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The first illustration of the first roll of the Anthony Roll, depicting the Henry Grace à Dieu, the largest ship in the English navy during the reign
The first illustration of the first roll of the Anthony Roll, depicting the Henry Grace à Dieu, the largest ship in the English navy during the reign of King Henry VIII.
The Embarkation of Henry VIII at Dover, a contemporary painting that, just like the Anthony Roll, was intended to serve as a showpiece of Tudor royal
The Embarkation of Henry VIII at Dover, a contemporary painting that, just like the Anthony Roll, was intended to serve as a showpiece of Tudor royal authority and military might.
Samuel Pepys, who owned two of the rolls and had them cut up and bound in a single volume.
Samuel Pepys, who owned two of the rolls and had them cut up and bound in a single volume.
A view of the second roll of the Anthony Roll, showing the layout used throughout the document. The information for each vessel is displayed in column
A view of the second roll of the Anthony Roll, showing the layout used throughout the document. The information for each vessel is displayed in columns directly below its illustration, here with the text for the Grand Mistress (seen only partially above the text) and a full view of the illustration of the galleass Anne Gallant.
Peter Pomegranate as depicted in the Anthony Roll.
Peter Pomegranate as depicted in the Anthony Roll.