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Roman, Apollo and Daphne, c. 62–79 A.D., fresco from South wall of Casa dell’Efebo, Pompeii showing Apollo holding a sprig of laurel, while Daphne is
Roman, Apollo and Daphne, c. 62–79 A.D., fresco from South wall of Casa dell’Efebo, Pompeii showing Apollo holding a sprig of laurel, while Daphne is perhaps dancing. It likely reflects a pre-Ovidian source.
Peter Paul Rubens – Apollo and the Python, 1636–1637
Peter Paul Rubens – Apollo and the Python, 1636–1637
Gian Lorenzo Bernini's Apollo and Daphne.
Gian Lorenzo Bernini's Apollo and Daphne.
Apollo and Daphne, fresco from Pompeii, 1st century
Apollo and Daphne, fresco from Pompeii, 1st century
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Page from the edition of Ovid's Metamorphoses published by Lucantonio Giunti in Venice, 1497
Page from the edition of Ovid's Metamorphoses published by Lucantonio Giunti in Venice, 1497
Title page of 1556 edition published by Joannes Gryphius (decorative border added subsequently). Hayden White Rare Book Collection, University of Cali
Title page of 1556 edition published by Joannes Gryphius (decorative border added subsequently). Hayden White Rare Book Collection, University of California, Santa Cruz.
A woodcut from Virgil Solis, illustrating the apotheosis of Julius Caesar, the final event of the poem (XV.745–850)
A woodcut from Virgil Solis, illustrating the apotheosis of Julius Caesar, the final event of the poem (XV.745–850)
A depiction of the story of Pygmalion, Pygmalion adoring his statue by Jean Raoux (1717)
A depiction of the story of Pygmalion, Pygmalion adoring his statue by Jean Raoux (1717)