1.
Johann Heinrich Wilhelm Tischbein
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Johann Heinrich Wilhelm Tischbein, known as the Goethe Tischbein, was a German painter from the Tischbein family of artists. His father, Johann Conrad, was the carpenter for the convent in Haina and he began his artistic studies with his uncle, Johann Jacob Tischbein in Hamburg. From 1772 to 1773, he travelled in Holland, studying the Old Masters, after 1777, he established himself as a portrait painter in Berlin and became a member of the Masonic Lodge. He was able to visit Rome in 1779 and continue his studies, during this time, his style progressed from Rococo to Classicism. When he ran out of money in 1781, he settled in Zurich. In 1783, he was able to return to Rome with a grant from Duke Ernest II, obtained upon the recommendation of Johann Wolfgang von Goethe and he remained in Italy until 1799 and became friends with Goethe, travelling with him to Naples in 1787. During his last ten years there, he was director of the Accademia di Belle Arti di Napoli and he left following the French occupation, when the anti-royalist Parthenopean Republic was established. After 1808, he worked for Grand Duke Peter I, from then until his death, he was a resident of Eutin. He spent several years after 1810 writing his autobiography, Aus meinem Leben and it was not published until 1861 and has not been reissued since. His son, Peter Friedrich Ludwig Tischbein, was a noted forester, complete text of Aus meinem Leben @ Google Books Media related to Johann Heinrich Wilhelm Tischbein at Wikimedia Commons
2.
Goethe in the Roman Campagna
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Goethes book on his travels to Italy from 1786–88, called Italian Journey, was published in 1816–17, the book is based on his diaries. Since 1887, the painting has been in the possession of the Städel museum in Goethes hometown Frankfurt, the painting is a full-length portrait. Goethe is gazing out through the landscape, with his eyes resting at infinity, the painter, Johann Heinrich Wilhelm Tischbein, whom Goethe met in Italy, portrays the writer as an idealized, almost otherworldly, person. Goethe wears a large wide-brimmed grey hat, fashionable among German artists in Rome at the time, and he is portrayed in a classical manner, sitting in the open air, surrounded by Roman ruins, with the Campagna di Roma in the background. The artwork typically reflects the culture of the time in which it is created, the ruins in the background indicate the Neoclassicist love of antiquity. In contrast to the asymmetry of dominant Baroque and Rococo styles, Neoclassicism praised simplicity and symmetry, the love of classicism bound together the two artists, who both shared this interest, which is mirrored in the painting. Et in Arcadia ego is the motto of the Italian Journey, the artists consciously chose a spiritual collaboration to produce the painting and used the Arcadian motif of the Roman Campagna. The composition is balanced and the colours are restricted, at the time Goethe was preoccupied with his verse drama Iphigenia in Tauris, and he recited extracts to Tischbein. He was very impressed by it and depicted the scene of Iphigenia meeting her brother in the painting, also, both artist shared an interest for painting. Goethes occupation with painting resulted seven years earlier Goethes Theory of Colours is a book about the views on the nature of colours. He published it in 1810, and it contained detailed descriptions of such as coloured shadows, refraction. The painting is a result of these many interest they had in common, in 1887 the painting was donated to the Städel museum by the private collector Adèle von Rothschild, at a time when the Goethe cult was at its peak. The new German Empire was looking for significant cultural icons which could form a collective past, Goethe, Tischbeins portrait became symbolic of the German high life of knowledge, art and culture. The painting is one of the highlights of the Städel collection and it played an indisputable role in shaping the image of Goethe as he is perceived today, as embodying Germanys classical humanistic ideal. Goethe decided to travel to Rome to study the ancient world and his choice of Rome fit entirely in the spirit of the times, many German artists were studying there at the time. The aesthetic appreciation of the antiquity was typical for classicism, the peace and serenity of the classical arts attracted them, as a counterbalance to such recent movements as the Baroque and Rococo. He called himself Filippo Miller, pittore, Goethe decided to make the Grand Tour since he was fascinated by classical Italy, and started his travel in September 1786. The Tischbeins were a family of renowned painters well-known in Germany long before Goethe himself became famous, the two artists values met in the appreciation of classicism and the world of the antiquity, and they become friends
3.
Johann Wolfgang von Goethe
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Johann Wolfgang von Goethe was a German writer and statesman. In addition, numerous literary and scientific fragments, more than 10,000 letters and he was an early participant in the Sturm und Drang literary movement. He also contributed to the planning of Weimars botanical park and the rebuilding of its Ducal Palace and his first major scientific work, the Metamorphosis of Plants, was published after he returned from a 1788 tour of Italy. During this period, Goethe published his novel, Wilhelm Meisters Apprenticeship, the verse epic Hermann and Dorothea, and, in 1808. Goethes comments and observations form the basis of several biographical works, Goethes father, Johann Caspar Goethe, lived with his family in a large house in Frankfurt, then an Imperial Free City of the Holy Roman Empire. Though he had studied law in Leipzig and had been appointed Imperial Councillor, Johann Caspar married Goethes mother, Catharina Elizabeth Textor at Frankfurt on 20 August 1748, when he was 38 and she was 17. All their children, with the exception of Johann Wolfgang and his sister, Cornelia Friederica Christiana and his father and private tutors gave Goethe lessons in all the common subjects of their time, especially languages. Goethe also received lessons in dancing, riding and fencing, Johann Caspar, feeling frustrated in his own ambitions, was determined that his children should have all those advantages that he had not. Although Goethes great passion was drawing, he became interested in literature, Friedrich Gottlieb Klopstock. He also took pleasure in reading works on history and religion. He writes about this period, Goethe became also acquainted with Frankfurt actors, among early literary attempts, he was infatuated with Gretchen, who would later reappear in his Faust and the adventures with whom he would concisely describe in Dichtung und Wahrheit. He adored Caritas Meixner, a wealthy Worms traders daughter and friend of his sister, Goethe studied law at Leipzig University from 1765 to 1768. He detested learning age-old judicial rules by heart, preferring instead to attend the lessons of Christian Fürchtegott Gellert. In Leipzig, Goethe fell in love with Anna Katharina Schönkopf, in 1770, he anonymously released Annette, his first collection of poems. His uncritical admiration for many contemporary poets vanished as he became interested in Gotthold Ephraim Lessing, already at this time, Goethe wrote a good deal, but he threw away nearly all of these works, except for the comedy Die Mitschuldigen. The restaurant Auerbachs Keller and its legend of Fausts 1525 barrel ride impressed him so much that Auerbachs Keller became the real place in his closet drama Faust Part One. As his studies did not progress, Goethe was forced to return to Frankfurt at the close of August 1768, Goethe became severely ill in Frankfurt. During the year and a half that followed, because of several relapses, during convalescence, Goethe was nursed by his mother and sister
4.
The arts
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The arts represent an outlet of expression that is usually influenced by culture in society and which in turn helps to change culture. As such, the arts are a manifestation of peoples internal creative impulse. Some art forms combine a visual element with performance or artwork with the written word, from prehistoric cave paintings to modern day films, art serves as a vessel for storytelling and conveying humankinds relationship with its environment. A debate exists in the arts and video game cultures over whether video games can be counted as an art form. In its most basic definition, art is a documented expression of a sentient being through or on an accessible medium so that anyone can view. The act itself of producing an expression can also be referred to as a certain art, or as art in general. If this solidified expression, or the act of producing it, is good or has value depends on those who access and rate it and this public rating is dependent on various subjective factors. Merriam-Webster defines the arts as painting, sculpture, music, theater, literature, etc. considered as a group of activities done by people with skill, and the study and application of the arts to the human environment. In Ancient Greece, all art and craft was referred to by the same word, thus, there was no distinction between the arts. Ancient Greek art brought the veneration of the form and the development of equivalent skills to show musculature, poise, beauty. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features, in Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has worked in a style akin to Western medieval art, namely a concentration on surface patterning. A characteristic of this style is that the colour is often defined by an outline. This is evident in, for example, the art of India, Tibet, religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The Artes Mechanicae were practised and developed in guild environments, the modern distinction between artistic and non-artistic skills did not develop until the Renaissance. In modern academia, the arts are usually grouped with or as a subset of the humanities, some subjects in the humanities are history, linguistics, literature, theology, philosophy, and/or logic. Drawing is a means of making an image, using any of a variety of tools. It generally involves making marks on a surface by applying pressure from a tool, common tools are graphite pencils, pen and ink, inked brushes, wax colour pencils, crayons, charcoals, pastels, and markers
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Speech
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Speech is the vocalized form of communication based upon the syntactic combination of lexicals and names that are drawn from very large vocabularies. Each spoken word is created out of the combination of a limited set of vowel. These vocabularies, the syntax that structures them, and their sets of speech sound units differ, creating thousands of different. Most human speakers are able to communicate in two or more of them, hence being polyglots, the vocal abilities that enable humans to produce speech also enable them to sing. A gestural form of human communication exists for the deaf in the form of sign language, speech in some cultures has become the basis of a written language, often one that differs in its vocabulary, syntax and phonetics from its associated spoken one, a situation called diglossia. Speech is researched in terms of the production and speech perception of the sounds used in vocal language. Several academic disciplines study these, including acoustics, psychology, speech pathology, linguistics, cognitive science, communication studies, otolaryngology, another area of research is how the human brain in its different areas such as the Brocas area and Wernickes area underlies speech. It is controversial how far human speech is unique, in animals also communicate with vocalizations. The origins of speech are unknown and subject to much debate, in linguistics, manner of articulation describes how the tongue, lips, jaw, vocal cords, and other speech organs used to produce sounds, make contact with each other. Often the concept is used for the production of consonants. For any place of articulation, there may be several manners of articulation, normal human speech is produced with pressure from the lungs, which creates phonation in the glottis in the larynx, which is then modified by the vocal tract into different vowels and consonants. However humans can pronounce words without the use of the lungs and glottis in alaryngeal speech, speech perception refers to the processes by which humans can interpret and understand the sounds used in language. The study of perception is closely linked to the fields of phonetics and phonology in linguistics and cognitive psychology. Research in speech perception seeks to understand how human listeners recognize speech sounds, speech research has applications in building computer systems that can recognize speech, as well as improving speech recognition for hearing- and language-impaired listeners. Spoken vocalizations are quickly turned from sensory inputs into motor instructions needed for their immediate or delayed vocal imitation and this occurs independently of speech perception. This type of mapping plays a key role in enabling children to expand their spoken vocabulary, speech is a complex activity, as a result, errors are often made in speech. Speech errors have been analyzed by scientists to understand the nature of the involved in the production of speech. There are several organic and psychological factors that can affect speech, among these are, Diseases and disorders of the lungs or the vocal cords, including paralysis, respiratory infections, vocal fold nodules and cancers of the lungs and throat
6.
Discourse
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Discourse denotes written and spoken communications, In semantics and discourse analysis, Discourse is a conceptual generalization of conversation within each modality and context of communication. The totality of codified language used in a field of intellectual enquiry and of social practice, such as legal discourse, medical discourse, religious discourse. In the work of Michel Foucault, and that of the social theoreticians he inspired, discourse describes an entity of sequences, of signs, therefore, a discourse is composed of semiotic sequences between and among objects, subjects, and statements. The term discursive formation conceptually describes the regular communications that produce such discourses, as a philosopher, Michel Foucault applied the discursive formation in the analyses of large bodies of knowledge, such as political economy and natural history. In the first sense-usage, the discourse is studied in corpus linguistics. In the second sense and in the sense, the analysis of a discourse examines and determines the connections among language and structure. Discourse affects the persons perspective, it is impossible to avoid discourse, for example, two notably distinct discourses can be used about various guerrilla movements describing them either as freedom fighters or terrorists. In other words, the chosen discourse provides the vocabulary, expressions, discourses are embedded in different rhetorical genres and metagenres that constrain and enable them. Discourse is closely linked to different theories of power and state and this conception of discourse is largely derived from the work of French philosopher Michel Foucault. Modernist theorists were preoccupied with obtaining the truth and reality and sought to develop theories which contained certainty and predictability, modernist theorists therefore viewed discourse as being relative to talking or way of talking and understood discourse to be functional. Discourse and language transformations are ascribed to progress or the need to develop new or more words to describe new discoveries, understandings. In modern times, language and discourse are dissociated from power and ideology, in other words, it is the structure itself that determines the significance, meaning and function of the individual elements of a system. Structuralism has made an important contribution to our understanding of language, saussures theory of language highlights the decisive role of meaning and signification in structuring human life more generally. Following the perceived limitations of the era, emerged postmodern theory. Postmodern theorists rejected modernist claims that there was one approach that explained all aspects of society. Rather, postmodernist theorists were interested in examining the variety of experience of individuals and groups and emphasized differences over similarities, in contrast to modern theory, postmodern theory is more fluid and allows for individual differences as it rejected the notion of social laws. Postmodern theorists shifted away from truth seeking and instead sought answers for how truths are produced and sustained, postmodernists contended that truth and knowledge is plural, contextual, and historically produced through discourses. Postmodern researchers therefore embarked on analyzing discourses such as texts, language, French social theorist Michel Foucault developed a notion of discourse in his early work, especially the Archaeology of knowledge
7.
Visual arts
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The visual arts are art forms such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking, literature, and architecture. Many artistic disciplines involve aspects of the arts as well as arts of other types. Also included within the arts are the applied arts such as industrial design, graphic design, fashion design, interior design. Current usage of the visual arts includes fine art as well as the applied, decorative arts and crafts. The distinction was emphasized by artists of the Arts and Crafts Movement, Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to painting, and to a lesser degree sculpture. The Western hierarchy of genres reflected similar attitudes, training in the visual arts has generally been through variations of the apprentice and workshop systems. Visual arts have now become a subject in most education systems. Drawing is a means of making an image, using any of a variety of tools. Digital tools that simulate the effects of these are also used, the main techniques used in drawing are, line drawing, hatching, crosshatching, random hatching, scribbling, stippling, and blending. An artist who excels in drawing is referred to as a draftsman or draughtsman, drawing goes back at least 16,000 years to Paleolithic cave representations of animals such as those at Lascaux in France and Altamira in Spain. In ancient Egypt, ink drawings on papyrus, often depicting people, were used as models for painting or sculpture, drawings on Greek vases, initially geometric, later developed to the human form with black-figure pottery during the 7th century BC. Painting taken literally is the practice of applying pigment suspended in a carrier, like drawing, painting has its documented origins in caves and on rock faces. The finest examples, believed by some to be 32,000 years old, are in the Chauvet, in shades of red, brown, yellow and black, the paintings on the walls and ceilings are of bison, cattle, horses and deer. Paintings of human figures can be found in the tombs of ancient Egypt, in the great temple of Ramses II, Nefertari, his queen, is depicted being led by Isis. The Greeks contributed to painting but much of their work has been lost, one of the best remaining representations are the hellenistic Fayum mummy portraits. Another example is mosaic of the Battle of Issus at Pompeii, Greek and Roman art contributed to Byzantine art in the 4th century BC, which initiated a tradition in icon painting. Apart from the manuscripts produced by monks during the Middle Ages
8.
Business
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A business is an organizational entity involved in the provision of goods and services to consumers. Businesses may also be social non-profit enterprises or state-owned public enterprises operated by governments with specific social, a business owned by multiple private individuals may form as an incorporated company or jointly organise as a partnership. Countries have different laws that may ascribe different rights to the business entities. The word business can refer to an organization or to an entire market sector or to the sum of all economic activity. Compound forms such as agribusiness represent subsets of the broader meaning. Businesses aim to maximize sales to have their income exceed their expenditures, resulting in a profit, the owner operates the business alone and may hire employees. A sole proprietor has unlimited liability for all obligations incurred by the business, partnership, A partnership is a business owned by two or more people. In most forms of partnerships, each partner has unlimited liability for the debts incurred by the business, the three most prevalent types of for-profit partnerships are, general partnerships, limited partnerships, and limited liability partnerships. Corporation, The owners of a corporation have limited liability and the business has a legal personality from its owners. Corporations can be either government-owned or privately owned and they can organize either for profit or as nonprofit organizations. A privately owned, for-profit corporation is owned by its shareholders, a privately owned, for-profit corporation can be either privately held by a small group of individuals, or publicly held, with publicly traded shares listed on a stock exchange. Cooperative, Often referred to as a co-op, a cooperative is a limited-liability business that can organize as for-profit or not-for-profit, a cooperative differs from a corporation in that it has members, not shareholders, and they share decision-making authority. Cooperatives are typically classified as either consumer cooperatives or worker cooperatives, cooperatives are fundamental to the ideology of economic democracy. In contrast, unincorporated businesses or persons working on their own are not as protected. Franchises, A franchise is a system in which entrepreneurs purchase the rights to open, franchising in the United States is widespread and is a major economic powerhouse. One out of retail businesses in the United States are franchised and 8 million people are employed in a franchised business. Real estate businesses sell, invest, construct and develop properties – including land, residential homes, retailers, wholesalers, and distributors act as middlemen and get goods produced by manufacturers to the intended consumers, they make their profits by marking up their prices. Most stores and catalog companies are distributors or retailers, transportation businesses such as railways, airlines, shipping companies that deliver goods and individuals to their destinations for a fee
9.
Oxford English Dictionary
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The Oxford English Dictionary is a descriptive dictionary of the English language, published by the Oxford University Press. The second edition came to 21,728 pages in 20 volumes, in 1895, the title The Oxford English Dictionary was first used unofficially on the covers of the series, and in 1928 the full dictionary was republished in ten bound volumes. In 1933, the title The Oxford English Dictionary fully replaced the name in all occurrences in its reprinting as twelve volumes with a one-volume supplement. More supplements came over the years until 1989, when the edition was published. Since 2000, an edition of the dictionary has been underway. The first electronic version of the dictionary was available in 1988. The online version has been available since 2000, and as of April 2014 was receiving two million hits per month. The third edition of the dictionary will probably appear in electronic form, Nigel Portwood, chief executive of Oxford University Press. As a historical dictionary, the Oxford English Dictionary explains words by showing their development rather than merely their present-day usages, therefore, it shows definitions in the order that the sense of the word began being used, including word meanings which are no longer used. The format of the OEDs entries has influenced numerous other historical lexicography projects and this influenced later volumes of this and other lexicographical works. As of 30 November 2005, the Oxford English Dictionary contained approximately 301,100 main entries, the dictionarys latest, complete print edition was printed in 20 volumes, comprising 291,500 entries in 21,730 pages. The longest entry in the OED2 was for the verb set, as entries began to be revised for the OED3 in sequence starting from M, the longest entry became make in 2000, then put in 2007, then run in 2011. Despite its impressive size, the OED is neither the worlds largest nor the earliest exhaustive dictionary of a language, the Dutch dictionary Woordenboek der Nederlandsche Taal is the worlds largest dictionary, has similar aims to the OED and took twice as long to complete. Another earlier large dictionary is the Grimm brothers dictionary of the German language, begun in 1838, the official dictionary of Spanish is the Diccionario de la lengua española, and its first edition was published in 1780. The Kangxi dictionary of Chinese was published in 1716, trench suggested that a new, truly comprehensive dictionary was needed. On 7 January 1858, the Society formally adopted the idea of a new dictionary. Volunteer readers would be assigned particular books, copying passages illustrating word usage onto quotation slips, later the same year, the Society agreed to the project in principle, with the title A New English Dictionary on Historical Principles. He withdrew and Herbert Coleridge became the first editor, on 12 May 1860, Coleridges dictionary plan was published and research was started
10.
Astrology
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Astrology is the study of the movements and relative positions of celestial objects as a means for divining information about human affairs and terrestrial events. Throughout most of its history astrology was considered a tradition and was common in academic circles, often in close relation with astronomy, alchemy, meteorology. It was present in political circles, and is mentioned in works of literature, from Dante Alighieri and Geoffrey Chaucer to William Shakespeare, Lope de Vega. Astrology thus lost its academic and theoretical standing, and common belief in it has largely declined, Astrology is now recognized to be pseudoscience. The word astrology comes from the early Latin word astrologia, which derives from the Greek ἀστρολογία—from ἄστρον astron, astrologia later passed into meaning star-divination with astronomia used for the scientific term. Many cultures have attached importance to astronomical events, and the Indians, Chinese, the majority of professional astrologers rely on such systems. Astrology has been dated to at least the 2nd millennium BCE, with roots in systems used to predict seasonal shifts. A form of astrology was practised in the first dynasty of Mesopotamia, Chinese astrology was elaborated in the Zhou dynasty. Hellenistic astrology after 332 BCE mixed Babylonian astrology with Egyptian Decanic astrology in Alexandria, Alexander the Greats conquest of Asia allowed astrology to spread to Ancient Greece and Rome. In Rome, astrology was associated with Chaldean wisdom, after the conquest of Alexandria in the 7th century, astrology was taken up by Islamic scholars, and Hellenistic texts were translated into Arabic and Persian. In the 12th century, Arabic texts were imported to Europe, major astronomers including Tycho Brahe, Johannes Kepler and Galileo practised as court astrologers. Astrological references appear in literature in the works of such as Dante Alighieri and Geoffrey Chaucer. Throughout most of its history, astrology was considered a scholarly tradition and it was accepted in political and academic contexts, and was connected with other studies, such as astronomy, alchemy, meteorology, and medicine. At the end of the 17th century, new concepts in astronomy. Astrology thus lost its academic and theoretical standing, and common belief in astrology has largely declined, Astrology, in its broadest sense, is the search for meaning in the sky. This was a first step towards recording the Moons influence upon tides and rivers, by the 3rd millennium BCE, civilisations had sophisticated awareness of celestial cycles, and may have oriented temples in alignment with heliacal risings of the stars. Scattered evidence suggests that the oldest known references are copies of texts made in the ancient world. The Venus tablet of Ammisaduqa thought to be compiled in Babylon around 1700 BCE, a scroll documenting an early use of electional astrology is doubtfully ascribed to the reign of the Sumerian ruler Gudea of Lagash
11.
Alchemy
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Alchemy is a philosophical and protoscientific tradition practiced throughout Europe, Egypt and Asia. It aimed to purify, mature, and perfect certain objects, the perfection of the human body and soul was thought to permit or result from the alchemical magnum opus and, in the Hellenistic and western tradition, the achievement of gnosis. In Europe, the creation of a stone was variously connected with all of these projects. In English, the term is limited to descriptions of European alchemy, but similar practices existed in the Far East, the Indian subcontinent. In Europe, following the 12th-century Renaissance produced by the translation of Islamic works on science, Islamic and European alchemists developed a structure of basic laboratory techniques, theory, terminology, and experimental method, some of which are still in use today. However, they continued antiquitys belief in four elements and guarded their work in secrecy including cyphers and their work was guided by Hermetic principles related to magic, mythology, and religion. The latter interests historians of esotericism, psychologists, and some philosophers, the subject has also made an ongoing impact on literature and the arts. The word alchemy was borrowed from Old French alquemie, alkimie, taken from Medieval Latin alchymia, the Arabic word is borrowed from Late Greek chēmeía, chēmía, with the agglutination of the Arabic definite article al-. This ancient Greek word was derived from the early Greek name for Egypt, Chēmia, based on the Egyptian name for Egypt, the Medieval Latin form was influenced by Greek chymeia meaning ‘mixture’ and referring to pharmaceutical chemistry. Alchemy covers several philosophical traditions spanning some four millennia and three continents and these traditions general penchant for cryptic and symbolic language makes it hard to trace their mutual influences and genetic relationships. It is still a question whether these three strands share a common origin, or to what extent they influenced each other. Here, elements of technology, religion, mythology, and Hellenistic philosophy, each with their own much longer histories, Zosimos of Panopolis wrote the oldest known books on alchemy, while Mary the Jewess is credited as being the first non-fictitious Western alchemist. They wrote in Greek and lived in Egypt under Roman rule, mythology – Zosimos of Panopolis asserted that alchemy dated back to Pharaonic Egypt where it was the domain of the priestly class, though there is little to no evidence for his assertion. Alchemical writers used Classical figures from Greek, Roman, and Egyptian mythology to illuminate their works and these included the pantheon of gods related to the Classical planets, Isis, Osiris, Jason, and many others. The central figure in the mythology of alchemy is Hermes Trismegistus and his name is derived from the god Thoth and his Greek counterpart Hermes. Hermes and his caduceus or serpent-staff, were among alchemys principal symbols, according to Clement of Alexandria, he wrote what were called the forty-two books of Hermes, covering all fields of knowledge. The Hermetica of Thrice-Great Hermes is generally understood to form the basis for Western alchemical philosophy and practice and these writings were collected in the first centuries of the common era. Technology – The dawn of Western alchemy is sometimes associated with that of metallurgy, Many writings were lost when the emperor Diocletian ordered the burning of alchemical books after suppressing a revolt in Alexandria
12.
Chemistry
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Chemistry is a branch of physical science that studies the composition, structure, properties and change of matter. Chemistry is sometimes called the science because it bridges other natural sciences, including physics. For the differences between chemistry and physics see comparison of chemistry and physics, the history of chemistry can be traced to alchemy, which had been practiced for several millennia in various parts of the world. The word chemistry comes from alchemy, which referred to a set of practices that encompassed elements of chemistry, metallurgy, philosophy, astrology, astronomy, mysticism. An alchemist was called a chemist in popular speech, and later the suffix -ry was added to this to describe the art of the chemist as chemistry, the modern word alchemy in turn is derived from the Arabic word al-kīmīā. In origin, the term is borrowed from the Greek χημία or χημεία and this may have Egyptian origins since al-kīmīā is derived from the Greek χημία, which is in turn derived from the word Chemi or Kimi, which is the ancient name of Egypt in Egyptian. Alternately, al-kīmīā may derive from χημεία, meaning cast together, in retrospect, the definition of chemistry has changed over time, as new discoveries and theories add to the functionality of the science. The term chymistry, in the view of noted scientist Robert Boyle in 1661, in 1837, Jean-Baptiste Dumas considered the word chemistry to refer to the science concerned with the laws and effects of molecular forces. More recently, in 1998, Professor Raymond Chang broadened the definition of chemistry to mean the study of matter, early civilizations, such as the Egyptians Babylonians, Indians amassed practical knowledge concerning the arts of metallurgy, pottery and dyes, but didnt develop a systematic theory. Greek atomism dates back to 440 BC, arising in works by such as Democritus and Epicurus. In 50 BC, the Roman philosopher Lucretius expanded upon the theory in his book De rerum natura, unlike modern concepts of science, Greek atomism was purely philosophical in nature, with little concern for empirical observations and no concern for chemical experiments. Work, particularly the development of distillation, continued in the early Byzantine period with the most famous practitioner being the 4th century Greek-Egyptian Zosimos of Panopolis. He formulated Boyles law, rejected the four elements and proposed a mechanistic alternative of atoms. Before his work, though, many important discoveries had been made, the Scottish chemist Joseph Black and the Dutchman J. B. English scientist John Dalton proposed the theory of atoms, that all substances are composed of indivisible atoms of matter. Davy discovered nine new elements including the alkali metals by extracting them from their oxides with electric current, british William Prout first proposed ordering all the elements by their atomic weight as all atoms had a weight that was an exact multiple of the atomic weight of hydrogen. The inert gases, later called the noble gases were discovered by William Ramsay in collaboration with Lord Rayleigh at the end of the century, thereby filling in the basic structure of the table. Organic chemistry was developed by Justus von Liebig and others, following Friedrich Wöhlers synthesis of urea which proved that organisms were, in theory
13.
Craft
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A craft is a pastime or a profession that requires particular skills and knowledge of skilled work. The traditional terms craftsman and craftswoman are nowadays often replaced by artisan, the beginning of crafts in areas like the Ottoman empire involved the governing bodies requiring members of the city who were skilled at creating goods to open shops in the center of town. These people slowly stopped acting as subsistence farmers and began to represent what we think of a craftsman today, historically, craftsmen tended to concentrate in urban centers and formed guilds. The households of craftsmen were not as self-sufficient as those of people engaged in agricultural work, once an apprentice of a craft had finished his apprenticeship, he would become a journeyman searching for a place to set up his own shop and make a living. After he set up his own shop, he could call himself a master of his craft. But crafts have undergone deep structural changes during and since the era of the Industrial Revolution, thus, they participate in a certain division of labour between industry and craft. There are three aspects to human creativity - Art, Crafts, and Science, roughly determinated, art relies upon intuitive sensing, vision and expression, crafts upon sophisticated technique and science upon knowledge. Handicraft is the main sector of the crafts, it is a type of work where useful. Usually the term is applied to traditional means of making goods, the individual artisanship of the items is a paramount criterion, such items often have cultural and/or religious significance. Items made by mass production or machines are not handicraft goods, handicraft goods are made with craft production processes. Crafts practiced by independent artists working alone or in groups are often referred to as studio craft. Studio craft includes studio pottery, metal work, weaving, wood turning, paper and other forms of working, glass blowing. A craft fair is an event to display and sell crafts. There are craft shops where such goods are sold and craft communities, such as Craftster, a tradesperson is a skilled manual worker in a particular trade or craft. Economically and socially, a status is considered between a laborer and a professional, with a high degree of both practical and theoretical knowledge of their trade. In cultures where professional careers are highly prized there can be a shortage of skilled manual workers, media related to Crafts at Wikimedia Commons
14.
Fine art
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Historically, the five main fine arts were painting, sculpture, architecture, music and poetry, with performing arts including theatre and dance. Today, the fine arts commonly include additional forms, such as film, photography, video production/editing, design, sequential art, conceptual art, and printmaking. However, in some institutes of learning or in museums, fine art, in that sense, there are conceptual differences between the fine arts and the applied arts. The word fine does not so much denote the quality of the artwork in question and this definition originally excluded the applied or decorative arts, and the products of what were regarded as crafts. According to some writers the concept of a category of fine art is an invention of the early modern period in the West. Larry Shiner in his The Invention of Art, A Cultural History locates the invention in the 18th century, There was a traditional “system of the arts” in the West before the eighteenth century. ”Similar ideas have been expressed by Paul Oskar Kristeller, Pierre Bourdieu, and Terry Eagleton, though the point of invention is often placed earlier, in the Italian Renaissance. The separation of arts and crafts that often exists in Europe, in Japanese aesthetics the activities of everyday life are depicted by integrating not only art with craft but man-made with nature. Traditional Chinese art distinguished within Chinese painting between the mostly landscape painting of scholar gentlemen and the artisans of the schools of court painting. A high status was given to many things that would be seen as craft objects in the West, in particular ceramics, jade carving, weaving. Drawing is a form of expression and is one of the major forms of the visual arts. Common instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoals, chalk, pastels, markers, stylus, There are a number of subcategories of drawing, including cartooning. Mosaics are images formed with pieces of stone or glass. They can be decorative or functional, an artist who designs and makes mosaics is called a mosaic artist or a mosaicist. Printmaking is the process of making artworks by printing, normally on paper, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print is considered an original, as opposed to a copy, the reasoning behind this is that the print is not a reproduction of another work of art in a different medium — for instance, a painting — but rather an image designed from inception as a print. An individual print is also referred to as an impression, prints are created from a single original surface, known technically as a matrix. But there are other kinds, discussed below. Multiple nearly identical prints can be called an edition, in modern times each print is often signed and numbered forming a limited edition
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Muses
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The Muses are the inspirational goddesses of literature, science, and the arts in Greek mythology. They were considered the source of the knowledge embodied in the poetry, lyric songs and they were later adopted by the Romans as a part of their pantheon. In current English usage, muse can refer in general to a person who inspires an artist, writer, the earliest known records of the Nine Muses are from Boeotia, the homeland of Hesiod. Some ancient authorities thought that the Nine Muses were of Thracian origin, there, a tradition persisted that the Muses had once been three in number. They were again called Melete or Practice, Mneme or Memory, three ancient Muses were also reported in Plutarchs Quaestiones Convivales. According to Pausanias in the second century AD, there were three original Muses, worshiped on Mount Helicon in Boeotia, Aoidḗ, Melétē, and Mnḗmē. Together, these three form the picture of the preconditions of poetic art in cult practice. In Delphi three Muses were worshiped as well, but with other names, Nḗtē, Mésē, and Hýpatē, alternatively they later were called Kēphisṓ, Apollōnís, and Borysthenís, which names characterize them as daughters of Apollo. In later tradition, a set of four Muses were recognized, Thelxinóē, Aoidḗ Archē, one of the people frequently associated with the Muses was Pierus. By some he was called the father of a total of seven Muses, called Neilṓ, Tritṓnē, Asōpṓ, Heptápora, Achelōís, Tipoplṓ, and Rhodía. According to Hesiods Theogony, they were daughters of Zeus, the second king of the gods. For Alcman and Mimnermus, they were even more primordial, springing from the deities, Uranus. Sometimes the Muses are referred to as water nymphs, associated with the springs of Helicon and it was said that the winged horse Pegasus touched his hooves to the ground on Helicon, causing four sacred springs to burst forth, from which the muses were born. Athena later tamed the horse and presented him to the muses, classical writers set Apollo as their leader, Apollon Mousagetēs. In one myth, the Muses judged a contest between Apollo and Marsyas and they also gathered the pieces of the dead body of Orpheus, son of Calliope, and buried them. In a later myth, Thamyris challenged them to a singing contest and they won and punished Thamyris by blinding him and robbing him of his singing ability. He thus challenged the Muses to a match, resulting in his daughters, Pausanias records a tradition of two generations of Muses, the first are the daughters of Uranus and Gaia, the second of Zeus and Mnemosyne. Another, rarer genealogy is that they are daughters of Harmonia, some Greek writers give the names of the nine Muses as Kallichore, Helike, Eunike, Thelxinoë, Terpsichore, Euterpe, Eukelade, Dia, and Enope
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Calliope
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In Greek mythology, Calliope is the muse who presides over eloquence and epic poetry, so called from the ecstatic harmony of her voice. She is spoken of by Hesiod and Ovid as the Chief of all Muses and she is mostly stated to be the eldest of the Muses, sometimes vying with her sister Urania for the position. Calliope also had two sons, Orpheus and Linus, by either Apollo or the king Oeagrus of Thrace. She taught Orpheus verses for singing, according to Hesiod, she was also the wisest of the Muses, as well as the most assertive. Calliope married Oeagrus close to Pimpleia, Olympus and she is said to have defeated the daughters of Pierus, king of Thessaly, in a singing match, and then, to punish their presumption, turned them into magpies. She was sometimes believed to be Homers muse for the Iliad, the Roman epic poet, Virgil, invokes her in the Aeneid. Calliope is usually seen with a tablet in her hand. At times, she is depicted carrying a roll of paper or a book or wearing a gold crown and she would also be seen with her children. The Italian poet, Dante Alighieri, in his Divine Comedy, makes reference to Calliope, Media related to Calliope at Wikimedia Commons Theoi. com – Calliope Warburg Institute Iconographic Database
17.
Epic poetry
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An epic poem, epic, epos, or epopee is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation. Milman Parry and Albert Lord have argued that the Homeric epics and these works form the basis of the epic genre in Western literature. Nearly all Western epic self-consciously presents itself as a continuation of the tradition begun by these poems, classical epic employs dactylic hexameter and recounts a journey, either physical or mental or both. Epics also tend to highlight cultural norms and to define or call into question cultural values, another type of epic poetry is epyllion, which is a brief narrative poem with a romantic or mythological theme. The term, which means little epic, came into use in the nineteenth century, the most famous example of classical epyllion is perhaps Catullus 64. The first epics were products of preliterate societies and oral history poetic traditions, in these traditions, poetry is transmitted to the audience and from performer to performer by purely oral means. Early twentieth-century study of living oral traditions in the Balkans by Milman Parry. What they demonstrated was that oral epics tend to be constructed in short episodes, each of equal status, interest and this facilitates memorization, as the poet is recalling each episode in turn and using the completed episodes to recreate the entire epic as he performs it. Parry and Lord also contend that the most likely source for written texts of the epics of Homer was dictation from an oral performance, poets in literate societies have sometimes copied the epic format. The earliest surviving European examples are the Argonautica of Apollonius of Rhodes and Virgils Aeneid, other obvious examples are Nonnus Dionysiaca, Tulsidas Sri Ramacharit Manas. In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry, an attempt to delineate ten main characteristics of an epic, Begins in medias res. The setting is vast, covering many nations, the world or the universe, Begins with an invocation to a muse. Begins with a statement of the theme, contains long lists, called an epic catalogue. Shows divine intervention on human affairs, features heroes that embody the values of the civilization. Often features the tragic heros descent into the Underworld or hell, the hero generally participates in a cyclical journey or quest, faces adversaries that try to defeat him in his journey and returns home significantly transformed by his journey. The epic hero illustrates traits, performs deeds, and exemplifies certain morals that are valued by the society the epic originates from, many epic heroes are recurring characters in the legends of their native culture. Conventions of epics, Preposition, Opens by stating the theme or cause of the epic and this may take the form of a purpose, of a question, or of a situation. Invocation, Writer invokes a Muse, one of the nine daughters of Zeus, the poet prays to the Muses to provide him with divine inspiration to tell the story of a great hero
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Erato
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In Greek mythology, Erato /ˈɛrətoʊ/ is one of the Greek Muses. The name would mean desired or lovely, if derived from the root as Eros. Erato is the Muse of lyric poetry, in the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, in Simon Vouets representations, two turtle-doves are eating seeds at her feet. Other representations may show her holding an arrow, reminding one of the eros, the feeling that she inspires in everybody. Erato was named with the muses in Hesiods Theogony. She was also invoked at the beginning of a lost poem, Rhadine and this choice may express Virgils love for his native land, but in any case shows the need for a new creative force at this change in the direction of the poem. Facebook Page for Erato Theoi. com - Erato Warburg Institute Iconographic Database
19.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
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Euterpe
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In Greek mythology, Euterpe was one of the Muses, the daughters of Mnemosyne, fathered by Zeus. Called the Giver of delight, when later poets assigned roles to each of the Muses, in late Classical times she was named muse of lyric poetry and depicted holding a flute. A few say she invented the aulos or double-flute, though most mythographers credit Marsyas with its invention, pindar and other sources, describe the Thracian king Rhesus, who appears in the Iliad, as son of Euterpe and the river-god Strymon, Homer calls him son of Eioneus. Muse Muses in popular culture Euterpe by Paul-Jacques-Aimé Baudry Warburg Institute Iconographic Database
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Lyric poetry
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Lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. The term derives from a form of Ancient Greek literature, the lyric, the term owes its importance in literary theory to the division developed by Aristotle between three broad categories of poetry, lyrical, dramatic and epic. Much lyric poetry depends on regular meter based either on number of syllables or on stress, the most common meters are as follows, Iambic – two syllables, with the short or unstressed syllable followed by the long or stressed syllable. Trochaic – two syllables, with the long or stressed syllable followed by the short or unstressed syllable, in English, this metre is found almost entirely in lyric poetry. Pyrrhic – Two unstressed syllables Anapestic – three syllables, with the first two short or unstressed and the last long or stressed, dactylic – three syllables, with the first one long or stressed and the other two short or unstressed. Spondaic – two syllables, with two successive long or stressed syllables, some forms have a combination of meters, often using a different meter for the refrain. For the ancient Greeks, lyric poetry had a technical meaning, verse that was accompanied by a lyre, cithara. Because such works were sung, it was also known as melic poetry. The lyric or melic poet was distinguished from the writer of plays, the writer of trochaic and iambic verses, the writer of elegies, the scholars of Hellenistic Alexandria created a canon of nine lyric poets deemed especially worthy of critical study. These archaic and classical musician-poets included Sappho, Alcaeus, Anacreon, archaic lyric was characterized by strophic composition and live musical performance. Some poets, like Pindar extended the metrical forms to a triad, including strophe, antistrophe, among the major extant Roman poets of the classical period, only Catullus and Horace wrote lyric poetry, which however was no longer meant to be sung but instead read or recited. What remained were the forms, the meters of the Greeks adapted to Latin. Catullus was influenced by both archaic and Hellenistic Greek verse and belonged to a group of Roman poets called the Neoteroi who spurned epic poetry following the lead of Callimachus, instead, they composed brief, highly polished poems in various thematic and metrical genres. The varying forms of the new Chu ci provided more rhythm, originating in 10th-century Persian, a ghazal is a poetic form consisting of couplets that share a rhyme and a refrain. Formally, it consists of a short lyric composed in a meter with a single rhyme throughout. Notable authors include Hafiz, Amir Khusro, Auhadi of Maragheh, Alisher Navoi, Obeid e zakani, Khaqani Shirvani, Anvari, Farid al-Din Attar, Omar Khayyam, and Rudaki. The ghazal was introduced to European poetry in the early 19th century by the Germans Schlegel, Von Hammer-Purgstall, and Goethe, lyric in European literature of the medieval or Renaissance period means a poem written so that it could be set to music—whether or not it actually was. A poems particular structure, function, or theme might all vary, the lyric poetry of Europe in this period was created by the pioneers of courtly poetry and courtly love largely without reference to the classical past
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Melpomene
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Melpomene, initially the Muse of Chorus, she then became the Muse of Tragedy, for which she is best known now. Her name was derived from the Greek verb melpô or melpomai meaning to celebrate with dance and she is often represented with a tragic mask and wearing the cothurnus, boots traditionally worn by tragic actors. Often, she holds a knife or club in one hand. Melpomene is the daughter of Zeus and Mnemosyne and her sisters include Calliope, Clio, Euterpe, Terpsichore, Erato, Thalia, Polyhymnia, and Urania. She is also the mother of several of the Sirens, the divine handmaidens of Kore who were cursed by her mother, Demeter/Ceres, in Roman and Greek poetry, it was traditional to invoke the goddess Melpomene so that one might create beautiful lyrical phrases
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Tragedy
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Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. In the wake of Aristotles Poetics, tragedy has been used to make genre distinctions, in the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre. Drama, in the sense, cuts across the traditional division between comedy and tragedy in an anti- or a-generic deterritorialisation from the mid-19th century onwards. Both Bertolt Brecht and Augusto Boal define their epic theatre projects against models of tragedy, taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation. The word tragedy appears to have used to describe different phenomena at different times. It derives from Classical Greek τραγῳδία, contracted from trag-aoidiā = goat song, scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was that around which a chorus danced prior to the animals ritual sacrifice. In another view on the etymology, Athenaeus of Naucratis says that the form of the word was trygodia from trygos and ode. There is some dissent to the origins of tragedy, mostly based on the differences between the shapes of their choruses and styles of dancing. A common descent from pre-Hellenic fertility and burial rites has been suggested, friedrich Nietzsche discussed the origins of Greek tragedy in his early book The Birth of Tragedy. Here, he suggests the name originates in the use of a chorus of goat-like satyrs in the original dithyrambs from which the genre developed. Scott Scullion writes, There is abundant evidence for tragoidia understood as song for the prize goat, and as prize was established the billy goat, the clearest is Eustathius 1769.45, They called those competing tragedians, clearly because of the song over the billy goat. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days, each playwright offered a tetralogy consisting of three tragedies and a concluding comic piece called a satyr play. The four plays sometimes featured linked stories, only one complete trilogy of tragedies has survived, the Oresteia of Aeschylus. The Greek theatre was in the air, on the side of a hill. Performances were apparently open to all citizens, including women, the theatre of Dionysus at Athens probably held around 12,000 people
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Polyhymnia
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Polyhymnia, also spelt Polymnia was in Greek mythology the Muse of sacred poetry, sacred hymn, dance, and eloquence as well as agriculture and pantomime. Her name comes from the Greek words poly meaning many and hymnos and she is depicted as very serious, pensive and meditative, and often holding a finger to her mouth, dressed in a long cloak and veil and resting her elbow on a pillar. Polyhymnia is also credited as being the Muse of geometry. In Bibliotheca historica, Diodorus Siculus wrote, Polyhymnia, because by her great praises she brings distinction to writers whose works have won for them immortal fame and she appears in Dantes Divine Comedy, Paradiso. Canto XXIII, line 56, and is referenced in works of fiction. In astrology, there are nine asteroids, each one named after a different Muse and this specific one is a main belt asteroid discovered by Jean Chacornac, a French astrologer, in 1854. On Mount Parnassus, there was a spring that was sacred to Polyhymnia and it was said to flow between two big rocks above Delphi, then down into a large square basin. The water was used by the Pythia, who were priests and priestesses, media related to Polyhymnia at Wikimedia Commons Primary sources and basic information concerning Polyhymnia Polyhymnia in painting Warburg Institute Iconographic Database
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Hymn
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A hymn is a type of song, usually religious, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος, which means a song of praise, a writer of hymns is known as a hymnodist. The singing of hymns is called hymnody, collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment, although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent. Hymns also survive from antiquity, especially from Egyptian and Greek cultures, some of the oldest surviving examples of notated music are hymns with Greek texts. Surviving from the 3rd century BC is a collection of six literary hymns by the Alexandrian poet Callimachus, patristic writers began applying the term ὕμνος, or hymnus in Latin, to Christian songs of praise, and frequently used the word as a synonym for psalm. Originally modeled on the Psalms and other passages in the Scriptures. Many refer to Jesus Christ either directly or indirectly, since the earliest times, Christians have sung psalms and hymns and spiritual songs, both in private devotions and in corporate worship. One definition of a hymn is. a lyric poem, reverently and devotionally conceived, which is designed to be sung, others are used to encourage reverence for the Holy Bible or to celebrate Christian practices such as the eucharist or baptism. A writer of hymns is known as a hymnodist, and the practice of singing hymns is called hymnody, a collection of hymns is called a hymnal or hymnary. These may or may not include music, a student of hymnody is called a hymnologist, and the scholarly study of hymns, hymnists and hymnody is hymnology. The music to which a hymn may be sung is a hymn tune, in many Evangelical churches, traditional songs are classified as hymns while more contemporary worship songs are not considered hymns. The reason for this distinction is unclear, but according to some it is due to the shift of style and devotional thinking that began with the Jesus movement. In ancient and medieval times, stringed instruments such as the harp, lyre and lute were used with psalms, since there is a lack of musical notation in early writings, the actual musical forms in the early church can only be surmised. During the Middle Ages a rich hymnody developed in the form of Gregorian chant or plainsong and this type was sung in unison, in one of eight church modes, and most often by monastic choirs. While they were originally in Latin, many have been translated. Later hymnody in the Western church introduced four-part vocal harmony as the norm, adopting major and minor keys and it shares many elements with classical music. Today, except for choirs, more musically inclined congregations and a cappella congregations, hymns are sung in unison
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Sacred
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Objects are often considered sacred if used for spiritual purposes, such as the worship or service of gods. The property is often ascribed to objects, or places, the word sacred descends from the Latin wikt, sacer, that is consecrated, or dedicated to the gods or anything in their power, and to sacerdos and sanctum, set apart. Although there are similarities between the sacred and holy and they are sometimes used interchangeably, there are subtle differences. Holiness is generally the term used in relation to persons and relationship, while sacredness is used in relation to objects, places, thus a saint may be considered as holy, but he is not viewed as sacred. However, there are things that are holy and sacred such as the holy bible. The Scottish hale is the most complete form of this Old English root. The word holy in its modern form appears in Wycliffes Bible of 1382, in non-specialist contexts, the term holy is used in a more general way, to refer to someone or something that is associated with a divine power, such as water used for baptism. While both words denote something or someone set apart to the worship of God and therefore worthy of respect and in some cases veneration, Holiness originates in God and is communicated to things, places, times, and persons engaged in His Service. Thus holiness or sanctity is the outcome of sanctification, that Divine act by which God freely justifies a person, hierology is the study of sacred literature or lore. Mircea Eliade outlines that religion should not be interpreted only as belief in deities and he analyses the dialectic of the sacred. The sacred is presented in relation to the profane, the relation between the sacred and the profane is not of opposition, but of complementarity, as the profane is viewed as a hierophany. In Durkheims theory, the sacred represented the interests of the group, especially unity, the profane, on the other hand, involved mundane individual concerns. Durkheim explicitly stated that the dichotomy sacred/profane was not equivalent to good/evil, the sacred could be good or evil, and the profane could be either as well. In Theravada Buddhism one finds the designation of noble person or ariyapuggala, the Buddha described four grades of such person depending on their level of purity. This purity is measured by which of the ten fetters and klesha have been purified and integrated from the mindstream and these persons are called Sotāpanna, Sakadagami, Anāgāmi and Arahant. Catholicism has inherited much of the Jewish vision of the world in terms of holiness, the calendar gives shape to Catholic practice, which tends to focus on the Eucharist, in which the Real Presence of Christ is manifested. Holy days, celebrating events of the life of Christ and the lives of Catholic saints officially recognized as holy, are celebrated throughout the year, in extension of this focus on the Sacrament as holy, many objects in Catholicism are also considered holy. They are called sacramentals and are blessed by a priest
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Public speaking
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Public speaking is the process or act of performing a speech to a live audience. This type of speech is deliberately structured with three general purposes, to inform, to persuade and to entertain, Public speaking is commonly understood as formal, face-to-face speaking of a single person to a group of listeners. It is closely related to presenting, but presenting is more associated with commercial activity. There are 1 million basic elements of public speaking that are described in Lasswells model of communication, in short, the speaker should be answering the question who says what in which channel to whom with what effect. Public speaking can serve the purpose of transmitting information, telling a story, Public speaking can also take the form of a discourse community, in which the audience and speaker use discourse to achieve a common goal. Public speaking for business and commercial events is often done by professionals and these speakers can be contracted independently, through representation by a speakers bureau, or by other means. Public speaking plays a role in the professional world, in fact. Although there is evidence of public speech training in ancient Egypt and this work elaborated on principles drawn from the practices and experiences of ancient Greek orators. Aristotle was one of the first recorded teachers of oratory to use definitive rules and his emphasis on oratory lead to oration becoming an essential part of a liberal arts education during the Middle Ages and the Renaissance. The classical antiquity works written by the ancient Greeks capture the ways they taught, in classical Greece and Rome, rhetoric was the main component of composition and speech delivery, both of which were critical skills for citizens to be able to use in public and private life. In ancient Greece, citizens spoke on their own rather than having professionals, like modern lawyers. Any citizen who wished to succeed in court, in politics or in life had to learn techniques of public speaking. Rhetorical tools were first taught by a group of teachers called Sophists who are notable for teaching paying students how to speak effectively using the methods they developed. Separately from the Sophists, Socrates, Plato and Aristotle all developed their own theories of public speaking, Plato and Aristotle taught these principles in schools that they founded, The Academy and The Lyceum, respectively. Although Greece eventually lost political sovereignty, the Greek culture of training in speaking was adopted almost identically by the Romans. In the political rise of the Roman Republic, Roman orators copied and modified the ancient Greek techniques of public speaking, instruction in rhetoric developed into a full curriculum, including instruction in grammar, preliminary exercises, and preparation of public speeches in both forensic and deliberative genres. The Latin style of rhetoric was heavily influenced by Cicero and involved a strong emphasis on an education in all areas of humanistic study in the liberal arts. Other areas of study included the use of wit and humor, the appeal to the emotions
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Lyrics
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Lyrics are words that make up a song usually consisting of verses and choruses. The writer of lyrics is a lyricist, the words to an extended musical composition such as an opera are, however, usually known as a libretto and their writer, as a librettist. The meaning of lyrics can either be explicit or implicit, some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression. Rappers can also create lyrics with a variation of rhyming words or words that create, Lyric derives via Latin lyricus from the Greek λυρικός, the adjectival form of lyre. It first appeared in English in the century in reference, to the Earl of Surreys translations of Petrarch. Stainer and Barrett used the word as a substantive, Lyric, poetry or blank verse intended to be set to music. By the 1930s, the present use of the plurale tantum lyrics had begun, the singular form lyric still appears, its present use, however, is to refer to a specific phrase within a songs lyrics. The differences between poem and song may become less meaningful where verse is set to music, to the point that any distinction becomes untenable and this is perhaps recognised in the way popular songs have lyrics. However, the verse may pre-date its tune, or the tune may be lost over time but the words survive, nursery rhymes may be songs, or doggerel, the term doesnt imply a distinction. The ghazal is a form that is considered primarily poetic. See also rapping, roots of hip hop music, analogously, verse drama might normally be judged as poetry, but not consisting of poems. In Baroque music, melodies and their lyrics where prose, rather than paired lines they consist of rhetorical sentences or paragraphs consisting of an opening gesture, an amplification, and a close, in German Vordersatz-Fortspinnung-Epilog. For example, When I was a child, I spake as a child, I understood as a child, I thought as a child, But when I became a man, I put away childish things. -1 Corinthians 13,11 In the lyrics of music a shifter is a word, often a pronoun, where reference varies according to who is speaking, when. For example, who is the my of My Generation, see Royalties Currently, there are many websites featuring song lyrics. This offering, however, is controversial, since some sites include copyrighted lyrics offered without the holders permission, music Publishers Association, which represents sheet music companies, launched a legal campaign against such websites in December 2005. The MPAs president, Lauren Keiser, said the free lyrics web sites are completely illegal, Lyrics licenses could be obtained worldwide through one of the two aggregators, LyricFind and Musixmatch. The first company to provide licensed lyrics was Yahoo, quickly followed by MetroLyrics and Lyrics. com
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Rhetoric
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Rhetoric is the art of discourse, wherein a writer or speaker strives to inform, persuade or motivate particular audiences in specific situations. As a subject of study and a productive civic practice. Its best known definition comes from Aristotle, who considers it a counterpart of both logic and politics, and calls it the faculty of observing in any case the available means of persuasion. The five canons of rhetoric, which trace the traditional tasks in designing a persuasive speech, were first codified in classical Rome, invention, arrangement, style, memory, along with grammar and logic, rhetoric is one of the three ancient arts of discourse. From Ancient Greece to the late 19th century, it was a part of Western education. Scholars have debated the scope of rhetoric since ancient times, although some have limited rhetoric to the specific realm of political discourse, many modern scholars liberate it to encompass every aspect of culture. Contemporary studies of rhetoric address a diverse range of domains than was the case in ancient times. Many contemporary approaches treat rhetoric as human communication that includes purposeful, Public relations, lobbying, law, marketing, professional and technical writing, and advertising are modern professions that employ rhetorical practitioners. Because the ancient Greeks highly valued public political participation, rhetoric emerged as a tool to influence politics. Consequently, rhetoric remains associated with its political origins, however, even the original instructors of Western speech—the Sophists—disputed this limited view of rhetoric. According to the Sophists, such as Gorgias, a successful rhetorician could speak convincingly on any topic and this method suggested rhetoric could be a means of communicating any expertise, not just politics. In his Encomium to Helen, Gorgias even applied rhetoric to fiction by seeking for his own pleasure to prove the blamelessness of the mythical Helen of Troy in starting the Trojan War. Looking to another key rhetorical theorist, Plato defined the scope of rhetoric according to his opinions of the art. He criticized the Sophists for using rhetoric as a means of deceit instead of discovering truth, in Gorgias, one of his Socratic Dialogues, Plato defines rhetoric as the persuasion of ignorant masses within the courts and assemblies. Rhetoric, in Platos opinion, is merely a form of flattery and functions similarly to cookery, thus, Plato considered any speech of lengthy prose aimed at flattery as within the scope of rhetoric. Aristotle both redeemed rhetoric from his teacher and narrowed its focus by defining three genres of rhetoric—deliberative, forensic or judicial, and epideictic, when one considers that rhetoric included torture, it is clear that rhetoric cannot be viewed only in academic terms. However, the enthymeme based upon logic was viewed as the basis of rhetoric, however, since the time of Aristotle, logic has changed. For example, Modal logic has undergone a major development that also modifies rhetoric, yet, Aristotle also outlined generic constraints that focused the rhetorical art squarely within the domain of public political practice
30.
Terpsichore
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In Greek mythology, Terpsichore delight in dancing was one of the nine Muses and goddess of dance and chorus. She lends her name to the word terpsichorean which means of or relating to dance and she is usually depicted sitting down, holding a lyre, accompanying the ballerinas choirs with her music. Her name comes from the Greek words τέρπω and χoρός and she is also a mother of the sirens and Parthenope. The British 32-gun frigate HMS Terpsichore commanded by Captain Bowen participated in the Battle of Santa Cruz de Tenerife, Terpsichore is also the name of a street in New Orleans historic neighborhoods of Faubourg Lafayette and the Lower Garden District. It runs alongside Euterpe and Melpomene streets, also named for Greek muses, Terpsichorean is also the name of the Choreography Society of Hans Raj College, University of Delhi. Terpsichore figures among her sisters in Hesiods Theogony, when The Histories of Herodotus were divided by later editors into nine books, each book was named after a Muse. Terpsichore was the name of the fifth book, the character of Wilkins Micawber, Esq, Jr. is described as a votary of Terpsichore, in an Australian newspaper brought to London by Dan Peggotty in 1850 novel David Copperfield by Charles Dickens. T. S. Eliot in the poem Jellicle Cats from Old Possums Book of Practical Cats, terpischore Choral Dance is the name of a chapter in Theresa Chas Dictee. Some Terpsichore is the title of a story in a 2014 book, Thunderstruck and Other Stories. The Chaos is a poem where Terpsichore is mentioned in a line, Terpsichore is also found in François Couperins Second Ordre from the Pièces de clavecin, and in the third version of Handels opera Il pastor fido. This opera is sometimes referred to as Terpsicore and Il pastor fido, the Jimmy Van Heusen/Sammy Cahn song Come Dance with Me includes the lyric what an evening for some Terpsichore. However it is sung as a word with the chore component pronounced like core rather than curry. The Russian singer Origa sings a song, Tersicore, canadian punk band Gob has a song called Terpsichore on their album Apt. The eighteenth century French dancer and courtesan Marie-Madeleine Guimard named the private theater in her private palace the Temple of Terpsichore, Terpsichore in Sneakers is the title of a 1980 study of postmodern dance by dance historian and critic Sally Banes. The song Terpsichora is included on J-Pop singer Akiko Shikatas 2007 album Istoria, the album Cool by Bob James and Earl Klugh features a track called Terpsichore. He then proceeds to take a lesson with Penny, culminating in a paired tap routine. In the 1947 film Down To Earth, Rita Hayworth plays Terpsichore, in the 1948 Musical Comedy film April Showers, starring Jack Carson and Ann Sothern, Carson plays a Victorian Era vaudevillian. While performing an act with his son, Buster, Buster asks Shall we dance Mr. Lovejoy, Carson replies by saying Terpsichore Mr. Gay
31.
Choir
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A choir is a musical ensemble of singers. Choral music, in turn, is the music specifically for such an ensemble to perform. Choirs may perform music from the classical repertoire, which spans from the Medieval era to the present. Most choirs are led by a conductor, who leads the performances with arm, a body of singers who perform together as a group is called a choir or chorus. The former term is often applied to groups affiliated with a church and the second to groups that perform in theatres or concert halls. Choirs may sing without instrumental accompaniment, with the accompaniment of a piano or pipe organ, with a small ensemble, choirs are often led by a conductor or choirmaster. Other than four, the most common number of parts are three, five, six, and eight, choirs can sing with or without instrumental accompaniment. Singing without accompaniment is called a cappella singing, many choirs perform in one or many locations such as a church, opera house, or school hall. In some cases choirs join up to become one mass choir that performs for a special concert, in this case they provide a series of songs or musical works to celebrate and provide entertainment to others. Conducting is the art of directing a musical performance, such as a concert, by way of visible gestures with the hands, arms, face. The primary duties of the conductor or choirmaster are to unify performers, set the tempo, execute clear preparations and beats, and to listen critically and shape the sound of the ensemble. The conductor or choral director typically stands on a raised platform, many choral conductors use their hands to conduct. In the 2010s, most conductors do not play an instrument when conducting, although in earlier periods of music history. In Baroque music from the 1600s to the 1750s, conductors performing in the 2010s may lead an ensemble while playing a harpsichord or the violin, conducting while playing a piano may also be done with musical theatre pit orchestras. Communication is typically non-verbal during a performance, however, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be sung. Conductors act as guides to the choirs they conduct and they choose the works to be performed and study their scores, to which they may make certain adjustments, work out their interpretation, and relay their vision to the singers. Choral conductors may also have to conduct instrumental ensembles such as if the choir is singing a piece for choir. They may also attend to matters, such as scheduling rehearsals, planning a concert season, hearing auditions
32.
Thalia (Muse)
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Thalia, also spelled Thaleia, was the goddess who presided over comedy and idyllic poetry. In this context her name means flourishing, because the praises in her songs flourish through time and she was the daughter of Zeus and Mnemosyne, the eighth-born of the nine Muses. According to pseudo-Apollodorus, she and Apollo were the parents of the Corybantes, other ancient sources, however, gave the Corybantes different parents. She was portrayed as a woman with a joyous air, crowned with ivy, wearing boots. Many of her statues also hold a bugle and a trumpet, Muses in popular culture Grimal, Pierre, The Dictionary of Classical Mythology, Wiley-Blackwell,1996, ISBN 978-0-631-20102-1. Smith, William, Dictionary of Greek and Roman Biography and Mythology, media related to Thalia at Wikimedia Commons Theoi. com - Thaleia Warburg Institute Iconographic Database
33.
Pastoral
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A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, a pastoral is a work of this genre, also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd. Pastoral is a mode of literature in which the author employs various techniques to place the life into a simple one. Thus, pastoral as a mode occurs in many types of literature as well as genres, terry Gifford, a prominent literary theorist, defines pastoral in three ways in his critical book Pastoral. The first way emphasizes the historical perspective of the pastoral in which authors recognize and discuss life in the country. This is summed up by Leo Marx with the phrase No shepherd, the second type of the pastoral is literature that describes the country with an implicit or explicit contrast to the urban. The third type of pastoral depicts the life with derogative classifications. Hesiods Works and Days presents a golden age when people lived together in harmony with nature and this Golden Age shows that even before Alexandria, ancient Greeks had sentiments of an ideal pastoral life that they had already lost. This is the first example of literature that has pastoral sentiments, ovids Metamorphoses is much like the Works and Days with the description of ages but with more ages to discuss and less emphasis on the gods and their punishments. In this artificially constructed world, nature acts as the main punisher, another example of this perfect relationship between man and nature is evident in the encounter of a shepherd and a goatherd who meet in the pastures in Theocritus poem Idylls 1. Traditionally, pastoral refers to the lives of herdsmen in a romanticized, exaggerated, the pastoral life is usually characterized as being closer to the Golden age than the rest of human life. The setting is a Locus Amoenus, or a place in nature. An example of the use of the genre is the poem by the 15th-century Scottish makar Robert Henryson Robene and Makyne which also contains the conflicted emotions often present in the genre. There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, the Passionate Shepherd to His Love exhibits the concept of Giffords second definition of pastoral. The speaker of the poem, who is the titled shepherd and this can be seen in the listed items, lined slippers, purest gold, silver dishes, and ivory table. The speaker takes on a point of view with his love. Pastoral shepherds and maidens usually have Greek names like Corydon or Philomela and this makes them available for embodying perpetual erotic fantasies. The shepherds spend their time chasing pretty girls — or, at least in the Greek and Roman versions, Pastoral literature continued after Hesiod with the poetry of the Hellenistic Greek Theocritus, several of whose Idylls are set in the countryside and involve dialogues between herdsmen
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Urania
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Urania, also spelt Ourania, was, in Greek mythology, the muse of astronomy and a daughter of Zeus by Mnemosyne and also a great granddaughter of Uranus. Some accounts list her as the mother of the musician Linus by Apollo and she is often associated with Universal Love and the Holy Spirit. Sometimes identified as the eldest of the sisters, Urania inherited Zeus majesty and power. Those who are most concerned with philosophy and the heavens are dearest to her and those who have been instructed by her she raises aloft to heaven, for it is a fact that imagination and the power of thought lift mens souls to heavenly heights. —From An Ode To Music by James G. Percival During the Renaissance and she is usually represented with a celestial globe to which she points with a little staff. She is able to foretell the future by the arrangement of the stars, Urania is the namesake for astronomical observatories in Berlin, Budapest, Bucharest, Vienna, Zurich, Antwerp and Uraniborg on the island of Hven. The main belt asteroid 30 Urania was also named after her, there is Polish astronomical magazine Urania - Postępy Astronomii, which emerged from Urania and Postępy Astronomii magazines. In University of São Paulo, the logo of the Institute of Astronomy, Geophysics, the official seal of the U. S. Naval Observatory portrays Urania. Urania is a training vessel for the Royal Netherlands Naval College. Ms. Urania in the Royal Netherlands Navy since 1832, Urania is the name traditionally given to the eighth book of Herodotus Histories. Urania Cottage was a refuge for women established by the writer Charles Dickens in Lime Grove, Shepherd’s Bush. The funding was provided by millionaire and philanthropist Angela Burdett-Coutts, of the banking family. Some of the inmates may have provided inspiration for certain of the characters in Dickens novels. At Columbia University, toward the end of 18th century, the Urania Society was created for the improvement of oratory and literary skills, Urania Street is situated between Polymnia and Felicity streets in New Orleans. Urania is a name of the hall in Olsztyn. Muse magazine, until 2015 when the magazine was revamped, featured Urania as one of the characters in the Kokopelli and she was the only original muse who remained among the New Muses featured in the magazine. The other Old Muses were said to be living in a retirement home, Urania is the name of a popular female-fronted rock band in Honduras. Urania is used as the muse in Paradise Lost books 7 and 9, Urania is invoked in Shelleys Adonais
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Astronomy
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Astronomy is a natural science that studies celestial objects and phenomena. It applies mathematics, physics, and chemistry, in an effort to explain the origin of those objects and phenomena and their evolution. Objects of interest include planets, moons, stars, galaxies, and comets, while the phenomena include supernovae explosions, gamma ray bursts, more generally, all astronomical phenomena that originate outside Earths atmosphere are within the purview of astronomy. A related but distinct subject, physical cosmology, is concerned with the study of the Universe as a whole, Astronomy is the oldest of the natural sciences. The early civilizations in recorded history, such as the Babylonians, Greeks, Indians, Egyptians, Nubians, Iranians, Chinese, during the 20th century, the field of professional astronomy split into observational and theoretical branches. Observational astronomy is focused on acquiring data from observations of astronomical objects, theoretical astronomy is oriented toward the development of computer or analytical models to describe astronomical objects and phenomena. The two fields complement each other, with theoretical astronomy seeking to explain the results and observations being used to confirm theoretical results. Astronomy is one of the few sciences where amateurs can play an active role, especially in the discovery. Amateur astronomers have made and contributed to many important astronomical discoveries, Astronomy means law of the stars. Astronomy should not be confused with astrology, the system which claims that human affairs are correlated with the positions of celestial objects. Although the two share a common origin, they are now entirely distinct. Generally, either the term astronomy or astrophysics may be used to refer to this subject, however, since most modern astronomical research deals with subjects related to physics, modern astronomy could actually be called astrophysics. Few fields, such as astrometry, are purely astronomy rather than also astrophysics, some titles of the leading scientific journals in this field includeThe Astronomical Journal, The Astrophysical Journal and Astronomy and Astrophysics. In early times, astronomy only comprised the observation and predictions of the motions of objects visible to the naked eye, in some locations, early cultures assembled massive artifacts that possibly had some astronomical purpose. Before tools such as the telescope were invented, early study of the stars was conducted using the naked eye, most of early astronomy actually consisted of mapping the positions of the stars and planets, a science now referred to as astrometry. From these observations, early ideas about the motions of the planets were formed, and the nature of the Sun, Moon, the Earth was believed to be the center of the Universe with the Sun, the Moon and the stars rotating around it. This is known as the model of the Universe, or the Ptolemaic system. The Babylonians discovered that lunar eclipses recurred in a cycle known as a saros
36.
Leon Battista Alberti
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Leon Battista Alberti was an Italian humanist author, artist, architect, poet, priest, linguist, philosopher and cryptographer, he epitomised the Renaissance Man. Although Alberti is known mostly for being an artist, he was also a mathematician of many sorts, Albertis life was described in Giorgio Vasaris Lives of the Most Excellent Painters, Sculptors, and Architects. Leon Battista Alberti was born in 1404 in Genoa and his mother is unknown, and his father was a wealthy Florentine who had been exiled from his own city, allowed to return in 1428. Alberti was sent to boarding school in Padua, then studied Law at Bologna and he lived for a time in Florence, then travelled to Rome in 1431 where he took holy orders and entered the service of the papal court. During this time he studied the ancient ruins, which excited his interest in architecture, Alberti was gifted in many ways. He was tall, strong and an athlete who could ride the wildest horse. He distinguished himself as a writer while he was still a child at school, in 1435, he began his first major written work, Della pittura, which was inspired by the burgeoning pictorial art in Florence in the early 15th century. In this work he analyses the nature of painting and explores the elements of perspective, composition, in 1447 he became the architectural advisor to Pope Nicholas V and was involved with several projects at the Vatican. His first major commission was in 1446 for the facade of the Rucellai Palace in Florence. This was followed in 1450 by a commission from Sigismondo Malatesta to transform the Gothic church of San Francesco in Rimini into a memorial chapel, the Tempio Malatestiano. In 1452, he completed De re aedificatoria, a treatise on architecture, using as its basis the work of Vitruvius, the work was not published until 1485. It was followed in 1464 by his less influential work, De statua, Albertis only known sculpture is a self-portrait medallion, sometimes attributed to Pisanello. Alberti was employed to design two churches in Mantua, San Sebastiano, which was never completed, and for which Albertis intention can only be speculated, and the Basilica of SantAndrea. The design for the church was completed in 1471, a year before Albertis death. As an artist, Alberti distinguished himself from the ordinary craftsman and he was a humanist, and part of the rapidly expanding entourage of intellectuals and artisans supported by the courts of the princes and lords of the time. Alberti, as a member of family and as part of the Roman curia, had special status. He was a welcomed guest at the Este court in Ferrara, the Duke of Urbino was a shrewd military commander, who generously spent money on the patronage of art. Alberti planned to dedicate his treatise on architecture to his friend, among Albertis smaller studies, pioneering in their field, were a treatise in cryptography, De componendis cifris, and the first Italian grammar
37.
Academy
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Academy is a type of secondary or tertiary education institutions. The word comes from the Academy in ancient Greece, which derives from the Athenian hero, outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, in these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, by extension academia has come to mean the cultural accumulation of knowledge, its development and transmission across generations and its practitioners and transmitters. In the 17th century, British, Italian and French scholars used the term to describe types of institutions of higher learning, in ancient Greece, after the establishment of the original Academy, Platos colleagues and pupils developed spin-offs of his method. Arcesilaus, a Greek student of Plato established the Middle Academy, carneades, another student, established the New Academy. In 335 BC, Aristotle refined the method with his own theories, the library of Alexandria in Egypt was frequented by intellectuals from Africa, Europe and Asia studying various aspects of philosophy, language and mathematics. The University of Timbuktu was a university in Timbuktu, present-day Mali. During its zenith, the university had an attendance of around 25,000 students within a city of around 100,000 people. In China a higher education institution Shang Xiang was founded by Shun in the Youyu era before the 21st century BC, in the 8th century another kind of institution of learning emerged, named Shuyuan, which were generally privately owned. There were thousands of Shuyuan recorded in ancient times, the degrees from them varied from one to another and those advanced Shuyuan such as Bailudong Shuyuan and Yuelu Shuyuan can be classified as higher institutions of learning. Taxila or Takshashila, in ancient India, modern-day Pakistan, was an early Buddhist centre of learning and it is considered as one of the ancient universities of the world. According to scattered references which were only fixed a millennium later it may have dated back to at least the 5th century BC, some scholars date Takshashilas existence back to the 6th century BC. The school consisted of several monasteries without large dormitories or lecture halls where the instruction was most likely still provided on an individualistic basis. Takshashila is described in detail in later Jātaka tales, written in Sri Lanka around the 5th century AD. It became a centre of learning at least several centuries BC. Takshashila is perhaps best known because of its association with Chanakya, the famous treatise Arthashastra by Chanakya, is said to have been composed in Takshashila itself. Chanakya, the Maurya Emperor Chandragupta and the Ayurvedic healer Charaka studied at Taxila, generally, a student entered Takshashila at the age of sixteen
38.
Kitsch
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Kitsch is art, objects, or design considered to be in poor taste because of excessive garishness or sentimentality, but sometimes appreciated in an ironic or knowing way. Hence, kitsch art is associated with sentimental art. Kitsch is also related to the concept of camp, because of its humorous, the chocolate box artist Thomas Kinkade, whose idyllic landscape scenes were often lampooned by art critics as maudlin and schmaltzy, is considered a leading example of contemporary kitsch. The term is sometimes applied to music or literature. As a descriptive term, kitsch originated in the art markets of Munich in the 1860s and the 1870s, describing cheap, popular, in Das Buch vom Kitsch, Hans Reimann defines it as a professional expression born in a painters studio. The study of kitsch was done almost exclusively in German until the 1970s, modernist writer Hermann Broch argues that the essence of kitsch is imitation, kitsch mimics its immediate predecessor with no regard to ethics—it aims to copy the beautiful, not the good. Kitsch is less about the thing observed than about the observer, according to Roger Scruton, Kitsch is fake art, expressing fake emotions, whose purpose is to deceive the consumer into thinking he feels something deep and serious. Cliché Lowbrow Museum of Bad Art Poshlost Prolefeed Notable examples Dogs Playing Poker Velvet Elvis Adorno, wabi and Kitsch, Two Japanese Paradigms in Æ, Canadian Aesthetics Journal 15. Faszination und Herausforderung des Banalen und Trivialen, cheetham, Mark A. Kant, Art and Art History, moments of discipline. Kitsch, The World of Bad Taste, Universe Books, the Kitsch Style and the Age of Kitsch, in J. Goudsblom and S. Mennell The Norbert Elias Reader. Vermehrte und verbesserte Auflage München, Wilhelm Fink Verlag, frankfurt am Main, S. Fischer Verlag. Incredible Tretchikoff, Life of an artist and adventurer, ISBN 0-8070-6681-8 Holliday, Ruth and Potts, Tracey Kitsch. Cultural Politics and Taste, Manchester University Press, eine Studie über die Entartung der Kunst. The Modern System of the Arts, psychologie du Kitsch, Lart du Bonheur, Denoël-Gonthier Nerdrum, Odd. The Artificial Kingdom, On the Kitsch Experience, University of Minnesota ISBN 0-8166-4117-X Reimann, Hans. Balsam für Herz und Seele, ISBN 978-3-7630-2493-3, Kitsch in Sync, A Consumers Guide to Bad Taste, Plexus Publishing. In John Walkers Glossary of art, architecture & design since 1945, avant-Garde and Kitsch – essay by Clement Greenberg Kitsch and the Modern Predicament – essay by Roger Scruton Why Dictators Love Kitsch by Eric Gibson, The Wall Street Journal, August 10,2009
39.
Creativity
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Creativity is a phenomenon whereby something new and somehow valuable is formed. The created item may be intangible or a physical object, authors have diverged dramatically in their precise definitions beyond these general commonalities, Peter Meusburger reckons that over a hundred different analyses can be found in the literature. As an illustration, one given by Dr. E. Theories of creativity have focused on a variety of aspects, the dominant factors are usually identified as the four Ps — process, product, person, and place. A focus on process is shown in cognitive approaches that try to describe thought mechanisms, theories invoking divergent rather than convergent thinking, or those describing the staging of the creative process are primarily theories of creative process. A focus on creative product usually appears in attempts to measure creativity, the psychometric approach to creativity reveals that it also involves the ability to produce more. A focus on the nature of the person considers more general intellectual habits, such as openness, levels of ideation, autonomy, expertise, exploratory behavior. A focus on place considers the circumstances in which creativity flourishes, such as degrees of autonomy, access to resources, Creative lifestyles are characterized by nonconforming attitudes and behaviors as well as flexibility. The lexeme in the English word creativity comes from the Latin term creō to create, make, the word create appeared in English as early as the 14th century, notably in Chaucer, to indicate divine creation. However, its meaning as an act of human creation did not emerge until after the Enlightenment. Most ancient cultures, including thinkers of Ancient Greece, Ancient China, the ancient Greeks had no terms corresponding to to create or creator except for the expression poiein, which only applied to poiesis and to the poietes who made it. Plato did not believe in art as a form of creation, asked in The Republic, Will we say, of a painter, that he makes something. He answers, Certainly not, he merely imitates and it is commonly argued that the notion of creativity originated in Western culture through Christianity, as a matter of divine inspiration. According to the historian Daniel J. Boorstin, the early Western conception of creativity was the Biblical story of creation given in the Genesis, however, this is not creativity in the modern sense, which did not arise until the Renaissance. In the Judaeo-Christian tradition, creativity was the province of God. A concept similar to that of Christianity existed in Greek culture, for instance, romans and Greeks invoked the concept of an external creative daemon or genius, linked to the sacred or the divine. However, none of these views are similar to the concept of creativity. It was during the Renaissance that creativity was first seen, not as a conduit for the divine, the rejection of creativity in favor of discovery and the belief that individual creation was a conduit of the divine would dominate the West probably until the Renaissance and even later
40.
Innovation
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Innovation can be defined simply as a new idea, device or method. However, innovation is also viewed as the application of better solutions that meet new requirements, unarticulated needs. This is accomplished through more-effective products, processes, services, technologies, or business models that are available to markets, governments. The term innovation can be defined as something original and more effective and, as a consequence, new and it is related to, but not the same as, invention. Innovation is often manifested via the engineering process, the opposite of innovation is exnovation. In industrial economics, innovations are created and found empirically from services to meet the consumer demand. A2013 survey of literature on innovation found over 40 definitions and it is both a process and an outcome. In business and economics, innovation can be a catalyst to growth and he famously asserted that creative destruction is the essential fact about capitalism. One prime example was the boom of Silicon Valley startups out of the Stanford Industrial Park. In 1957, dissatisfied employees of Shockley Semiconductor, the company of Nobel laureate and co-inventor of the transistor William Shockley, left to form an independent firm, after several years, Fairchild developed into a formidable presence in the sector. Eventually, these founders left to start their own based on their own, unique, latest ideas. Over the next 20 years, this snowball process launched the momentous startup company explosion of technology firms. Essentially, Silicon Valley began as 65 new enterprises born out of Shockley’s eight former employees, since then, hubs of innovation have sprung up globally with similar metonyms, including Silicon Alley encompassing New York City. In the organizational context, innovation may be linked to changes in efficiency, productivity, quality, competitiveness. However, recent research findings highlight the role of organizational culture in enabling organizations to translate innovative activity into tangible performance improvements. Organizations can also improve profits and performance by providing work groups opportunities and resources to innovate and it is the means by which the entrepreneur either creates new wealth-producing resources or endows existing resources with enhanced potential for creating wealth. –Drucker According to Clayton Christensen, disruptive innovation is the key to success in business. The organisation requires a structure in order to retain competitive advantage
41.
High culture
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The term high culture comprehends the cultural products of aesthetic value, which a society collectively esteem as art. The Preface defines culture as “the disinterested endeavour after man’s perfection” pursued, obtained, moreover, the philosophy of aesthetics proposed in high culture is a force for moral and political good. Critically, the term “high culture” is contrasted with the terms “popular culture”, in Notes Towards the Definition of Culture, T. S. Eliot said that high culture and popular culture are necessary and complementary parts of the culture of a society. In the U. S. Harold Bloom and F. R. Leavis pursued the definition of high culture, history The high culture of the West originated in the Classical-world traditions of intellect and aesthetics in Ancient Greece and Ancient Rome. In the Classical Greco-Roman tradition, the mode of language was published and preserved in works of elevated style. Certain forms of language used by authors in valorized epochs were held up in antiquity and this ideal associated with humanism, was communicated in Renaissance Italy through institutions such as the Renaissance court schools. Renaissance humanism soon spread through Europe becoming much of the basis of upper class education for centuries, of comparable importance are those works of art and music considered to be of the highest excellence and broadest influence. Together these texts and art works constitute the artefacts representative of the culture of the Western world. Cultural traditions In the Western and some East Asian traditions, art that demonstrates the imagination of the artist is accorded the status of high art, much of high culture consists of the appreciation of what is sometimes called High Art. This term is broader than Arnolds definition and besides literature includes music, visual arts. The decorative arts would not generally be considered High Art, such an environment enables artists, as near as possible, to realize their creative potential with as few as possible practical and technical constraints. Art music is a term used to refer to musical traditions implying advanced structural and theoretical considerations. In this regard, art music frequently occurs as a term to popular music. Art film is the result of filmmaking which is typically a serious, film critics and film studies scholars typically define an art film using a. According to the film scholar David Bordwell, art cinema itself is a film genre, there was a drive, beginning in the 19th century, to open museums and concert halls to give the general public access to high culture. University liberal arts courses still play an important role in the promotion of the concept of high culture, organisations such as the Arts Council of Great Britain, and in most European countries, whole ministries administer these programmes. This includes the subsidy of new works by composers, writers, there are also many private philanthropic sources of funding, which are especially important in the US, where the federally funded Corporation for Public Broadcasting also funds broadcasting. These may be seen as part of the concept of official culture
42.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
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New media art
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The term differentiates itself by its resulting cultural objects and social events, which can be seen in opposition to those deriving from old visual arts. New Media Art often involves interaction between artist and observer or between observers and the artwork, which responds to them, such insights emphasize the forms of cultural practice that arise concurrently with emerging technological platforms, and question the focus on technological media, per se. The origins of new media art can be traced to the moving photographic inventions of the late 19th century such as the zoetrope, in 1958 Wolf Vostell becomes the first artist who incorporates a television set into one of his works. This installation is part of the collection of the Berlinische Galerie, a. Michael Noll, and multimedia performances of E. A. T. In 1983, Roy Ascott introduced the concept of distributed authorship in his worldwide telematic project La Plissure du Texte for Frank Poppers Electra at the Musée dArt Moderne de la Ville de Paris. Simultaneously advances in biotechnology have allowed artists like Eduardo Kac to begin exploring DNA. Influences on new media art have been the theories developed around interaction, hypertext, databases, important thinkers in this regard have been Vannevar Bush and Theodor Nelson, whereas comparable ideas can be found in the literary works of Jorge Luis Borges, Italo Calvino, and Julio Cortázar. These elements have been especially revolutionary for the field of narrative and anti-narrative studies, leading explorations into areas such as non-linear and this should be taken into account in examining the several themes addressed by new media art. This is a key concept since people acquired the notion that they were conditioned to view everything in a linear, now, art is stepping out of that form and allowing for people to build their own experiences with the piece. Non-linearity describes a project that escape from the linear narrative coming from novels, theater plays. Non-linear art usually requires audience participation or at least, the fact that the visitor is taken into consideration by the representation, altering the displayed content. The participatory aspect of new art, which for some artists has become integral, emerged from Allan Kaprows Happenings and became with Internet. Art is not produced as a completed object submitted to the audience appreciation, many new media art projects also work with themes like politics and social consciousness, allowing for social activism through the interactive nature of the media. One of the key themes in new art is to create visual views of databases. Pioneers in this area include Lisa Strausfeld, Martin Wattenberg and Alberto Frigo, the emergence of 3D printing has introduced a new bridge to new media art, joining the virtual and the physical worlds. The rise of technology has allowed artists to blend the computational base of new media art with the traditional physical form of sculpture. A pioneer in this field was artist Jonty Hurwitz who created the first known anamorphosis sculpture using this technique, currently, research projects into New media art preservation are underway to improve the preservation and documentation of the fragile media arts heritage. In New Media programs, students are able to get acquainted with the newest forms of creation and communication, New Media students learn to identify what is or isnt new about certain technologies
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Aesthetics
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Aesthetics is a branch of philosophy that explores the nature of art, beauty, and taste, with the creation and appreciation of beauty. It is more defined as the study of sensory or sensori-emotional values, sometimes called judgements of sentiment. More broadly, scholars in the field define aesthetics as critical reflection on art, in modern English, the term aesthetic can also refer to a set of principles underlying the works of a particular art movement or theory, one speaks, for example, of the Cubist aesthetic. The word aesthetic is derived from the Greek αἰσθητικός, which in turn was derived from αἰσθάνομαι, for some, aesthetics is considered a synonym for the philosophy of art since Hegel, while others insist that there is a significant distinction between these closely related fields. In practice, aesthetic judgement refers to the sensory contemplation or appreciation of an object, philosophical aesthetics has not only to speak about art and to produce judgments about art works, but has also to give a definition of what art is. Art is an entity for philosophy, because art deals with the senses. Hence, there are two different conceptions of art in aesthetics, art as knowledge or art as action, any aesthetic doctrines that guided the production and interpretation of prehistoric art are mostly unknown. Western aesthetics usually refers to Greek philosophers as the earliest source of aesthetic considerations. Plato believed in beauty as a form in which beautiful objects partake and he felt that beautiful objects incorporated proportion, harmony, and unity among their parts. Similarly, in the Metaphysics, Aristotle found that the elements of beauty were order, symmetry. From the late 17th to the early 20th century Western aesthetics underwent a revolution into what is often called modernism. German and British thinkers emphasized beauty as the key component of art and of the aesthetic experience, and saw art as necessarily aiming at absolute beauty. For Alexander Gottlieb Baumgarten aesthetics is the science of the experiences, a younger sister of logic. For Immanuel Kant the aesthetic experience of beauty is a judgment of a subjective but similar human truth, however, beauty cannot be reduced to any more basic set of features. For Friedrich Schiller aesthetic appreciation of beauty is the most perfect reconciliation of the sensual and rational parts of human nature, for Friedrich Wilhelm Joseph Schelling, the philosophy of art is the organon of philosophy concerning the relation between man and nature. So aesthetics began now to be the name for the philosophy of art, Friedrich von Schlegel, August Wilhelm Schlegel, Friedrich Schleiermacher and Georg Wilhelm Friedrich Hegel also gave lectures on aesthetics as philosophy of art after 1800. For Hegel, all culture is a matter of absolute spirit coming to be manifest to itself, stage by stage, Art is the first stage in which the absolute spirit is manifest immediately to sense-perception, and is thus an objective rather than subjective revelation of beauty. It is thus for Schopenhauer one way to fight the suffering, the British were largely divided into intuitionist and analytic camps
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Art history
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Art history is the study of objects of art in their historical development and stylistic contexts, i. e. genre, design, format, and style. This includes the arts of painting, sculpture, and architecture as well as the minor arts of ceramics, furniture. As a term, art history encompasses several methods of studying the arts, in common usage referring to works of art. One branch of this area of study is aesthetics, which includes investigating the enigma of the sublime, technically, art history is not these things, because the art historian uses historical method to answer the questions, How did the artist come to create the work. Who were his or her teachers, who were his or her disciples. What historical forces shaped the artists oeuvre, and How did he or she and the creation, in turn, affect the course of artistic, political, and social events. It is, however, questionable whether many questions of this kind can be answered satisfactorily without also considering basic questions about the nature of art, unfortunately the current disciplinary gap between art history and the philosophy of art often hinders this inquiry. Art history is not only a biographical endeavor, Art historians often root their studies in the scrutiny of individual objects. They thus attempt to answer in historically specific ways, questions such as, what meaning did this object convey. Did the artist meet their goals well, the historical backbone of the discipline is a celebratory chronology of beautiful creations commissioned by public or religious bodies or wealthy individuals in western Europe. Such a canon remains prominent, as indicated by the selection of objects present in art history textbooks, nonetheless, since the 20th century there has been an effort to re-define the discipline to be more inclusive of non-Western art, art made by women, and vernacular creativity. Art history as we know it in the 21st century began in the 19th century but has precedents that date to the ancient world, advances in photographic reproduction and printing techniques after World War II increased the ability of reproductions of artworks. Such technologies have helped to advance the discipline in profound ways, the study of visual art thus described, can be a practice that involves understanding context, form, and social significance. Art historians employ a number of methods in their research into the ontology, Art historians often examine work in the context of its time. In short, this approach examines the work of art in the context of the world within which it was created, Art historians also often examine work through an analysis of form, that is, the creators use of line, shape, color, texture, and composition. This approach examines how the artist uses a picture plane or the three dimensions of sculptural or architectural space to create his or her art. The way these individual elements are employed results in representational or non-representational art, is the artist imitating an object or image found in nature. The closer the art hews to perfect imitation, the more the art is realistic, is the artist not imitating, but instead relying on symbolism, or in an important way striving to capture natures essence, rather than copy it directly
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Art critic
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An art critic is a person who is specialized in analyzing, interpreting and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures and catalogues, some of todays art critics use art blogs and other online platforms in order to connect with a wider audience and expand debate about art. Differently from art history, there is not a training for art critics, art critics come from different backgrounds. Professional art critics are expected to have an eye for art. Typically the art critic views art at exhibitions, galleries, museums or artists studios, very rarely art critics earn their living from writing criticism. The opinions of art critics have the potential to stir debate on art related topics, due to this the viewpoints of art critics writing for art publications and newspapers adds to public discourse concerning art and culture. Art collectors and patrons often rely on the advice of such critics as a way to enhance their appreciation of the art they are viewing. Many now famous and celebrated artists were not recognized by the art critics of their time, an experience-related article is Agnieszka Gratza. Always according to James Elkins in smaller and developing countries, newspaper art criticism normally serves as art history, Art criticism List of art critics History of art criticism Good audio version of symposium on contemporary art criticism entitled Empathy and Criticality, sponsored by the Frieze Foundation
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