficult and laborious. The 29th September 1789, the advisory board made a report in which he wanted to attribute one of the 80 departments to Blois. However, some cities and canton capitals disagreed, such as Tours, inside of the department, Montrichard turns to Amboise and Tours, Saint-Aignan wants to turn to the Berry and Salbris to Vierzon. Finally, Orleans gives Blois an important part of the Sologne except Beaugency, the department is founded 4 March 1790, in accordance with the law of 22 December 1789. It is constituted of some old provinces of the Orleanais and of the Touraine along with a Berry’s plot. The department’s constriction in its centre and the maximum stretching out in its surface area beyond the Loir on the North, after the victory of the Coalises during the Waterloo’s battle, the Prussian’s troops occupied the department from June 1815 to November 1818. The poet Pierre de Ronsard, the inventor Denis Papin and the historian Augustin Thierry come from over here, others well-known people attached also to this department, like François the First, Gaston d’Orleans, the Marshall Maunoury, and the abbot Gregoire. In the artistic domain, there is the compositor Antoine Boesset, musician in the Louis XII de France’s court, the Loir-et-Cher’s department is a part of the Centre Region. It is adjacent of these departments, the Eure-et-Loir, the Loiret, the Cher, the Indre, the Indre-et-Loire, due to its surface area of 6343 km², it is on the 31st national place in the size’s domain. It has a privileged geographical situation because it is in the center of the Centre region, an axe lively and dynamic, brings Blois closer of the both tall urban conglomerations near it, Orleans and Tours. Located on the boundaries of the Perche, the Beauce, the Sologne, cut in its middle by the Loire, it shows an image of balance and diversity. Loir-et-Cher is a part of the region of Centre-Val de Loire
26.
Louis Quinze
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The Louis XV style or Louis Quinze was a French Rococo style in the decorative arts, and, to a lesser degree, architecture. Datable to the reign of Louis XV, the style was characterised by supreme craftsmanship and the integration of the arts of cabinetmaking, painting. French furniture of the period—which typically came in two sets, a summer and a highly ornamental, yet elegant, and designed to mesh with the rest of the home decor. Orientalia—themes from the Far East—and the fabulous were the principle thematic expressions, among the ébénistes who served under Louis XV were Jean-François Oeben, Roger Vandercruse Lacroix, Gilles Joubert, Antoine Gaudreau, and Martin Carlin. Madame de Pompadour, the mistress, was one of the chief patrons of the artists of the period. Retrieved 2 May 2008, from Encyclopædia Britannica Online
27.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
28.
Oxford Art Online
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A new edition was published in 2003 by Oxford University Press. Written by 6,700 experts from around the world, its 32, 600-pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to The New York Times Book Review it is the most ambitious art-publishing venture of the late 20th century, almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Julia Margaret Cameron to Shoji Hamada, Korea to Timbuktu, the Enlightenment to Marxism, entries include bibliographies and a vast number of images. The dictionary is available in a standard hardcover edition, though the leather-bound version appears to be out of print. The Grove Dictionary of Art is published by Oxford University Press, the online version, which is updated three times a year, is available by subscription and includes some extra content. In the UK, many libraries offer it free to their online users using their library membership number. The Grove Dictionary of Art was first offered online through the Grove Art Online web site in 1998. The site was expanded and renamed as Oxford Art Online, including works, The Oxford Companion to Western Art, Encyclopedia of Aesthetics. In 2011, the Benezit Dictionary of Artists was added to the database, the New Grove Dictionary of Music and Musicians References Sources Jane Turner
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