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History
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The Liber responsorialis, showing on the right-hand page the antiphons for the first night office of Christmas. The associated psalm tones are indicat
The Liber responsorialis, showing on the right-hand page the antiphons for the first night office of Christmas. The associated psalm tones are indicated by number and ending pitch, and the pitches for the ending of the doxology are indicated by the mnemonic Euouae.
The Annunciation
The Annunciation
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Detail from possibly contemporary mosaic (c. 380–500) of Ambrose in the Basilica of Sant'Ambrogio
Detail from possibly contemporary mosaic (c. 380–500) of Ambrose in the Basilica of Sant'Ambrogio
Relief by Vuolvino [it] depicting Ambrose as a child while bees swarm his crib. His father is on the right of the image while the sky has three clouds
Relief by Vuolvino [it] depicting Ambrose as a child while bees swarm his crib. His father is on the right of the image while the sky has three clouds "sending forth flames". The relief is from the Altar of Sant'Ambrogio in the Basilica of Sant'Ambrogio.
Saint Ambrose barring Theodosius from Milan Cathedral a "pious fiction" painted in 1619 by Anthony van Dyck. National Gallery, London
Saint Ambrose barring Theodosius from Milan Cathedral a "pious fiction" painted in 1619 by Anthony van Dyck. National Gallery, London
Embossed silver urn with the body of Ambrose (with white vestments) in the crypt of Sant'Ambrose, with the skeletons of Gervase and Protase
Embossed silver urn with the body of Ambrose (with white vestments) in the crypt of Sant'Ambrose, with the skeletons of Gervase and Protase