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Atalanta
Atalanta surrounded by three Erotes, Attic white-ground lekythos, c. 500–470 BC
Atalanta surrounded by three Erotes, Attic white-ground lekythos, c. 500–470 BC
Atalanta. Marble, 1703–1705. Copy by Pierre Lepautre of a Roman work after a Hellenistic original.
Atalanta. Marble, 1703–1705. Copy by Pierre Lepautre of a Roman work after a Hellenistic original.
Black-figure pottery showing a wrestling match between Peleus and Atalanta during the funerary games of King Pelias. In the background, the prize of t
Black-figure pottery showing a wrestling match between Peleus and Atalanta during the funerary games of King Pelias. In the background, the prize of the duel: the skin and the head of the Calydonian boar.
Fresco depicting Atalanta and Meleager resting after successfully hunting the Calydonian boar, Pompeii
Fresco depicting Atalanta and Meleager resting after successfully hunting the Calydonian boar, Pompeii
Jason
Jason, between the jaws of the dragon which guards the Golden Fleece, is saved by Athena. The fleece hangs from a tree behind them. Attic kylix, c. 48
Jason, between the jaws of the dragon which guards the Golden Fleece, is saved by Athena. The fleece hangs from a tree behind them. Attic kylix, c. 480–470 BC, attributed to Douris.
Pelias, king of Iolcos, stops on the steps of a temple as he recognises young Jason by his missing sandal; Roman fresco from Pompeii, 20-25 AD.
Pelias, king of Iolcos, stops on the steps of a temple as he recognises young Jason by his missing sandal; Roman fresco from Pompeii, 20-25 AD.
Jason bringing Pelias the Golden Fleece, Apulian red-figure calyx krater, c. 340 BC–330 BC, Louvre
Jason bringing Pelias the Golden Fleece, Apulian red-figure calyx krater, c. 340 BC–330 BC, Louvre
Jason and Medea - as depicted by John William Waterhouse, 1907.
Jason and Medea - as depicted by John William Waterhouse, 1907.