1.
Salvator Rosa
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Salvator Rosa was an Italian Baroque painter, poet, and printmaker, who was active in Naples, Rome, and Florence. As a painter, he is best known as unorthodox and extravagant as well as being a perpetual rebel, Rosa was born in Arenella, at that time in the outskirts of Naples, on either June 20 or July 21,1615. His mother was Giulia Greca Rosa, a member of one of the Greek families of Sicily and his father, Vito Antonio de Rosa, a land surveyor, urged his son to become a lawyer or a priest, and entered him into the convent of the Somaschi Fathers. Yet Salvator showed a preference for the arts and secretly worked with his maternal uncle Paolo Greco to learn about painting. He soon transferred himself to the tutelage of his brother-in-law Francesco Fracanzano, a pupil of Ribera, and afterward to either Aniello Falcone, some sources claim he spent time living with roving bandits. He continued apprenticeship with Falcone, helping him complete his battlepiece canvases, in that studio, it is said that Lanfranco took notice of his work, and advised him to relocate to Rome, where he stayed from 1634–36. Returning to Naples, he began painting haunting landscapes, overgrown vegetation, or jagged beaches, mountains. Rosa was among the first to paint romantic landscapes, with a turn for scenes of picturesque, often turbulent and rugged scenes peopled with shepherds, brigands, seamen. These early landscapes were sold cheaply through private dealers and he returned to Rome in 1638–39, where he was housed by Cardinal Francesco Maria Brancaccio, bishop of Viterbo. For the Chiesa Santa Maria della Morte in Viterbo, Rosa painted his first and one of his few altarpieces, while Rosa had a facile genius at painting, he pursued a wide variety of arts, music, poetry, writing, etching, and acting. In Rome, he befriended Pietro Testa and Claude Lorrain, in costume, he inveighed against the farcical comedies acted in the Trastevere under the direction of Bernini. While his plays were successful, this activity also gained him enemies among patrons and artists, including Bernini himself. By late 1639, he had to relocate to Florence, where he stayed for eight years, in part, he had been invited by a Cardinal Gian Carlo de Medici. Once there, Rosa sponsored a combination of studio and salon of poets, playwrights, to the rigid art milieu of Florence, he introduced his canvases of wild landscapes, while influential, he gathered few true pupils. Another painter poet, Lorenzo Lippi, shared with Rosa the hospitality of the cardinal, Lippi encouraged him to proceed with the poem Il Malmantile Racquistato. He was well acquainted also with Ugo and Giulio Maffei, and was housed with them in Volterra, where he wrote four satires Music, Poetry, Painting, about the same time he painted his own portrait, now in the National Gallery, London. In 1646 he returned to Naples, and appears to have sympathized with the 1648 insurrection of Masaniello, whether he participated in the insurrection is unknown. He painted a portrait of Masaniello—probably from reminiscence rather than life, on the approach of Don Juan de Austria, the blood-stained Compagnia dispersed
2.
Ancient Greek religion
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Ancient Greek religion encompasses the collection of beliefs, rituals, and mythology originating in ancient Greece in the form of both popular public religion and cult practices. These groups varied enough for it to be possible to speak of Greek religions or cults in the plural, many ancient Greeks recognized the twelve major gods and goddesses, although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity. Different cities often worshiped the deities, sometimes with epithets that distinguished them. Greek religion was tempered by Etruscan cult and belief to form much of the later ancient Roman religion, while there were few concepts universal to all the Greek peoples, there were common beliefs shared by many. Ancient Greek theology was polytheistic, based on the assumption there were many gods. There was a hierarchy of deities, with Zeus, the king of the gods, having a level of control all the others. Some deities had dominion over aspects of nature. Other deities ruled over abstract concepts, for instance Aphrodite controlled love, while being immortal, the gods were certainly not all-good or even all-powerful. They had to obey fate, known to Greek mythology as the Moirai, which overrode any of their divine powers or wills. For instance, in mythology, it was Odysseus fate to return home to Ithaca after the Trojan War, and the gods could only lengthen his journey and make it harder for him, the gods acted like humans, and had human vices. They would interact with humans, sometimes even spawning children with them, at times certain gods would be opposed to others, and they would try to outdo each other. In the Iliad, Aphrodite, Ares and Apollo support the Trojan side in the Trojan War, while Hera, Athena, some gods were specifically associated with a certain city. Athena was associated with the city of Athens, Apollo with Delphi and Delos, Zeus with Olympia, other deities were associated with nations outside of Greece, Poseidon was associated with Ethiopia and Troy, and Ares with Thrace. The Greeks believed in an underworld where the spirits of the dead went after death, one of the most widespread areas of this underworld was ruled over by Hades, a brother of Zeus, and was known as Hades. Other well known realms are Tartarus, a place of torment for the damned, and Elysium, in the early Mycenean religion all the dead went to Hades, but the rise of mystery cults in the Archaic age led to the development of places such as Tartarus and Elysium. Such beliefs are found in the most ancient of Greek sources, such as Homer and this belief remained strong even into the Christian era. For most people at the moment of death there was, however, no hope of anything, some Greeks, such as the philosophers Pythagoras and Plato, also embraced the idea of reincarnation, though this was only accepted by a few. Epicurus taught that the soul was simply atoms which dissolved at death, Greek religion had an extensive mythology
3.
Zeus
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Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
4.
Ovid
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Publius Ovidius Naso, known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists and he enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, a poem and a mistake and his poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology, Ovid talks more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, other sources include Seneca the Elder and Quintilian. Ovid was born in Sulmo, in an Apennine valley east of Rome, to an important equestrian family and that was a significant year in Roman politics. He was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro with his brother who excelled at oratory and his father wanted him to study rhetoric toward the practice of law. According to Seneca the Elder, Ovid tended to the emotional, after the death of his brother at 20 years of age, Ovid renounced law and began travelling to Athens, Asia Minor, and Sicily. Ovids first recitation has been dated to around 25 BC, when he was eighteen and he was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. 4.10. 41–54, Ovid mentions friendships with Macer, Propertius, Horace, Ovid was very popular at the time of his early works, but was later exiled by Augustus in AD8. He married three times and divorced twice by the time he was thirty years old and he had one daughter, who eventually bore him grandchildren. His last wife was connected in some way to the influential gens Fabia, the first 25 years of Ovids literary career were spent primarily writing poetry in elegiac meter with erotic themes. The chronology of early works is not secure, tentative dates. 2.18. 19–26 that seems to describe the collection as a published work. The authenticity of some of these poems has been challenged, between the publications of the two editions of the Amores can be dated the premiere of his tragedy Medea, which was admired in antiquity but is no longer extant. Ovid may identify this work in his poetry as the carmen, or song. The Ars Amatoria was followed by the Remedia Amoris in the same year and this corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member
5.
Constellation
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A constellation is formally defined as a region of the celestial sphere, with boundaries laid down by the International Astronomical Union. The constellation areas mostly had their origins in Western-traditional patterns of stars from which the constellations take their names, in 1922, the International Astronomical Union officially recognized the 88 modern constellations, which cover the entire sky. They began as the 48 classical Greek constellations laid down by Ptolemy in the Almagest, Constellations in the far southern sky are late 16th- and mid 18th-century constructions. 12 of the 88 constellations compose the zodiac signs, though the positions of the constellations only loosely match the dates assigned to them in astrology. The term constellation can refer to the stars within the boundaries of that constellation. Notable groupings of stars that do not form a constellation are called asterisms, when astronomers say something is “in” a given constellation they mean it is within those official boundaries. Any given point in a coordinate system can unambiguously be assigned to a single constellation. Many astronomical naming systems give the constellation in which an object is found along with a designation in order to convey a rough idea in which part of the sky it is located. For example, the Flamsteed designation for bright stars consists of a number, the word constellation seems to come from the Late Latin term cōnstellātiō, which can be translated as set of stars, and came into use in English during the 14th century. It also denotes 88 named groups of stars in the shape of stellar-patterns, the Ancient Greek word for constellation was ἄστρον. Colloquial usage does not draw a distinction between constellation in the sense of an asterism and constellation in the sense of an area surrounding an asterism. The modern system of constellations used in astronomy employs the latter concept, the term circumpolar constellation is used for any constellation that, from a particular latitude on Earth, never sets below the horizon. From the North Pole or South Pole, all constellations south or north of the equator are circumpolar constellations. In the equatorial or temperate latitudes, the term equatorial constellation has sometimes been used for constellations that lie to the opposite the circumpolar constellations. They generally include all constellations that intersect the celestial equator or part of the zodiac, usually the only thing the stars in a constellation have in common is that they appear near each other in the sky when viewed from the Earth. In galactic space, the stars of a constellation usually lie at a variety of distances, since stars also travel on their own orbits through the Milky Way, the star patterns of the constellations change slowly over time. After tens to hundreds of thousands of years, their familiar outlines will become unrecognisable, the terms chosen for the constellation themselves, together with the appearance of a constellation, may reveal where and when its constellation makers lived. The earliest direct evidence for the constellations comes from inscribed stones and it seems that the bulk of the Mesopotamian constellations were created within a relatively short interval from around 1300 to 1000 BC
6.
Tarot
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The tarot is a pack of playing cards, used from the mid-15th century in various parts of Europe to play games such as Italian tarocchini and French tarot. In the late 18th century, it began to be used for divination in the form of tarotology/cartomancy, like common playing cards, the tarot has four suits. Each suit has 14 cards, ten cards numbering from one to ten, in addition, the tarot has a separate 21-card trump suit and a single card known as the Fool. Depending on the game, the Fool may act as the top trump or may be played to avoid following suit, françois Rabelais mentions tarau as one of the games played by Gargantua in his Gargantua and Pantagruel. Tarot cards are used much of Europe to play card games. In English-speaking countries, where games are not played, tarot cards are used primarily for divinatory purposes. The trump cards and the Fool are sometimes called the major arcana while the ten pip and four court cards in each suit are called minor arcana. The cards are traced by some writers to ancient Egypt or the Kabbalah. The word tarot and German Tarock derive from the Italian tarocchi, the singular term is tarocco, which means a type of blood orange in modern Italian. One theory relates to the Taro River in northern Italy, the game may have originated in Milan or Bologna, other writers believe it comes from the Arabic word طرق turuq, which means ways. Alternatively, it may be from the Arabic ترك taraka, to leave, abandon, omit, playing cards first entered Europe in the late 14th century, most likely from Mamluk Egypt, with suits of Batons or Polo sticks, Coins, Swords, and Cups. These suits were similar to modern tarot divination decks and are still used in traditional Italian, Spanish. The first documented tarot packs were recorded between 1430 and 1450 in Milan, Ferrara and Bologna when additional trump cards with allegorical illustrations were added to the common four-suit pack. These new decks were called carte da trionfi, triumph cards, and the additional cards known simply as trionfi and these cards are documented in a written statement in the court records in Florence, in 1440. The oldest surviving tarot cards are from fifteen decks painted in the mid 15th century for the Visconti-Sforza family, during the 16th-century, a new game played with a standard deck but sharing the same name was quickly becoming popular. This coincided with the game being renamed tarocchi. He describes a deck with 16 cards with images of the Greek gods, however the 16 cards were obviously regarded as trumps as, about 25 years later, Jacopo Antonio Marcello called them a ludus triumphorum, or game of trumps. Fragments of two playing card decks from Milan, made around 1440, survive, Three documents dating from 1 January 1441 to July 1442, use the term trionfi
7.
Virgil
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Publius Vergilius Maro, usually called Virgil or Vergil /ˈvɜːrdʒᵻl/ in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature, the Eclogues, the Georgics, a number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him. Virgil is traditionally ranked as one of Romes greatest poets and his Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Virgils work has had wide and deep influence on Western literature, most notably Dantes Divine Comedy, in which Virgil appears as Dantes guide through Hell, the tradition holds that Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul. Analysis of his name has led to beliefs that he descended from earlier Roman colonists, modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Macrobius says that Virgils father was of a background, however. He attended schools in Cremona, Mediolanum, Rome and Naples, after considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry. From Virgils admiring references to the neoteric writers Pollio and Cinna, it has been inferred that he was, for a time, according to Servius, schoolmates considered Virgil extremely shy and reserved, and he was nicknamed Parthenias or maiden because of his social aloofness. Virgil also seems to have suffered bad health throughout his life, according to the Catalepton, he began to write poetry while in the Epicurean school of Siro the Epicurean at Naples. A group of works attributed to the youthful Virgil by the commentators survive collected under the title Appendix Vergiliana. One, the Catalepton, consists of fourteen poems, some of which may be Virgils, and another. The biographical tradition asserts that Virgil began the hexameter Eclogues in 42 BC and it is thought that the collection was published around 39–38 BC, the Eclogues are a group of ten poems roughly modeled on the bucolic hexameter poetry of the Hellenistic poet Theocritus. The loss of his farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgils motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues, the ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside,2 and 3 are pastoral and erotic, discussing both homosexual love and attraction toward people of any gender. Eclogue 4, addressed to Asinius Pollio, the so-called Messianic Eclogue uses the imagery of the age in connection with the birth of a child. Virgil came to many of the other leading literary figures of the time, including Horace, in whose poetry he is often mentioned, and Varius Rufus. At Maecenas insistence Virgil spent the years on the long didactic hexameter poem called the Georgics which he dedicated to Maecenas
8.
Renaissance
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The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
9.
Elizabeth I of England
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Elizabeth I was Queen of England and Ireland from 17 November 1558 until her death. Sometimes called The Virgin Queen, Gloriana or Good Queen Bess, Elizabeth was the daughter of Henry VIII and Anne Boleyn, his second wife, who was executed two and a half years after Elizabeths birth. Annes marriage to Henry VIII was annulled, and Elizabeth was declared illegitimate, edwards will was set aside and Mary became queen, deposing Lady Jane Grey. During Marys reign, Elizabeth was imprisoned for nearly a year on suspicion of supporting Protestant rebels, in 1558, Elizabeth succeeded her half-sister to the throne and set out to rule by good counsel. She depended heavily on a group of trusted advisers, led by William Cecil, one of her first actions as queen was the establishment of an English Protestant church, of which she became the Supreme Governor. This Elizabethan Religious Settlement was to evolve into the Church of England and it was expected that Elizabeth would marry and produce an heir to continue the Tudor line. She never did, despite numerous courtships, as she grew older, Elizabeth became famous for her virginity. A cult grew around her which was celebrated in the portraits, pageants, in government, Elizabeth was more moderate than her father and half-siblings had been. One of her mottoes was video et taceo, in religion, she was relatively tolerant and avoided systematic persecution. Elizabeth was cautious in foreign affairs, manoeuvring between the powers of France and Spain. She only half-heartedly supported a number of ineffective, poorly resourced military campaigns in the Netherlands, France, by the mid-1580s, England could no longer avoid war with Spain. Englands defeat of the Spanish Armada in 1588 associated Elizabeth with one of the greatest military victories in English history, Elizabeths reign is known as the Elizabethan era. Some historians depict Elizabeth as a short-tempered, sometimes indecisive ruler, towards the end of her reign, a series of economic and military problems weakened her popularity. Such was the case with Elizabeths rival, Mary, Queen of Scots, after the short reigns of Elizabeths half-siblings, her 44 years on the throne provided welcome stability for the kingdom and helped forge a sense of national identity. Elizabeth was born at Greenwich Palace and was named after both her grandmothers, Elizabeth of York and Elizabeth Howard and she was the second child of Henry VIII of England born in wedlock to survive infancy. Her mother was Henrys second wife, Anne Boleyn, at birth, Elizabeth was the heir presumptive to the throne of England. She was baptised on 10 September, Archbishop Thomas Cranmer, the Marquess of Exeter, the Duchess of Norfolk, Elizabeth was two years and eight months old when her mother was beheaded on 19 May 1536, four months after Catherine of Aragons death from natural causes. Elizabeth was declared illegitimate and deprived of her place in the royal succession, eleven days after Anne Boleyns execution, Henry married Jane Seymour, who died shortly after the birth of their son, Prince Edward, in 1537
10.
Philip IV of Spain
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Philip IV of Spain was King of Spain and Portugal as Philip III. He ascended the thrones in 1621 and reigned in Spain until his death, Philip is remembered for his patronage of the arts, including such artists as Diego Velázquez, and his rule over Spain during the challenging period of the Thirty Years War. Philip IV was born in Valladolid, and was the eldest son of Philip III and his wife, Philip had seven children by Elisabeth, with only one being a son, Balthasar Charles, who died at the age of sixteen in 1646. The death of his son deeply shocked the king, who appears to have been a father by the standards of the day. Philip remarried in 1646, following the deaths of both Elisabeth and his legitimate heir. Perceptions of Philips personality have altered considerably over time, victorian authors were inclined to portray him as a weak individual, delegating excessively to his ministers, and ruling over a debauched Baroque court. Victorian historians even attributed the death of Baltasar to debauchery. The doctors who treated the Prince at that time in fact diagnosed smallpox, Philip was idealised by his contemporaries as the model of Baroque kingship. Philip was a horseman, a keen hunter and a devotee of bull-fighting. Privately, Philip appears to have had a lighter persona, when he was younger, he was said to have a keen sense of humour and a great sense of fun. He privately attended academies in Madrid throughout his reign — these were lighthearted literary salons, aiming to analyse contemporary literature, a keen theatre-goer, he was sometimes criticised by contemporaries for his love of these frivolous entertainments. Others have captured his private personality as naturally kind, gentle and affable and those close to him claimed he was academically competent, with a good grasp of Latin and geography, and could speak French, Portuguese and Italian well. Like many of his contemporaries, including Olivares, he had a keen interest in astrology and his handwritten translation of Francesco Guicciardinis texts on political history still exists. Although Philips Catholic beliefs no longer attract criticism from English language writers, notably, from the 1640s onwards he sought the advice of a noted cloistered abbess, Sor María de Ágreda, exchanging many letters with her. By the end of the reign, and with the health of Carlos José in doubt, there was a possibility of Juan Josés making a claim on the throne. Philip IV came to power as the influence of the Sandovals was being undermined by a new noble coalition, over the course of at least a year, however, the relationship became very close, with Philips tendency towards underconfidence and diffidence counteracted by Olivares drive and determination. Philip retained Olivares as his confidant and chief minister for the twenty years. Philip himself argued that it was appropriate for the king himself to go house to house amongst his ministers to see if his instructions were being carried out
11.
Jean-Jacques Rousseau
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Jean-Jacques Rousseau was a Francophone Genevan philosopher, writer, and composer of the 18th century. His political philosophy influenced the Enlightenment in France and across Europe, as well as aspects of the French Revolution, Rousseaus novel Emile, or On Education is a treatise on the education of the whole person for citizenship. His sentimental novel Julie, or the New Heloise was of importance to the development of pre-romanticism and romanticism in fiction and his Discourse on Inequality and The Social Contract are cornerstones in modern political and social thought. During the period of the French Revolution, Rousseau was the most popular of the philosophes among members of the Jacobin Club and he was interred as a national hero in the Panthéon in Paris, in 1794,16 years after his death. Rousseau was born in Geneva, which was at the time a city-state, since 1536, Geneva had been a Huguenot republic and the seat of Calvinism. Rousseau was proud that his family, of the order, had voting rights in the city. Throughout his life, he signed his books Jean-Jacques Rousseau. Geneva, in theory, was governed democratically by its male voting citizens, the citizens were a minority of the population when compared to the immigrants, referred to as inhabitants, whose descendants were called natives and continued to lack suffrage. There was much debate within Geneva, extending down to the tradespeople. Much discussion was over the idea of the sovereignty of the people, in 1707, a democratic reformer named Pierre Fatio protested this situation, saying a sovereign that never performs an act of sovereignty is an imaginary being. He was shot by order of the Little Council, Jean-Jacques Rousseaus father, Isaac, was not in the city at this time, but Jean-Jacquess grandfather supported Fatio and was penalized for it. The trade of watchmaking had become a tradition by the time of Rousseaus father. Isaac followed his grandfather, father and brothers into the business, Isaac, notwithstanding his artisan status, was well educated and a lover of music. A Genevan watchmaker, Rousseau wrote, is a man who can be introduced anywhere, in 1699, Isaac ran into political difficulty by entering a quarrel with visiting English officers, who in response drew their swords and threatened him. After local officials stepped in, it was Isaac who was punished, Rousseaus mother, Suzanne Bernard Rousseau, was from an upper-class family. She was raised by her uncle Samuel Bernard, a Calvinist preacher and he cared for Suzanne after her father Jacques died in his early thirties. In 1695, Suzanne had to answer charges that she had attended a street theater disguised as a peasant woman so she could gaze upon M. Vincent Sarrasin, after a hearing, she was ordered by the Genevan Consistory to never interact with him again. She married Rousseaus father at the age of 31, isaacs sister had married Suzannes brother eight years earlier, after she had become pregnant and they had been chastised by the Consistory
12.
Catherine the Great
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Catherine II of Russia, also known as Catherine the Great, was a Russian monarch. She was the female leader of Russia, reigning from 1762 until her death in 1796 at the age of 67. She came to following a coup détat when her husband. Russia was revitalised under her reign, growing larger and stronger than ever, in both her accession to power and in rule of her empire, Catherine often relied on her noble favourites, most notably Grigory Orlov and Grigory Potemkin. In the west, the Polish–Lithuanian Commonwealth, ruled by Catherines former lover, king Stanisław August Poniatowski, was eventually partitioned, in the east, Russia started to colonise Alaska, establishing Russian America. Catherine reformed the administration of Russian guberniyas, and many new cities, an admirer of Peter the Great, Catherine continued to modernise Russia along Western European lines. However, military conscription and the continued to depend on serfdom. This was one of the reasons behind several rebellions, including the large-scale Pugachevs Rebellion of cossacks. The period of Catherine the Greats rule, the Catherinian Era, is considered the Golden Age of the Russian Empire. The Manifesto on Freedom of the Nobility, issued during the reign of Peter III and confirmed by Catherine. Construction of many mansions of the nobility, in the classical style endorsed by the Empress and she enthusiastically supported the ideals of The Enlightenment, thus earning the status of an enlightened despot. Catherine was born in Stettin, Pomerania, Kingdom of Prussia as Princess Sophie Friederike Auguste von Anhalt-Zerbst-Dornburg, she was nicknamed Figchen. Her father, Christian August, Prince of Anhalt-Zerbst, belonged to the ruling German family of Anhalt, two of her first cousins became Kings of Sweden, Gustav III and Charles XIII. In accordance with the then prevailing in the ruling dynasties of Germany, she received her education chiefly from a French governess. She once wrote to her correspondent Baron Grimm, I see nothing of interest in it, although Catherine was born a princess, her family had very little money. Catherines rise to power was supported by her mothers relatives who were both wealthy nobles and royal relations. Catherine first met Peter III at the age of 10, based on her writings, she found Peter detestable upon meeting him. She disliked his pale complexion and his fondness for alcohol at such a young age, Peter also still played with toy soldiers
