Since the beginning of the serious study of the history of Buddhist art in the 1890s, the earliest phase, lasting until the 1st century CE, has been described as aniconic; the Buddha was only represen
Aniconism in Miracle at Kapilavastu: King Suddhodana praying as his son the Buddha rises in the air, praised by celestial beings (but only the Buddha's path, the Chankrama horizontal slab in the air, is visible).
Pillar with Naga Mucalinda protecting the throne of the Buddha. Railing pillar from Jagannath Tekri, Pauni (Bhandara District). 2nd–1st century BCE. National Museum of India.
An aniconic representation of Mara's assault on the Buddha, with an empty throne, 2nd century, Amaravati, India.
Devotions to the empty throne of the Buddha, Kanaganahalli, 1st–3rd century CE
Sanchi Stupa is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located about 23 kilometres from Raisen town
Aniconism in Buddhism
…the Buddha was only represented through symbols such as an empty throne, Bodhi tree, a riderless horse with a parasol floating above an empty space (at Sanchi), Buddha's footprints, and the dharma wheel. This aniconism in relation to the image of the Buddha could be in conformity with an ancient Buddhist…
The Great Stupa at Sanchi, Raisen district
General view of the Stupas at Sanchi by F.C. Maisey, 1851 (The Great Stupa on top of the hill, and Stupa 2 at the forefront)
The Great Stupa (Stupa No.1), started in the 3rd century BCE