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Aquatint
1835 aquatint showing the first production of I puritani. Note range of tones.
1835 aquatint showing the first production of I puritani. Note range of tones.
Demonstration sections of printed aquatint, magnified.
Demonstration sections of printed aquatint, magnified.
Goya, No. 32 of Los Caprichos (1799, Por que fue sensible). This is a fairly rare example of a Goya print entirely in aquatint.
Goya, No. 32 of Los Caprichos (1799, Por que fue sensible). This is a fairly rare example of a Goya print entirely in aquatint.
Philibert-Louis Debucourt, The Public Promenade, 1792. Printed in colour from various plates, using etching, engraving, and aquatint. One of the leadi
Philibert-Louis Debucourt, The Public Promenade, 1792. Printed in colour from various plates, using etching, engraving, and aquatint. One of the leading achievements of the French 18th-century colour-print.
Katsushika Hokusai The Underwave off Kanagawa, 1829/1833, color woodcut, Rijksmuseum Collection
Katsushika Hokusai The Underwave off Kanagawa, 1829/1833, color woodcut, Rijksmuseum Collection
Rembrandt, Self-portrait, etching, c. 1630
Rembrandt, Self-portrait, etching, c. 1630
Francisco Goya, There is No One To Help Them, Disasters of War series, aquatint c. 1810
Francisco Goya, There is No One To Help Them, Disasters of War series, aquatint c. 1810
Ernst Ludwig Kirchner, Portrait of Otto Müller, 1915
Ernst Ludwig Kirchner, Portrait of Otto Müller, 1915