1.
Angle
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In planar geometry, an angle is the figure formed by two rays, called the sides of the angle, sharing a common endpoint, called the vertex of the angle. Angles formed by two rays lie in a plane, but this plane does not have to be a Euclidean plane, Angles are also formed by the intersection of two planes in Euclidean and other spaces. Angles formed by the intersection of two curves in a plane are defined as the angle determined by the tangent rays at the point of intersection. Similar statements hold in space, for example, the angle formed by two great circles on a sphere is the dihedral angle between the planes determined by the great circles. Angle is also used to designate the measure of an angle or of a rotation and this measure is the ratio of the length of a circular arc to its radius. In the case of an angle, the arc is centered at the vertex. In the case of a rotation, the arc is centered at the center of the rotation and delimited by any other point and its image by the rotation. The word angle comes from the Latin word angulus, meaning corner, cognate words are the Greek ἀγκύλος, meaning crooked, curved, both are connected with the Proto-Indo-European root *ank-, meaning to bend or bow. Euclid defines a plane angle as the inclination to each other, in a plane, according to Proclus an angle must be either a quality or a quantity, or a relationship. In mathematical expressions, it is common to use Greek letters to serve as variables standing for the size of some angle, lower case Roman letters are also used, as are upper case Roman letters in the context of polygons. See the figures in this article for examples, in geometric figures, angles may also be identified by the labels attached to the three points that define them. For example, the angle at vertex A enclosed by the rays AB, sometimes, where there is no risk of confusion, the angle may be referred to simply by its vertex. However, in geometrical situations it is obvious from context that the positive angle less than or equal to 180 degrees is meant. Otherwise, a convention may be adopted so that ∠BAC always refers to the angle from B to C. Angles smaller than an angle are called acute angles. An angle equal to 1/4 turn is called a right angle, two lines that form a right angle are said to be normal, orthogonal, or perpendicular. Angles larger than an angle and smaller than a straight angle are called obtuse angles. An angle equal to 1/2 turn is called a straight angle, Angles larger than a straight angle but less than 1 turn are called reflex angles
2.
Michael (archangel)
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Michael is an archangel in Judaism, Christianity, and Islam. In Roman Catholic, Eastern Orthodox, Anglican, and Lutheran traditions, he is called Saint Michael the Archangel, in the Oriental Orthodox and Eastern Orthodox traditions, he is called Taxiarch Archangel Michael or simply Archangel Michael. Michael is mentioned three times in the Book of Daniel, in the New Testament Michael leads Gods armies against Satans forces in the Book of Revelation, where during the war in heaven he defeats Satan. In the Epistle of Jude Michael is specifically referred to as the archangel Michael, by the 6th century, devotions to Archangel Michael were widespread both in the Eastern and Western Churches. Over time, teachings on Michael began to vary among Christian denominations, Michael is mentioned three times in the Hebrew Scriptures, all in the book of Daniel. The prophet Daniel experiences a vision after having undergone a period of fasting, Daniel 10, 13-21 describes Daniels vision of an angel who identifies Michael as the protector of Israel. At Daniel 12,1, Daniel is informed that Michael will arise during the time of the end, the Book of Revelation describes a war in heaven in which Michael, being stronger, defeats Satan. After the conflict, Satan is thrown to earth along with the fallen angels, in the Epistle of Jude 1,9, Michael is referred to as an archangel when he again confronts Satan. A reference to an archangel also appears in the First Epistle to the Thessalonians 4,16 and this archangel who heralds the second coming of Christ is not named, but is often associated with Michael. Michael, is one of the two mentioned in the Quran, alongside Jibreel. In the Quran, Michael is mentioned only, in Sura 2,98, Whoever is an enemy to God, and His angels and His messengers. Then, God is an enemy to the disbelievers, some Muslims believe that the reference in Sura 11,69 is Michael, one of the three angels who visited Abraham. Michaels enmity with Samael dates from the time when the latter was thrown down from heaven, Samael took hold of the wings of Michael, whom he wished to bring down with him in his fall, but Michael was saved by God. But appeal to Michael seems to have more common in ancient times. Thus Jeremiah is said to have addressed a prayer to him, the rabbis declare that Michael entered upon his role of defender at the time of the biblical patriarchs. Thus, according to Rabbi Eliezer ben Jacob, it was Michael who rescued Abraham from the furnace into which he had been thrown by Nimrod. It was Michael, the one that had escaped, who told Abraham that Lot had been taken captive, and he announced to Sarah that she would bear a son and he rescued Lot at the destruction of Sodom. It is said that Michael prevented Isaac from being sacrificed by his father by substituting a ram in his place, later Michael prevented Laban from harming Jacob
3.
Guido Reni
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Guido Reni was an Italian painter of high-Baroque style. Born in Bologna into a family of musicians, Guido Reni was the son of Daniele Reni, as a child of nine, he was apprenticed under the Bolognese studio of Denis Calvaert. Soon after, he was joined in studio by Albani. He may also have trained with a painter by the name of Ferrantini, when Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named Accademia degli Incamminati, led by Lodovico Carracci. They went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Lodovicos cousin Annibale Carracci to Rome, like many other Bolognese painters, Renis painting was thematic and eclectic in style. By late 1601, Reni and Albani had moved to Rome to work with the led by Annibale Carracci in fresco decoration of the Farnese Palace. During 1601–1604, his patron was Cardinal Paolo Emilio Sfondrati. By 1604–1605, he received an independent commission for an altarpiece of the Crucifixion of St. Peter, after a few year sojourn in Bologna, he returned to Rome to become one of the premier painters during the papacy of Paul V. From 1607–1614, he was one of the painters patronized by the Borghese family, Renis frescoed ceiling of the large central hall of garden palace, Casino dellAurora located in the grounds of the Palazzo Pallavicini-Rospigliosi, is considered his masterpiece. The casino was originally a pavilion commissioned by Cardinal Scipione Borghese, the massive fresco is framed in quadri riportati and depicts Apollo in his Chariot preceded by Dawn bringing light to the world. The work is restrained in classicism, copying poses from Roman sarcophagi, there is little concession to perspective, and the vibrantly colored style is antithetical to the tenebrism of Caravaggios followers. Payments showed that he was paid in 247 scudi and 54 baiocchi upon completion on 24 September 1616, the two families were in rather bad relations, and the reason for such friction was their constant quest for temporal power. Also the Popes brother, Antonio Barberini, was a cardinal, in those days, the main church of the Capuchins in Rome was St. Nicholas, rather small and dating back to the Middle Ages. The Archangel Michael trampling Satan, wears a late Roman military cloak,1636, held in Santa Maria della Concezione dei Cappuccini, Rome. According to a legend, Reni became aware that Cardinal Giovanni Battista Pamphilj had slandered him, so, Reni, sensing an opportunity, decided to avenge himself by means of his own talent, at the same time pleasing his client, who belonged to the opposing family. According to existing portraits of him, Cardinal Pamphilj had a face, with thin hair, a scanty beard and a somewhat strange look in his eyes. Therefore, the face that Archangel Michael crushes under his foot looks almost identical to that of Giovanni Battista Pamphilj and this turned out even more embarrassing a few years later, when in 1644 the cardinal was elected Pope Innocent X. According to rumor, the chapel of Montecavallo was assigned to Reni to paint
4.
Bernhard Plockhorst
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Bernhard Plockhorst was a German painter and graphic artist. In Germany, Plockhorst is mainly known to experts today, whereas his pictures are very popular in the United States. In Munich Plockhorst copied the paintings of Rubens and Tizian in the Old Pinakothek, from 1866 to 1869 he was a professor at the Grandducal Saxonian Art School in Weimar, where painter Otto Piltz was one of his pupils. Then Plockhorst returned to Berlin where he died in 1907, Plockhorst was a member of the late Nazarene movement, a German Romantic art school. Influenced by the Pre-Raphaelite Brotherhood, they had recourse to Medieval, in 1872, Plockhorst exhibited a painting which was soon regarded as his chief work, “The Battle of archangel Michael with Satan for the body of Moses”. His next major work was the altar painting “The Resurrection of Christ” for the cathedral of Marienburg, painted by order of the Prussian ministry of education, the glass windows of several U. S. American churches show motifs taken from Plockhorst, e. g, plockhorst’s oil painting “Noli me tangere”, which is more than two square meters large, had a remarkable fate. Originally, Plockhorst painted it for the German Court.5 metres, much of the cargo was salvageable, but the artwork was completely encrusted by a white layer. It looked as if the sea water had decomposed the color particles, in this condition Prof. Francis Rouleaux, director of the Royal Technical College of Charlottenburg and Commissioner General for the German Empire, took it to Melbourne, Australia. When the Melbourne International Exhibition was prepared in 1880, the art dealer Alexander Fletcher bought the painting for a trifling sum, Peacock discovered that the white layer was just plaster of Paris from the frame, which had been dissolved by the sea water. He could easily remove it, and Fletcher sold the painting to the National Gallery of Victoria for a considerable sum. At that time, the three largest daily newspapers of Melbourne reported extensively on that clever move, besides, he portrayed members of the German nobility like Emperor Wilhelm I and his wife Augusta. His illustrations for the two books became very successful, “From Bethlehem to Golgotha. The Life of our Lord and Savior Jesus Christ according to the four gospels” by Karl Gerok, “Psalter, new jubilee edition” by Philipp Spitta, including 24 full-page illustrations, the portrait of Spitta, further illustrations and 42 initials. Article on Bernhard Plockhorst, in, Brockhaus Konversations-Lexikon, vol
5.
Guardian angel
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A guardian angel is an angel that is assigned to protect and guide a particular person, group, kingdom, or country. Belief in guardian angels can be traced throughout all antiquity, the concept of tutelary angels and their hierarchy was extensively developed in Christianity in the 5th century by Pseudo-Dionysius the Areopagite. The theology of angels and tutelary spirits has undergone many refinements since the 5th century, belief in both the East and the West is that guardian angels serve to protect whichever person God assigns them to, and present prayer to God on that persons behalf. The belief in guardian angels can be traced throughout all antiquity, pagans such as Menander and Plutarch, the guardian angel concept is present in the books of the Hebrew Bible and the Old Testament, and its development is well marked. These books described Gods angels as his ministers who carried out his behests, in this latter case, the prince of the kingdom of Persia contends with Gabriel. The same verse mentions Michael, one of the chief princes, in Rabbinic literature, the Rabbis expressed the notion that there are indeed guardian angels appointed by Adonai to watch over people. Lailah is an angel of the night in charge of conception, lailah serves as a guardian angel throughout a persons life and at death, leads the soul into the afterlife. According to Leo Trepp, in late Judaism, the belief developed that the people have a heavenly representative, every human being has a guardian angel. Previously the term Malakh, angel, simply meant messenger of God, modern rabbis clarify that people might indeed have guardian angels. In the New Testament the concept of guardian angel may be noted, other examples in the New Testament are the angel who succoured Christ in the garden, and the angel who delivered St. Peter from prison. In Acts 12, 12-15, after Peter had been escorted out of prison by an angel, he went to the home of Mary the mother of John, the servant girl, Rhoda, recognized his voice and ran back to tell the group that Peter was there. However, the replied, It must be his angel. Hebrews 1,14 says, Are they not all ministering spirits, sent to minister for them, in this view, the function of the guardian angel is to lead people to the Kingdom of Heaven. In the New Testament Epistle of Jude, Michael is described as an archangel, according to Saint Jerome, the concept of guardian angels is in the mind of the Church. He stated, how great the dignity of the soul, since one has from his birth an angel commissioned to guard it. The first Christian theologian to outline a specific scheme for guardian angels was Honorius of Autun in the 12th century and he said that every soul was assigned a guardian angel the moment it was put into a body. Scholastic theologians augmented and ordered the taxonomy of angelic guardians, in the 15th century, the Feast of the Guardian Angels was added to the official calendar of Catholic holidays. In his 2014 homily for the Feast of Holy Guardian Angels, October 2, Pope Francis told those gathered for daily Mass to be children who pay attention to their “traveling companion. ”“No one journeys alone and no one should think that they are alone
6.
Frescobaldi
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The Frescobaldi are a prominent Florentine noble family that have been involved in the political, sociological, and economic history of Tuscany since the Middle Ages. Originating in the Val di Pesa in the Chianti, they appear holding important posts in Florence in the twelfth century, in the struggles of Guelfs and Ghibellines the family was split between the Guelf factions of Bianchi and Neri, of whom only the Bianchi remained in Florence. From an early base in the Italian community of cloth merchants in Bruges. The Frescobaldi were receivers of the customs of England from 1307, Frescobaldi fled England, first to Papal Avignon and then to Florence. The royal debt was never repaid, and together with other reverses in the downturn of the 14th century. A second Frescobaldi bankruptcy, in 1581, Braudel traces to the movement of capital. The composer Girolamo Frescobaldi, however, does not seem to be related to them, the family is currently headed by marchese Vittorio Frescobaldi, and his brothers, the Marquis Ferdinando de Frescobaldi Franceschi Marini and Leonardo de Frescobaldi Franceschi Marini. The Frescobaldi family operates the wine producer Marchesi de Frescobaldi and is behind the Laudemio brand of Italian olive oil, the Frescobaldi family began producing Tuscan wine in 1308 and soon developed a notable client base. In exchange for paintings, the Frescobaldis traded their wine with the Italian Renaissance painter Michelangelo, the family also supplied wine to Henry VIII, surviving contracts in the family archives are signed by the English king. In 1855, Albizi introduced Chardonnay, Cabernet and Merlot vines to the region, in 1995 the Marchesi de Frescobaldi entered into a joint venture with Robert Mondavi Winery to produce Tuscan wine. The joint venture produced several labels including Danzante, Luce della Vite, following the acquisition of Mondavi by Constellation Brands in December 2004, the Frescobaldi family has been attempting to gain full control of the Tuscan ventures. In March 2005, the family was able to control of Luce della Vite. In 2005, allegations of fraud against Marchesi de Frescobaldi were investigated by the Italian authorities, the allegations of fraud related to the wine making facility at Castiglione in Val di Pesa and the bottling facility near Pontassieve. The wine producer was suspected of importing grapes from outside the Tuscan region, in 2008 Frescobaldi was implicated in an investigation involving fraudulent Brunello di Montalcino wine of the 2003 vintage in a scandal termed Brunellopoli by Italian newspapers. Although offered a settlement, Marchesi de Frescobaldi has opted go to court to clear its name of the allegations. History of Chianti Gorgona Agricultural Penal Colony Media related to House of Frescobaldi at Wikimedia Commons
7.
Paul Troger
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Paul Troger was an Austrian painter, draughtsman and printmaker of the late Baroque period. Trogers illusionistic ceiling paintings in fresco are notable for their dramatic vitality of movement, Paul Troger was born on 30 October 1698 in Welsberg, in the Puster Valley of the County of Tyrol. At the age of 16, under the patronage of the aristocratic Tyrolean von Firmian family and he painted his first fresco “Three Angels with the Cross and Putti”, in the Kalvarienkirche, Kaltern. In 1722, the prince-bishop of Gurk sent Paul Troger to Venice, where he discovered the works of Giovanni Battista Piazzetta, Troger also studied in Rome with Sebastiano Ricci, in Naples with Francesco Solimena and in Bologna, the leading artistic centers of Italy at the time. On his return to Austria, Troger first worked in Salzburg from 1726 to 1728 and he afterwards established himself in Vienna, where the art of ceiling frescoes was, however, dominated by Johann Michael Rottmayr and Daniel Gran. Paul Troger became the favourite fresco painter in Lower Austrian monasteries in collaboration with the architect Josef Munggenast, in 1753, he joined the Imperial Academy of Fine Arts. Troger became professor and was director of the Imperial Academy in 1754. His most prominent student was Franz Anton Maulbertsch, although he did many easel altar paintings and drawings, Paul Troger became famous for his frescoes and much in demand throughout the Austrian lands. Trogers frescoes are remarkable for their immense vitality of movement and their light colors, Baroque Art and Architecture in Central Europe, Germany, Austria, Switzerland, Hungary, Czechoslovakia, Poland. From Baroque To Rococo – an introduction to Austrian and German architecture from 1580 to 1790, Paul Troger in der Stiftskirche Altenburg. Works by Paul Troger in Slovak art collections Paul Troger in Europeana
8.
Jacob wrestling with the angel
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The account of Jacob wrestling with the angel is found in Genesis 32, 22-32 and referenced elsewhere in Hosea 12,4. The account includes the renaming of Jacob as Israel, literally He who struggles with God, the account is also regularly described as Jacob wrestling with God. Jacob spent the night alone on a riverside, There, a mysterious being—considered to be an angel or God himself—wrestled with Jacob, even striking him painfully in the hollow of his thigh. Jacob asks the being his name, and while he doesnt receive an answer, the event occurs during Jacobs journey back to Canaan. The Masoretic text reads as follows, The same night he arose and he took them and sent them across the stream, and everything else that he had. And a man wrestled with him until the breaking of the day, when the man saw that he did not prevail against Jacob, he touched his hip socket, and Jacobs hip was put out of joint as he wrestled with him. Then he said, “Let me go, for the day has broken. ”But Jacob said, “I will not let you go unless you bless me. ”And he said to him, “What is your name. ”Then he said, “Your name shall no longer be called Jacob, but Israel, for you have striven with God and with men, and have prevailed. ”Then Jacob asked him, “Please tell me your name. ”But he said, “Why is it that you ask my name. ”So Jacob called the name of the place Peniel, saying, “For I have seen God face to face, and yet my life has been delivered. ”The sun rose upon him as he passed Penuel, limping because of his hip. Therefore to this day the people of Israel do not eat the sinew of the thigh that is on the hip socket, because he touched the socket of Jacobs hip on the sinew of the thigh. The account contains several plays on the meaning of Hebrew names — Peniel, Israel — as well as similarity to the root of Jacobs name and its compound. The limping of Jacob, may mirror the name of the river, Jabbok, of the ancient Christian translations the Vulgate follows Hebrew man in 32,24 as man, and Hebrew face of God in 32,30 as face of God. The Syriac Peshitta like Latin and Greek follows the Hebrew with first man, then face of God in Genesis, but then in Hosea 12,4 preserves the Hebrew angel. The identity of Jacobs wrestling opponent is a matter of debate, named variously as a figure, a prophetic vision, an angel. Though some have questioned whether the Hebrew word malakh may be a change here. Maimonides believed that the incident was a vision of prophecy, while Rashi believed Jacob wrestled with the angel of Esau. Zvi Kolitz referred to Jacob wrestling with God, as a result of the hip injury Jacob suffered while wrestling, Jews are prohibited from eating the meat tendon attached to the hip socket, as mentioned in the account at Genesis 32,32. Both Martin Luther and John Calvin believed that Jacob had wrestled with God, joseph Barker believed the Bible clearly showed that Jacob wrestled with God. Peter L. Berger also believed Jacob wrestled God, according to popular author Rosemary Ellen Guiley, This dramatic scene has spurred much commentary from Judaic, Catholic, and Protestant theologians, biblical scholars, and literary critics. Does Jacob wrestle with God or with an angel. There is no answer, but the story has been rationalized, romanticized, treated as myth
9.
Supernatural
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One complicating factor is that there is disagreement about the definition of natural and the limits of naturalism. Concepts in the domain are closely related to concepts in religious spirituality. Sometimes we understand by nature the established course of things, as when we say that nature makes the night succeed the day, nature hath made respiration necessary to the life of men. Sometimes we take nature for the universe, or system of the works of God, as when it is said of a phoenix, or a chimera. And sometimes too, and that most commonly, we would express by nature a semi-deity or other kind of being. Parapsychologists use the term psi to refer to a unitary force underlying the phenomena they study. Views on the supernatural vary, for example it may be seen as, from this perspective, some events occur according to the laws of nature, and others occur according to a separate set of principles external to known nature. For example, in Scholasticism, it was believed that God was capable of performing any miracle so long as it didnt lead to a logical contradiction, others believe that all events have natural and only natural causes. They believe that human beings ascribe supernatural attributes to purely natural events, such as lightning, rainbows, floods, the supernatural is a feature of the philosophical traditions of Neoplatonism and Scholasticism. In contrast, the philosophy of Metaphysical naturalism argues for the conclusion that there are no supernatural entities, objects, most religions include elements of belief in the supernatural while also often featuring prominently in the study of the paranormal and occultism. Process theology is a school of thought influenced by the process philosophy of Alfred North Whitehead. It is not possible, in process metaphysics, to conceive divine activity as an intervention into the “natural” order of events. Process theists usually regard the distinction between the supernatural and the natural as a by-product of the doctrine of creation ex nihilo, in process thought, there is no such thing as a realm of the natural in contrast to that which is supernatural. On the other hand, if “the natural” is defined more neutrally as “what is in the nature of things, in Whiteheads words, “It lies in the nature of things that the many enter into complex unity”. It is tempting to emphasize process theisms denial of the supernatural, dreams as a Source of Supernatural Agent Concepts. Riekki T, Lindeman M, Raij T. T, Supernatural Believers Attribute More Intentions to Random Movement than Skeptics, An fMRI Study. CS1 maint, Multiple names, authors list Purzycki Benjamin G, the Minds of Gods, A Comparative Study of Supernatural Agency. Unresolved Mourning, Supernatural Beliefs and Dissociation, A Mediation Analysis, vail K. E, Arndt J, Addollahi A
10.
Religion
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Religions have sacred histories and narratives, which may be preserved in sacred scriptures, and symbols and holy places, that aim mostly to give a meaning to life. Religions may contain symbolic stories, which are said by followers to be true, that have the side purpose of explaining the origin of life. Traditionally, faith, in addition to reason, has considered a source of religious beliefs. There are an estimated 10,000 distinct religions worldwide, about 84% of the worlds population is affiliated with one of the five largest religions, namely Christianity, Islam, Hinduism, Buddhism or forms of folk religion. With the onset of the modernisation of and the revolution in the western world. The religiously unaffiliated demographic include those who do not identify with any religion, atheists. While the religiously unaffiliated have grown globally, many of the religiously unaffiliated still have various religious beliefs, about 16% of the worlds population is religiously unaffiliated. The study of religion encompasses a variety of academic disciplines, including theology, comparative religion. Theories of religion offer various explanations for the origins and workings of religion, Religion is derived from the Latin religiō, the ultimate origins of which are obscure. One possible interpretation traced to Cicero, connects lego read, i. e. re with lego in the sense of choose, go over again or consider carefully. The medieval usage alternates with order in designating bonded communities like those of monastic orders, we hear of the religion of the Golden Fleece, of a knight of the religion of Avys. In the ancient and medieval world, the etymological Latin root religio was understood as a virtue of worship, never as doctrine, practice. In the Quran, the Arabic word din is often translated as religion in modern translations and it was in the 19th century that the terms Buddhism, Hinduism, Taoism, and Confucianism first emerged. Max Müller characterized many other cultures around the world, including Egypt, Persia, what is called ancient religion today, they would have only called law. Some languages have words that can be translated as religion, but they may use them in a different way. For example, the Sanskrit word dharma, sometimes translated as religion, throughout classical South Asia, the study of law consisted of concepts such as penance through piety and ceremonial as well as practical traditions. Medieval Japan at first had a union between imperial law and universal or Buddha law, but these later became independent sources of power. There is no equivalent of religion in Hebrew, and Judaism does not distinguish clearly between religious, national, racial, or ethnic identities
11.
Mythology
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Mythology refers variously to the collected myths of a group of people or to the study of such myths. Myths are the people tell to explain nature, history. Myth is a feature of every culture, mythologizing continues, as shown in contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A cultures collective mythology helps convey belonging, shared and religious experiences, behavioral models, the study of myth began in ancient history. Rival classes of the Greek myths by Euhemerus, Plato and Sallustius were developed by the Neoplatonists, the nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science, a disease of language, or a misinterpretation of magical ritual. Recent approaches often view myths as manifestations of psychological, cultural, or societal truths, the term mythology predates the word myth by centuries. It first appeared in the fifteenth-century, borrowed from the Middle French term mythologie, the word mythology, comes from Middle French mythologie, from Late Latin mythologia, from Greek μυθολογία mythología from μῦθος mythos and -λογία -logia. The word mythología appears in Plato, but was used as a term for fiction or story-telling of any kind, combining mỹthos. From Lydgate until the seventeenth or eighteenth-century, mythology was similarly used to mean a moral, fable, from its earliest use in reference to a collection of traditional stories or beliefs, mythology implied the falsehood of the stories being described. It came to be applied by analogy with similar bodies of traditional stories among other cultures around the world. The Greek loanword mythos and Latinate mythus both appeared in English before the first example of myth in 1830, in present use, mythology usually refers to the collected myths of a group of people, but may also mean the study of such myths. For example, Greek mythology, Roman mythology and Hittite mythology all describe the body of myths retold among those cultures, dundes defined myth as a sacred narrative that explains how the world and humanity evolved into their present form. Lincoln defined myth as ideology in narrative form, scholars in other fields use the term myth in varied ways. In a broad sense, the word can refer to any traditional story, due to this pejorative sense, some scholars opted for the term mythos. Its use was similarly pejorative and now commonly refers to its Aristotelian sense as a plot point or to a collective mythology. The term is distinguished from didactic literature such as fables. Main characters in myths are usually gods, demigods or supernatural humans, however, many exceptions or combinations exist, as in the Iliad, Odyssey and Aeneid. Myths are often endorsed by rulers and priests and are linked to religion or spirituality
12.
Abrahamic religions
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Judaism, Christianity, and Islam are the largest Abrahamic religions in terms of numbers of adherents. As of 2005, estimates classified 54% of the population as adherents of an Abrahamic religion, about 32% as adherents of other religions. Christianity claims 33% of the population, Islam has 21%, Judaism has 0. 2%. It has been suggested that the phrase, Abrahamic religion, may mean that all these religions come from one spiritual source. Christians refer to Abraham as a father in faith, there is an Islamic religious term, Millat Ibrahim, indicating that Islam sees itself as having practices tied to the traditions of Abraham. Jewish tradition claims descent from Abraham, and adherents follow his practices and it is the Islamic tradition that Muhammad, as an Arab, is descended from Abrahams son Ishmael. Jewish tradition also equates the descendants of Ishmael, Ishmaelites, with Arabs, as the descendants of Isaac by Jacob, who was also later known as Israel, are the Israelites. The Báb, regarded by Baháís as a predecessor to Baháulláh, was a Sayyid, or a descendant of Muhammad. Tradition also holds that Baháulláh is a descendant of Abraham through his third wife, while there is commonality among the religions, in large measure their shared ancestry is peripheral to their respective foundational beliefs and thus conceals crucial differences. For example, the common Christian beliefs of Incarnation, Trinity, there are key beliefs in both Islam and Judaism that are not shared by most of Christianity, and key beliefs of Islam, Christianity, and the Baháí Faith not shared by Judaism. Judaism regards itself as the religion of the descendants of Jacob and it has a strictly unitary view of God, and the central holy book for almost all branches is the Masoretic Text as elucidated in the Oral Torah. In the 19th century and 20th centuries Judaism developed a number of branches, of which the most significant are Orthodox, Conservative. Christianity began as a sect of Judaism in the Mediterranean Basin of the first century CE and evolved into a separate religion—Christianity—with distinctive beliefs, Jesus is the central figure of Christianity, considered by almost all denominations to be God the Son, one person of the Trinity. The Christian biblical canons are usually held to be the ultimate authority, over many centuries, Christianity divided into three main branches, dozens of significant denominations, and hundreds of smaller ones. Islam arose in the Arabian Peninsula in the 7th century CE with a unitary view of God. Muslims hold the Quran to be the authority, as revealed and elucidated through the teachings and practices of a central. The Islamic faith consider all prophets and messengers from Adam through the messenger to carry the same Islamic monotheistic principles. Soon after its founding Islam split into two branches, each of which now have a number of denominations
13.
Zoroastrianism
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Ascribed to the teachings of the Iranian prophet Zoroaster, it exalts a deity of wisdom, Ahura Mazda, as its Supreme Being. Zoroastrianism was suppressed from the 7th century onwards following the Muslim conquest of Persia of 633-654, recent estimates place the current number of Zoroastrians at around 2.6 million, with most living in India and in Iran. Besides the Zoroastrian diaspora, the older Mithraic faith Yazdânism is still practised amongst Kurds, the religious philosophy of Zoroaster divided the early Iranian gods of Proto-Indo-Iranian tradition. The most important texts of the religion are those of the Avesta, in Zoroastrianism, the creator Ahura Mazda, through the Spenta Mainyu is an all-good father of Asha, in opposition to Druj and no evil originates from him. He and his works are evident to humanity through the six primary Amesha Spentas, Spenta Mainyu adjoined unto truth oppose the Spirits opposite, Angra Mainyu and its forces born of Akəm Manah. In Zoroastrianism, the purpose in life is to be among those who renew the world. to make the progress towards perfection. Its basic maxims include, Humata, Hukhta, Huvarshta, which mean, Good Thoughts, Good Words, there is only one path and that is the path of Truth. Do the right thing because it is the thing to do. The full name by which Zoroaster addressed the deity is, Ahura, The Lord Creator and he proclaimed that there is only one God, the singularly creative and sustaining force of the Universe. He also stated that human beings are given a right of choice, Zoroasters teachings focused on responsibility, and did not introduce a devil per se. The contesting force to Ahura Mazda was called Angra Mainyu, or angry spirit, post-Zoroastrian scripture introduced the concept of Ahriman, the Devil, which was effectively a personification of Angra Mainyu. The name Zoroaster is a Greek rendering of the name Zarathustra and he is known as Zartosht and Zardosht in Persian and Zaratosht in Gujarati. The Zoroastrian name of the religion is Mazdayasna, which combines Mazda- with the Avestan language word yasna, meaning worship, in English, an adherent of the faith is commonly called a Zoroastrian or a Zarathustrian. An older expression still used today is Behdin, meaning The best Religion | Beh < Middle Persian Weh + Din < Middle Persian dēn < Avestan Daēnā. In Zoroastrian liturgy the term is used as a title for an individual who has formally inducted into the religion in a Navjote ceremony. The term Mazdaism /ˈmæzdə. ɪzəm/ is a typical 19th century construct, taking Mazda- from the name Ahura Mazda, the March 2001 draft edition of the Oxford English Dictionary also records an alternate form, Mazdeism, perhaps derived from the French Mazdéisme, which first appeared in 1871. In older English sources, the terms Gheber and Gueber were used to refer to Zoroastrians, however, Zoroastrian philosophy is identified as having been known to Italian Renaissance Europe through an image of Zoroaster in Raphaels School of Athens by Giorgio Vasari in 1550. The Oxford English Dictionary records use of the term Zoroastrianism in 1874 in Archibald Sayces Principles of Comparative Philology, Zoroastrians believe that there is one universal, transcendent, supreme god, Ahura Mazda, or the Wise Lord
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God
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In monotheism, God is conceived of as the Supreme Being and principal object of faith. The concept of God as described by most theologians includes the attributes of omniscience, omnipotence, omnipresence, divine simplicity, many theologians also describe God as being omnibenevolent and all loving. Furthermore, some religions attribute only a purely grammatical gender to God, incorporeity and corporeity of God are related to conceptions of transcendence and immanence of God, with positions of synthesis such as the immanent transcendence of Chinese theology. God has been conceived as personal or impersonal. In theism, God is the creator and sustainer of the universe, while in deism, God is the creator, in pantheism, God is the universe itself. In atheism, God is not believed to exist, while God is deemed unknown or unknowable within the context of agnosticism, God has also been conceived as the source of all moral obligation, and the greatest conceivable existent. Many notable philosophers have developed arguments for and against the existence of God, there are many names for God, and different names are attached to different cultural ideas about Gods identity and attributes. In the ancient Egyptian era of Atenism, possibly the earliest recorded monotheistic religion, this deity was called Aten, premised on being the one true Supreme Being and creator of the universe. In the Hebrew Bible and Judaism, He Who Is, I Am that I Am, in the Christian doctrine of the Trinity, God, consubstantial in three persons, is called the Father, the Son, and the Holy Spirit. In Judaism, it is common to refer to God by the titular names Elohim or Adonai, in Islam, the name Allah is used, while Muslims also have a multitude of titular names for God. In Hinduism, Brahman is often considered a concept of God. In Chinese religion, God is conceived as the progenitor of the universe, intrinsic to it, other religions have names for God, for instance, Baha in the Baháí Faith, Waheguru in Sikhism, and Ahura Mazda in Zoroastrianism. The earliest written form of the Germanic word God comes from the 6th-century Christian Codex Argenteus, the English word itself is derived from the Proto-Germanic * ǥuđan. The reconstructed Proto-Indo-European form * ǵhu-tó-m was likely based on the root * ǵhau-, in the English language, the capitalized form of God continues to represent a distinction between monotheistic God and gods in polytheism. The same holds for Hebrew El, but in Judaism, God is also given a proper name, in many translations of the Bible, when the word LORD is in all capitals, it signifies that the word represents the tetragrammaton. Allāh is the Arabic term with no plural used by Muslims and Arabic speaking Christians and Jews meaning The God, Ahura Mazda is the name for God used in Zoroastrianism. Mazda, or rather the Avestan stem-form Mazdā-, nominative Mazdå and it is generally taken to be the proper name of the spirit, and like its Sanskrit cognate medhā, means intelligence or wisdom. Both the Avestan and Sanskrit words reflect Proto-Indo-Iranian *mazdhā-, from Proto-Indo-European mn̩sdʰeh1, literally meaning placing ones mind, Waheguru is a term most often used in Sikhism to refer to God
15.
Heaven
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According to the beliefs of some religions, heavenly beings can descend to earth or incarnate, and earthly beings can ascend to Heaven in the afterlife, or in exceptional cases enter Heaven alive. Some believe in the possibility of a Heaven on Earth in a World to Come, another belief is in an axis mundi or world tree which connects the heavens, the terrestrial world, and the underworld. In Indian religions, Heaven is considered as Svarga loka, and this cycle can be broken after a soul achieves Moksha or Nirvana. Any place of existence, either of humans, souls or deities, the modern English word heaven is derived from the earlier heven, this in turn was developed from the previous Old English form heofon. By about 1000, heofon was being used in reference to the Christianized place where God dwells, all of these have been derived from a reconstructed Proto-Germanic form *Hemina-. In Ancient Egyptian religion, belief in an afterlife is much more stressed than in ancient Judaism, Heaven was a physical place far above the Earth in a dark area of space where there were no stars, basically beyond the Universe. Their heart would finally be weighed with the feather of truth, almost nothing is known of Bronze Age Canaanite views of Heaven, and the archeological findings at Ugarit have not provided information. The 1st century Greek author Philo of Byblos may preserve elements of Iron Age Phoenician religion in his Sanchuniathon, in the Middle Hittite myths, Heaven is the abode of the gods. In the Song of Kumarbi, Alalu was king in Heaven for nine years before giving birth to his son, Anu was himself overthrown by his son, Kumarbi. The Baháí Faith regards the description of Heaven as a specific place as symbolic. The Baháí writings describe Heaven as a condition where closeness to God is defined as Heaven. For Baháís, entry into the life has the potential to bring great joy. Baháulláh likened death to the process of birth and he explains, The world beyond is as different from this world as this world is different from that of the child while still in the womb of its mother. Accordingly, Baháís view life as a stage, where one can develop. The key to progress is to follow the path outlined by the current Manifestation of God. Baháulláh wrote, Know thou, of a truth, that if the soul of man hath walked in the ways of God, it will, assuredly return, in Buddhism there are several Heavens, all of which are still part of samsara. Those who accumulate good karma may be reborn in one of them, however, their stay in Heaven is not eternal—eventually they will use up their good karma and will undergo rebirth into another realm, as a human, animal or other being. Because Heaven is temporary and part of samsara, Buddhists focus more on escaping the cycle of rebirth, Nirvana is not a heaven but a mental state
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Gabriel
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Gabriel, in the Abrahamic religions, is an angel who typically serves as Gods messenger. Gabriel is mentioned in both the Old and New Testaments of the Bible, in the Old Testament, he appears to the prophet Daniel, explaining Daniels visions. In the Gospel of Luke, Gabriel appeared to Zechariah and the Virgin Mary, foretelling the births of John the Baptist and Jesus, respectively. In the Book of Daniel, he is referred to as the man Gabriel, while in the Gospel of Luke, Gabriel is not called an archangel in the Bible, but is so called in Intertestamental period sources like the Book of Enoch. In the Roman Catholic, Eastern Orthodox, and Anglican churches, the archangels Michael, Raphael, in Islam, Gabriel is considered an archangel whom God is believed to have sent with revelation to various prophets, including Muhammad. The 96th chapter of the Quran, The Clot, is believed by Muslims to have been the first chapter revealed by Gabriel to Muhammad, in the LDS Faith, The Angel Gabriel was The Prophet Noah, and Michael the Archangel was the Prophet Adam in their Mortal Ministries. Jewish rabbis interpreted the man in linen as Gabriel in the Book of Daniel, in the Book of Daniel, Gabriel is responsible for interpreting Daniels visions. Gabriels main function in Daniel is that of revealer, a role he continues in later literature, in the Book of Ezekiel, Gabriel is understood to be the angel that was sent to destroy Jerusalem. According to the Jewish Encyclopedia, Gabriel takes the form of a man, shimon ben Lakish concluded that the angelic names of Michael, Raphael, and Gabriel came out of the Babylonian exile. In Kabbalah, Gabriel is identified with the sephirot of Yesod, Gabriel also has a prominent role as one of Gods archangels in the Kabbalah literature. There, Gabriel is portrayed as working in concert with Michael as part of Gods court, Gabriel is not to be prayed to because only God can answer prayers and sends Gabriel as his agent. According to Jewish mythology, in the Garden of Eden there is a tree of life or the tree of souls that blossoms and produces new souls, which fall into the Guf, Gabriel reaches into the treasury and takes out the first soul that comes into his hand. Then Lailah, the Angel of Conception, watches over the embryo until it is born, the intertestamental period produced a wealth of literature, much of it having an apocalyptic orientation. The names and ranks of angels and devils were greatly expanded, and each had particular duties and status before God. In 1 Enoch 9, 1–3, Gabriel, along with Michael, Uriel and Suriel, saw much blood being shed upon the earth and heard the souls of men cry, Bring our cause before the Most High. —1 Enoch 10,9 Gabriel is the fifth of the five angels who watch, Gabriel, one of the holy angels, who is over Paradise and the serpents. And these are the four angels of the Lord of Spirits, the angel Gabriel is mentioned in Daniel 8, 16-26 and 9, 20-27. Gabriel, one who looked like a man, interprets Daniels visions, Gabriel speaks to Daniel while he is in a deep sleep, and Daniel is tired and sick for days after being with Gabriel
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Fallen angel
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A fallen angel is a wicked or rebellious angel that has been cast out of heaven. The term fallen angel does not appear in the Bible, but it is used of angels who sinned, of angels cast down to the earth in the War in Heaven, of Satan, demons, the term has become popular in fictional literature regarding angels. In the period preceding the composition of the New Testament, some sects of Judaism identified the sons of God of Genesis 6. Some scholars consider it most likely that this Jewish tradition of fallen angels predates, even in written form, lester L. Grabbe calls the story of the sexual intercourse of angels with women an old myth in Judaism. Indeed, until the mid-2nd century AD, Jewish writing can be taken to identify the sons of God of Gen 6,1 and 4 as angels, Rabbinic Judaism and Christian authorities rejected the tradition. Those who adopted the tradition viewed the sons of God as fallen angels who married human women and by unnatural union begot the Nephilim. The reference to heavenly beings called Watchers originates in Daniel 4, the Greek word for watchers is ἐγρήγοροι egrḗgoroi, pl. of egrḗgoros, literally wakeful. The Greek term was transcribed in the Jewish pseudepigraphon Second Book of Enoch as Grigori and these Watchers became enamored with human women, and had intercourse with them. The offspring of these unions, and the knowledge they were given, corrupted human beings, a number of apocryphal works, including 1 Enoch link this transgression with the Great Deluge. This fact was adopted by early Christianity, but abandoned by Rabbinic Judaism, during the period immediately before the rise of Christianity, the intercourse between these Watchers and human women was often seen as the first fall of the angels. The Slavonic Second Book of Enoch is problematic as evidence for Jewish belief as it has been heavily redacted by Christian transmission, the Grigori are identified with the Watchers of 1 Enoch. In The Old Testament Pseudepigrapha, Apocalypic Literature and Testaments edited by James H, and threw him out from the height with his angels, and he was flying in the air continuously above the bottomless. H. The Hebrew Bible personifies Satan, as Lucifer, as a character in three places, always inferior to Gods power, it portrays him as an accuser, a seducer. It uses the Hebrew word, which means adversary, elsewhere to speak of human opponents or some evil influence, in Christianity, Satan is often seen as the leader of the fallen angels. In Luke 10,18 Jesus says, I saw Satan fall like lightning from heaven, while the New Testament thus mentions Satan falling from Heaven, it never says that he was an angel, only that he masquerades as one, in 2 Corinthians 11,14. However, the concept of angels is not foreign to the New Testament, both 2 Peter 2,4 and Jude 1,6 refer to angels who have sinned against God. In the New Testament, Revelation 12, 3–14 speaks of a red dragon whose tail swept a third part of the stars of heaven. The fall of Lucifer finds its earliest identification with an angel in Origen, based on an interpretation of Isaiah 14, 1–17
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Angels in art
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Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. As a matter of theology, they are beings who do not eat or excrete and are genderless. In 19th-century art, especially art, this traditional convention is sometimes abandoned. Specific ideas regarding how to portray angels began to develop in the early Church, since angels are defined as pure spirits, the lack of a defined form has allowed artists wide latitude for creativity. Daniel 8,15 describes Gabriel as appearing in the likeness of man, such anthropomorphic descriptions of an angel are consistent with previous descriptions of angels, as in Genesis 19,5. They were usually depicted in the form of young men, the earliest known representation of angels with wings is on what is called the Princes Sarcophagus, discovered at Sarigüzel, near Istanbul, in the 1930s, and attributed to the time of Theodosius I. Flying winged angels, very often in pairs flanking a central figure or subject, are derivations in visual terms from pairs of winged Victories in classical art, in this same period, Saint John Chrysostom explained the significance of angels wings, They manifest a natures sublimity. That is why Gabriel is represented with wings, not that angels have wings, but that you may know that they leave the heights and the most elevated dwelling to approach human nature. Accordingly, the attributed to these powers have no other meaning than to indicate the sublimity of their nature. From then on Christian art generally represented angels with wings, as in the cycle of mosaics in the Basilica di Santa Maria Maggiore and they often appear in the pendentives of domes or semi-domes of churches. Angels appear in Byzantine art in mosaics and icons, artists found some of their inspiration from winged Greek figures such as Victory. They also drew from imperial iconography, court eunuchs could rise to positions of authority in the Empire. They performed ceremonial functions and served as trusted messengers and those castrated in childhood developed a distinctive skeletal structure, lacked full masculine musculature, body hair and beards. As officials, they would wear a white tunic decorated with gold, brown suggests that Byzantine artists drew, consciously or not, on this iconography of the court eunuch. Daniel 10, 5-6 describes an angel as clothed in linen, Angels, especially the archangel Michael, who were depicted as military-style agents of God, came to be shown wearing Late Antique military uniform. The basic military dress it is worn in pictures into the Baroque period and beyond in the West. Other angels came to be depicted in long robes. Medieval depictions of angels borrow from the Byzantine, in the French Hours of Anne of Brittany, Gabriel wears a dalmatic
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Symbol
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A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences, all communication is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas or visual images and are used to other ideas. For example, a red octagon may be a symbol for STOP, on a map, a blue line might represent a river. Alphabetic letters may be symbols for sounds, personal names are symbols representing individuals. A red rose may symbolize love and compassion, the variable x, in a mathematical equation, may symbolize the position of a particle in space. In cartography, a collection of symbols forms a legend for a map The word derives from the Greek symbolon meaning token or watchword. It is an amalgam of syn- together + bole a throwing, a casting, the sense evolution in Greek is from throwing things together to contrasting to comparing to token used in comparisons to determine if something is genuine. The meaning something which stands for something else was first recorded in 1590, later, expanding on what he means by this definition Campbell says, a symbol, like everything else, shows a double aspect. We must distinguish, therefore between the sense and the meaning of the symbol. The term meaning can only to the first two but these, today, are in the charge of science – which is the province as we have said, not of symbols. The ineffable, the unknowable, can be only sensed. Heinrich Zimmer gives an overview of the nature, and perennial relevance. Concepts and words are symbols, just as visions, rituals, through all of these a transcendent reality is mirrored. They are so many metaphors reflecting and implying something which, though thus variously expressed, is ineffable, though thus rendered multiform, Symbols hold the mind to truth but are not themselves the truth, hence it is delusory to borrow them. Each civilisation, every age, must bring forth its own, in the book Signs and Symbols, it is stated that A symbol. Is a visual image or sign representing an idea -- a deeper indicator of a universal truth, Symbols are a means of complex communication that often can have multiple levels of meaning. This separates symbols from signs, as signs have only one meaning, human cultures use symbols to express specific ideologies and social structures and to represent aspects of their specific culture
20.
Bird flight
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Flight is the main mode of locomotion used by most of the worlds bird species. Flight assists birds while feeding, breeding, avoiding predators, and this article discusses the mechanics of bird flight, with emphasis on the varied forms of birds wings. The specifics of hovering, take-off and landing are also examined, additional adaptations of birds bodies relating to their flying ability are covered. Finally, theories on the evolution of flight are discussed. The fundamentals of flight are similar to those of aircraft, in which the aerodynamic forces sustaining flight are lift. Lift force is produced by the action of air flow on the wing, the airfoil is shaped such that the air provides a net upward force on the wing, while the movement of air is directed downward. Additional net lift may come from airflow around the body in some species. Aerodynamic drag is the force opposite to the direction of motion, the streamlining of birds body and wings reduces these forces. Flapping involves two stages, the down-stroke, which provides the majority of the thrust, and the up-stroke, at each up-stroke the wing is slightly folded inwards to reduce the energetic cost of flapping-wing flight. Birds change the angle of attack continuously within a flap, as well as with speed, when in gliding flight, the upward aerodynamic force on both birds and gliders is equal to the weight. The birds forelimbs are the key to flight, each wing has a central vane to hit the wind, composed of three limb bones, the humerus, ulna and radius. The other set of feathers, behind the carpal joint on the ulna, are called the secondaries. The remaining feathers on the wing are known as coverts, of which there are three sets, the wing sometimes has vestigial claws. Albatrosses have locking mechanisms in the joints that reduce the strain on the muscles during soaring flight. Female birds exposed to predators during ovulation produce chicks that grow their wings faster than chicks produced by predator-free females, both adaptations may make them better at avoiding avian predators. The shape of the wing is important in determining the capabilities of a bird. Different shapes correspond to different trade-offs between advantages such as speed, low use, and maneuverability. Two important parameters are the ratio and wing loading
21.
Halo (religious iconography)
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A halo is a ring of light that surrounds a person in art. They have been used in the iconography of many religions to indicate holy or sacred figures, halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Homer describes a light around the heads of heroes in battle. 450-30 BC, in the Metropolitan Museum of Art, the Colossus of Rhodes was a statue of the sun-god Helios and had his usual radiate crown. Hellenistic rulers are shown wearing radiate crowns that seem clearly to imitate this effect. The rulers of the Kushan Empire were perhaps the earliest to give themselves haloes on their coins, in Chinese and Japanese Buddhist art the halo has also been used since the earliest periods in depicting the image of Amitabha Buddha and others. Thin lines of gold often radiate outwards or inwards from the rim of the halo, elaborate haloes and especially aureoles also appear in Hindu sculpture, where they tend to develop into architectural frames in which the original idea can be hard to recognise. Theravada Buddhism and Jainism did not use the halo for many centuries, in Asian art, the nimbus is often imagined as consisting not just of light, but of flames. This type seems to first appear in Chinese bronzes of which the earliest surviving examples date from before 450 and this type is also very rarely found, and on a smaller scale, in medieval Christian art. Sometimes a thin line of flames rise up from the edges of a halo in Buddhist examples. In Tibetan paintings the flames are shown as blown by a wind. Halos are found in Islamic art from various places and periods, especially in Persian miniatures and Moghul, flaming halos derived from Buddhist art surround angels, and similar ones are often seen around Muhammad and other sacred human figures. The halo represents an aura or glow of sanctity which was conventionally drawn encircling the head, though Roman paintings have largely disappeared, save some fresco decorations, the haloed figure remains fresh in Roman mosaics. In a 2nd-century AD Roman floor mosaic preserved at Bardo, Tunisia, significantly, the triton and nereid who accompany the sea-god are not haloed. In a late 2nd century AD floor mosaic from Thysdrus, El Djem, another haloed Apollo in mosaic, from Hadrumentum, is in the museum at Sousse. The conventions of representation, head tilted, lips slightly parted, large-eyed. The halo was incorporated into Early Christian art sometime in the 4th century with the earliest iconic images of Christ, initially the only figure shown with one. At least in later Orthodox images, each bar of cross is composed of three lines, symbolising the dogmas of the Trinity, the oneness of God and the two natures of Christ
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Light
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Light is electromagnetic radiation within a certain portion of the electromagnetic spectrum. The word usually refers to light, which is visible to the human eye and is responsible for the sense of sight. Visible light is defined as having wavelengths in the range of 400–700 nanometres, or 4.00 × 10−7 to 7.00 × 10−7 m. This wavelength means a range of roughly 430–750 terahertz. The main source of light on Earth is the Sun, sunlight provides the energy that green plants use to create sugars mostly in the form of starches, which release energy into the living things that digest them. This process of photosynthesis provides virtually all the used by living things. Historically, another important source of light for humans has been fire, with the development of electric lights and power systems, electric lighting has effectively replaced firelight. Some species of animals generate their own light, a process called bioluminescence, for example, fireflies use light to locate mates, and vampire squids use it to hide themselves from prey. Visible light, as all types of electromagnetic radiation, is experimentally found to always move at this speed in a vacuum. In physics, the term sometimes refers to electromagnetic radiation of any wavelength. In this sense, gamma rays, X-rays, microwaves and radio waves are also light, like all types of light, visible light is emitted and absorbed in tiny packets called photons and exhibits properties of both waves and particles. This property is referred to as the wave–particle duality, the study of light, known as optics, is an important research area in modern physics. Generally, EM radiation, or EMR, is classified by wavelength into radio, microwave, infrared, the behavior of EMR depends on its wavelength. Higher frequencies have shorter wavelengths, and lower frequencies have longer wavelengths, when EMR interacts with single atoms and molecules, its behavior depends on the amount of energy per quantum it carries. There exist animals that are sensitive to various types of infrared, infrared sensing in snakes depends on a kind of natural thermal imaging, in which tiny packets of cellular water are raised in temperature by the infrared radiation. EMR in this range causes molecular vibration and heating effects, which is how these animals detect it, above the range of visible light, ultraviolet light becomes invisible to humans, mostly because it is absorbed by the cornea below 360 nanometers and the internal lens below 400. Furthermore, the rods and cones located in the retina of the eye cannot detect the very short ultraviolet wavelengths and are in fact damaged by ultraviolet. Many animals with eyes that do not require lenses are able to detect ultraviolet, by quantum photon-absorption mechanisms, various sources define visible light as narrowly as 420 to 680 to as broadly as 380 to 800 nm
23.
Old English
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Old English or Anglo-Saxon is the earliest historical form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers probably in the mid 5th century, Old English developed from a set of Anglo-Frisian or North Sea Germanic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons, and Jutes. As the Anglo-Saxons became dominant in England, their language replaced the languages of Roman Britain, Common Brittonic, a Celtic language, Old English had four main dialects, associated with particular Anglo-Saxon kingdoms, Mercian, Northumbrian, Kentish and West Saxon. It was West Saxon that formed the basis for the standard of the later Old English period, although the dominant forms of Middle. The speech of eastern and northern parts of England was subject to strong Old Norse influence due to Scandinavian rule, Old English is one of the West Germanic languages, and its closest relatives are Old Frisian and Old Saxon. Like other old Germanic languages, it is different from Modern English. Old English grammar is similar to that of modern German, nouns, adjectives, pronouns, and verbs have many inflectional endings and forms. The oldest Old English inscriptions were using a runic system. Old English was not static, and its usage covered a period of 700 years, from the Anglo-Saxon settlement of Britain in the 5th century to the late 11th century, some time after the Norman invasion. While indicating that the establishment of dates is a process, Albert Baugh dates Old English from 450 to 1150, a period of full inflections. Perhaps around 85 per cent of Old English words are no longer in use, Old English is a West Germanic language, developing out of Ingvaeonic dialects from the 5th century. It came to be spoken over most of the territory of the Anglo-Saxon kingdoms which became the Kingdom of England and this included most of present-day England, as well as part of what is now southeastern Scotland, which for several centuries belonged to the Anglo-Saxon kingdom of Northumbria. Other parts of the island – Wales and most of Scotland – continued to use Celtic languages, Norse was also widely spoken in the parts of England which fell under Danish law. Anglo-Saxon literacy developed after Christianisation in the late 7th century, the oldest surviving text of Old English literature is Cædmons Hymn, composed between 658 and 680. There is a corpus of runic inscriptions from the 5th to 7th centuries. The Old English Latin alphabet was introduced around the 9th century, with the unification of the Anglo-Saxon kingdoms by Alfred the Great in the later 9th century, the language of government and literature became standardised around the West Saxon dialect. In Old English, typical of the development of literature, poetry arose before prose, a later literary standard, dating from the later 10th century, arose under the influence of Bishop Æthelwold of Winchester, and was followed by such writers as the prolific Ælfric of Eynsham. This form of the language is known as the Winchester standard and it is considered to represent the classical form of Old English
24.
Old French
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Old French was the Gallo-Romance dialect continuum spoken from the 9th century to the 14th century. In the 14th century, these came to be collectively known as the langues doïl. The mid-14th century is taken as the period to Middle French. The areal of Old French in contemporary terms corresponded to the parts of the Kingdom of France, Upper Burgundy. As part of the emerging Gallo-Romance dialect continuum, the langues doïl were contrasted with the langue doc, in these examples, we notice a clear consequence of bilingualism, that sometimes even changed the first syllable of the Latin words. Pope estimated that perhaps still 15% of the vocabulary of modern French derives from Germanic sources, at the third Council of Tours in 813, priests were ordered to preach in the vernacular language, since the common people could no longer understand formal Latin. The second-oldest document in Old French is the Eulalia sequence, which is important for reconstruction of Old French pronunciation due to its consistent spelling. The Capetians langue doïl, the forerunner of modern standard French, did not begin to become the common speech of all of France, however, until after the French Revolution. In the Late Middle Ages, the Old French dialects diverged into a number of distinct langues doïl, during the Early Modern period, French now becomes established as the official language of the Kingdom of France throughout the realm, also including the langue doc-speaking territories in the south. Old French gives way to Middle French in the mid-14th century, the earliest extant French literary texts date from the ninth century, but very few texts before the 11th century have survived. The first literary works written in Old French were saints lives, the Canticle of Saint Eulalie, written in the second half of the 9th century, is generally accepted as the first such text. The first of these is the area of the chansons de geste. More than one hundred chansons de geste have survived in three hundred manuscripts. The oldest and most celebrated of the chansons de geste is The Song of Roland, a fourth grouping, not listed by Bertrand, is the Crusade cycle, dealing with the First Crusade and its immediate aftermath. Jean Bodels other two categories—the Matter of Rome and the Matter of Britain—concern the French romance or roman, around a hundred verse romances survive from the period 1150–1220. From around 1200 on, the tendency was increasingly to write the romances in prose, the most important romance of the 13th century is the Romance of the Rose which breaks considerably from the conventions of the chivalric adventure story. The Occitan or Provençal poets were called troubadours, from the word trobar to find, lyric poets in Old French are called trouvères. By the late 13th century, the tradition in France had begun to develop in ways that differed significantly from the troubadour poets
25.
Late Latin
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Late Latin is the scholarly name for the written Latin of Late Antiquity. The English dictionary definition of Late Latin dates this period from the 3rd to the 6th centuries AD and this somewhat ambiguously defined period fits between Classical Latin and Medieval Latin. Although there is no consensus about exactly when Classical Latin should end, nor exactly when Medieval Latin should begin. Being a written language, Late Latin is not identical with Vulgar Latin, the latter during those centuries served as proto-Romance, a reconstructed ancestor of the Romance languages. Although Late Latin reflects an upsurge of the use of Vulgar Latin vocabulary and constructs, it remains to a large extent classical in overall features, some are more literary and classical, some more inclined to the vernacular. Nor is Late Latin identical to Christian or patristic Latin, the writings of the early Christian fathers. While Christian writings are considered a subset of Late Latin, pagans wrote much Late Latin, serving as some sort of lingua franca to a large empire, Latin tended to become simpler, to keep above all what it had of the ordinary. Neither Late Latin nor Late Antiquity are modern terms or concepts, instances of English vernacular use of the term may also be found from the 18th century. The term Late Antiquity meaning post-classical and pre-medieval had currency in English well before then, Imperial Latin went on into English literature, Fowlers History of Roman Literature mentions it in 1903. There are, however, insoluble problems with the beginning and end of Imperial Latin, politically the excluded Augustan Period is the paradigm of imperiality, and yet the style cannot be bundled with either the Silver Age or with Late Latin. Moreover, in 6th century Italy, the Roman Empire no longer existed, subsequently the term Imperial Latin was dropped by historians of Latin literature, although it may be seen in marginal works. The Silver Age was extended a century and the four centuries represent Late Latin. Low Latin is a vague and often pejorative term that might refer to any post-classical Latin from Late Latin through Renaissance Latin depending on the author. Its origins are obscure but the Latin expression media et infima Latinitas sprang into public notice in 1678 in the title of a Glossary by Charles du Fresne, the multi-volume set had many editions and expansions by other authors subsequently. The title varies somewhat, most commonly used was Glossarium Mediae et Infimae Latinitatis and it has been translated by expressions of widely different meanings. The uncertainty is understanding what media, middle, and infima, low, the media is securely connected to Medieval Latin by Canges own terminology expounded in the Praefatio, such as scriptores mediae aetatis, writers of the middle age. Canges Glossary takes words from authors ranging from the Christian period to the Renaissance, in the former case the infimae appears extraneous, it recognizes the corruptio of the corrupta Latinitas Cange said his Glossary covered. The two-period case postulates a second unity of style, infima Latinitas, Cange in the glossarial part of his Glossary identifies some words as being used by purioris Latinitatis scriptores, such as Cicero
26.
Mycenaean Greek
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The language is preserved in inscriptions in Linear B, a script first attested on Crete before the 14th century. Most inscriptions are on tablets found in Knossos, in central Crete, as well as in Pylos. Other tablets have found at Mycenae itself, Tiryns and Thebes and at Chania. The language is named after Mycenae, one of the centres of Mycenaean Greece. The tablets long remained undeciphered, and many languages were suggested for them, the texts on the tablets are mostly lists and inventories. No prose narrative survives, much less myth or poetry, still, much may be glimpsed from these records about the people who produced them and about Mycenaean Greece, the period before the so-called Greek Dark Ages. The Mycenaean language is preserved in Linear B writing, which consists of about 200 syllabic signs, since Linear B was derived from Linear A, the script of an undeciphered Minoan language probably unrelated to Greek, it does not reflect fully the phonetics of Mycenaean. In essence, a number of syllabic signs must represent a much greater number of produced syllables. Orthographic simplifications therefore had to be made, There is no disambiguation for the Greek categories of voice and aspiration except the dentals d, t,
27.
Linear B
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Linear B is a syllabic script that was used for writing Mycenaean Greek, the earliest attested form of Greek. The script predates the Greek alphabet by several centuries, the oldest Mycenaean writing dates to about 1450 BC. It is descended from the older Linear A, an earlier script used for writing the Minoan language, as is the later Cypriot syllabary. Linear B, found mainly in the archives at Knossos, Cydonia, Pylos, Thebes and Mycenae. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing and it is also the only one of the prehistoric Aegean scripts to have been deciphered, by English architect and self-taught linguist Michael Ventris. Linear B consists of around 87 syllabic signs and over 100 ideographic signs and these ideograms or signifying signs symbolize objects or commodities. They have no value and are never used as word signs in writing a sentence. The application of Linear B appears to have been confined to administrative contexts, in all the thousands of clay tablets, a relatively small number of different hands have been detected,45 in Pylos and 66 in Knossos. It is possible that the script was used only by a guild of professional scribes who served the central palaces, once the palaces were destroyed, the script disappeared. Linear B has roughly 200 signs, divided into syllabic signs with phonetic values, the representations and naming of these signs have been standardized by a series of international colloquia starting with the first in Paris in 1956. Colloquia continue, the 13th occurred in 2010 in Paris, many of the signs are identical or similar to those in Linear A, however, Linear A encodes an as-yet unknown language, and it is uncertain whether similar signs had the same phonetic values. The grid developed during decipherment by Michael Ventris and John Chadwick of phonetic values for syllabic signs is shown below, initial consonants are in the leftmost column, vowels are in the top row beneath the title. The transcription of the syllable is listed next to the sign along with Bennetts identifying number for the sign preceded by an asterisk, in cases where the transcription of the sign remains in doubt, Bennetts number serves to identify the sign. The signs on the tablets and sealings often show considerable variation from each other, discovery of the reasons for the variation and possible semantic differences is a topic of ongoing debate in Mycenaean studies. Many of these were identified by the edition and are shown in the special values below. The second edition relates, It may be taken as axiomatic that there are no true homophones, the unconfirmed identifications of *34 and *35 as ai2 and ai3 were removed. Other values remain unknown, mainly because of scarcity of evidence concerning them, note that *34 and *35 are mirror images of each other but whether this graphic relationship indicates a phonetic one remains unconfirmed. In recent times, CIPEM inherited the authority of Bennett
28.
Biblical Hebrew
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The term Hebrew was not used for the language in the Bible, which was referred to as Canaanite or Judahite, but the name was used in Greek and Mishnaic Hebrew texts. Biblical Hebrew is attested from about the 10th century BCE, and persisted through and beyond the Second Temple period, Biblical Hebrew eventually developed into Mishnaic Hebrew, which was spoken until the second century CE. There is also evidence of regional dialectal variation, including differences between Biblical Hebrew as spoken in the northern Kingdom of Israel and in the southern Kingdom of Judah. Biblical Hebrew has been written with a number of different writing systems, the Hebrews adopted the Phoenician alphabet around the 12th century BCE, which developed into the Paleo-Hebrew alphabet. This was retained by the Samaritans, who use the descendent Samaritan alphabet to this day, however, the Aramaic alphabet gradually displaced the Paleo-Hebrew alphabet for the Jews, and it became the source for the modern Hebrew alphabet. All of these scripts were lacking letters to represent all of the sounds of Biblical Hebrew, though these sounds are reflected in Greek and these scripts originally only indicated consonants, but certain letters, known by the Latin term matres lectionis, became increasingly used to mark vowels. In the Middle Ages, various systems of diacritics were developed to mark the vowels in Hebrew manuscripts, of these, Biblical Hebrew possessed a series of emphatic consonants whose precise articulation is disputed, likely ejective or pharyngealized. Earlier Biblical Hebrew possessed three consonants which did not have their own letters in the system, but over time they merged with other consonants. The stop consonants developed fricative allophones under the influence of Aramaic, the pharyngeal and glottal consonants underwent weakening in some regional dialects, as reflected in the modern Samaritan Hebrew reading tradition. Biblical Hebrew had a typical Semitic morphology with nonconcatenative morphology, arranging Semitic roots into patterns to form words, Biblical Hebrew distinguished two genders, three numbers. Verbs were marked for voice and mood, and had two conjugations which may have indicated aspect and/or tense, the tense or aspect of verbs was also influenced by the conjugation ו, in the so-called waw-consecutive construction. Default word order was verb–subject–object, and verbs inflected for the number, gender, pronominal suffixes could be appended to verbs or nouns, and nouns had special construct states for use in possessive constructions. The earliest written sources refer to Biblical Hebrew by the name of the land in which it was spoken, the Hebrew Bible also shows that the language was called יהודית Judaean, Judahite. In the Hellenistic period Greek writings use the names Hebraios, Hebraïsti, Jews also began referring to Hebrew as לשון הקדש the Holy Tongue in Mishnaic Hebrew. The term Classical Hebrew may include all pre-medieval dialects of Hebrew, including Mishnaic Hebrew, the term Biblical Hebrew refers to pre-Mishnaic dialects. The archeological record for the prehistory of Biblical Hebrew is far more complete than the record of Biblical Hebrew itself, Early Northwest Semitic materials are attested from 2350 BCE to 1200 BCE, the end of the Bronze Age. Hebrew developed during the half of the second millennium BCE between the Jordan and the Mediterranean Sea, an area known as Canaan. The earliest Hebrew writing yet discovered was found at Khirbet Qeiyafa, the kingdom of Israel was destroyed by the Assyrians in 722 BCE
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Vulgate
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The Vulgate is a late fourth-century Latin translation of the Bible that became, during the 16th century, the Catholic Churchs officially promulgated Latin version of the Bible. The translation was largely the work of St. Jerome, who, in 382 AD, was commissioned by Pope Damasus I to revise the Vetus Latina collection of biblical texts in Latin then in use by the Church. Once published, it was adopted and eventually eclipsed the Vetus Latina and, by the 13th century, was known as the versio vulgata or, more simply. The Catholic Church affirmed it as its official Latin Bible at the Council of Trent, the Vulgate has a compound text that is not entirely the work of Jerome. Its components include, Jeromes independent translation from the Hebrew, the books of the Hebrew Bible, usually not including his translation of the Psalms. Translation from the Greek of Theodotion by Jerome, The three additions to the Book of Daniel, Song of the Three Children, Story of Susanna, and The Idol Bel and the Dragon. The Song of the Three Children was retained within the narrative of Daniel, translation from the Septuagint by Jerome, the Rest of Esther. Jerome gathered all these additions together at the end of the Book of Esther, translation from the Hexaplar Septuagint by Jerome, his Gallican version of the Book of Psalms. Jeromes Hexaplaric revisions of other books of Old Testament continued to circulate in Italy for several centuries, free translation by Jerome from a secondary Aramaic version, Tobias and Judith. Revision by Jerome of the Old Latin, corrected with reference to the oldest Greek manuscripts available, Old Latin, more or less revised by a person or persons unknown, Baruch, Letter of Jeremiah,3 Esdras, Acts, Epistles, and the Apocalypse. Old Latin, wholly unrevised, Epistle to the Laodiceans, Prayer of Manasses,4 Esdras, Wisdom, Ecclesiasticus, and 1 and 2 Maccabees. Jerome did not embark on the work with the intention of creating a new version of the whole Bible, how much of the rest of the New Testament he then revised is difficult to judge today, but little of his work survived in the Vulgate text. Jerome first embarked on a revision of the Psalms, translated from the revised Septuagint Greek column of the Hexapla and he also appears to have undertaken further new translations into Latin from the Hexaplar Septuagint column for other books. But from 390 to 405, Jerome translated anew from the Hebrew all 39 books in the Hebrew Bible, including a further version of the Psalms. This new translation of the Psalms was labelled by him as iuxta Hebraeos, the Vulgate is usually credited as being the first translation of the Old Testament into Latin directly from the Hebrew Tanakh, rather than the Greek Septuagint. Moreover, Augustine in that passage demonstrates his own preference for the Greek thus eliminating any possibility that Saint Jerome translated the OT from Greek. In these letters, Jerome described those books or portions of books in the Septuagint that were not found in the Hebrew as being non-canonical, Jeromes views did not, however, prevail, and all complete manuscripts and editions of the Vulgate include some or all of these books. Their style is markedly distinguishable from Jeromes
30.
Zoroastrian angelology
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Yazata is the Avestan language word for a Zoroastrian concept with a wide range of meanings but generally signifying a divinity. The yazatas collectively are the powers under Ohrmuzd, who is the greatest of the yazatas. Yazata is an Avestan language passive adjectival participle derived from yaz-, to worship, to honor, the word yasna – worship, sacrifice, oblation, prayer – comes from the same root. A yaza+ ta is accordingly a being worthy of worship, an object of worship or a holy being, as the stem form, yazata- has the inflected nominative forms yazatō, pl. yazatåŋhō. These forms reflect Proto-Iranian *yazatah and pl. *yazatāhah, in Middle Persian the term became yazad or yazd, pl. yazdān, continuing in New Persian as izad. The term yazata is used in the Gathas, the oldest texts of Zoroastrianism. In these hymns, yazata is used as a generic, applied to Ahura Mazda as well as to the divine sparks, that in later tradition are the Amesha Spentas. In the Gathas, the yazatas are effectively what the daevas are not, that is, in the Younger Avesta, the yazatas are unambiguously divine, with divine powers but performing mundane tasks such as serving as charioteers for other yazatas. Several yazatas are given anthropomorphic attributes, such as cradling a mace or bearing a crown upon their heads, relatively certain however is that the day-name dedications predate the Avestas Siroza, which contain explicit references to the yazatas as protectors/guardians of their respective days of the month. The 9th–12th century texts of Zoroastrian tradition observe the yazatas in much the way as the hymns of the Younger Avesta. In addition, in roles that are alluded to in scripture. For instance, Aredvi Sura Anahita is both a divinity of the waters as well as a rushing river that encircles the earth. The blockage is removed by Verethragna, and Tishtrya gathers up the waters, in stories with eschatological significance, Sraosha, Mithra, and Rashnu are guardians of the Chinvat bridge, the bridge of the separator, across which all souls must pass. The Amesha Spentas in turn had hamkars assistants or cooperators, each a caretaker of one facet of creation, in both tradition and scripture, the terms Amesha Spenta and yazata are sometimes used interchangeably. In general, however, Amesha Spenta signifies the six divine sparks. In tradition, yazata is the first of the 101 epithets of Ahura Mazda, the word also came to be applied to Zoroaster, but Zoroastrians to this day remain sharply critical of any attempts to deify the prophet. In the 1860s and 1870s, the linguist Martin Haug interpreted Zoroastrian scripture in Christian terms, in this scheme, the Amesha Spentas are the arch-angel retinue of Ahura Mazda, with the hamkars as the supporting host of lesser angels. At the time, Zoroastrianism lacked theologians of its own, in this situation, Haugs counter-interpretation came as a welcome relief, and was gratefully accepted as legitimate
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Fravashi
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Fravashi is the Avestan language term for the Zoroastrian concept of a personal spirit of an individual, whether dead, living, and yet-unborn. The fravashi of an individual sends out the urvan into the world to fight the battle of good versus evil. In the 9/10th-century works of Zoroastrian tradition, Avestan fravashi continues as Middle Persian fravard, fravahr, the last days of a year, called frawardigan, are dedicated to the fravashis. The first month of the year as well as the 19th day of each month are considered under the protection of, and named after, the winged-disc symbol of Zoroastrianism is traditionally interpreted as a depiction of a fravashi. The word fravashi is commonly perceived to have var- to choose, from reconstructed *fravarti, fravashi could then mean one who has been selected. The same root, in the sense of to choose/profess a faith, is found in the word fravarane, one interpretation considers a derivation from vart- turn hence turning away, departing, death. The Epistles of Zadspram, a 10th century exegetical work, derives fravashi from fra-vaxsh to grow forth, like most other Zoroastrian yazatas, the fravashis are not mentioned in the Gathas. The earliest mention of them is in the Old Avestan Yasna Haptanghaiti which includes an invocation of the fravashis of the righteous. In chapter 57 of the Yasna, the fravashis are responsible for the course of the sun, moon, and stars, and in nurturing waters and plants, and protecting the unborn in the womb. Yasht 13 is one of the eight great yashts, and at 158 verses the longest text in the collection and it is also the second-most frequently recited Yasht. Several different authors contributed to the hymn, and its quality is uneven, while some verses are rich in traditional poetic phrases. The frequently repeated kshnuman of Yasht 13 is We worship the good, strong, moreover, Mazda is presented as acknowledging that without the help of the fravashis, cattle and men would have been lost to Angra Mainyu. This declaration is wholly unorthodox, and unsupported by any other text, verses 14-15, as also several other verses scattered through the text, describe how the fravashis continue to sustain the material world and mankind in the post-creation phase of the world. Verses 16-17, as several other later verses, celebrate their military prowess and assistance in battle. Verse 20 includes an injunction to memorize their invocation, so as to be able to call on them in times of need, in 13. 49-52, the hymn turns to the function of the fravashis in relation to the dead. There, the fravashis of the dead are said to return to their homes during the last days of the year, hoping to be worshipped and receive gifts, in exchange for which they bless those who live there. 13. 65-68, the fravashi are associated with prosperity, and annually strive to ensure that family, settlement, tribe, and country has rain. Verses 149 and 155 are likewise related to the urvan of the dead, and while they are said to have martial prowess in some passages, elsewhere, they are co-eval with the relatively helpless urvan
32.
Amesha Spentas
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Significantly more common than the non-specific meaning of Amesha Spenta is a restrictive use of the term to refer to the great six divine sparks of Ahura Mazda. In Zoroastrian tradition, these are the first six emanations of the noncreated Creator, the expression Amesha Spenta does not occur in the Gathas, but it was probably coined by Zoroaster himself. Spenta is a word of his revelation, meaning furthering, strengthening, bounteous. The oldest attested use of the term is in Yasna 39.3, like all other verses of the Yasna Haptanghaiti, Yasna 39.3 is also in Gathic Avestan and is approximately as old as the hymns attributed to Zoroaster himself. The divine sparks that appear in the Gathic Yasna 47, if they appear at all, they do not necessarily appear immediately adjacent to the noun. But in later tradition, these adjectives are integral to the names themselves, while Vohu Manah, Aša Vahišta, and Xšaθra Vairya are consistently of neuter gender in Avestan grammar, in tradition they are considered masculine. Armaiti, Haurvatāt, and Amərətāt are invariably feminine, in the Gathas, each Amesha Spenta represents a good moral quality that mortals should strive to obtain. Thus, the doctrine of the six is that through good thoughts, words. Not evident in the Gathas and first appearing in the Younger Avesta are the oppositions of haurvatāt- wholeness to taršna- thirst and these latter assignments reflect Haurvatats identification with water and Ameretats identification with plants. In the Gathas, aša/arta is the most evident of the six, in the 238 verses of these hymns, aša-/arta- appears 157 times. Of the other concepts, only vohumanah- appears nearly as often, in comparison, the remaining four of the great sextet appear only 121 times altogether, xšaθra-,56 times, armaiti-,40, amərətāt-,14, haurvatāt-,11 times. In the context of Zoroastrian view of creation, the group of the Amesha Spenta is extended to include Ahura Mazda, however, in most scholastic texts, an unqualified referral to the Amesha Spenta is usually understood to include only great six. In Yasna 44.7,31.3, and 51.7 and it is also through this Bounteous Force, Creative Emanation, or Holy Spirit that Ahura Mazda is immanent in humankind, and how the Creator interacts with the world. The doctrine also has a dimension, in that each of the heptad is linked to one of the seven creations. These physical associations are only alluded to in the Gathas>, a systematic association is only present in later middle Persian texts, where each of the seven is listed with its special domain, Ahura Mazda → Middle Persian Ohrmazd is the highest spirit. This anomaly is explained in modern scholarship by the fact that, in Stone Age cosmogony, the sky was considered to be the first of the creations and this is also reflected in Zoroasters revelation, where the sky is of the hardest stone. Later, with the event of bronze and then iron tools, this sky evolved to being of crystal, in due course, Xšaθras association with a stony firmament was eclipsed by the association with a metallic sky, and thence to metals in general. In non-specific usage, the term Amesha Spenta denotes all the divinities that furthered or strengthened creation and all that are bounteous and it not only includes the ahuras, but also all the other divinities that are alluded to in these texts
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Ahura Mazda
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Ahura Mazda is the Avestan name for the creator and sole God of Zoroastrianism, the old Iranian religion which spread across Asia predating Christianity. Ahura Mazda is described as the highest spirit of worship in Zoroastrianism, the literal meaning of the word Ahura is mighty or lord and Mazda is wisdom. Ahura Mazda first appeared in the Achaemenid period under Darius Is Behistun Inscription, until Artaxerxes II, Ahura Mazda was worshipped and invoked alone. With Artaxerxes II, Ahura Mazda was invoked in a triad, with Mithra, images of Ahura Mazda began in the Parthian period, but were stopped and replaced with stone carved figures in the Sassanid period. Mazda, or rather the Avestan stem-form Mazdā-, nominative Mazdå and it is generally taken to be the proper name of the spirit, and like its Sanskrit cognate medhās, means intelligence or wisdom. Both the Avestan and Sanskrit words reflect Proto-Indo-Iranian *mazdhā-, from Proto-Indo-European *mn̩sdʰeh₁, literally meaning placing ones mind, the name was rendered as Ahuramazda during the Achaemenid era, Hormazd during the Parthian era, and Ohrmazd was used during the Sassanian era. The name may be attested on cuneiform tablets of Assyrian Assurbanipal, in the form Assara Mazaš, even though Ahura Mazda was a spirit in the Old Iranian religion, he had not yet been given the title of uncreated spirit. This title was given by Zoroaster, who proclaimed Ahura Mazda as the spirit, wholly wise, benevolent and good, as well as the creator. As Ahura Mazda is described as the creator and upholder of Asha, he is a supporter and guardian of justice, as a result of this vision, Zoroaster felt that he was chosen to spread and preach the religion. He stated that source of all goodness was the only Ahura worthy of the highest worship. He further stated that Ahura Mazda created spirits known as yazatas to aid him, Zoroaster proclaimed that all of the Iranian daevas were bad spirits and deserved no worship. These bad spirits were created by Angra Mainyu, the hostile, the existence of Angra Mainyu was the source of all sin and misery in the universe. Zoroaster claimed that Ahura Mazda was not an omnipotent God, nonetheless, Ahura Mazda is Angra Mainyus superior, not his equal. Angra Mainyu and his daevas which attempt to attract humans away from the path of righteousness would eventually be destroyed, whether the Achaemenids were Zoroastrians is a matter of much debate. However, it is known that the Achaemenids were worshipers of Ahura Mazda, the representation and invocation of Ahura Mazda can be seen on royal inscriptions written by Achaemenid kings. The most notable of all the inscriptions is the Behistun Inscription written by Darius I which contains references to Ahura Mazda. An inscription written in Greek was found in a late Achaemenid temple at Persepolis which invoked Ahura Mazda, on the Elamite Persepolis Fortification Tablet 377, Ahura Mazda is invoked along with Mithra and Voruna. Artaxerxes III makes this invocation to the three again in his reign
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Timaeus (dialogue)
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Timaeus is one of Platos dialogues, mostly in the form of a long monologue given by the title character Timaeus of Locri, written c.360 BC. The work puts forward speculation on the nature of the physical world, participants in the dialogue include Socrates, Timaeus, Hermocrates, and Critias. Some scholars believe that it is not the Critias of the Thirty Tyrants who is appearing in this dialogue, but his grandfather and it has been suggested that Timaeus influenced a book about Pythagoras, written by Philolaus. The dialogue takes place the day after Socrates described his ideal state, in Platos works such a discussion occurs in the Republic. Hermocrates wishes to oblige Socrates and mentions that Critias knows just the account to do so, Critias proceeds to tell the story of Solons journey to Egypt where he hears the story of Atlantis, and how Athens used to be an ideal state that subsequently waged war against Atlantis. Critias believes that he is getting ahead of himself, and mentions that Timaeus will tell part of the account from the origin of the universe to man, the history of Atlantis is postponed to Critias. The main content of the dialogue, the exposition by Timaeus, Timaeus begins with a distinction between the physical world, and the eternal world. The physical one is the world changes and perishes, therefore it is the object of opinion. The eternal one never changes, therefore it is apprehended by reason, the speeches about the two worlds are conditioned by the different nature of their objects. Indeed, a description of what is changeless, fixed and clearly intelligible will be changeless and fixed, while a description of changes and is likely, will also change. As being is to becoming, so is truth to belief, therefore, in a description of the physical world, one should not look for anything more than a likely story. Timaeus suggests that since nothing becomes or changes without cause, then the cause of the universe must be a demiurge or a god, and since the universe is fair, the demiurge must have looked to the eternal model to make it, and not to the perishable one. Hence, using the eternal and perfect world of forms or ideals as a template, he set about creating our world, Timaeus continues with an explanation of the creation of the universe, which he ascribes to the handiwork of a divine craftsman. The demiurge, being good, wanted there to be as good as was the world. The demiurge is said to bring out of substance by imitating an unchanging. The ananke, often translated as necessity, was the only other co-existent element or presence in Platos cosmogony, later Platonists clarified that the eternal model existed in the mind of the Demiurge. Timaeus describes the substance as a lack of homogeneity or balance, in which the four elements were shapeless, mixed, considering that order is favourable over disorder, the essential act of the creator was to bring order and clarity to this substance. Therefore, all the properties of the world are to be explained by the choice of what is fair and good, or
35.
Plato
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Plato was a philosopher in Classical Greece and the founder of the Academy in Athens, the first institution of higher learning in the Western world. He is widely considered the most pivotal figure in the development of philosophy, unlike nearly all of his philosophical contemporaries, Platos entire work is believed to have survived intact for over 2,400 years. Along with his teacher, Socrates, and his most famous student, Aristotle, Plato laid the foundations of Western philosophy. Alfred North Whitehead once noted, the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato. In addition to being a figure for Western science, philosophy. Friedrich Nietzsche, amongst other scholars, called Christianity, Platonism for the people, Plato was the innovator of the written dialogue and dialectic forms in philosophy, which originate with him. He was not the first thinker or writer to whom the word “philosopher” should be applied, few other authors in the history of Western philosophy approximate him in depth and range, perhaps only Aristotle, Aquinas and Kant would be generally agreed to be of the same rank. Due to a lack of surviving accounts, little is known about Platos early life, the philosopher came from one of the wealthiest and most politically active families in Athens. Ancient sources describe him as a bright though modest boy who excelled in his studies, the exact time and place of Platos birth are unknown, but it is certain that he belonged to an aristocratic and influential family. Based on ancient sources, most modern scholars believe that he was born in Athens or Aegina between 429 and 423 BCE. According to a tradition, reported by Diogenes Laertius, Ariston traced his descent from the king of Athens, Codrus. Platos mother was Perictione, whose family boasted of a relationship with the famous Athenian lawmaker, besides Plato himself, Ariston and Perictione had three other children, these were two sons, Adeimantus and Glaucon, and a daughter Potone, the mother of Speusippus. The brothers Adeimantus and Glaucon are mentioned in the Republic as sons of Ariston, and presumably brothers of Plato, but in a scenario in the Memorabilia, Xenophon confused the issue by presenting a Glaucon much younger than Plato. Then, at twenty-eight, Hermodorus says, went to Euclides in Megara, as Debra Nails argues, The text itself gives no reason to infer that Plato left immediately for Megara and implies the very opposite. Thus, Nails dates Platos birth to 424/423, another legend related that, when Plato was an infant, bees settled on his lips while he was sleeping, an augury of the sweetness of style in which he would discourse about philosophy. Ariston appears to have died in Platos childhood, although the dating of his death is difficult. Perictione then married Pyrilampes, her mothers brother, who had served many times as an ambassador to the Persian court and was a friend of Pericles, Pyrilampes had a son from a previous marriage, Demus, who was famous for his beauty. Perictione gave birth to Pyrilampes second son, Antiphon, the half-brother of Plato and these and other references suggest a considerable amount of family pride and enable us to reconstruct Platos family tree
36.
Aristotle
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Aristotle was an ancient Greek philosopher and scientist born in the city of Stagira, Chalkidice, on the northern periphery of Classical Greece. His father, Nicomachus, died when Aristotle was a child, at seventeen or eighteen years of age, he joined Platos Academy in Athens and remained there until the age of thirty-seven. Shortly after Plato died, Aristotle left Athens and, at the request of Philip II of Macedon, teaching Alexander the Great gave Aristotle many opportunities and an abundance of supplies. He established a library in the Lyceum which aided in the production of many of his hundreds of books and he believed all peoples concepts and all of their knowledge was ultimately based on perception. Aristotles views on natural sciences represent the groundwork underlying many of his works, Aristotles views on physical science profoundly shaped medieval scholarship. Their influence extended from Late Antiquity and the Early Middle Ages into the Renaissance, some of Aristotles zoological observations, such as on the hectocotyl arm of the octopus, were not confirmed or refuted until the 19th century. His works contain the earliest known study of logic, which was incorporated in the late 19th century into modern formal logic. Aristotle was well known among medieval Muslim intellectuals and revered as The First Teacher and his ethics, though always influential, gained renewed interest with the modern advent of virtue ethics. All aspects of Aristotles philosophy continue to be the object of academic study today. Though Aristotle wrote many elegant treatises and dialogues – Cicero described his style as a river of gold – it is thought that only around a third of his original output has survived. Aristotle, whose means the best purpose, was born in 384 BC in Stagira, Chalcidice. His father Nicomachus was the physician to King Amyntas of Macedon. Aristotle was orphaned at a young age, although there is little information on Aristotles childhood, he probably spent some time within the Macedonian palace, making his first connections with the Macedonian monarchy. At the age of seventeen or eighteen, Aristotle moved to Athens to continue his education at Platos Academy and he remained there for nearly twenty years before leaving Athens in 348/47 BC. Aristotle then accompanied Xenocrates to the court of his friend Hermias of Atarneus in Asia Minor, there, he traveled with Theophrastus to the island of Lesbos, where together they researched the botany and zoology of the island. Aristotle married Pythias, either Hermiass adoptive daughter or niece and she bore him a daughter, whom they also named Pythias. Soon after Hermias death, Aristotle was invited by Philip II of Macedon to become the tutor to his son Alexander in 343 BC, Aristotle was appointed as the head of the royal academy of Macedon. During that time he gave not only to Alexander
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Primum movens
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The unmoved mover or prime mover is a monotheistic concept advanced by Aristotle, a polytheist, as a primary cause or mover of all the motion in the universe. As is implicit in the name, the unmoved mover moves other things, in Book 12 of his Metaphysics, Aristotle describes the unmoved mover as being perfectly beautiful, indivisible, and contemplating only the perfect contemplation, itself contemplating. He equates this concept also with the active intellect, st. Thomas Aquinas, for example, elaborated on the unmoved mover in the Quinque viae. In the Physics Aristotle finds surprising difficulties explaining even commonplace change, Aristotles first philosophy, or Metaphysics, develops his peculiar theology of the prime mover, as πρῶτον κινοῦν ἀκίνητον, an independent divine eternal unchanging immaterial substance. While the number of spheres in the model itself was subject to change, Aristotles account of aether, as such, it would be physically impossible for them to move material objects of any size by pushing, pulling or collision. Their influence on lesser beings is purely the result of an aspiration or desire, the first heaven, the outmost sphere of fixed stars, is moved by a desire to emulate the prime mover, in relation to whom, the subordinate movers suffer an accidental dependency. Many of Aristotles contemporaries complained that oblivious, powerless gods are unsatisfactory, nonetheless, it was a life which Aristotle enthusiastically endorsed as one most enviable and perfect, the unembellished basis of theology. As the whole of nature depends on the inspiration of the unmoved movers. It is through the action of the Sun upon the terrestrial spheres. The intellect, nous, or whatever else it be that is thought to rule and lead us by nature and it is also the most sustainable, pleasant, self-sufficient activity, something which is aimed at for its own sake. This aim is not strictly human, to achieve it means to live in accordance not with mortal thoughts, according to Aristotle, contemplation is the only type of happy activity which it would not be ridiculous to imagine the gods having. In Aristotles psychology and biology, the intellect is the soul and he argues that in the beginning, if the cosmos had come to be, its first motion would lack an antecedent state, and as Parmenides said, nothing comes from nothing. The Cosmological argument, later attributed to Aristotle, thereby draws the conclusion that God exists, however, if the cosmos had a beginning, Aristotle argued, it would require an efficient first cause, a notion that Aristotle took to demonstrate a critical flaw. The purpose of Aristotles cosmological argument, that at least one eternal unmoved mover must exist, is to support everyday change, of things that exist, substances are the first. But if substances can, then all things can perish. and yet, time, now, the only continuous change is that of place, and the only continuous change of place is circular motion. Therefore, there must be a circular motion and this confirmed by the fixed stars which are moved by the eternal actual substance substance thats purely actual. Even though the foregoing might have suggested that generation of substances is fundamental for all the kinds of changes. Aristotle argues at the opening of Physics bk.8 that motion and change in the universe can have no beginning, with this argument Aristotle can establish an eternal chain of motions and refute those who hold that there could have been a previous stationary state of the universe
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Abraham
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Abraham, originally Abram, is the first of the three patriarchs of Judaism. His story features in the texts of all the Abrahamic religions and Abraham plays a prominent role as an example of faith in Judaism, Christianity. The biblical narrative revolves around the themes of posterity and land, Abraham is called by God to leave the house of his father Terah and settle in the land originally given to Canaan, but which God now promises to Abraham and his progeny. Various candidates are put forward who might inherit the land after Abraham, Abraham later marries Keturah and has six more sons, but on his death, when he is buried beside Sarah, it is Isaac who receives all Abrahams goods, while the other sons receive only gifts. Terah, the ninth in descent from Noah, was the father of three sons, Abram, Nahor, and Haran, Haran was the father of Lot, and died in his native city, Ur of the Chaldees. Abram married Sarah, who was barren, Terah, with Abram, Sarai, and Lot, then departed for Canaan, but settled in a place named Haran, where Terah died at the age of 205. Abram was 75 years old when he left Haran with his wife Sarai, his nephew Lot, and the substance and souls that they had acquired, and traveled to Shechem in Canaan. There was a famine in the land of Canaan, so that Abram and Lot and their households. On the way Abram told his wife Sarai to say that she was his sister, however, God afflicted Pharaoh and his household with great plagues, for which he tried to find the reason. Upon discovering that Sarai was a woman, Pharaoh demanded that they and their household leave immediately. When they came back to the Bethel and Hai area, Abrams and this became a problem for the herdsmen who were assigned to each familys cattle. But Lot chose to go east to the plain of Jordan where the land was well watered everywhere as far as Zoar, Abram went south to Hebron and settled in the plain of Mamre, where he built another altar to worship God. During the rebellion of the Jordan River cities against Elam, Abrams nephew, the Elamite army came to collect the spoils of war, after having just defeated the king of Sodoms armies. Lot and his family, at the time, were settled on the outskirts of the Kingdom of Sodom which made them a visible target, one person who escaped capture came and told Abram what happened. Once Abram received this news, he immediately assembled 318 trained servants, Abrams force headed north in pursuit of the Elamite army, who were already worn down from the Battle of Siddim. When they caught up with them at Dan, Abram devised a plan by splitting his group into more than one unit. Not only were able to free the captives, Abrams unit chased and slaughtered the Elamite King Chedorlaomer at Hobah. They freed Lot, as well as his household and possessions, upon Abrams return, Sodoms king came out to meet with him in the Valley of Shaveh, the kings dale
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Ludovico Carracci
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Ludovico Carracci was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna. He died in Bologna in 1619, Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Their individual contributions to these works are unclear, although Annibale and this led to Annibales famed commission of the Loves of the Gods in the Palazzo Farnese in Rome. More recent conjectures are that there was no established Academy with curriculum, the Carracci had their apprentices draw studies focused on observation of nature and natural poses, and use a bold scale in drawing figures. One of Ludovicos main pupils was Giacomo Cavedone and Francesco Camullo, Ludovico Carraccis works Babette Bohn Ludovico Carracci and the Art of Drawing Brepols 2004 Allessandro Brogi Ludovico Carracci Bologna 2001 Andrea Emiliani Ludovico Carracci exh. cat
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Filippino Lippi
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Filippino Lippi was an Italian painter working during the High Renaissance in Florence, Italy. Born Filippo Lippi in Prato, Tuscany, the son of the painter Fra Filippo Lippi and Lucrezia Buti. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral there, when his father died in 1469, he completed the frescos with Storie della Vergine in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippinos father, in 1472, Botticelli also took him as his companion in the Compagnia di San Luca. His first works greatly resemble those of Botticellis, but with less sensitivity and subtlety, the very first ones were initially attributed to an anonymous Amico di Sandro. Eventually Lippis style evolved into a personal and effective one in the years 1480-1485. Together with Perugino, Ghirlandaio and Botticelli, Lippi worked on the decoration of Lorenzo de Medicis villa at Spedaletto. On December 31,1482 he was commissioned to work on a wall of Sala dellUdienza of Palazzo Vecchio in Florence, a work never begun. Soon after, probably in 1483-84, he was called to complete Masaccios decoration of Brancacci Chapel in the church of the Carmine, the work on the Sala degli Otto di Pratica, in the Palazzo Vecchio, started on February 20,1486. It is now in the Uffizi Gallery, in the same years Piero di Francesco del Pugliese asked him to paint the altarpiece with the Apparition of the Virgin to St. Bernard, now in the Badia Fiorentina, Florence. This is Lippis most popular picture, a composition of unreal items, with its very particular elongated figures, backed by a scenario of rocks. The work is dated to 1480–86, eventually he worked for Tanai de Nerli in Florences Santo Spirito church. On April 21,1487, Filippo Strozzi asked him to decorate the chapel in Santa Maria Novella with the Stories of St. John Evangelist. He worked on this piece intermittently, only completing it in 1503, the windows with musical themes, also designed by Filippino, were completed between June and July 1503. Filippino showed his characters in a landscape which recreated the ancient world in its finest details and he created in this way an animated, mysterious, fantastic but also disquieting style, showing the unreality of something as a nightmare. In this way, Filippino portrayed ruthless executioners deformed by grim faces, in the scene with St. Philip expelling a monster from the temple, the statue of the pagan god is a living figure which seems to dare the Christian saint. In 1488, Lippi moved to Rome, where Lorenzo de Medici had advised Cardinal Oliviero Carafa to entrust him the decoration of the chapel in Santa Maria sopra Minerva. These frescoes show a new kind of inspiration, quite different from the earlier works, Lippi finished the cycle by 1493
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Bennett, William Henry (1911), "Angel", in Chisholm, Hugh, Encyclopædia Britannica, 2 (11th ed.), Cambridge University Press, pp. 4–6
Bennett, William Henry (1911), "
