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1835 aquatint showing the first production of I puritani. Note range of tones.
1835 aquatint showing the first production of I puritani. Note range of tones.
Demonstration sections of printed aquatint, magnified.
Demonstration sections of printed aquatint, magnified.
Goya, No. 32 of Los Caprichos (1799, Por que fue sensible). This is a fairly rare example of a print entirely in aquatint.
Goya, No. 32 of Los Caprichos (1799, Por que fue sensible). This is a fairly rare example of a print entirely in aquatint.
Philibert-Louis Debucourt, The Public Promenade, 1792. Printed in colour from various plates, using etching, engraving, and aquatint. One of the leadi
Philibert-Louis Debucourt, The Public Promenade, 1792. Printed in colour from various plates, using etching, engraving, and aquatint. One of the leading achievements of the French 18th-century colour-print.
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Micro-topography of an ordinary French post stamp (detail) showing the thickness of ink obtained by intaglio. The words la Poste appeared in white on
Micro-topography of an ordinary French post stamp (detail) showing the thickness of ink obtained by intaglio. The words la Poste appeared in white on red background and hence corresponds to areas with a lack of ink.
Banknote portrait pattern made with intaglio printing. Denomination: 1000 Hungarian forint. Depicted area: 18.1 by 13.5 millimetres (0.71 in × 0.53 in
Banknote portrait pattern made with intaglio printing. Denomination: 1000 Hungarian forint. Depicted area: 18.1 by 13.5 millimetres (0.71 in × 0.53 in).