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Assumption of the Virgin (Titian)
Assumption of the Virgin (Titian)
Assumption of the Virgin (Titian)
Assumption of the Virgin (Titian)
The full framing reredos
The full framing reredos
The painting seen through the arch in the choir-screen
The painting seen through the arch in the choir-screen
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The Ghent Altarpiece (1432) by Hubert and Jan van Eyck, with its wings open. Considered one of the masterpieces of Early Netherlandish painting, a com
The Ghent Altarpiece (1432) by Hubert and Jan van Eyck, with its wings open. Considered one of the masterpieces of Early Netherlandish painting, a complex polyptych panel winged altarpiece, which lost its elaborate framework in the Reformation.
Ghent Altarpiece (1432), as above, closed view with the wings folded in.
Ghent Altarpiece (1432), as above, closed view with the wings folded in.
Vigoroso da Siena's altarpiece from 1291, an example of an early painted panel altarpiece, with the individual parts framed by gables and sculptured e
Vigoroso da Siena's altarpiece from 1291, an example of an early painted panel altarpiece, with the individual parts framed by gables and sculptured elements
Rothenburg: The Altarpiece of the Holy Blood, by Tilman Riemenschneider (1501–1505). An example of an altarpiece with a central, sculpted section and
Rothenburg: The Altarpiece of the Holy Blood, by Tilman Riemenschneider (1501–1505). An example of an altarpiece with a central, sculpted section and relief wings.