1.
Vahana
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Vahana denotes the being, typically an animal or mythical entity, a particular Hindu deity is said to use as a vehicle. In this capacity, the vahana is often called the deitys mount, upon the partnership between the deity and his vahana is woven much iconography and mythology. Deities are often depicted riding the vahana, other times, the vahana is depicted at the deitys side or symbolically represented as a divine attribute. The vahana may be considered an accoutrement of the deity, though the vahana may act independently, the deity may be seen sitting or on, or standing on, the vahana. They may be sitting on a platform called a howdah. Vah in Sanskrit means to carry or to transport, in Hindu iconography, positive aspects of the vehicle are often emblematic of the deity that it carries. Nandi the bull, vehicle of Shiva, represents strength and virility, Parvani the peacock, vehicle of Skanda, represents splendor and majesty. The hamsa, vehicle of Saraswati, represents wisdom, grace, however, the vehicle animal also symbolizes the evil forces over which the deity dominates. Mounted on Parvani, Skanda reins in the peacocks vanity, seated on Mushika, Ganesh crushes useless thoughts, which multiply like rats in the dark. Shani, protector of property, has a vulture, raven or crow in which he represses thieving tendencies, under Shanis influence, the vahana can make even malevolent events bring hope. The vehicle of a deity can vary according to the source, the time, in popular tradition, the origin of each vehicle is told in thousands of different ways. Three examples, While the god Ganesha was still a child, Ganesha trapped him with his lasso and made him his mount. Mushika was originally a gandharva, or celestial musician, after absent mindedly walking over the feet of a rishi named Vamadeva, Mushika was cursed and transformed into a mouse. However, after the rishi recovered his temper, he promised Mushika that one day, the prophecy was fulfilled when the mouse became the vahana of Ganesha. Before becoming the vehicle of Shiva, Nandi was a deity called Nandikeshvara, lord of joy and master of music, then, without warning, his name and his functions were transferred to the aspect of Shiva known as the deity Nataraja. From half-man, half-bull, he simply a bull. Since that time, he has watched over each of Shivas temples, kartikeya, the war-god known as Murugan in Southern India, is also mounted on a peacock. This peacock was originally a demon called Surapadma, while the rooster was called the angel, after provoking Murugan in combat, the demon repented at the moment his lance descended upon him
2.
Magic (paranormal)
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Magic or sorcery is the use of rituals, symbols, actions, gestures, and language with the aim of exploiting supernatural forces. The term magic has a variety of meanings, and there is no agreed upon definition of what it is or how it can be used. Religious scholars have defined magic in many different ways, one approach, associated with the anthropologists Edward Tylor and James G. Frazer, has magic and science be opposites. Many scholars of religion have rejected the utility of the term magic, the term magic comes from the Old Persian magu, a word that applied to a form of religious functionary about which little is known. This meaning of the term was adopted by Latin in the first century BCE. The concept was incorporated into Christian theology during the first century CE. This concept was pervasive throughout the Middle Ages, although in the modern period Italian humanists reinterpreted the term in a positive sense to establish the idea of natural magic. Both negative and positive understandings of the term were retained in Western culture over the following centuries, throughout Western history, there have been examples of individuals claiming to be practitioners of magic and referring to themselves as magicians. This trend has proliferated in the period, with a growing number of magicians appearing within the esoteric milieu. Scholars of religion have failed to agree on a definition of magic is. The subject has one of intense dispute, with some scholars criticizing the validity of the term in the first place. Even among those throughout history who have described themselves as magicians, there has been some debate among scholars as to whether to use the term magic at all. The scholar of religion Jonathan Z. Smith for example argued that it had no utility as a term that scholars should use. Religious historian Wouter Hanegraaff agreed, stating that the magic is an important object of historical research. Since the 1990s its usage among scholars has declined, within Western culture, magic has been linked to the idea of the Other. Using the term magic when discussing non-Western cultures or pre-modern forms of Western society raises problems, alternately, this term implies that all categories of magic are ethnocentric and that such Western preconceptions are an unavoidable component of scholarly research. Magic is one of the most heavily theorized concepts in the study of religion, the intellectualist approach to defining magic is associated with two prominent British anthropologists, Edward Tylor and James G. Frazer. This was an approach that viewed magic as being the theoretical opposite of science, in his 1871 book Primitive Culture, Tylor characterized magic as beliefs based on the error of mistaking ideal analogy for real analogy
3.
Surya
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Surya means the Sun in Nepal and India. Synonyms of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra and Vivasvan. Surya also connotes the solar deity in Hinduism, particularly in the Saura tradition found in such as Rajasthan, Gujarat, Madhya Pradesh, Bihar, Uttar Pradesh, Jharkhand. He is one of the five deities considered as equivalent aspects and his iconography is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colour rays of the rainbow. In medieval Hinduism, Surya is also an epithet for the major Hindu gods Shiva, in some ancient texts and arts, Surya is presented syncretically with Indra, Ganesha or others. Surya as a deity is found in the arts and literature of Buddhism and Jainism. Surya is one of the nine houses in the zodiac system of Hindu astrology. Surya or Ravi is the basis of Ravivara, or Sunday, major festivals and pilgrimages in reverence of Surya include Makar Sankranti, Pongal and Kumbh Mela. However, the usage is context specific, in some hymns, the word Surya simply means sun as an inanimate object, a stone or a gem in the sky, while in others it refers to a personified deity. The Vedas assert Sun to be the creator of the material universe, in the Brahmanas layer of Vedic literature, Surya appears with Agni in the same hymns. Surya is revered for the day, while Agni for its role during the night, the idea evolves, states Kapila Vatsyayan, where Surya is stated to be Agni as the first principle and the seed of the universe. It is in the Brahmanas layer of the Vedas, and the Upanishads that Surya is explicitly linked to the power of sight, to visual perception and knowledge. In the Ramayana, Surya is described as father of the King Sugriva, the Suryavanshi dynasty of kings, Rama being one of them, also claims descent from Surya. Eastern kingdom of mahabharta and ramayana are called to be of Suryas potential, in the Mahabharata, Karna is the son of Surya and unmarried princess Kunti. The epic describes Kuntis trauma as a mother, then abandonment of Karna. Baby Karna is found, adopted and grows up to one of the central characters in the great battle of Kurukshetra where he fights his step brothers. Surya is celebrated as a deity in Buddhist artwork, such as the ancient works attributed to Ashoka, for example, Surya appears in Mahabodhi temple in Bodhgaya, riding in a chariot pulled by four horses. Sun is a deity is ancient and medieval cultures found in South America, Europe, Africa
4.
Castor and Pollux
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In Greek and Roman mythology, Castor and Pollux, or Kastor and Polydeuces, were twin brothers, together known as the Dioscuri or Dioskouroi. Their mother was Leda, but they had different fathers, Castor was the son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus. Though accounts of their birth are varied, they are said to have been born from an egg, along with their twin sisters or half-sisters Helen of Troy. In Latin the twins are known as the Gemini or Castores. When Castor was killed, Pollux asked Zeus to let him share his own immortality with his twin to keep them together, the pair were regarded as the patrons of sailors, to whom they appeared as St. Elmos fire, and were also associated with horsemanship. They are sometimes called the Tyndaridae or Tyndarids, later seen as a reference to their father and stepfather Tyndareus, the best-known story of the twins birth is that Zeus disguised himself as a swan and seduced Leda. Thus Ledas children are said to have hatched from two eggs that she then produced. The Dioscuri can be recognized in vase-paintings by the skull-cap they wear, the pilos, whether the children are thus mortal or half-immortal is not consistent among accounts, nor is whether the twins hatched together from one egg. In some accounts, only Pollux was fathered by Zeus, while Leda and this explains why they were granted an alternate immortality. It is a belief that one would live among the gods. Castor and Pollux are sometimes both mortal, sometimes both divine, one consistent point is that if only one of them is immortal, it is Pollux. In Homers Iliad, Helen looks down from the walls of Troy, the narrator remarks that they are both already dead and buried back in their homeland of Lacedaemon, thus suggesting that at least in some early traditions, both were mortal. Their death and shared immortality offered by Zeus was material of the lost Cypria in the Epic cycle, the Dioscuri were regarded as helpers of humankind and held to be patrons of travellers and of sailors in particular, who invoked them to seek favourable winds. Their role as horsemen and boxers also led to them being regarded as the patrons of athletes and they characteristically intervened at the moment of crisis, aiding those who honoured or trusted them. Ancient Greek authors tell a number of versions of the story of Castor, homer portrays them initially as ordinary mortals, treating them as dead in the Iliad, but in the Odyssey they are treated as alive even though the corn-bearing earth holds them. The author describes them as having honour equal to gods, living on alternate days due to the intervention of Zeus, in both the Odyssey and in Hesiod, they are described as the sons of Tyndareus and Leda. In Pindar, Pollux is the son of Zeus while Castor is the son of the mortal Tyndareus, the theme of ambiguous parentage is not unique to Castor and Pollux, similar characterisations appear in the stories of Hercules and Theseus. The Dioscuri are also invoked in Alcaeus Fragment 34a, though whether this poem antedates the Homeric Hymn to the twins is unknown and they appear together in two plays by Euripides, Helen and Elektra
5.
Hindu mythology
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As such, it is a subset of mainstream Indian and Nepali culture. The roots of mythology that evolved from classical Hinduism come from the times of the Vedic civilization, the four Vedas, notably the hymns of the Rigveda, contain allusions to many themes. The characters, philosophy and stories make up ancient Vedic myths are indelibly linked with Hindu beliefs. The Vedas are four in number, namely RigVeda, YajurVeda, SamaVeda, in the period of Classical Sanskrit, much material is preserved in the Sanskrit epics. Besides mythology proper, the voluminous epics also provide a range of information about ancient Nepali and Indian society, philosophy, culture, religion. The two great Hindu Epics, the Ramayana and the Mahabharata tell the story of two incarnations of Vishnu. These two works are known as Itihasa, the epics Mahabharata and Ramayana serve as both religious scriptures and a rich source of philosophy and morality. The most famous of these chapters is the Bhagavad Gita in the Mahabharata, in which Lord Krishna explains the concepts of duty and these stories are deeply embedded in Hindu philosophy and serve as parables and sources of devotion for Hindus. The Mahabharata is the worlds longest epic in verse, running to more than 2,000,000 lines, the epics themselves are set in different Yugas, or periods of time. The Ramayana, written by the Maharshi Valmiki, describes the life and times of Lord Rama, the Mahabharata, describing the life and times of the Pandavas, occurs in the Dvapara Yuga, a period associated with Lord Krishna. In total, there are 4 Yugas and these are the Satya or Krita Yuga, the Treta Yuga, the Dvapara Yuga, and the Kali Yuga. The avatara concept, however, belongs to the Puranic times, the Puranas deal with stories that are old and do not appear in the epics. They contain legends and stories about the origins of the world, and the lives and adventures of a variety of gods, goddesses, heroes, heroines. They contain traditions related to ancient kings, seers, incarnations of God and legends about holy places, the Bhagavata Purana is probably the most read and popular of the Puranas. It chronicles the legends of the god Vishnu and his avatars on earth, the act of creation was thought of in more than one manner. One of the oldest cosmogonic myth in the Rigveda had come into existence as a cosmic egg, the Purusha Sukta narrates that all things were made out of the mangled limbs of Purusha, a magnified non-natural man, who was sacrificed by the gods. In the Puranas, Vishnu, in the shape of a boar, plunged into the cosmic waters, the Shatapatha Brahmana says that in the beginning, Prajapati, the first creator or father of all, was alone in the world. He differentiated himself into two beings, husband and wife, the wife, regarding union with her producer as incest, fled from his embraces assuming various animal disguises
6.
Equestrianism
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Equestrianism, more often known as riding, horseback riding or horse riding, refers to the skill of riding, driving, steeplechasing or vaulting with horses. This broad description includes the use of horses for practical working purposes, transportation, recreational activities, artistic or cultural exercises, Horses are trained and ridden for practical working purposes such as in police work or for controlling herd animals on a ranch. They are also used in sports including, but not limited to, dressage, endurance riding, eventing, reining, show jumping, tent pegging, vaulting, polo, horse racing, driving. Some popular forms of competition are grouped together at horse shows, Horses are used for non-competitive recreational riding such as fox hunting, trail riding or hacking. There is public access to trails in almost every part of the world, many parks, ranches. Horses are also used for therapeutic purposes, both in specialized paraequestrian competition as well as non-competitive riding to improve health and emotional development. Horses are also driven in harness racing, at shows and in other types of exhibition, historical reenactment or ceremony. In some parts of the world, they are used for practical purposes such as farming. Horses continue to be used in service, in traditional ceremonies, police and volunteer mounted patrols. Riding halls enable the training of horse and rider in all weathers as well as indoor competition riding, though there is controversy over the exact date horses were domesticated and when they were first ridden, the best estimate is that horses first were ridden approximately 3500 BC. Indirect evidence suggests that horses were ridden long before they were driven, however, the most unequivocal early archaeological evidence of equines put to working use was of horses being driven. Chariot burials about 2500 BC present the most direct evidence of horses used as working animals. In ancient times chariot warfare was followed by the use of war horses as light, the horse played an important role throughout human history all over the world, both in warfare and in peaceful pursuits such as transportation, trade and agriculture. Horses lived in North America, but died out at the end of the Ice Age, Horses were brought back to North America by European explorers, beginning with the second voyage of Columbus in 1493. Humans appear to have expressed a desire to know which horse were the fastest. Gambling on horse races appears to go hand-in hand with racing and has a history as well. Thoroughbreds have the pre-eminent reputation as a breed, but other breeds also race. Under saddle, Thoroughbred horse racing is the most popular form worldwide, in the UK, it is known as flat racing and is governed by the Jockey Club in the United Kingdom
7.
Deva (Hinduism)
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Deva means heavenly, divine, anything of excellence, and is also one of the terms for a deity in Hinduism. Deva is masculine, and the feminine equivalent is devi. In the earliest Vedic literature, all beings are called Asuras. The concepts and legends evolve in ancient Indian literature, and by the late Vedic period, in post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad. In some medieval Indian literature, Devas are also referred to as Suras and contrasted with their powerful but malevolent half-brothers. Devas along with Asuras, Yakshas and Rakshasas are part of Indian mythology, Deva is a Sanskrit word found in Vedic literature of 2nd millennium BCE. Monier Williams translates it as heavenly, divine, terrestrial things of excellence, exalted. The concept also is used to refer to deity or god, the feminine form of *deiwos is *deiwih2, which descends into Indic languages as devi, in that context meaning female deity. The bode of the Devas is Dyuloka, according to Douglas Harper, the etymological roots of Deva mean a shining one, from *div- to shine, and it is a cognate with Greek dios divine and Zeus, and Latin deus god. Deva is masculine, and the feminine equivalent is devi. Etymologically, the cognates of Devi are Latin dea and Greek thea, when capitalized, Devi or Mata refers to goddess as divine mother in Hinduism. Deva is also referred to as Devatā, while Devi as Devika, the word Deva is also a proper name or part of name in Indian culture, where it refers to one who wishes to excel, overcome or the seeker of, master of or a best among-. Savitr, Vishnu, Rudra, and Prajapati are gods and hence Devas, saraswati and Ushas are some Devis or goddesses. Many of the deities taken together are worshiped as the Vishvedevas, max Muller states that the Vedic hymns are remarkable in calling every single of different devas as the only one, the supreme, the greatest.163.3, Trita art thou by interior operation. All powerful beings, good or evil, are called Asuras in the oldest layer of Vedic texts, a much studied hymn of the Rigveda states Devav asura, and contrasts it with Asura adevah. They are born from the father, Prajapati, the primordial progenitor, the elder sons are envisioned as the Asuras. The oldest Upanishads mention Devas, and their struggle with the Asuras, the Kaushitaki Upanishad, for example, in Book 4 states that Indra was weaker than the Asuras when he did not know his own Atman. Chandogya Upanishad, in chapter 1.2, describes the battle between Devas and Asuras on various sensory powers, finally, the Deva-Asura battle targets the soul, where Asuras fail and Devas succeed, because soul-force is serene and inherently good, asserts Chandogya Upanishad
8.
Ayurveda
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Ayurveda, or Ayurveda medicine, is a system of medicine with historical roots in the Indian subcontinent. Globalized and modernized practices derived from Ayurveda traditions are a type of complementary or alternative medicine, in the Western world, Ayurveda therapies and practices have been integrated in general wellness applications and as well in some cases in medical use. The main classical Ayurveda texts begin with accounts of the transmission of knowledge from the Gods to sages. In Sushruta Samhita, Sushruta wrote that Dhanvantari, Hindu god of Ayurveda, incarnated himself as a king of Varanasi and taught medicine to a group of physicians, Ayurveda therapies have varied and evolved over more than two millennia. Therapies are typically based on complex compounds, minerals and metal substances. Ancient Ayurveda texts also taught surgical techniques, including rhinoplasty, kidney stone extractions, sutures, other researchers consider it a protoscience, or trans-science system instead. Close to 21% of Ayurveda U. S. and Indian-manufactured patent medicines sold through the Internet were found to contain levels of heavy metals, specifically lead, mercury. The public health implications of such metallic contaminants in India are unknown, some scholars assert that Ayurveda originated in prehistoric times, and that some of the concepts of Ayurveda have existed from the time of the Indus Valley Civilization or even earlier. Humoral balance is emphasized, and suppressing natural urges is considered unhealthy, Ayurveda names three elemental substances, the doshas, and states that a balance of the doshas results in health, while imbalance results in disease. Ayurveda has eight components, which are derived from classical Sanskrit literature. Ayurveda practitioners had developed various medicinal preparations and surgical procedures by the medieval period, the earliest classical Sanskrit works on Ayurveda describe medical science as being divided into eight components. This characterization of the art, the medicine that has eight components, is first found in the Sanskrit epic the Mahābhārata. The central theoretical ideas of Ayurveda developed in the mid-first millennium BCE, balance is emphasized, and suppressing natural urges is considered unhealthy and claimed to lead to illness. For example, to suppress sneezing is said to give rise to shoulder pain. However, people are also cautioned to stay within the limits of reasonable balance, for example, emphasis is placed on moderation of food intake, sleep, and sexual intercourse. Ayurveda names seven basic tissues, which are plasma, blood, muscles, fat, bone, marrow, like the medicine of classical antiquity, Ayurveda has historically divided bodily substances into five classical elements eliminates toxic elements from the body. Panchakarma includes Vamana, Virechana, Basti, Nasya and Raktamokshana and it is preceded by Poorvakarma as a preparatory step, and is followed by Paschatkarma and Peyadikarma. Based on the World Health Assembly resolution on traditional medicine, the WHO has established a traditional medicine strategy, the first previous global strategy was published in 2002 and dealt especially with herbal medicines
9.
Mahabharata
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The Mahābhārata is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa. The Mahābhārata is a narrative of the Kurukṣetra War and the fates of the Kaurava. It also contains philosophical and devotional material, such as a discussion of the four goals of life or puruṣārtha, traditionally, the authorship of the Mahābhārata is attributed to Vyāsa. There have been attempts to unravel its historical growth and compositional layers. The oldest preserved parts of the text are thought to be not much older than around 400 BCE, the text probably reached its final form by the early Gupta period. The title may be translated as the tale of the Bhārata dynasty. According to the Mahābhārata itself, the tale is extended from a version of 24,000 verses called simply Bhārata. The Mahābhārata is the longest known epic poem and has described as the longest poem ever written. Its longest version consists of over 100,000 śloka or over 200,000 individual verse lines, and long prose passages. About 1.8 million words in total, the Mahābhārata is roughly ten times the length of the Iliad and the Odyssey combined, or about four times the length of the Rāmāyaṇa. W. J. Johnson has compared the importance of the Mahābhārata in the context of civilization to that of the Bible, the works of Shakespeare. The epic is traditionally ascribed to the sage Vyāsa, who is also a character in the epic. Vyāsa described it as being itihāsa and he also describes the Guru-shishya parampara, which traces all great teachers and their students of the Vedic times. The first section of the Mahābhārata states that it was Gaṇeśa who wrote down the text to Vyasas dictation, the epic employs the story within a story structure, otherwise known as frametales, popular in many Indian religious and non-religious works. It is recited by the sage Vaiśampāyana, a disciple of Vyāsa, the text has been described by some early 20th-century western Indologists as unstructured and chaotic. Hermann Oldenberg supposed that the poem must once have carried an immense tragic force. Moritz Winternitz considered that only unpoetical theologists and clumsy scribes could have lumped the parts of disparate origin into an unordered whole, Research on the Mahābhārata has put an enormous effort into recognizing and dating layers within the text. Some elements of the present Mahābhārata can be traced back to Vedic times, the background to the Mahābhārata suggests the origin of the epic occurs after the very early Vedic period and before the first Indian empire was to rise in the third century B. C
10.
Pandava
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In the Mahabharata, a Hindu epic text, the Pandavas are the five acknowledged sons of Pandu, by his two wives Kunti and Madri, who was the princess of Madra. Their names are Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva, all five brothers were married to the same woman, Draupadi. Together the brothers fought and prevailed in a war against their cousins the Kauravas. The word Pandava is derived from their fathers name, Pandu, the other epithets of the Pandava group are, Panduputra - sons of Pandu Pandavakumara - young Pandavas Kaunteya - sons of Kunti Madreya - sons of Madri Yudhishthira, The eldest Pandava brother. His name means one who is steadfast even during war and his parents were Kunti and Dharma, god of virtue, justice and morality. Though he lacked the characteristic combat prowess of a Kshatriya, Yudhishthira was one of the most virtuous men, skilled in the duties of a king and he was a good king who, along with his brothers, founded the prosperous city of Indraprastha. In consequence of Krishnas machinations and also by his brothers conquest of the world and he performed two Ashwamedha sacrifices and one Rajasuya sacrifice. Yudhishthira learnt to control the dice from the Sage Brihadaswa and became good at playing chess and his other names are Ajatshatru and Dharmaraja. His name means of terrible might and his parents were Kunti and Vayu, the god of air and wind, who was known for his might. Bhima has the strength and prowess equal to ten thousand powerful bull elephants and was very athletic. He was aggressive and prone to anger, of all the brothers, he alone opposed Yudhishthira, although very loyal to him, for his questionable decisions opposing common sense in the name of dharma. Bhima was devoted to his family and was their natural protector and he was a master in wielding the mace. He was also an archer, having fought Drona and Ashwatthama. Bhima was also skilled in diverse areas of warfare, including wrestling, charioteering, riding elephants. Along with Arjuna, he went on expeditions to conquer the kingdoms to the east, during the Rajasuya Yagna, Bhima subjugated the kingdoms of the eastern direction completely. He slew Krishnas most dangerous enemy, Jarasandha, in a wrestling bout, during the war, Bhima was most famous for slaying one hundred Kauravas and Duryodhana himself. He was also skilled in chopping wood, cooking, culinary arts and his name means of stainless deeds. His parents were Kunti and Indra, king of the gods and he was very virtuous and avoided unjust acts
11.
Proto-Indo-European religion
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The hypothesized reconstructions below are based on linguistic evidence using the comparative method. Archaeological evidence is difficult to match to any specific culture in the period of early Indo-European culture in the Chalcolithic, other approaches to Indo-European mythology are possible, such as the trifunctional hypothesis of Georges Dumézil. Linguists are able to reconstruct the names of deities in the Proto-Indo-European language from many types of sources. Some of the proposed deity names are more accepted among scholars than others. The term for a god was *deiwos, reflected in Hittite, sius, Latin, deus, divus, Sanskrit, deva, Avestan, daeva, Welsh, duw, Irish, dia, Old Norse, tívurr, Lithuanian, Dievas, Latvian, Dievs. The supreme ruler of the Proto-Indo-European pantheon was the god *Dyḗus Pḥɑtḗr and he is believed to have been worshipped as the god of the daylit skies. He is, by far, the most well-attested of all the Proto-Indo-European deities, the Greek god Zeus, the Roman god Jupiter, and the Illyrian god Dei-Pátrous all appear as the head gods of their respective pantheons. The Norse god Týr, however, seems to have been demoted to the role of a minor war-deity, *Dyḗus Pḥɑtḗr is also attested in the Rigveda as Dyáus Pitā, a minor ancestor figure mentioned in only a few hymns. The names of the Latvian god Dievs and the Hittite god Attas Isanus do not preserve the exact translation of the name *Dyḗus Pḥɑtḗr. *Hɑéusōs has been reconstructed as the Proto-Indo-European goddess of the dawn, derivatives of her found throughout various Indo-European mythologies include the Greek goddess Eos, the Roman goddess Aurōra, the Vedic goddess Uṣás, and the Lithuanian goddess Auštrine. The form Arap Ushas appears in Albanian folklore, but as a name for the Moon, an extension of the name may have been *H2eustro, but see also the form *as-t-r, with intrusive -t- in northern dialects. *Seh2ul and *Meh1not are reconstructed as the Proto-Indo-European goddess of the Sun, *Meh1not is reconstructed based off the Norse god Máni, the Hittite god Myesyats, and the Lithuanian god *Meno, or Mėnuo. They are often seen as the children of various deities. The usual scheme is one of these celestial deities is male. The original Indo-European lunar deity appears to have masculine, with feminine lunar deities like Selene, Minerva. Even in these traditions, remnants of male deities, like Menelaus. The word *prihxeha-, meaning wife has been reconstructed based off the Sanskrit word priyā, meaning wife, the Old Norse word frī, meaning beloved, and the Old English word frēo, meaning woman. The name of the Norse goddess Frigg is derived from this root, Analysis of different Indo-European tales indicate the Proto-Indo-Europeans believed there were two progenitors of mankind, *Manu- and *Yemo-, his twin brother
12.
Hengist and Horsa
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Hengist and Horsa are legendary brothers said to have led the Angles, Saxons, and Jutes in their invasion of Britain in the 5th century. Tradition lists Hengist as the first of the Jutish kings of Kent, according to early sources Hengist and Horsa arrived in Britain at Ebbsfleet on the Isle of Thanet. For a time served as mercenaries for Vortigern, King of the Britons. Horsa was killed fighting the Britons, but Hengist successfully conquered Kent, a figure named Hengest, who may be identifiable with the leader of British legend, appears in the Finnsburg Fragment and in Beowulf. Legends of horse-associated founding brothers are attested among other Germanic peoples, as a result, scholars have theorized a pan-Germanic mythological origin for Hengist and Horsa, stemming originally from divine twins found in Proto-Indo-European religion. Other scholars, including J. R. R. Tolkien, have argued for a basis for Hengist. The Old English names Hengest and Horsa mean stallion and horse respectively, the original Old English word for a horse was eoh. Eoh derives from the Proto-Indo-European base *ekwo, hence Latin equus which gave rise to the modern English words equine, Hors is derived from the Proto-Indo-European base *kurs, to run, which also gave rise to hurry, carry, harry, hurrah, and current. Hors eventually replaced eoh, fitting a pattern elsewhere in Germanic languages where the names of sacred animals are abandoned in favour of adjectives, for example. While the Ecclesiastical History and the Anglo-Saxon Chronicle refer to the brother as Horsa and it has been suggested that Horsa may be a pet form of a compound name with the first element horse. In his 8th century Ecclesiastical History, Bede records that the first chieftains among the Angles, Saxons and he relates that Horsa was killed in battle against the Britons and was thereafter buried in East Kent, where at the time of writing a monument still stood to him. According to Bede, Hengist and Horsa were the sons of Wictgils, son of Witta, son of Wecta, the 9th century Anglo-Saxon Chronicle records that in the year 449 Hengist and Horsa were invited to Britain by Vortigern to assist his forces in fighting the Picts. They landed at Eopwinesfleot, and went on to defeat the Picts wherever they fought them, Hengist and Horsa sent word home to Germany describing the worthlessness of the Britons, and the richness of the land and asked for assistance. Their request was granted and support arrived, afterward, more people arrived in Britain from the three powers of Germany, the Old Saxons, the Angles, and the Jutes. The Saxons populated Essex, Sussex, and Wessex, the Jutes Kent, the Isle of Wight, and part of Hampshire, and the Angles East Anglia, Mercia, and Northumbria. These forces were led by the brothers Hengist and Horsa, sons of Wihtgils, son of Witta, son of Wecta, in the entry for the year 455 the Chronicle details that Hengist and Horsa fought with Vortigern at Aylesford and that Horsa died there. Hengist took control of the kingdom with his son Esc, in 457, Hengist and Esc fought against British forces in Crayford and there slew four thousand men. The Britons left the land of Kent and fled to London, in 465, Hengest and Esc fought again at the Battle of Wippedesfleot, probably near Ebbsfleet, and slew twelve British leaders
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