1.
Basel
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Basel is a city in northwestern Switzerland on the river Rhine. Basel is Switzerlands third-most-populous city with about 175,000 inhabitants, located where the Swiss, French and German borders meet, Basel also has suburbs in France and Germany. In 2014, the Basel agglomeration was the third largest in Switzerland with a population of 537,100 in 74 municipalities in Switzerland, the official language of Basel is German, but the main spoken language is the local variant of the Alemannic Swiss German dialect. Basel has been the seat of a Prince-Bishopric since the 11th century, the city has been a commercial hub and important cultural centre since the Renaissance, and has emerged as a centre for the chemical and pharmaceutical industry in the 20th century. It hosts the oldest university of the Swiss Confederation, There are settlement traces on the Rhine knee from the early La Tène period. The unfortified settlement was abandoned in the 1st century BC in favour of an Oppidum on the site of Basel Minster, probably in reaction to the Roman invasion of Gaul. In Roman Gaul, Augusta Raurica was established some 20 km from Basel as the administrative centre. The city of Basel eventually grew around the castle, the name of Basel is derived from the Roman-era toponym Basilia, first recorded in the 3rd century. It is presumably derived from the personal name Basilius, the Old French form Basle was adopted into English, and developed into the modern French Bâle. The Icelandic name Buslaraborg goes back to the 12th century Leiðarvísir og borgarskipan, Basel was incorporated into Germania Superior in AD83. Roman control over the area deteriorated in 3rd century, and Basel became an outpost of the Provincia Maxima Sequanorum formed by Diocletian, the Alamanni attempted to cross the Rhine several times in the 4th century, but were repelled. In a great invasion of AD406, the Alemanni appear to have crossed the Rhine river a final time, conquering and then settling what is today Alsace, from this time, Basel has been an Alemannic settlement. The Duchy of Alemannia fell under Frankish rule in the 6th century, and by the 7th century, based on the evidence of a third solidus with the inscription Basilia fit, Basel seems to have minted its own coins in the 7th century. Under bishop Haito, the first cathedral was built on the site of the Roman castle, at the partition of the Carolingian Empire, Basel was first given to West Francia, but passed to East Francia with the treaty of Meerssen of 870. The city was plundered and destroyed by a Magyar invasion of 917, the rebuilt city became part of Upper Burgundy, and as such was incorporated into the Holy Roman Empire in 1032. Since the donation by Rudolph III of Burgundy of the Moutier-Grandval Abbey and all its possessions to Bishop Adalbero II in 999 till the Reformation, in 1019, the construction of the cathedral of Basel began under German Emperor Heinrich II. In 1225–1226, the Bridge over the Rhine was constructed by Bishop Heinrich von Thun, the bridge was largely funded by Basels Jewish community which had settled there a century earlier. For many centuries to come Basel possessed the only permanent bridge over the river between Lake Constance and the sea, the Bishop also allowed the furriers to found a guild in 1226
2.
Switzerland
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Switzerland, officially the Swiss Confederation, is a federal republic in Europe. It consists of 26 cantons, and the city of Bern is the seat of the federal authorities. The country is situated in western-Central Europe, and is bordered by Italy to the south, France to the west, Germany to the north, and Austria and Liechtenstein to the east. Switzerland is a country geographically divided between the Alps, the Swiss Plateau and the Jura, spanning an area of 41,285 km2. The establishment of the Old Swiss Confederacy dates to the medieval period, resulting from a series of military successes against Austria. Swiss independence from the Holy Roman Empire was formally recognized in the Peace of Westphalia in 1648. The country has a history of armed neutrality going back to the Reformation, it has not been in a state of war internationally since 1815, nevertheless, it pursues an active foreign policy and is frequently involved in peace-building processes around the world. In addition to being the birthplace of the Red Cross, Switzerland is home to international organisations. On the European level, it is a member of the European Free Trade Association. However, it participates in the Schengen Area and the European Single Market through bilateral treaties, spanning the intersection of Germanic and Romance Europe, Switzerland comprises four main linguistic and cultural regions, German, French, Italian and Romansh. Due to its diversity, Switzerland is known by a variety of native names, Schweiz, Suisse, Svizzera. On coins and stamps, Latin is used instead of the four living languages, Switzerland is one of the most developed countries in the world, with the highest nominal wealth per adult and the eighth-highest per capita gross domestic product according to the IMF. Zürich and Geneva have each been ranked among the top cities in the world in terms of quality of life, with the former ranked second globally, according to Mercer. The English name Switzerland is a compound containing Switzer, a term for the Swiss. The English adjective Swiss is a loan from French Suisse, also in use since the 16th century. The name Switzer is from the Alemannic Schwiizer, in origin an inhabitant of Schwyz and its associated territory, the Swiss began to adopt the name for themselves after the Swabian War of 1499, used alongside the term for Confederates, Eidgenossen, used since the 14th century. The data code for Switzerland, CH, is derived from Latin Confoederatio Helvetica. The toponym Schwyz itself was first attested in 972, as Old High German Suittes, ultimately related to swedan ‘to burn’
3.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
4.
Isle of the Dead (painting)
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Isle of the Dead is the best-known painting of Swiss Symbolist artist Arnold Böcklin. Prints were very popular in central Europe in the early 20th century—Vladimir Nabokov observed in his novel Despair that they could be found in every Berlin home, Böcklin produced several different versions of the mysterious painting between 1880 and 1886. All versions of Isle of the Dead depict a desolate and rocky islet seen across an expanse of dark water, a small rowboat is just arriving at a water gate and seawall on shore. An oarsman maneuvers the boat from the stern, in the bow, facing the gate, is a standing figure clad entirely in white. Just behind the figure is a white, festooned object commonly interpreted as a coffin, the tiny islet is dominated by a dense grove of tall, dark cypress trees—associated by long-standing tradition with cemeteries and mourning—which is closely hemmed in by precipitous cliffs. Furthering the funerary theme are what appear to be sepulchral portals, not knowing the history of the early versions of the painting, many observers have interpreted the oarsman as representing the boatman Charon who ferried souls to the underworld in Greek mythology. The water would then be either the River Styx or the River Acheron, Isle of the Dead evokes, in part, the English Cemetery in Florence, Italy, where the first three versions were painted. The cemetery was close to Böcklins studio and was also where his infant daughter Maria was buried, apollo 93, p.510, states that it was painted in the Bay of Kotor in Montenegro, and that it inspired Rachmaninov. Böcklin completed the first version of the painting in May 1880 for his patron Alexander Günther, in April 1880, while the painting was in progress, Böcklins Florence studio had been visited by Marie Berna, née Christ. She was struck by the first version of this dream image, at Bernas request, he added the coffin and female figure, in allusion to her husbands death of diphtheria years earlier. Subsequently, he added elements to the earlier painting. He called these works Die Gräberinsel and it was acquired by the Gottfried Keller-Stiftung in 1920. The third version was painted in 1883 for Böcklin’s dealer Fritz Gurlitt, beginning with this version, one of the burial chambers in the rocks on the right bears Böcklins own initials, A. B. Financial imperatives resulted in a version in 1884, which was ultimately acquired by the entrepreneur and art collector Baron Heinrich Thyssen. It was burned after an attack during World War II. A fifth version was commissioned in 1886 by the Museum of Fine Arts, Leipzig, in 1888, Böcklin created a painting called Die Lebensinsel. Probably intended as an antipole to the Isle of the Dead, it shows a small island. Together with the first version of the Isle of the Dead, may 1880 – Oil on canvas,111 x 155 cm, Öffentliche Kunstsammlung, Kunstmuseum, Basel
5.
Symbolism (arts)
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Symbolism was a late nineteenth-century art movement of French, Russian and Belgian origin in poetry and other arts. In literature, the style originates with the 1857 publication of Charles Baudelaires Les Fleurs du mal, the works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s, in the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The name symbolist itself was first applied by the critic Jean Moréas, distinct from, but related to, the style of literature, symbolism in art is related to the gothic component of Romanticism and Impressionism. In ancient Greece, the symbolon was a shard of pottery which was inscribed, Symbolism was a reaction in favour of spirituality, the imagination, and dreams. Some writers, such as Joris-Karl Huysmans, began as naturalists before becoming symbolists, for Huysmans, the Symbolist poets have a more complex relationship with Parnassianism, a French literary style that immediately preceded it. The Symbolists continued to admire Théophile Gautiers motto of art for arts sake, many Symbolist poets, including Stéphane Mallarmé and Paul Verlaine, published early works in Le Parnasse contemporain, the poetry anthologies that gave Parnassianism its name. One of Symbolisms most colourful promoters in Paris was art and literary critic Joséphin Péladan, a number of Symbolists were associated with the Salon. Symbolists believed that art should represent absolute truths that could only be described indirectly, thus, they wrote in a very metaphorical and suggestive manner, endowing particular images or objects with symbolic meaning. Jean Moréas published the Symbolist Manifesto in Le Figaro on 18 September 1886, the Symbolist Manifesto names Charles Baudelaire, Stéphane Mallarmé, and Paul Verlaine as the three leading poets of the movement. In a nutshell, as Mallarmé writes in a letter to his friend Cazalis, to not the thing. Symbolist poems were attempts to evoke, rather than primarily to describe, – both poets seek to identify one sense experience with another. The earlier Romanticism of poetry used symbols, but these symbols were unique, the symbolists were more extreme, investing all things, even vowels and perfumes, with potential symbolic value. The physical universe, then, is a kind of language that invites a privileged spectator to decipher it, Symbolist symbols are not allegories, intended to represent, they are instead intended to evoke particular states of mind. The nominal subject of Mallarmés Le cygne is of a trapped in a frozen lake. Significantly, in French, cygne is a homophone of signe, un cygne d’autrefois se souvient que c’est lui Magnifique mais qui sans espoir se délivre. They were also portrayed as at odds with society, having tragic lives and these traits were not hindrances but consequences of their literary gifts. Schopenhauers aesthetics represented shared concerns with the symbolist programme, they tended to consider Art as a contemplative refuge from the world of strife and will
6.
Schaffhausen
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Schaffhausen is a town in northern Switzerland and the capital of the canton of the same name, it has an estimated population of 34,587 as of December 2008. The official language of Schaffhausen is the Swiss variety of Standard German, the old portion of the city has many fine Renaissance era buildings decorated with exterior frescos and sculpture, as well as the impressive old canton fortress, the Munot. A train runs out of town to the nearby Rhine Falls in Neuhausen am Rheinfall, Europes largest waterfall, the town is first mentioned in 1045 as Villa Scafhusun. There are at least two theories on the origin of this name, one is related to a mention of a ford across the Rhine River that first occurs in 1050. This ford may actually refer to a scapha or skiff which was used to disembark goods coming from Constance to move them around the Rhine Falls, the name Scafhusun then arose from the scapha used at that point. Another theory is that Scafhusun comes from Schaf, as a ram formed the ancient arms of the town, derived from those of its founders, the counts of Nellenburg. The blazon of the coat of arms is Or on a Base Vert issuant from sinister a Semi Castle Argent with tower with entrance from which is issuing a Semi Ram Sable. The canting coat of arms refers to the interpretation of the name. Schaffhausen was a city state in the Middle Ages, documented to have struck its own coins from 1045, about 1050 the counts of Nellenburg founded the Benedictine monastery of All Saints, which became the centre of the town. Perhaps as early as 1190, certainly in 1208, it was a free city. The powers of the abbot were gradually limited and in 1277 the Emperor Rudolf I gave the town a charter of liberties, in 1330 the emperor Louis of Bavaria pledged it to the Habsburgs. In the early 15th century, Habsburg power over the city waned, by 1411 the guilds ruled the city. Then, in 1415 the Habsburg Duke Frederick IV of Austria sided with the Antipope John XXIII at the Council of Constance, as a result of the ban and Fredericks need of money, Schaffhausen was able to buy its independence from the Habsburgs in 1418. The city allied with six of the Swiss confederates in 1454, Schaffhausen became a full member of the Old Swiss Confederacy in 1501. The Reformation was adopted, initially, in 1524 and completely in 1529, the town was heavily damaged during the Thirty Years War by the passage of Swedish and Bavarian troops and the very important bridge was burnt down. It was not until the early 19th century that the industrial development of the town made a fresh start. In 1857 the first railroad, the Rheinfall-Bahn running from Winterthur, Schaffhausen is located in a finger of Swiss territory surrounded on three sides by Germany. On 1 April 1944 Schaffhausen suffered a raid by United States Army Air Forces aircraft which strayed from German airspace into neutral Switzerland due to navigation errors
7.
Silk
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Silk is a natural protein fiber, some forms of which can be woven into textiles. The protein fiber of silk is composed mainly of fibroin and is produced by insect larvae to form cocoons. The best-known silk is obtained from the cocoons of the larvae of the mulberry silkworm Bombyx mori reared in captivity, Silk is produced by several insects, but generally only the silk of moth caterpillars has been used for textile manufacturing. There has been research into other types of silk, which differ at the molecular level. Silk is mainly produced by the larvae of insects undergoing complete metamorphosis, Silk production also occurs in Hymenoptera, silverfish, mayflies, thrips, leafhoppers, beetles, lacewings, fleas, flies, and midges. Other types of arthropod produce silk, most notably various arachnids such as spiders, the word silk comes from Old English sioloc, from Greek σηρικός serikos, silken, ultimately from an Asian source. Several kinds of silk, which are produced by caterpillars other than the mulberry silkworm, have been known and used in China, South Asia. However, the scale of production was far smaller than for cultivated silks. Thus, the way to obtain silk suitable for spinning into textiles in areas where commercial silks are not cultivated was by tedious. Commercial silks originate from reared silkworm pupae, which are bred to produce a silk thread with no mineral on the surface. The pupae are killed by either dipping them in boiling water before the adult moths emerge or by piercing them with a needle. These factors all contribute to the ability of the cocoon to be unravelled as one continuous thread. Wild silks also tend to be difficult to dye than silk from the cultivated silkworm. Genetic modification of domesticated silkworms is used to facilitate the production of more types of silk. Silk fabric was first developed in ancient China, the earliest example of silk fabric is from 3630 BC, and it was used as wrapping for the body of a child from a Yangshao culture site in Qingtaicun at Xingyang, Henan. Legend gives credit for developing silk to a Chinese empress, Leizu, because of its texture and lustre, silk rapidly became a popular luxury fabric in the many areas accessible to Chinese merchants. Silk was in demand, and became a staple of pre-industrial international trade. In July 2007, archaeologists discovered intricately woven and dyed silk textiles in a tomb in Jiangxi province, Silk is described in a chapter on mulberry planting by Si Shengzhi of the Western Han
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Johann Wilhelm Schirmer
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Johann Wilhelm Schirmer was a German landscape artist from Jülich, within the Prussian Duchy of Jülich. Johann Wilhelm Schirmer was started as a student of painting under Schadow at the academy of Düsseldorf. Later, he came under the influence of Carl Friedrich Lessing and landscape painting and he became known as one of the first of the Düsseldorf school of painting. In 1830 he became an Assistant Professor, and later, in 1839, in the meantime, he visited and painted in Belgium, the Black Forest, Switzerland, the Netherlands, Normandy and Italy. In 1854, he took up the role of a Director at the Art School at Karlsruhe and this artist is sometimes confused with August Wilhelm Ferdinand Schirmer, who had similar interests, and belonged to the same era. In addition, both were known by the name Wilhelm Schirmer, and were students of Wilhelm von Schadow, thurston, H. T. Colby, F. M. eds. This article incorporates text from a now in the public domain, Rines, George Edwin, ed. Schirmer
9.
Anselm Feuerbach
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Anselm Feuerbach was a German painter. He was the leading classicist painter of the German 19th-century school, Feuerbach was born at Speyer, the son of the well-known archaeologist Joseph Anselm Feuerbach and the grandson of the legal scholar Paul Johann Anselm Ritter von Feuerbach. The house of his birth is now a small museum, between 1845 and 1848 he attended the Düsseldorf Academy, where he was taught by Johann Wilhelm Schirmer, Wilhelm von Schadow, and Carl Sohn. He went on to the Munich Academy, but in 1850, along with a number of dissatisfied students, he moved to the academy at Antwerp. Feuerbach moved to Paris in 1851, where he was a pupil of Thomas Couture until 1854 and it was in Paris that he produced his first masterpiece, Hafiz at the Fountain. From there he continued to Florence and then to Rome and he remained in Rome until 1873, making brief visits back to Germany. In 1861 he met Anna Risi, who sat as his model for the four years. In 1866 she was succeeded as his model by Lucia Brunacci. In 1862 Feuerbach met Count Adolf Friedrich von Schack, who commissioned copies of Italian old masters from him, the count introduced him to Arnold Böcklin and Hans von Marées. The three artists became known as the Deutschrömer because of their preference for Italian over German art, in 1873 Feuerbach moved to Vienna, having been appointed professor of history painting at the Academy. Feuerbach developed a disagreement with architect Theophil Hansen over his ceiling mural The Fall of the Titans, while in the Vienna he came to know Johannes Brahms. In 1877 he resigned from his post at the Vienna Academy and moved to Venice, Brahms composed Nänie, a piece for chorus and orchestra, in his memory. It proved enormously successful and greatly enhanced his posthumous reputation, according to the 1911 Encyclopædia Britannica, He was steeped in classic knowledge, and his figure compositions have the statuesque dignity and simplicity of Greek art. His works are housed at leading public galleries in Germany, stuttgart has the second version of Iphigenia, Karlsruhe, the Dante at Ravenna, Munich, the Medea, and Berlin, The Concert, his last important painting. Other major works include The Battle of the Amazons, Pietà, The Symposium of Plato, Orpheus and Eurydice, list of German painters Chisholm, Hugh, ed. Feuerbach, Anselm. Rines, George Edwin, ed. Feuerbach, Anselm
10.
Antwerp
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Antwerp is a city in Belgium, the capital of Antwerp province in the region of Flanders. With a population of 510,610, it is the most populous city proper in Belgium and its metropolitan area houses around 1,200,000 people, which is second behind Brussels. Antwerp is on the River Scheldt, linked to the North Sea by the Westerschelde estuary, the Port of Antwerp is one of the biggest in the world, ranking second in Europe and within the top 20 globally. Antwerp has long been an important city in the Low Countries, the inhabitants of Antwerp are nicknamed Sinjoren, after the Spanish honorific señor or French seigneur, lord, referring to the Spanish noblemen who ruled the city in the 17th century. The city hosted the 1920 Summer Olympics, according to folklore, notably celebrated by a statue in front of the town hall, the city got its name from a legend about a giant called Antigoon who lived near the Scheldt river. He exacted a toll from passing boatmen, and for those who refused, he severed one of their hands, eventually the giant was killed by a young hero named Silvius Brabo, who cut off the giants own hand and flung it into the river. Hence the name Antwerpen, from Dutch hand werpen, akin to Old English hand and wearpan, a longstanding theory is that the name originated in the Gallo-Roman period and comes from the Latin antverpia. Antverpia would come from Ante Verpia, indicating land that forms by deposition in the curve of a river. Note that the river Scheldt, before a period between 600 and 750, followed a different track. This must have coincided roughly with the current ringway south of the city, however, many historians think it unlikely that there was a large settlement which would be named Antverpia, but more something like an outpost with a river crossing. However, John Lothrop Motley argues, and so do a lot of Dutch etymologists and historians, aan t werp is also possible. This warp is a hill or a river deposit, high enough to remain dry at high tide. Another word for werp is pol hence polders, historical Antwerp allegedly had its origins in a Gallo-Roman vicus. Excavations carried out in the oldest section near the Scheldt, 1952–1961, produced pottery shards, the earliest mention of Antwerp dates from the 4th century. In the 4th century, Antwerp was first named, having been settled by the Germanic Franks, the name was reputed to have been derived from anda and werpum. The Merovingian Antwerp was evangelized by Saint Amand in the 7th century, at the end of the 10th century, the Scheldt became the boundary of the Holy Roman Empire. Antwerp became a margraviate in 980, by the German emperor Otto I, in the 11th century Godfrey of Bouillon was for some years known as the marquis of Antwerp. In the 12th century, Norbert of Xanten established a community of his Premonstratensian canons at St. Michaels Abbey at Caloes
11.
Dutch Golden Age painting
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The new Dutch Republic was the most prosperous nation in Europe, and led European trade, science, and art. Most work, including that for which the period is best known, a distinctive feature of the period is the proliferation of distinct genres of paintings, with the majority of artists producing the bulk of their work within one of these. The full development of specialization is seen from the late 1620s. A distinctive feature of the period, compared to earlier European painting, was the amount of religious painting. Dutch Calvinism forbade religious painting in churches, and though biblical subjects were acceptable in private homes, the development of many of these types of painting was decisively influenced by 17th-century Dutch artists. The widely held theory of the hierarchy of genres in painting, whereby some types were regarded as more prestigious than others, however this was the hardest to sell, as even Rembrandt found. Many were forced to produce portraits or genre scenes, which much more easily. In descending order of status the categories in the hierarchy were, history painting, including allegories, most paintings were relatively small – the only common type of really large paintings were group portraits. Painting directly onto walls hardly existed, when a wall-space in a public building needed decorating fitted framed canvas was normally used, painted delftware tiles were very cheap and common, if rarely of really high quality, but silver, especially in the auricular style, led Europe. With this exception, the best artistic efforts were concentrated on painting and printmaking, the volume of production meant that prices were fairly low, except for the best known artists, as in most subsequent periods there was a steep price gradient for more fashionable artists. In particular the French invasion of 1672, brought a depression to the art market. The distribution of pictures was very wide, yea many tymes, blacksmithes, cobblers etts. will have some picture or other by their Forge, such is the generall Notion, enclination and delight that these Countrie Native have to Painting reported an English traveller in 1640. There were for virtually the first time many professional art dealers, several significant artists, like Vermeer and his father, Jan van Goyen. Rembrandts dealer Hendrick van Uylenburgh and his son Gerrit were among the most important, typically workshops were smaller than in Flanders or Italy, with only one or two apprentices at a time, the number often being restricted by guild regulations. In many cases involved the artists extricating themselves from medieval groupings where they shared a guild with several other trades. Several new guilds were established in the period, Amsterdam in 1579, Haarlem in 1590, the Leiden authorities distrusted guilds and did not allow one until 1648. The Hague, with the court, was an early example, there were many dynasties of artists, and many married the daughters of their masters or other artists. Many artists came from families, who paid fees for their apprenticeships
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One or more of the preceding sentences incorporates text from a publication now in the public domain: Frantz, Henri (1911). "Böcklin, Arnold". In Chisholm, Hugh. Encyclopædia Britannica. 4 (11th ed.). Cambridge University Press. pp. 107–108. This cites:
One or more of the preceding sentences incorporates text from a publication now in the 
