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A City on a Rock, long attributed to Goya, is now thought to have been painted by 19th-century artist Eugenio Lucas Velázquez. Elements of the paintin
A City on a Rock, long attributed to Goya, is now thought to have been painted by 19th-century artist Eugenio Lucas Velázquez. Elements of the painting appear to have been copied from autographed works by Goya, and the painting is therefore classified as a pastiche. Compare to Goya's May tree.
Sign at the Taxila Museum, Pakistan, 1981
Sign at the Taxila Museum, Pakistan, 1981
Forged self-portrait of Albrecht Dürer
Forged self-portrait of Albrecht Dürer
Strand von Ste. Adresse, 1863, by Johan Barthold Jongkind.
Strand von Ste. Adresse, 1863, by Johan Barthold Jongkind.
The philosophers of authenticity: Jean-Paul Sartre and Simone de Beauvoir at the memorial to Honoré de Balzac.
Authenticity of provenance: The Yellow Dragon jar from the Jiajing period (1521–1567) of the Ming dynasty (1368–1644); a practical item in the 16th-ce
Authenticity of provenance: The Yellow Dragon jar from the Jiajing period (1521–1567) of the Ming dynasty (1368–1644); a practical item in the 16th-century, and an objet d’art in the 21st century.
The art of forgery: The Supper at Emmaus (1937), by Han van Meegeren, a Dutch master forger who deceived the Nazi leader H. Göring that the painting w
The art of forgery: The Supper at Emmaus (1937), by Han van Meegeren, a Dutch master forger who deceived the Nazi leader H. Göring that the painting was a genuine Vermeer painting.
The authenticity of experience of a work of art is ephemeral; thus, beholding the statue of the Hindu goddess Tara (Sri Lanka, 8th c.) in a secular se
The authenticity of experience of a work of art is ephemeral; thus, beholding the statue of the Hindu goddess Tara (Sri Lanka, 8th c.) in a secular setting (a museum) is unlike the aesthetic experience of beholding the statue-as-goddess in the original setting (a temple).