1.
Steam engine
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A steam engine is a heat engine that performs mechanical work using steam as its working fluid. Steam engines are combustion engines, where the working fluid is separate from the combustion products. Non-combustion heat sources such as power, nuclear power or geothermal energy may be used. The ideal thermodynamic cycle used to analyze this process is called the Rankine cycle, in the cycle, water is heated and transforms into steam within a boiler operating at a high pressure. When expanded through pistons or turbines, mechanical work is done, the reduced-pressure steam is then exhausted to the atmosphere, or condensed and pumped back into the boiler. Specialized devices such as hammers and steam pile drivers are dependent on the steam pressure supplied from a separate boiler. The use of boiling water to mechanical motion goes back over 2000 years. The Spanish inventor Jerónimo de Ayanz y Beaumont obtained the first patent for an engine in 1606. In 1698 Thomas Savery patented a steam pump that used steam in direct contact with the water being pumped, Saverys steam pump used condensing steam to create a vacuum and draw water into a chamber, and then applied pressurized steam to further pump the water. Thomas Newcomens atmospheric engine was the first commercial steam engine using a piston. In 1781 James Watt patented an engine that produced continuous rotary motion. Watts ten-horsepower engines enabled a range of manufacturing machinery to be powered. The engines could be sited anywhere that water and coal or wood fuel could be obtained, by 1883, engines that could provide 10,000 hp had become feasible. The stationary steam engine was a key component of the Industrial Revolution, the aeolipile described by Hero of Alexandria in the 1st century AD is considered to be the first recorded steam engine. Torque was produced by steam jets exiting the turbine, in the Spanish Empire, the great inventor Jerónimo de Ayanz y Beaumont obtained a patent for the first steam engine in history in 1603. Thomas Savery, in 1698, patented the first practical, atmospheric pressure and it had no piston or moving parts, only taps. It was an engine, a kind of thermic syphon, in which steam was admitted to an empty container. The vacuum thus created was used to water from the sump at the bottom of the mine
2.
Locomotive
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A locomotive or engine is a rail transport vehicle that provides the motive power for a train. A locomotive has no payload capacity of its own, and its purpose is to move the train along the tracks. In contrast, some trains have self-propelled payload-carrying vehicles and these are not normally considered locomotives, and may be referred to as multiple units, motor coaches or railcars. The use of these vehicles is increasingly common for passenger trains. Traditionally, locomotives pulled trains from the front, however, push-pull operation has become common, where the train may have a locomotive at the front, at the rear, or at each end. Prior to locomotives, the force for railroads had been generated by various lower-technology methods such as human power, horse power. The first successful locomotives were built by Cornish inventor Richard Trevithick, in 1804 his unnamed steam locomotive hauled a train along the tramway of the Penydarren ironworks, near Merthyr Tydfil in Wales. Although the locomotive hauled a train of 10 long tons of iron and 70 passengers in five wagons over nine miles, the locomotive only ran three trips before it was abandoned. Trevithick built a series of locomotives after the Penydarren experiment, including one which ran at a colliery in Tyneside in northern England, the first commercially successful steam locomotive was Matthew Murrays rack locomotive, Salamanca, built for the narrow gauge Middleton Railway in 1812. This was followed in 1813 by the Puffing Billy built by Christopher Blackett and William Hedley for the Wylam Colliery Railway, Puffing Billy is now on display in the Science Museum in London, the oldest locomotive in existence. In 1814 George Stephenson, inspired by the locomotives of Trevithick. He built the Blücher, one of the first successful flanged-wheel adhesion locomotives, Stephenson played a pivotal role in the development and widespread adoption of steam locomotives. His designs improved on the work of the pioneers, in 1825 he built the Locomotion for the Stockton and Darlington Railway, north east England, which became the first public steam railway. In 1829 he built The Rocket which was entered in and won the Rainhill Trials and this success led to Stephenson establishing his company as the pre-eminent builder of steam locomotives used on railways in the United Kingdom, the United States and much of Europe. The first inter city passenger railway, Liverpool and Manchester Railway, opened in 1830, there are a few basic reasons to isolate locomotive train power, as compared to self-propelled vehicles. Maximum utilization of power cars Separate locomotives facilitate movement of costly motive power assets as needed, flexibility Large locomotives can substitute for small locomotives when more power is required, for example, where grades are steeper. As needed, a locomotive can be used for freight duties. Obsolescence cycles Separating motive power from payload-hauling cars enables replacement without affecting the other, to illustrate, locomotives might become obsolete when their associated cars did not, and vice versa
3.
Le Havre
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Le Havre is an urban French commune and city in the Seine-Maritime department in the Normandy region of northwestern France. It is situated on the bank of the estuary of the river Seine on the Channel southwest of the Pays de Caux. Modern Le Havre remains deeply influenced by its employment and maritime traditions and its port is the second largest in France, after that of Marseille, for total traffic, and the largest French container port. The name Le Havre means the harbour or the port and its inhabitants are known as Havrais or Havraises. Administratively the commune is located in the Normandy region and, with Dieppe, is one of the two sub-prefectures of the Seine-Maritime department, Le Havre is the capital of the canton and since 1974 has been the see of the diocese of Le Havre. Le Havre is the most populous commune of Upper Normandy, although the population of the greater Le Havre conurbation is smaller than that of Rouen. It is also the second largest subprefecture in France, the city and port were founded by the King Francis I of France in 1517. Economic development in the Early modern period was hampered by wars, conflicts with the English, epidemics. It was from the end of the 18th century that Le Havre started growing, after the 1944 bombings the firm of Auguste Perret began to rebuild the city in concrete. Changes in years 1990–2000 were numerous, the right won the municipal elections and committed the city to the path of reconversion, seeking to develop the service sector and new industries. The Port 2000 project increased the capacity to compete with ports of northern Europe, transformed the southern districts of the city. In 2005 UNESCO inscribed the city of Le Havre as a World Heritage Site. The André Malraux Modern Art Museum is the second of France for the number of impressionist paintings, the city has been awarded two flowers by the National Council of Towns and Villages in Bloom in the Competition of cities and villages in Bloom. Le Havre is a major French city located some 50 kilometres west of Rouen on the shore of the English Channel, numerous roads link to Le Havre with the main access roads being the A29 autoroute from Amiens and the A13 autoroute from Paris linking to the A131 autoroute. Administratively, Le Havre is a commune in the Haute-Normandie region in the west of the department of Seine-Maritime, the urban area of Le Havre corresponds roughly to the territory of the Agglomeration community of Le Havre which includes 17 communes and 250,000 people. It occupies the tip of the natural region of Pays de Caux where it is the largest city. Le Havre is sandwiched between the coast of the Channel from south-west to north-west and the estuary of the Seine to the south, Le Havre belongs to the MLG community Paris Basin which was formed in the Mesozoic period. The Paris Basin consists of sedimentary rocks, the commune of Le Havre consists of two areas separated by a natural cliff edge, one part in the lower part of the town to the south including the harbour, the city centre and the suburbs
4.
Violin
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The violin is a wooden string instrument in the violin family. It is the smallest and highest-pitched instrument in the family in regular use, smaller violin-type instruments are known, including the violino piccolo and the kit violin, but these are virtually unused in the 2010s. The violin typically has four strings tuned in fifths, and is most commonly played by drawing a bow across its strings. Violins are important instruments in a variety of musical genres. They are most prominent in the Western classical tradition and in varieties of folk music. They are also used in genres of folk including country music and bluegrass music. Electric violins are used in forms of rock music, further. The violin is sometimes called a fiddle, particularly in Irish traditional music and bluegrass. The violin was first known in 16th-century Italy, with further modifications occurring in the 18th and 19th centuries. In Europe it served as the basis for stringed instruments used in classical music, the viola. According to their reputation, the quality of their sound has defied attempts to explain or equal it, many of these trade instruments were formerly sold by Sears, Roebuck and Co. and other mass merchandisers. A person who makes or repairs violins is called a luthier or violinmaker, the parts of a violin are usually made from different types of wood and on the use of a pickup and an amplifier and speaker). Violins can be strung with gut, Perlon or other synthetic, the earliest stringed instruments were mostly plucked. Similar and variant types were probably disseminated along East-West trading routes from Asia into the Middle East, the first makers of violins probably borrowed from various developments of the Byzantine lira. These included the rebec, the Arabic rebab, the vielle, the earliest pictures of violins, albeit with three strings, are seen in northern Italy around 1530, at around the same time as the words violino and vyollon are seen in Italian and French documents. One of the earliest explicit descriptions of the instrument, including its tuning, is from the Epitome musical by Jambe de Fer, by this time, the violin had already begun to spread throughout Europe. The violin proved very popular, both among street musicians and the nobility, the French king Charles IX ordered Andrea Amati to construct 24 violins for him in 1560, one of these noble instruments, the Charles IX, is the oldest surviving violin. The Messiah or Le Messie made by Antonio Stradivari in 1716 remains pristine and it is now located in the Ashmolean Museum of Oxford
5.
Conservatoire de Paris
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The Conservatoire de Paris is a college of music and dance founded in 1795, now situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music, dance, and drama, today the conservatories operate under the auspices of the Ministry of Culture and Communication. On 3 December 1783 Papillon de la Ferté, intendant of the Menus-Plaisirs du Roi, the school was instituted by a decree of 3 January 1784 and opened on 1 April with the composer François-Joseph Gossec as the provisional director. Piccinni refused the directorship, but did join the faculty as a professor of singing, the new school was located in buildings adjacent to the Hôtel des Menus-Plaisirs at the junction of the rue Bergère and the rue du Faubourg Poissonnière. In June, a class in dramatic declamation was added, in 1792, Bernard Sarrette created the École gratuite de la garde nationale, which in the following year became the Institut national de musique. On 3 August 1795, the government combined the École royale with the Institut national de musique, the combined organization remained in the facilities on the rue Bergère. The first 351 pupils commenced their studies in October 1796, a concert hall, designed by the architect François-Jacques Delannoy, was inaugurated on 7 July 1811. The hall, which exists today, was in the shape of a U. It held an audience of 1055, the acoustics were generally regarded as superb. The French composer and conductor Antoine Elwart described it as the Stradivarius of concert halls, in 1828 François Habeneck, a professor of violin and head of the Conservatorys orchestra, founded the Société des Concerts du Conservatoire. The Society held concerts in the hall almost continuously until 1945, the French composer Hector Berlioz premiered his Symphonie fantastique in the conservatorys hall on 5 December 1830 with an orchestra of more than a hundred players. The original library was created by Sarrette in 1801, after the construction of the concert hall, the library moved to a large room above the entrance vestibule. In the 1830s, Berlioz became a curator in the Conservatory library and was the librarian from 1852 until his death in 1869. He was succeeded as librarian by Félicien David, Sarrette was dismissed on 28 December 1814, after the Bourbon Restoration, but was reinstated on 26 May 1815, after Napoleons return to power during the Hundred Days. However, after Napoleons fall, Sarrette was finally compelled to retire on 17 November, in 1819, François Benoist was appointed professor of organ. Probably the best known director in the 19th century was Luigi Cherubini, Cherubini maintained high standards and his staff included teachers such as François-Joseph Fétis, Habeneck, Fromental Halévy, Le Sueur, Ferdinando Paer, and Anton Reicha. Cherubini was succeeded by Daniel-François-Esprit Auber in 1842, in 1852, Camille Urso, who studied with Lambert Massart, became the first female student to win a prize on violin. The Conservatory Instrument Museum, founded in 1861, was formed from the instrument collection of Louis Clapisson, the French music historian Gustave Chouquet became the curator of the museum in 1871 and did much to expand and upgrade the collection
6.
David
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David was, according to the Hebrew Bible, the second king of the United Kingdom of Israel and Judah, reigning in c. He is described as a man after Gods own heart in 1 Samuel 13,14 and Acts 13,22. The Hebrew prophets regarded him as the ancestor of the future messiah, the New Testament says he was an ancestor of Jesus. God is angered when Saul, Israels king, unlawfully offers a sacrifice and later disobeys a divine instruction to not only all of the Amalekites. Consequently, he sends the prophet Samuel to anoint David, the youngest son of Jesse of Bethlehem, God sends an evil spirit to torment Saul. Sauls courtiers recommend that he send for David, a man skillful on the lyre, wise in speech, and brave in battle. So David enters Sauls service as one of the royal armour-bearers, and plays the lyre to soothe the king, war comes between Israel and the Philistines, and the giant Goliath challenges the Israelites to send out a champion to face him in single combat. David, sent by his father to bring provisions to his brothers serving in Sauls army, refusing the kings offer of the royal armour, he kills Goliath with his sling. Saul inquires the name of the heros father. Saul sets David over his army, all Israel loves David, but his popularity causes Saul to fear him. Saul plots his death, but Sauls son Jonathan, one of those who loves David, warns him of his fathers schemes and David flees. He becomes a vassal of the Philistine king Achish of Gath, but Achishs nobles question his loyalty, Jonathan and Saul are killed, and David is anointed king over Judah. In the north, Sauls son Ish-Bosheth is anointed king of Israel, with the death of Sauls son, the elders of Israel come to Hebron and David is anointed king over all Israel. He conquers Jerusalem, previously a Jebusite stronghold, and makes it his capital. He brings the Ark of the Covenant to the city, intending to build a temple for God, Nathan also prophesies that God has made a covenant with the house of David, Your throne shall be established forever. David wins more victories over the Philistines, while the Moabites, Edomites, Amalekites, Ammonites, during a battle to conquer the Ammonite capital of Rabbah, David seduces Bathsheba and causes the death of her husband Uriah the Hittite. In response, Nathan prophesies the punishment that shall fall upon him, in fulfillment of these words Davids son Absalom rebels. The rebellion ends at the battle of the Wood of Ephraim, Absaloms forces are routed, and Absalom is caught by his long hair in the branches of a tree, and killed by Joab, contrary to Davids order. Joab was the commander of Davids army, David laments the death of his favourite son, O my son Absalom, my son, my son Absalom
7.
Paul Claudel
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Paul Claudel was a French poet, dramatist and diplomat, and the younger brother of the sculptress Camille Claudel. He was most famous for his dramas, which often convey his devout Catholicism. Claudel was nominated for the Nobel Prize in Literature in six different years and he was born in Villeneuve-sur-Fère, into a family of farmers and government officials. His father, Louis-Prosper, dealt in mortgages and bank transactions and his mother, the former Louise Cerveaux, came from a Champagne family of Catholic farmers and priests. Having spent his first years in Champagne, he studied at the lycée of Bar-le-Duc and at the Lycée Louis-le-Grand in 1881 and he would remain a strong Catholic for the rest of his life. He studied at the Paris Institute of Political Studies, the young Claudel seriously considered entering a Benedictine monastery, but in the end began a career in the French diplomatic corps, in which he would serve from 1893 to 1936. He was first vice-consul in New York, and later in Boston. C. while he served in Brazil during the First World War he supervised the continued provision of food supplies from South America to France. In 1936 he retired to his château in Brangues, after a long affair with Rosalie Vetch, a married woman with four children and pregnant with Claudels child, ended in February 1905, Claudel married Reine Sainte-Marie-Perrin on 15 March 1906. In his youth Claudel was heavily influenced by the poetry of Arthur Rimbaud, like them, he was horrified by modern materialist views of life. Unlike most of them, his response was to embrace Catholicism, all his writings are passionate rejections of the idea of a mechanical or random universe, instead proclaiming the deep spiritual meaning of human life founded on Gods all-governing grace and love. Claudel wrote in a unique verse style and he rejected traditional metrics in favour of long, luxuriant, unrhymed lines of free verse, the so-called verset claudelien, influenced by the Latin psalms of the Vulgate. He used scenes of passionate, obsessive human love to convey with great power Gods infinite love for humanity and his plays were often extraordinarily long, sometimes stretching to eleven hours, and pressed the realities of material staging to their limits. Yet they were staged, at least in part, to rapturous acclaim. In later years he wrote texts to be set to music, most notably Jeanne dArc au Bûcher, as well as his verse dramas, Claudel also wrote much lyric poetry, for example the Cinq Grandes Odes. Claudel was always a controversial figure during his lifetime, and remains so today and his devout Catholicism and his right-wing political views, both slightly unusual stances among his intellectual peers, made him, and continue to make him, unpopular in many circles. As a Catholic, he could not avoid a sense of bitter satisfaction at the fall of the anti-clerical French Third Republic. Claudels diaries make clear his consistent contempt for Nazism, and his attitude to the Vichy regime quickly hardened into opposition. He also committed his sister Camille Claudel to a hospital in March 1913
8.
Operetta
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Operetta is a genre of light opera, light in terms both of music and subject matter. By this time, the part of the genre name had become misleading. With this new connotation, opéra comique had dominated the French operatic stage since the decline of tragédie lyrique, most researchers acknowledge that the credit for creating the operetta form should go to Hervé, a singer, composer, librettist, conductor, and scene painter. In 1842 he wrote the little opérette, LOurs et le pacha, based on the vaudeville show by Scribe. In 1848, Hervé made his first notable appearance on the Parisian stage, with Don Quichotte et Sancho Pança, hervés most famous works are the Gounod-parody Le Petit Faust and Mamzelle Nitouche. Jacques Offenbach further developed and popularized operetta, giving it its enormous vogue during the Second Empire, Offenbachs earliest one-act pieces included Les deux aveugles, Le violoneux and Ba-ta-clan, and his first full-length operetta success was Orphée aux enfers. Offenbachs tradition was carried on by Robert Planquette, André Messager. What characterizes Offenbachs operettas is both the way they portray life, and the extremely frivolous way this is done. The character was modeled after Offenbachs female star Hortense Schneider. Considering how Zolas Nana describes an Offenbach-style operetta performance in Paris, it is not surprising that the mostly male, upper-class audiences in other cities like Vienna and Berlin longed to see these shows in their home towns as well, which inspired worldwide performance of Offenbachs works. The highly erotic way Offenbachs operettas were originally played, with stars like Hortense Schneider created a reaction from certain parts of the general public. Operetta was considered an art form. Indeed, together with its grotesque qualities, frivolity is one of the elements of authentic operetta à la Offenbach. It was only later, when audiences widened and became more middle and lower class, the most significant composer of operetta in the German language was the Austrian Johann Strauss II. His first operetta was Indigo und die vierzig Räuber and his third operetta, Die Fledermaus, became the most performed operetta in the world, and remains his most popular stage work. Its libretto was based on a written by Offenbachs librettists. In all, Strauss wrote 16 operettas and one opera, most with great success when first premiered, many of his lesser operettas are now largely forgotten, since his later librettists were less talented and he often composed independently of the plot. Strausss operettas, waltzes, polkas, and marches often have a strongly Viennese style, the Theater an der Wien never failed to draw huge crowds when his stage works were first performed
9.
Nazism
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National Socialism, more commonly known as Nazism, is the ideology and practice associated with the 20th-century German Nazi Party and Nazi Germany, as well as other far-right groups. Nazism subscribed to theories of racial hierarchy and Social Darwinism, identifying Germans as part of what Nazis regarded as an Aryan or Nordic master race and it aimed to overcome social divisions and create a homogeneous society, unified on the basis of racial purity. The term National Socialism arose out of attempts to create a nationalist redefinition of socialism, the Nazi Partys precursor, the Pan-German nationalist and anti-Semitic German Workers Party, was founded on 5 January 1919. By the early 1920s, Adolf Hitler assumed control of the organisation, following the Holocaust and German defeat in World War II, only a few fringe racist groups, usually referred to as neo-Nazis, still describe themselves as following National Socialism. The full name of Adolf Hitlers party was Nationalsozialistische Deutsche Arbeiterpartei, the shorthand Nazi was formed from the first two syllables of the German pronunciation of the word national. The term was in use before the rise of the NSDAP as a colloquial and derogatory word for a peasant, characterizing an awkward. It derived from Ignaz, being a version of Ignatius, a common name in Bavaria. Opponents seized on this and shortened the first word of the name, Nationalsozialistische. The NSDAP briefly adopted the Nazi designation, attempting to reappropriate the term, the use of Nazi Germany, Nazi regime, and so on was popularised by German exiles abroad. From them, the spread into other languages and was eventually brought back to Germany after World War II. In English, Nazism is a name for the ideology the party advocated. The majority of scholars identify Nazism in practice as a form of far-right politics, far-right themes in Nazism include the argument that superior people have a right to dominate over other people and purge society of supposed inferior elements. Adolf Hitler and other proponents officially portrayed Nazism as being neither left- nor right-wing, but the politicians of the Right deserve exactly the same reproach. It was through their miserable cowardice that those ruffians of Jews who came into power in 1918 were able to rob the nation of its arms, a major inspiration for the Nazis were the far-right nationalist Freikorps, paramilitary organisations that engaged in political violence after World War I. The Nazis stated the alliance was purely tactical and there remained substantial differences with the DNVP, the Nazis described the DNVP as a bourgeois party and called themselves an anti-bourgeois party. After the elections in 1932, the alliance broke after the DNVP lost many of its seats in the Reichstag, the Nazis denounced them as an insignificant heap of reactionaries. The DNVP responded by denouncing the Nazis for their socialism, their violence. Kaiser Wilhelm II, who was pressured to abdicate the throne and flee into exile amidst an attempted communist revolution in Germany, there were factions in the Nazi Party, both conservative and radical
