Soulsavers is an English-American production and remix team comprising of Rich Machin and Ian Glover. The Soulsavers' downtempo electronica sound incorporates influences of rock, gospel and country. To date, the duo has released five albums: Tough Guys Don't Dance in 2003, It's Not How Far You Fall, It's the Way You Land in 2007, Broken in 2009, The Light the Dead See in 2012 and Angels & Ghosts in 2015. Soulsavers' third album, was released on 17 August 2009. Mark Lanegan once again featured as the main vocalist. Other prominent musicians such as Mike Patton, Jason Pierce, Richard Hawley, Gibby Haynes feature on the album; the non-album single "Sunrise," a song written by Lanegan and sung by Will Oldham, preceded the album release on 3 August 2009. The B-side is a cover of Palace Brothers' "You Will Miss Me When I Burn," a song written by Oldham and sung by Lanegan, featured on the Broken album; the pair have worked as film score composers, such as on BattleGround: 21 Days on the Empire's Edge produced by the Guerrilla News Network.
Their song "Revival" was featured on the 22 November 2007 episode of Grey's Anatomy, titled "Crash Into Me" part 1. The song was featured on the 10 December episode of Friday Night Lights, titled "Giving Tree", it is featured in the snowboarding movie That's It, That's All. Revival featured in the trailer of the 2011 film Machine Gun Preacher. "Kingdoms of Rain" featured in the Lie to Me episode "Truth or Consequences," which aired on 5 October 2009. They supported Depeche Mode during the European leg of their Tour of the Universe in late 2009. Depeche Mode's frontman Dave Gahan is the main vocalist and lyricist on Soulsavers' fourth album The Light the Dead See. Information appeared on Twitter at the beginning of May 2013 stating that Soulsavers had started to work on material for their up-and-coming fifth studio album. On 14 January 2014 this information was confirmed on a Depeche Mode's fan website, where it was announced that the vocals for this new material would again be provided by Dave Gahan.
According to Gahan, the new Soulsavers album will be released in spring 2015. One year an announcement appeared on the German fans' website depechemode.de. It confirmed that Rich Machin, Ian Glover and Dave Gahan were going to start working in the studio mid-January, with the new album being released towards the end of 2015. Tough Guys Don't Dance It's Not How Far You Fall, It's the Way You Land Broken The Light the Dead See Angels & Ghosts Kubrick "Beginning to See the Dark" EP "Revolution Song" "Closer EP" "Revival" "Kingdoms of Rain" "Sunrise" "Death Bells" "Unbalanced Pieces" "Some Misunderstanding" "Longest Day" "Take Me Back Home" "All of This and Nothing" In a Blue Room 2001 – Starsailor - "Goodsouls" 2002 – Doves - "Satellites" 2002 – Starsailor - "Poor Misguided Fool" 2003 – Broadway Project - "Sufi" 2004 – Starsailor - "Four to the Floor" 2005 – The Mothers - "Speak for Me" Soulsavers MySpace page SEEN: Download Soulsavers
Dave Gahan is an English singer-songwriter, best known as the lead singer of the electronic band Depeche Mode since their debut in 1980. Q magazine ranked Gahan No. 73 on its list of the "100 Greatest Singers" and No. 27 on its list of "The 100 Greatest Frontmen". Gahan is known for his "commanding presence on stage" and his "huge, deep baritone voice". Although his bandmate Martin Gore continues to be the main songwriter for Depeche Mode, Gahan has contributed a number of songs to the albums Playing the Angel, Sounds of the Universe, Delta Machine and Spirit. Four of these songs were released as singles, including "Suffer Well" in 2005, "Hole to Feed" in 2009, "Should Be Higher" in 2013, "Cover Me" in 2017. Gahan is a solo artist, having released albums in 2003 and 2007. In 2012 and 2015, he contributed lyrics and sang lead vocals on the Soulsavers albums The Light the Dead See and Angels & Ghosts. Gahan was born as David Callcott on 9 May 1962 into a working-class family, to parents Len Callcott of Indian Malaysian descent and his wife Sylvia, Dave was only six months old when his father left the family.
Sylvia and Len divorced two years and his mother moved Dave and sister Sue to Basildon, after Sylvia met and married her second husband Jack Gahan. The Gahan family continued to grow with the birth of two more half-brothers Phil. Dave and Sue were raised under the impression that their mother's second husband, was their natural father. In 1972, when Gahan was 10 years old, his stepfather died. Gahan recalled how he "came home one day and found this bloke at home". Of the incident, he has said: "I'll never forget that day; when I came home from school, there was this stranger in my mum's house. My mother introduced him to me as my real dad. I remember I said, impossible because my father was dead. How was I supposed to know who that man was? From that day on, Len visited the house, until one year he disappeared again. Forever this time. Since he had no contact with us. By growing older, I thought about him more; the only thing my mother would say, was that he moved out to Jersey to open a hotel." "Mum had kept it back from me'til there was a need to tell me about my birth father, it's a different generation and you can understand I guess she thought she was doing the right thing."While attending Barstable School on Timberlog Close in Basildon, Gahan started playing truant, got into trouble with the police, was suspended from school and ended up in juvenile court three times for offences ranging from joyriding and graffiti to criminal damage and theft.
He enjoyed the thrill of stealing cars, driving them around, setting them alight. Gahan tells of the time: "I was pretty wild. I loved the excitement of screeching off and being chased by the police. Hiding behind the wall with your heart beating gives you a real kick –'will they get you?'". In his final year at school, he applied for a job as an apprentice fitter with North Thames Gas, he was told by his probation officer to be honest with the interviewer, as a result, he admitted his criminal record but claimed he was a "reformed character." As a result, he did not get the job which, he claimed, led to him trashing his probation officer's office. His punishment was weekend custody at a sub-Borstal attendance centre in Romford for one year. Gahan recalls: "You had to work. I remember doing stuff like that. You had to have your hair cut, it was every weekend, so you were deprived of your weekend and it seemed like forever. I was told clearly that my next thing was detention centre. To be honest, music saved me."
In March 1980, Martin Gore, Andy Fletcher and Vince Clarke formed the band Composition of Sound, with Clarke on vocals and guitar, Gore on keyboards and Fletcher on bass. Clarke and Fletcher soon switched to synthesizers; the same year, Gahan joined the band after Clarke heard him perform David Bowie's "Heroes." The band was soon renamed Depeche Mode, a name suggested by Gahan after he had come across a fashion magazine called Dépêche-mode. A new wave/synthpop pioneer of the early 1980s, Depeche Mode have released 14 studio albums, four greatest hits compilations and two remix albums; the band has achieved global sales in excess of 100 million records. In a 2003 interview, Gahan shared that "During the making of Exciter, sometimes I felt a bit frustrated that there was a lack of experimentation." This led him, in 2004, to tell his bandmates that he wanted to write half of the songs on their next album, there was "no way" he could be involved in the band without contributing as a songwriter. There was a compromise, three of Gahan's songs appeared on 2005's Playing the Angel: "Suffer Well", "I Want It All" and "Nothing's Impossible."
"Suffer Well" was released as a single in 2006, reaching No. 12 in the UK. Three more Gahan-penned songs, co-written with Christian Eigner and Andrew Phillpott, appeared on the band's twelfth album, Sounds of the Universe. Gahan wrote the lyrics to the B-side "Oh Well", although the music was written by Martin Gore, it was their first writing collaboration. "Hole to Feed" was released along with Gore's "Fragile Tension" as a double A-side single in late 2009. Gahan is credited with writing the songs "Broken", "Secret to the End", the single "Should Be Higher" and two B-sides, "Happens All the Time" and "All That's Mine" from Depeche Mode's thirteenth album Delta Machine.
Depeche Mode are an English electronic band formed in Basildon, Essex, in 1980. The group consists of a trio of Dave Gahan, Martin Gore, Andy Fletcher. Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Founding member Vince Clarke left after the release of the album. Gore took over as primary songwriter and in 1982, Alan Wilder joined to fill Clarke's spot, establishing a lineup that continued for 13 years; the band's last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force within the electronic music scene. A highlight of this era was the band's June 1988 concert at the Pasadena Rose Bowl, where they drew a crowd in excess of 60,000 people. In early 1990, they released an international mainstream success; the following album, Songs of Faith and Devotion in 1993 was a success, though internal struggles within the band during recording and touring resulted in Wilder's departure in 1995.
Depeche Mode has had 17 top 10 albums in the UK chart. Q included the band in the list of the "50 Bands That Changed the World!". Depeche Mode rank number 98 on VH1's "100 Greatest Artists of All Time". In December 2016, Billboard named Depeche Mode the 10th most successful dance club artist of all time. Depeche Mode's origins date to 1977, when schoolmates Vince Clarke and Andy Fletcher formed a Cure-influenced band called No Romance In China, with Clarke on vocals and guitar and Fletcher on bass guitar. Fletcher would recall, "Why am I in the band? It was accidental right from the beginning. I was forced to be in the band. I played the guitar and I had a bass. In 1979, Clarke played guitar in an "Ultravox rip-off band", The Plan, with friends Robert Marlow and Paul Langwith. In 1978–79, Martin Gore played guitar in an acoustic duo and the Worms, with school friend Phil Burdett on vocals. In 1979, Marlow and friend Paul Redmond formed a band called the French Look, with Marlow on vocals/keyboards, Gore on guitar and Redmond on keyboards.
In March 1980, Clarke and Fletcher formed a band called Composition of Sound, with Clarke on vocals/guitar, Gore on keyboards and Fletcher on bass. Soon after the formation of Composition of Sound, Clarke heard Wirral band Orchestral Manoeuvres in the Dark, whose output inspired him to make electronic music. Along with OMD, other early influences included Daniel Miller and Fad Gadget. Clarke and Fletcher switched to synthesisers, working odd jobs in order to buy the instruments, or borrowing them from friends. Dave Gahan joined the band in 1980 after Clarke heard him perform at a local Scout hut jam session, singing a rendition of David Bowie's "Heroes", Depeche Mode were born. Gahan's and Gore's favourite artists included Sparks and the Banshees, Cabaret Voltaire, Talking Heads and Iggy Pop; when explaining the choice for the new name, taken from French fashion magazine Dépêche mode, Gore said, "It means hurried fashion or fashion dispatch. I like the sound of that." However, the magazine's name is "Fashion News" or "Fashion Update".
Gore recalled that the first time the band played as Depeche Mode was a school gig in May 1980. There is a plaque commemorating the gig at the James Hornsby School in Basildon, where Gore and Fletcher were pupils; the band made their recording debut in 1980 on the Some Bizzare Album with the song "Photographic" re-recorded for their debut album Speak & Spell. The band made a demo tape but, instead of mailing the tape to record companies, they would go in and deliver it, they would demand the companies play it. They'd say'leave the tape with us' and we'd say'it's our only one'. We'd say goodbye and go somewhere else."According to Gahan, prior to securing their record contract, they were receiving offers from all the major labels. Phonogram offered them "money you could never have imagined and all sorts of crazy things like clothes allowances". While playing a live gig at the Bridge House in Canning Town, the band were approached by Daniel Miller, an electronic musician and founder of Mute Records, interested in their recording a single for his burgeoning label.
The result of this verbal contract was their first single, "Dreaming of Me", recorded in December 1980 and released in February 1981. It reached number 57 in the UK charts. Encouraged by this, the band recorded their second single, "New Life", which climbed to number 11 in the UK charts and got them an appearance on Top of the Pops; the band went to London by train. The band's next single was "Just Can't Get Enough"; the synth-pop single became the band's first UK top ten hit. The video is the only one of the band's videos to feature Vince Clarke. Depeche Mode's debut album, Speak & Spell, was released in October 1981 and peaked at number ten on the UK album charts. Critical reviews were mixed. Clarke began to voice his discomfort at the direction the band was taking, saying "there was never enough time to do anything. Not with all the interviews and photo sessions". Clarke said he was sick of touring, which G
A record producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album. A producer has varying roles during the recording process, they may gather musical ideas for the project, collaborate with the artists to select cover tunes or original songs by the artist/group, work with artists and help them to improve their songs, lyrics or arrangements. A producer may also: Select session musicians to play rhythm section accompaniment parts or solos Co-write Propose changes to the song arrangements Coach the singers and musicians in the studioThe producer supervises the entire process from preproduction, through to the sound recording and mixing stages, and, in some cases, all the way to the audio mastering stage; the producer may perform these roles themselves, or help select the engineer, provide suggestions to the engineer. The producer may pay session musicians and engineers and ensure that the entire project is completed within the record label's budget.
A record producer or music producer has a broad role in overseeing and managing the recording and production of a band or performer's music. A producer has many roles that may include, but are not limited to, gathering ideas for the project, composing the music for the project, selecting songs or session musicians, proposing changes to the song arrangements, coaching the artist and musicians in the studio, controlling the recording sessions, supervising the entire process through audio mixing and, in some cases, to the audio mastering stage. Producers often take on a wider entrepreneurial role, with responsibility for the budget, schedules and negotiations. Writer Chris Deville explains it, "Sometimes a producer functions like a creative consultant — someone who helps a band achieve a certain aesthetic, or who comes up with the perfect violin part to complement the vocal melody, or who insists that a chorus should be a bridge. Other times a producer will build a complete piece of music from the ground up and present the finished product to a vocalist, like Metro Boomin supplying Future with readymade beats or Jack Antonoff letting Taylor Swift add lyrics and melody to an otherwise-finished “Out Of The Woods.”The artist of an album may not be a record producer or music producer for his/her album.
While both contribute creatively, the official credit of "record producer" may depend on the record contract. Christina Aguilera, for example, did not receive record producer credits until many albums into her career. In the 2010s, the producer role is sometimes divided among up to three different individuals: executive producer, vocal producer and music producer. An executive producer oversees project finances, a vocal producers oversees the vocal production, a music producer oversees the creative process of recording and mixings; the music producer is often a competent arranger, musician or songwriter who can bring fresh ideas to a project. As well as making any songwriting and arrangement adjustments, the producer selects and/or collaborates with the mixing engineer, who takes the raw recorded tracks and edits and modifies them with hardware and software tools to create a stereo or surround sound "mix" of all the individual voices sounds and instruments, in turn given further adjustment by a mastering engineer for the various distribution media.
The producer oversees the recording engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as "the person who creatively guides or directs the process of making a record", like a director would a movie. Indeed, in Bollywood music, the designation is music director; the music producer's job is to create and mold a piece of music. The scope of responsibility may be one or two songs or an artist's entire album – in which case the producer will develop an overall vision for the album and how the various songs may interrelate. At the beginning of record industry, the producer role was technically limited to record, in one shot, artists performing live; the immediate predecessors to record producers were the artists and repertoire executives of the late 1920s and 1930s who oversaw the "pop" product and led session orchestras. That was the case of Ben Selvin at Columbia Records, Nathaniel Shilkret at Victor Records and Bob Haring at Brunswick Records.
By the end of the 1930s, the first professional recording studios not owned by the major companies were established separating the roles of A&R man and producer, although it wouldn't be until the late 1940s when the term "producer" became used in the industry. The role of producers changed progressively over the 1960s due to technology; the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously. All of these singers and musicians had to be assembled in a large studio where the performance was recorded. With multitrack recording, the "bed tracks" (rhythm section accompaniment parts such as the bassline and rhythm guitar could be recorded first, the vocals and solos could be added using as many "takes" as necessary, it was no longer necessary to get all the players in the studio at the same time. A pop band could record their backing tracks one week, a horn section could be brought in a week to add horn shots and punches, a string section could be brought in a week after that.
Multitrack recording had another pro
Kubrick is the sixth full-length studio album by electronica production duo Soulsavers released by San Quentin Recordings label. The album consists of eight instrumental compositions and is dedicated to the works of Stanley Kubrick; the album was recorded at a number of studios around the world. It is the duo's first solo album since 2009's Broken. At Metacritic, that assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 64, based on seven reviews, which indicates "generally favorable reviews". At AnyDecentMusic?, that collates critical reviews from more than 50 media sources, the album scored 6.1 points out of 10. Sam Shepherd of musicOMH wrote "As an instrumental album, Kubrick is to some degree new ground for the pair and, whilst they are no strangers to the form, this is the first time they’ve produced an entire album with no vocals whatsoever; this time around, the focus is on the duo’s compositional acumen. Kubrick is an ambitious project, but one that works just as a showcase for the wonderful songwriting and compositional skills of Machin and Glover.
It proves, as if it were in doubt, that their strength lies not in the skills of their collaborators, but in their music and ideas". Paul Mardles of The Guardian stated "The sixth album by production team Rich Machin and Ian Glover aspires to emulate his movies’ atmosphere, its eight tracks named after Kubrick characters. Instrumental, all woodwinds and strings, it is a sumptuous soothing set but too one-paced to be transportive". All music composed by Soulsavers. Martyn LeNoble – bass Kevin Bales – drums James Walbourne – guitar Soulsavers – producing Geoff Pesche – mastering Daniele Luppi – orchestrating Steve Gullick – front cover The Hollywood Strings & Brass Ensemble – strings, horns
The Guardian is a British daily newspaper. It was founded in 1821 as The Manchester Guardian, changed its name in 1959. Along with its sister papers The Observer and The Guardian Weekly, the Guardian is part of the Guardian Media Group, owned by the Scott Trust; the trust was created in 1936 to "secure the financial and editorial independence of the Guardian in perpetuity and to safeguard the journalistic freedom and liberal values of the Guardian free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for The Guardian the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to shareholders; the current editor is Katharine Viner: she succeeded Alan Rusbridger in 2015. Since 2018, the paper's main newsprint sections have been published in tabloid format; as of November that year, its print edition had a daily circulation of 136,834.
The newspaper has an online edition, TheGuardian.com, as well as two international websites, Guardian Australia and Guardian US. The paper's readership is on the mainstream left of British political opinion, its reputation as a platform for liberal and left-wing editorial has led to the use of the "Guardian reader" and "Guardianista" as often-pejorative epithets for those of left-leaning or "politically correct" tendencies. Frequent typographical errors in the paper led Private Eye magazine to dub it the "Grauniad" in the 1960s, a nickname still used today. In an Ipsos MORI research poll in September 2018 designed to interrogate the public's trust of specific titles online, The Guardian scored highest for digital-content news, with 84% of readers agreeing that they "trust what see in it". A December 2018 report of a poll by the Publishers Audience Measurement Company stated that the paper's print edition was found to be the most trusted in the UK in the period from October 2017 to September 2018.
It was reported to be the most-read of the UK's "quality newsbrands", including digital editions. While The Guardian's print circulation is in decline, the report indicated that news from The Guardian, including that reported online, reaches more than 23 million UK adults each month. Chief among the notable "scoops" obtained by the paper was the 2011 News International phone-hacking scandal—and in particular the hacking of the murdered English teenager Milly Dowler's phone; the investigation led to the closure of the News of the World, the UK's best-selling Sunday newspaper and one of the highest-circulation newspapers in history. In June 2013, The Guardian broke news of the secret collection by the Obama administration of Verizon telephone records, subsequently revealed the existence of the surveillance program PRISM after knowledge of it was leaked to the paper by the whistleblower and former NSA contractor Edward Snowden. In 2016, The Guardian led an investigation into the Panama Papers, exposing then-Prime Minister David Cameron's links to offshore bank accounts.
It has been named "newspaper of the year" four times at the annual British Press Awards: most in 2014, for its reporting on government surveillance. The Manchester Guardian was founded in Manchester in 1821 by cotton merchant John Edward Taylor with backing from the Little Circle, a group of non-conformist businessmen, they launched their paper after the police closure of the more radical Manchester Observer, a paper that had championed the cause of the Peterloo Massacre protesters. Taylor had been hostile to the radical reformers, writing: "They have appealed not to the reason but the passions and the suffering of their abused and credulous fellow-countrymen, from whose ill-requited industry they extort for themselves the means of a plentiful and comfortable existence, they do not toil, neither do they spin, but they live better than those that do." When the government closed down the Manchester Observer, the mill-owners' champions had the upper hand. The influential journalist Jeremiah Garnett joined Taylor during the establishment of the paper, all of the Little Circle wrote articles for the new paper.
The prospectus announcing the new publication proclaimed that it would "zealously enforce the principles of civil and religious Liberty warmly advocate the cause of Reform endeavour to assist in the diffusion of just principles of Political Economy and support, without reference to the party from which they emanate, all serviceable measures". In 1825 the paper merged with the British Volunteer and was known as The Manchester Guardian and British Volunteer until 1828; the working-class Manchester and Salford Advertiser called the Manchester Guardian "the foul prostitute and dirty parasite of the worst portion of the mill-owners". The Manchester Guardian was hostile to labour's claims. Of the 1832 Ten Hours Bill, the paper doubted whether in view of the foreign competition "the passing of a law positively enacting a gradual destruction of the cotton manufacture in this kingdom would be a much less rational procedure." The Manchester Guardian dismissed strikes as the work of outside agitators: " if an accommodation can be effected, the occupation of the agents of the Union is gone.
They live on strife "The Manchester Guardian was critical of US President Abraham Lincoln's conduct during the US Civil War, writing on the news that Abraham Lincoln had been assassinated: "Of his rule, we can never speak except as a series of acts abhorrent to every true notion of constitutional right and human liberty " C. P. Scott ma
Rolling Stone is an American monthly magazine that focuses on popular culture. It was founded in San Francisco, California in 1967 by Jann Wenner, still the magazine's publisher, the music critic Ralph J. Gleason, it was first known for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a younger readership interested in youth-oriented television shows, film actors, popular music. In recent years, it has resumed its traditional mix of content. Rolling Stone Press is the magazine's associated book publishing imprint. Straight Arrow Press was the magazine's associated book publishing imprint, Straight Arrow Publishing Co. Inc. was the publishing company that published Rolling Stone. Rolling Stone magazine was founded in San Francisco in 1967 by Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim; the first issue carried a cover date of November 9, 1967, was in newspaper format with a lead article on the Monterey Pop Festival.
The cover price was 25¢. In the first issue, Wenner explained that the title of the magazine referred to the 1950 blues song "Rollin' Stone", recorded by Muddy Waters, Bob Dylan's hit single "Like a Rolling Stone": You're wondering what we're trying to do. It's hard to say: sort of a sort of a newspaper; the name of it is Rolling Stone which comes from an old saying, "A rolling stone gathers no moss." Muddy Waters used the name for a song. The Rolling Stones took their name from Muddy's song. "Like a Rolling Stone" was the title of Bob Dylan's first rock and roll record. We have begun a new publication reflecting what we see are the changes in rock and roll and the changes related to rock and roll."—Jann Wenner, Rolling Stone, November 9, 1967, p. 2 Some authors have attributed the name to Dylan's hit single: "At Gleason's suggestion, Wenner named his magazine after a Bob Dylan song." Rolling Stone identified with and reported the hippie counterculture of the era. However, it distanced itself from the underground newspapers of the time, such as Berkeley Barb, embracing more traditional journalistic standards and avoiding the radical politics of the underground press.
In the first edition, Wenner wrote that Rolling Stone "is not just about the music, but about the things and attitudes that music embraces". In the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazine's political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine helped launch the careers of many prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Ben Fong-Torres, Patti Smith and P. J. O'Rourke, it was at this point that the magazine ran some of its most famous stories, including that of the Patty Hearst abduction odyssey. One interviewer, speaking for a large number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus, describing it as a "rite of passage".
In 1977, the magazine moved its headquarters from San Francisco to New York City. Editor Jann Wenner said San Francisco had become "a cultural backwater". During the 1980s, the magazine began to shift towards being a general "entertainment" magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television and the pop culture of the day; the magazine initiated its annual "Hot Issue" during this time. Rolling Stone was known for its musical coverage and for Thompson's political reporting. In the 1990s, the magazine changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors and popular music; this led to criticism. In recent years, the magazine has resumed its traditional mix of content, including in-depth political stories, it has expanded content to include coverage of financial and banking issues. As a result, the magazine has seen its circulation increase and its reporters invited as experts to network television programs of note.
The printed format has gone through several changes. The first publications, in 1967–72, were in folded tabloid newspaper format, with no staples, black ink text, a single color highlight that changed each edition. From 1973 onwards, editions were produced on a four-color press with a different newsprint paper size. In 1979, the bar code appeared. In 1980, it became a large format magazine; as of edition of October 30, 2008, Rolling Stone has had a smaller, standard-format magazine size. After years of declining readership, the magazine experienced a major resurgence of interest and relevance with the work of two young journalists in the late 2000s, Michael Hastings and Matt Taibbi. In 2005, Dana Leslie Fields, former publisher of Rolling Stone, who had worked at the magazine for 17 years, was an inaugural inductee into the Magazine Hall of Fame. In 2009, Taibbi unleashed an acclaimed series of scathing reports on the financial meltdown of the time, he famously described Goldman Sachs as "a great vampire squid".
Bigger headlines came at the end of June 2010. Rolling Stone caused a controversy in the White House by publishing in the July issue an article by journalist Michael Hastings entitled, "The Runaway General", quoting criticism by General Stanley A. McChrystal, commander of the International Security Assistance Force and U. S. Forces-Afghanistan commander, about Vice President Joe Biden and oth