1.
Self-portrait
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A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. With better and cheaper mirrors, and the advent of the panel portrait, Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a portrait of his wife, and he belonged to the social group that had begun to commission portraits. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, a self-portrait may be a portrait of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in these works, the artist usually appears as a face in the crowd or group, often towards the edges or corner of the work and behind the main participants. Rubenss The Four Philosophers is a good example and this culminated in the 17th century with the work of Jan de Bray. Many artistic media have used, apart from paintings, drawings. In the famous Arnolfini Portrait, Jan van Eyck is probably one of two figures glimpsed in a mirror – a surprisingly modern conceit. The Van Eyck painting may have inspired Diego Velázquez to depict himself in view as the painter creating Las Meninas, as the Van Eyck hung in the palace in Madrid where he worked. This was another modern flourish, given that he appears as the painter, in what may be one of the earliest childhood self-portraits now surviving, Albrecht Dürer depicts himself as in naturalistic style as a 13-year-old boy in 1484. In later years he appears variously as a merchant in the background of Biblical scenes, leonardo da Vinci may have drawn a picture of himself at the age of 60, in around 1512. The picture is often reproduced as Da Vincis appearance, although this is not certain. In the 17th century, Rembrandt painted a range of self-portraits, family and professional group paintings, including the artists depiction, became increasingly common from the 17th century on. From the later 20th century on, video plays a part in self-portraiture. Vigée-Lebrun painted a total of 37 self-portraits, many of which were copies of earlier ones, Women artists have historically embodied a number of roles within their self-portraiture. Most common is the artist at work, showing themselves in the act of painting, or at least holding a brush and palette. Often, the viewer if the clothes worn were those they normally painted in. Images of artists at work are encountered in Ancient Egyptian painting, one of the first self-portraits was made by the Pharaoh Akhenatens chief sculptor Bak in 1365 BC
2.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
3.
Winterthur
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Winterthur is a city in the canton of Zürich in northern Switzerland. It has the sixth largest population, estimated at over 108,000 people. The official language of Winterthur is German, but the spoken language is the local variant of the Alemannic Swiss German dialect. In the local dialect and by its inhabitants, Winterthur is usually abbreviated as Winti, Winterthur is connected to Germany by direct trains and enjoys links to Zürich Airport. There are also leading to other places such as Turbenthal. The railway station Bahnhof Winterthur is one of the busiest railway stations in Switzerland, vitudurum was a vicus in what is now Oberwinterthur during the Roman era, fortified into a castrum at the end of the 3rd century, apparently in reaction to the incipient Alamannic invasion. An Alamannic settlement was present at the site in the 7th century, in a battle near Winterthur in 919, Burchard II of Swabia asserted his control over the Thurgau within the Duchy of Swabia against the claims of Rudolph II of Burgundy. The counts of Winterthur, a branch of the counts of Bregenz. With the extinction of the counts of Winterthur in 1053, the passed to the counts of Dillingen. Winterthur as a city was founded by Hartmann III of Dillingen in 1180, from 1180 to 1263, Winterthur was ruled by the cadet line of the House of Kyburg. From 1415 until 1442 Winterthur became reichsfrei or subject only to the Holy Roman Emperor, however, in the Old Zürich War they lost this freedom and came back under the control of the Austrian Habsburgs. Needing money, in 1467, the Habsburgs sold Winterthur to the city of Zürich, in the time under the leadership of Zürich, Winterthurs economic freedom was restricted. It lost many of their rights and the right to trade in some goods. This ended in 1798, when Napoleonic troops liberated the town, because Winterthur lies near Zürich and at the junction of seven cross-roads, the army that held the town held the access to most of Switzerland and points crossing the Rhine into southern Germany. This led to the French defeat a few days later, in the 19th century, Winterthur became an industrial town when companies, like Sulzer, Rieter and SLM, built large industrial plants. Winterthur suffered severely from its investments in and guarantee of loans to the National Railway of Switzerland, the Great Depression, in the 1930s, hit Winterthur extremely hard. 60% of the employees in town worked in the machine industry. Jobs became extremely hard to find, however, with the outbreak of World War II, industry grew again in the city
4.
Dresden
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Dresden is the capital city and, after Leipzig, the second-largest city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the border with the Czech Republic, Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendour. The city was known as the Jewel Box, because of its baroque, the controversial American and British bombing of Dresden in World War II towards the end of the war killed approximately 25,000, many of whom were civilians, and destroyed the entire city centre. After the war restoration work has helped to reconstruct parts of the inner city, including the Katholische Hofkirche, the Zwinger. Since German reunification in 1990 Dresden is again a cultural, educational and political centre of Germany, the Dresden University of Technology is one of the 10 largest universities in Germany and part of the German Universities Excellence Initiative. The economy of Dresden and its agglomeration is one of the most dynamic in Germany and it is dominated by high-tech branches, often called as “Silicon Saxony”. The city is one of the most visited in Germany with 4,3 million overnight stays per year. The royal buildings are among the most impressive buildings in Europe, main sights are also the nearby National Park of Saxon Switzerland, the Ore Mountains and the countryside around Elbe Valley and Moritzburg Castle. The most prominent building in the city of Dresden is the Frauenkirche, built in the 18th century, the church was destroyed during World War II. The remaining ruins were left for 50 years as a war memorial, the church was rebuilt from 1994 to 2005. Although Dresden is a relatively recent city of Germanic origin followed by settlement of Slavic people, Dresdens founding and early growth is associated with the eastward expansion of Germanic peoples, mining in the nearby Ore Mountains, and the establishment of the Margraviate of Meissen. Its name etymologically derives from Old Sorbian Drežďany, meaning people of the forest, Dresden later evolved into the capital of Saxony. Around the late 12th century, a Slavic settlement called Drežďany had developed on the southern bank, another settlement existed on the northern bank, but its Slavic name is unknown. It was known as Antiqua Dresdin by 1350, and later as Altendresden, dietrich, Margrave of Meissen, chose Dresden as his interim residence in 1206, as documented in a record calling the place Civitas Dresdene. After 1270, Dresden became the capital of the margraviate and it was given to Friedrich Clem after death of Henry the Illustrious in 1288. It was taken by the Margraviate of Brandenburg in 1316 and was restored to the Wettin dynasty after the death of Valdemar the Great in 1319, from 1485, it was the seat of the dukes of Saxony, and from 1547 the electors as well. The Elector and ruler of Saxony Frederick Augustus I became King Augustus II the Strong of Poland in personal union and he gathered many of the best musicians, architects and painters from all over Europe to the newly named Royal-Polish Residential City of Dresden. His reign marked the beginning of Dresdens emergence as a leading European city for technology, during the reign of Kings Augustus II the Strong and Augustus III of Poland the Zwinger Royal Palace, the Hofkirche and the Frauenkirche were built
5.
Portrait painting
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See Portrait for more about the general topic of portraits. Portrait painting is a genre in painting, where the intent is to depict a human subject, the term portrait painting can also describe the actual painted portrait. Portraitists may create their work by commission, for public and private persons, portraits are often important state and family records, as well as remembrances. Historically, portrait paintings have primarily memorialized the rich and powerful, over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are commissioned by governments, corporations, groups, clubs. In addition to painting, portraits can also be made in other such as etching, lithography, photography, video. A well-executed portrait is expected to show the essence of the subject or a flattering representation. As Aristotle stated, The aim of Art is to present not the appearance of things. In most cases, this results in a serious, closed lip stare, or as Charles Dickens put it, there are only two styles of portrait painting, the serious and the smirk. Even given these limitations, a range of subtle emotions is possible from quiet menace to gentle contentment. However, with the mouth relatively neutral, much of the facial expression needs to be created through the eyes, as author and artist Gordon C. Aymar states, the eyes are the place one looks for the most complete, reliable, and the eyebrows can register, almost single-handedly, wonder, pity, fright, pain, cynicism, concentration, wistfulness, displeasure, and expectation, in infinite variations and combinations. Portrait painting can depict the full length, half length, head and shoulders, or ‘head’, as well as in profile, three-quarter view, or full face, with varying directions of light. Occasionally, artists have created portraits with multiple views, as with Anthony van Dycks Triple Portrait of Charles I, there are even a few portraits where the front of the subject is not visible at all. Another example of the view in portraiture, in this case photography, can be found here. Among the other variables, the subject can be clothed or nude, indoors or out, standing, seated, reclining. Portrait paintings can be of individuals, couples, parents and children, families and they can be created in various media including oils, watercolor, pen and ink, pencil, charcoal, pastel, and mixed media. Artists may employ a wide-ranging palette of colors, as with Pierre-Auguste Renoirs Mme, charpentier and her children,1878 or restrict themselves to mostly white or black, as with Gilbert Stuarts Portrait of George Washington
6.
Frederick the Great
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Frederick II was King of Prussia from 1740 until 1786, the longest reign of any Hohenzollern king. Frederick was the last titled King in Prussia and declared himself King of Prussia after achieving full sovereignty for all historical Prussian lands, Prussia had greatly increased its territories and became a leading military power in Europe under his rule. He became known as Frederick the Great and was affectionately nicknamed Der Alte Fritz by the Prussian, in his youth, Frederick was more interested in music and philosophy than the art of war. Upon ascending to the Prussian throne, he attacked Austria and claimed Silesia during the Silesian Wars, winning acclaim for himself. Near the end of his life, Frederick physically connected most of his realm by conquering Polish territories in the First Partition of Poland and he was an influential military theorist whose analysis emerged from his extensive personal battlefield experience and covered issues of strategy, tactics, mobility and logistics. Considering himself the first servant of the state, Frederick was a proponent of enlightened absolutism and he modernized the Prussian bureaucracy and civil service and pursued religious policies throughout his realm that ranged from tolerance to segregation. He reformed the system and made it possible for men not of noble stock to become judges. Frederick also encouraged immigrants of various nationalities and faiths to come to Prussia, some critics, however, point out his oppressive measures against conquered Polish subjects during the First Partition. Frederick supported arts and philosophers he favored, as well as allowing complete freedom of the press, Frederick is buried at his favorite residence, Sanssouci in Potsdam. Because he died childless, Frederick was succeeded by his nephew, Frederick William II, son of his brother, historian Leopold von Ranke was unstinting in his praise of Fredericks Heroic life, inspired by great ideas, filled with feats of arms. Immortalized by the raising of the Prussian state to the rank of a power, Johann Gustav Droysen was even more extolling. However, by the 21st century, a re-evaluation of his legacy as a great warrior, Frederick, the son of Frederick William I and his wife, Sophia Dorothea of Hanover, was born in Berlin on 24 January 1712. The birth of Frederick was welcomed by his grandfather, Frederick I, with more than usual pleasure, with the death of his father in 1713, Frederick William became King of Prussia, thus making young Frederick the crown prince. The new king wished for his sons and daughters to be educated not as royalty and he had been educated by a Frenchwoman, Madame de Montbail, who later became Madame de Rocoulle, and he wished that she educate his children. However, he possessed a violent temper and ruled Brandenburg-Prussia with absolute authority. As Frederick grew, his preference for music, literature and French culture clashed with his fathers militarism, in contrast, Fredericks mother Sophia was polite, charismatic and learned. Her father, George Louis of Brunswick-Lüneburg, succeeded to the British throne as King George I in 1714, Frederick was brought up by Huguenot governesses and tutors and learned French and German simultaneously. Although Frederick William I was raised a Calvinist, he feared he was not of the elect, to avoid the possibility of Frederick being motivated by the same concerns, the king ordered that his heir not be taught about predestination
7.
Academy of Fine Arts Vienna
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The Academy of Fine Arts Vienna is a public art school of higher education in Vienna, Austria. In 1701 he was ennobled by Emperor Joseph I as Freiherr of the Empire, with his death in 1714, the academy temporarily closed. On 20 January 1725, Emperor Charles VI appointed the Frenchman Jacob van Schuppen as Prefect and Director of the Academy, hofakademie der Maler, Bildhauer und Baukunst. Upon Charles death in 1740, the academy at first declined, however during the rule of his daughter Empress Maria Theresa, a new statute reformed the academy in 1751. The prestige of the academy grew during the deanships of Michelangelo Unterberger and Paul Troger, in 1772, there were further reforms to the organisational structure. Chancellor Wenzel Anton Kaunitz integrated all existing art schools into the k. k. vereinigten Akademie der bildenden Künste, the word vereinigten was later dropped. In 1822 the art cabinet grew significantly with the bequest of honorary member Anton Franz de Paula Graf Lamberg-Sprinzenstein and his collection still forms the backbone of the art on display. In 1872 Emperor Franz Joseph I of Austria approved a statute making the academy the supreme government authority for the arts, a new building was constructed according to plans designed by the faculty Theophil Hansen in the course of the layout of the Ringstraße boulevard. On 3 April 1877, the building on Schillerplatz in the Innere Stadt district was inaugurated. In 1907 and 1908, young Adolf Hitler, who had come from Linz, was denied admission to the drawing class. He stayed in Vienna, subsisting on his allowance. Soon he had withdrawn into poverty and started selling amateur paintings, mostly watercolours, during the Austrian Anschluss to Nazi Germany from 1938–1945, the academy was forced to heavily reduce its number of Jewish staff. After World War II, the academy was reconstituted in 1955 and it has had university status since 1998, but retained its original name. It is currently the only Austrian university that doesnt have the university in its name. The Academy currently has about 900 students, almost a quarter of which are foreign students and its faculty includes stars such as Peter Sloterdijk. 110,000 volumes and its etching cabinet has about 150,000 drawings, the collection is one of the biggest in Austria, and is used for academic purposes, although portions are also open to the general public. Official website website of the Media Server Study in Austria, A Guide
8.
Prussia
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Prussia was a historic state originating out of the Duchy of Prussia and the Margraviate of Brandenburg, and centred on the region of Prussia. For centuries, the House of Hohenzollern ruled Prussia, successfully expanding its size by way of an unusually well-organised, Prussia, with its capital in Königsberg and from 1701 in Berlin, shaped the history of Germany. In 1871, German states united to create the German Empire under Prussian leadership, in November 1918, the monarchies were abolished and the nobility lost its political power during the German Revolution of 1918–19. The Kingdom of Prussia was thus abolished in favour of a republic—the Free State of Prussia, from 1933, Prussia lost its independence as a result of the Prussian coup, when the Nazi regime was successfully establishing its Gleichschaltung laws in pursuit of a unitary state. Prussia existed de jure until its liquidation by the Allied Control Council Enactment No.46 of 25 February 1947. The name Prussia derives from the Old Prussians, in the 13th century, the Teutonic Knights—an organized Catholic medieval military order of German crusaders—conquered the lands inhabited by them. In 1308, the Teutonic Knights conquered the region of Pomerelia with Gdańsk and their monastic state was mostly Germanised through immigration from central and western Germany and in the south, it was Polonised by settlers from Masovia. The Second Peace of Thorn split Prussia into the western Royal Prussia, a province of Poland, and the part, from 1525 called the Duchy of Prussia. The union of Brandenburg and the Duchy of Prussia in 1618 led to the proclamation of the Kingdom of Prussia in 1701, Prussia entered the ranks of the great powers shortly after becoming a kingdom, and exercised most influence in the 18th and 19th centuries. During the 18th century it had a say in many international affairs under the reign of Frederick the Great. During the 19th century, Chancellor Otto von Bismarck united the German principalities into a Lesser Germany which excluded the Austrian Empire. At the Congress of Vienna, which redrew the map of Europe following Napoleons defeat, Prussia acquired a section of north western Germany. The country then grew rapidly in influence economically and politically, and became the core of the North German Confederation in 1867, and then of the German Empire in 1871. The Kingdom of Prussia was now so large and so dominant in the new Germany that Junkers and other Prussian élites identified more and more as Germans and less as Prussians. In the Weimar Republic, the state of Prussia lost nearly all of its legal and political importance following the 1932 coup led by Franz von Papen. East Prussia lost all of its German population after 1945, as Poland, the main coat of arms of Prussia, as well as the flag of Prussia, depicted a black eagle on a white background. The black and white colours were already used by the Teutonic Knights. The Teutonic Order wore a white coat embroidered with a cross with gold insert
9.
Saxony
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Its capital is Dresden, and its largest city is Leipzig. Saxony is the tenth largest of Germanys sixteen states, with an area of 18,413 square kilometres, located in the middle of a large, formerly all German-speaking part of Europe, the history of the state of Saxony spans more than a millennium. It has been a medieval duchy, an electorate of the Holy Roman Empire, a kingdom, the area of the modern state of Saxony should not be confused with Old Saxony, the area inhabited by Saxons. Old Saxony corresponds approximately to the modern German states of Lower Saxony, Saxony-Anhalt, Saxony is divided into 10 districts,1. After a reform in 2008, these regions - with some alterations of their respective areas - were called Direktionsbezirke, in 2012, the authorities of these regions were merged into one central authority, the Landesdirektion Sachsen. The Erzgebirgskreis district includes the Ore Mountains, and the Schweiz-Osterzgebirge district includes Saxon Switzerland, the largest cities in Saxony according to the 31 December 2015 estimate. To this can be added that Leipzig forms a metropolitan region with Halle. The latter city is located just across the border to Saxony-Anhalt, Leipzig shares for instance an S-train system and an airport with Halle. Saxony has, after Saxony Anhalt, the most vibrant economy of the states of the former East Germany and its economy grew by 1. 9% in 2010. Nonetheless, unemployment remains above the German average, the eastern part of Germany, excluding Berlin, qualifies as an Objective 1 development-region within the European Union, and is eligible to receive investment subsidies of up to 30% until 2013. FutureSAX, a business competition and entrepreneurial support organisation, has been in operation since 2002. Microchip makers near Dresden have given the region the nickname Silicon Saxony, the publishing and porcelain industries of the region are well known, although their contributions to the regional economy are no longer significant. Today the automobile industry, machinery production and services contribute to the development of the region. Saxony is also one of the most renowned tourist destinations in Germany - especially the cities of Leipzig and Dresden, new tourist destinations are developing, notably in the lake district of Lausitz. Saxony reported an unemployment of 8. 8% in 2014. By comparison the average in the former GDR was 9. 8% and 6. 7% for Germany overall, the unemployment rate reached 8. 2% in May 2015. The Leipzig area, which recently was among the regions with the highest unemployment rate, could benefit greatly from investments by Porsche. With the VW Phaeton factory in Dresden, and many part suppliers, zwickau is another major Volkswagen location
10.
Portrait
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A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expression is predominant. The intent is to display the likeness, personality, and even the mood of the person, for this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, nonetheless, many subjects, such as Akhenaten and some other Egyptian pharaohs, can be recognised by their distinctive features. The 28 surviving rather small statues of Gudea, ruler of Lagash in Sumeria between c.2144 -2124 BC, show a consistent appearance with some individuality. Some of the earliest surviving painted portraits of people who were not rulers are the Greco-Roman funeral portraits that survived in the dry climate of Egypts Fayum district. These are almost the only paintings from the world that have survived, apart from frescos, though many sculptures. Although the appearance of the figures differs considerably, they are considerably idealized, the art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones. During the 4th century, the portrait began to retreat in favor of a symbol of what that person looked like. In the Europe of the Early Middle Ages representations of individuals are mostly generalized, true portraits of the outward appearance of individuals re-emerged in the late Middle Ages, in tomb monuments, donor portraits, miniatures in illuminated manuscripts and then panel paintings. Moche culture of Peru was one of the few ancient civilizations which produced portraits and these works accurately represent anatomical features in great detail. The individuals portrayed would have been recognizable without the need for other symbols or a reference to their names. The individuals portrayed were members of the elite, priests, warriors. They were represented during several stages of their lives, the faces of gods were also depicted. To date, no portraits of women have been found, there is particular emphasis on the representation of the details of headdresses, hairstyles, body adornment and face painting. One of the portraits in the Western world is Leonardo da Vincis painting titled Mona Lisa. What has been claimed as the worlds oldest known portrait was found in 2006 in the Vilhonneur grotto near Angoulême and is thought to be 27,000 years old. Profile view, full view, and three-quarter view, are three common designations for portraits, each referring to a particular orientation of the head of the individual depicted. Such terms would tend to have greater applicability to two-dimensional artwork such as photography, in the case of three-dimensional artwork, the viewer can usually alter their orientation to the artwork by moving around it
11.
Friedrich Schiller
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Johann Christoph Friedrich von Schiller was a German poet, philosopher, physician, historian, and playwright. During the last seventeen years of his life, Schiller struck up a productive, if complicated, friendship with the already famous and they frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision. Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg as the son of military doctor Johann Kaspar Schiller. Schiller grew up in a religious family and spent much of his youth studying the Bible. His father was away in the Seven Years War when Friedrich was born and he was named after king Frederick the Great, but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit the family once in a while and his wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schillers father became an officer and was stationed in Schwäbisch Gmünd. Due to the high cost of living—especially the rent—the family moved to nearby Lorch, although the family was happy in Lorch, Schillers father found his work unsatisfying. He sometimes took his son with him, in Lorch, Schiller received his primary education. The quality of the lessons was fairly bad, and Friedrich regularly cut class with his older sister, because his parents wanted Schiller to become a pastor, they had the pastor of the village instruct the boy in Latin and Greek. Pastor Moser was a teacher, and later Schiller named the cleric in his first play Die Räuber after him. As a boy, Schiller was excited by the idea of becoming a cleric and often put on black robes, in 1766, the family left Lorch for the Duke of Württembergs principal residence, Ludwigsburg. Schillers father had not been paid for three years, and the family had been living on their savings but could no longer afford to do so, so Kaspar Schiller took an assignment to the garrison in Ludwigsburg. There the Schiller boy came to the attention of Karl Eugen and he entered the Karlsschule Stuttgart, in 1773, where he eventually studied medicine. During most of his life, he suffered from illnesses that he tried to cure himself. While at the Karlsschule, Schiller read Rousseau and Goethe and discussed Classical ideals with his classmates, the plays critique of social corruption and its affirmation of proto-revolutionary republican ideals astounded its original audience
12.
Moses Mendelssohn
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Moses Mendelssohn was a German Jewish philosopher to whose ideas the Haskalah, the Jewish enlightenment of the eighteenth and nineteenth centuries, is indebted. He also established himself as an important figure in the Berlin textile industry, Moses Mendelssohns descendants include the composers Fanny and Felix Mendelssohn and the founders of the Mendelssohn & Co. banking house. Moses Mendelssohn was born in Dessau and his fathers name was Mendel, and it was Moses who adopted the surname Mendelssohn. Without any fear that his own father would take offense, my father assumed the name Mendelssohn, the change, though a small one, was decisive. Mendel was an impoverished scribe — a writer of Torah scrolls —, mosess early education was cared for by his father and by the local rabbi, David Fränkel, who besides teaching him the Bible and Talmud, introduced to him the philosophy of Maimonides. Fränkel received a call to Berlin in 1743, a few months later Moses followed him. A refugee Pole, Zamoscz, taught him mathematics, and a young Jewish physician taught him Latin and he learned to spell and to philosophize at the same time. With his scanty earnings he bought a Latin copy of John Lockes An Essay Concerning Human Understanding and he then made the acquaintance of Aaron Solomon Gumperz, who taught him basic French and English. In 1750, a wealthy silk-merchant, Isaac Bernhard, appointed him to teach his children, Mendelssohn soon won the confidence of Bernhard, who made the young student successively his bookkeeper and his partner. It was possibly Gumperz who introduced Mendelssohn to Gotthold Ephraim Lessing in 1754, the story goes that the first time Mendelssohn met Lessing, they played chess, therefore, in Lessings play Nathan the Wise Nathan and the character Saladin first meet during a game of chess. Lessing had recently produced the drama Die Juden, whose moral was that a Jew can possess nobility of character and this notion was, in the contemporary Berlin of Frederick the Great, generally ridiculed as untrue. Lessing found in Mendelssohn the realization of his dream, within a few months, the two became closely intellectually allied. Lessing also brought Mendelssohn to public attention for the first time, Mendelssohn had written an essay attacking Germans neglect of their native philosophers, without consulting the author, Lessing published Mendelssohns Philosophical Conversations anonymously in 1755. In the same year appeared in Danzig an anonymous satire, Pope a Metaphysician. Mendelssohn became the spirit of Friedrich Nicolais important literary undertakings, the Bibliothek and the Literaturbriefe. In 1762 he married Fromet Guggenheim, who survived him by twenty-six years, in October 1763 the king granted Mendelssohn, but not his wife or children, the privilege of Protected Jew —which assured his right to undisturbed residence in Berlin. As a result of his correspondence with Abbt, Mendelssohn resolved to write on the immortality of the soul, materialistic views were at the time rampant and fashionable, and faith in immortality was at a low ebb. At this favourable juncture appeared Phädon oder über die Unsterblichkeit der Seele, modelled on Platos dialogue of the same name, Mendelssohns work possessed some of the charm of its Greek exemplar and impressed the German world with its beauty and lucidity of style
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